Before recording his most notable work (to that point) as a saxophonist in Miles Davis’ “Birth of the Cool” nonet, his initial reputation was as an arranger, including a stint in 1946 as the staff arranger in Gene Krupa’s Orchestra. He would eventually become one of the leading voices on his instrument for almost 50 years. Who is he?

This saxophonist’s first important jobs were during the 1940’s with Lionel Hampton (pictured), Fletcher Henderson, Louis Armstrong’s big band, and Billy Eckstine’s Orchestra. Additionally, he was a Savoy Records recording artist as a leader before being an important part of the scene on Los Angeles’ Central Avenue. Who was he?

While legendary as a saxophonist, his first instrument was a violin and his second the piano — which he played well enough to work as an accompanist to silent movies. Ultimately it was Lester Young’s father who taught him the saxophone well enough that he switched instruments for good. (It was during this time that he also saved Lester from drowning in a river). Who is he?

This famed jazz artist played the piano professionally as a seventh grader before switching to drums, learning to play in the styles of Chick Webb and Sid Catlett. Before forming his own band in the early 1950’s, he played with Mary Lou Williams (pictured) in New York, toured the South with Fletcher Henderson’s band, and was the drummer in Billy Eckstine’s group from 1944 – 1947. Who is he?

This pianist was Billie Holiday’s regular accompanist during her last two years (1957 – 1959), and also played in the Eric Dolphy-Booker Little Quintet that recorded extensively at New York’s Five Spot in 1961. Who is he?

Described as a “Louis Armstrong sound-alike on both trumpet and vocals” whose recording of “On the Sunny Side of the Street” was so close to Armstrong’s live show that some listeners thought Armstrong was copying him, this trumpeter (along with Bobby Stark), was Chick Webb’s main trumpet soloist during the 1930’s. Who is he?

In addition to being one of the greatest musicians of his generation, this Ohio native was an activist, leading “Jazz and People’s Movement,” a group formed in the late 1960’s who “adopted the tactic of interrupting tapings and broadcasts of television and radio programs (i.e. the shows of Johnny Carson, Dick Cavett [pictured] and Merv Griffin) in protest of the small number of African-American musicians employed by networks and recording studios.” Who was he?

This bassist played with (among others) Charlie Parker, Erroll Garner, Nat King Cole and Dexter Gordon, was one of the earliest modern jazz tuba soloists, and was the only player to turn down offers to join both Duke Ellington’s Orchestra and the Louis Armstrong All-Stars. Who is he?

In addition to being a top bassist between 1945 – 1960, he was the first major jazz soloist on the cello.  He also played on Coleman Hawkins’ 1943 recording of “The Man I Love,” and appeared with Hawkins and Howard McGhee in the film The Crimson Canary.  Who is he?

Before becoming one of television’s biggest stars, he was a competent ragtime and jazz piano player greatly influenced by Scott Joplin, and employed a band of New Orleans musicians similar to the Original Dixieland Jazz Band to play during his New York vaudeville revue. Who was he?

This jazz legend’s career included early work with Kid Ory in Barney Bigard’s group in 1942, a tour the following year with Louis Armstrong, and stints with Lionel Hampton, Red Norvo, Art Tatum and Stan Getz. His last project was a late 1970’s collaboration with a famous female folk-rock singer. Who is he?

Although he was an accomplished bandleader whose 1932 – 1936 band became the nucleus of the first Woody Herman Orchestra, his most important contribution to music is as a songwriter, whose work includes “It Had to Be You,” “I’ll See You in My Dreams,” and “There is No Greater Love.”  Who is he?

This saxophonist — described by Art Blakey as knowing more about the saxophone (technically) than anyone, including Charlie Parker — was a soloist in the bands of Don Redman and Lionel Hampton, was an influence on John Coltrane, and ultimately became a prolific R&B bandleader. Who was he?

In addition to composing the theme to films like Mission Impossible, The Cincinnati Kid, Dirty Harry and Cool Hand Luke, this pianist was Dizzy Gillespie’s musical director from 1960 – 1962. Who is he?