“The Silent Type,” a short story by Tom Funk

January 30th, 2024

.

.

“The Silent Type” was a short-listed entry in our recently concluded 64th Short Fiction Contest, and is published with the consent of the author.

.

.

___

.

.

pixabay.com via Picryl.com

pixabay.com via Picryl.com

.

The Silent Type

by Tom Funk

.

 

…..It must have been the stiff breeze coming in off the lake that blew open the blinds and shot that piercing sunbeam into the crack beneath my eyelid. It startled me awake.  I was lying in bed,but I should have been up writing my  speech.  I was due to tell the Rotarians of Metairie why I deserved a fourth term as their mayor.  I jumped into the shower and started crafting bullet points. Renaldo said the same ole stump wasn’t good enough. I needed to polish up that turd, make it gleam like shinola on my best dress boots. So from the shower I headed straight to the laptop and tried to wax eloquent.

…..    The thought of rubber chicken at the Holiday Inn and pressing the flesh with those sweaty palmed middle managers wasn’t overly inspiring and I found my mind drawn back to the view from my window.  I stared down the long street that led to my third story townhouse. Near the end of visibility sat the storefront where I’d last seen her.  I wondered if she was happy, if her hair was still red, if she still had those thick soft lips, the eyes that had never escaped my mind.

…..          It had been fifteen years since I’d seen her, eighteen since we’d first met.  She was married then, soon to be divorced, or so I thought.  She seemed out of place in that topless joint, sitting at the end of the bar nursing a whiskey and coke, staring off into the distance between pulls on her Virgina Slim.  Renaldo had dragged me down there at the end of our union meeting.  Even then he was good at telling me what to do, when I needed to take a break, when I needed to hustle.

…..     “Check out the redhead over there,” he’d whispered in my ear, nudging me with his elbow.  “She looks like the silent type,” he mumbled, “hasn’t said a word to anybody since we’ve been in here.” He knew I liked my women that way.  Honestly, they’d have to be that way to be with me, I run my mouth a mile a minute.

…..    But I couldn’t help but notice that big fat diamond on her ring finger.  She kept messing with it, rolling it around like she was about to take it off. I nodded at that when Renaldo nudged me the second time.

…..   “Dude, you never know ‘til you ask, maybe she just keeps it on to scare people off, she looks like she needs some company.”

…..      “Why’s a classy chick like that gonna wanna hang with a guy that stinks like fish,” I shot back. ”Hell, I can barely stand myself.” We’d just come back from three days on the trawler in the gulf, and I hadn’t had the benefit of a shower or a change of clothes.

…..     “Dude, if you like what you see, you gotta go for it, let her decide if you’re good enough,” he said, poking me in the shoulder with his index finger.  That wasn’t the first time he knew what I wanted better than I did.  I stood up off the bar stool and headed in her direction.

…..     That’s when her Travolta wannabe husband showed up.  Fully decked out in his bright purple leisure suit and six inch platform shoes, shirt unbuttoned past the middle of his hairy chest and more gold bouncing off his midsection than Mark Spitz at the Olympics. Before I could reach her he’d grabbed her by the arm and announced loud enough for the whole joint to hear that she was leaving.

…..   I decked him without giving myself time to think why that might not be a good idea.  She seemed to like it, grabbing my arm and pulling me towards the door.  Renaldo threw his keys at me and yelled he’d find a ride.  Travolta started to chase us, but he didn’t get out the door before Renaldo decked him again.

…..When we got to the car she told me her name was Clara.  It seemed out of place at the time, Clara seemed like a little old lady. In her satin evening gown, feather boa and high heels she didn’t look the part. Renaldo was right, she was the silent type.  I did nearly all the talking, basically having to pull her story out of her.  Travolta was rich but abusive.  He was mobbed up, fronting in construction, building mini-mansions on Pontchartrain for his comrades and keeping her in style.  But she wasn’t happy.  She grew up the daughter of two academics, history profs that liked the idea of money but didn’t like the way Travolta made it.

…..So she couldn’t run to them when he started hitting.  She’d burned all the bridges way back. She had a history Phd. but she couldn’t use it.  She knew American History best but there were parts of it she couldn’t talk about.  She froze up when she had to talk about slavery. So she sat at home and dreaded when he would return.

…..When I asked her where we should go, she just shrugged her shoulders and started to cry.  I’d had a job cooking at a logging camp in Oregon and a friend that had a cabin in the woods where I thought we could flop ‘til we figured out what was next.  She nodded when I asked if that would work, so we drove as far as we could in my old beater. It died in the middle of I-80 somewhere in Wyoming, we left it there and caught a ride into Cheyenne.

…..       The loggers at my old job looked at Clara like an alien had just stepped off a flying saucer. I’m sure they’d never seen a woman in high heels and satin there before. But they gave me my old job back and put her to work driving trucks.  And that worked for about three months. But then one day she came back to the cabin face white as a sheet. Said she had to leave.  When I asked why, all she would say was it was best.  I figured Travolta and his goons had  found us out. She started throwing her stuff into a plastic garbage bag.  I tried to get her to let me go with her, but she wouldn’t hear it. “We’ll meet again, Bobby, I’m sure of it…but right now this is what’s best.”

…..      And so go she did, got a ride from the camp down to Eugene and from there I don’t know where she went. Meanwhile I kept cooking til I had enough money for a car and a couple of months rent.  Then I headed back towards New Orleans, hoping I could find her and knowing working the boats was much more suited to me than frying bacon.

…..    Working the boats was something I was good at. With my gift of gab I hustled my way into buying a boat, then three, and before I was thirty I owned a fleet of them. When they started talking about putting limits on how many fish we could take out of the gulf, I used that gift of gab to talk our congressman into voting against it.  That’s when they told me I should get into politics.

…..       I found myself running for mayor of Metairie.  We rented a storefront to run my campaign.  That’s where I was when Clara showed up again. My campaign manager told me there was some contractor that wanted to meet me and make a donation. I thought nothing of it until he walked in. It was Travolta. My heart skipped a beat as I went to shake his hand. “Mr  Zimmerman, nice to me you, heard lotsa good things ‘bout you,” he smiled broadly and stuck his hand out. I grabbed his hand and sighed in relief , as apparently he didn’t recognize me. But then I heard a second pair of footsteps approach in what sounded like heels. As she entered my office my heart nearly left my throat- it was Clara.

…..     She’d cut her hair and dyed it jet black, but I’d have recognized those eyes anywhere.  She quickly shook her head “no” while she was still behind Travolta. “I left a little something with your secretary for the campaign, Mr. Zimmerman, but I need ta bend your ear on this proposed change to Metairie’s building code that’s gonna cause me and anybody else buildin’ houses here a big problem.”

…..    “Sure…have a seat,” I said, hoping my voice didn’t sound as jittery as I felt.  Clara and I stared at each other while Travolta went into a spiel about how the housing code was going to shut him down. I didn’t hear any of it.  Five minutes later he finished and I managed to get out, “Well, I’ll look into it, we definitely don’t wanna stop new construction.” He then turned to Clara and said, “Oh, forgive me,  this here is my wife Clara, she’s da brains behind this operation.”

…..    Clara smiled weakly, “Nice to meet you,” she mumbled, as did I in return.  And then they were gone as quickly as they had come.

…..  I sat in silence for some time.  A few tears welled up and I quickly brushed them away.  I tried to console myself saying that she was still alive and looked like she was healthy.  But I really didn’t believe it could be good with her.

…..   My secretary walked in , “That guy left this envelope, there’s five hundred bucks in here.  You want I should put it in the safe with the rest of the donations?” she asked.

…..   “Yeah,” was all I could manage.

…..  She shuffled some other papers in the envelope.  “ It looks like he put some papers in here too, looks like copies of the Building Code with some handwritten notes on it.  Do you wanta see that?”

…..    “Nah, “ I blurted, I was in no mood for Travolta’s code issues. “Just stick it in the Donations file and I’ll look at it later.”

…..And that’s where it stayed for fifteen years, buried deep in the basement of that storefront office. I never got around to reading Travolta’s notes on the building code.  I guess he found bigger fish to fry because after I won he never darkened my door again.  Life moved on. I sold the boats after I won the Mayor’s race.  Two years after that I fell in love and got married.  A couple of kids came along a few years later.  I started losing my hair and growing a middle age paunch.

…..     I never forgot about Clara, but between my boats and the campaign I never found time to do anything about trying to reconnect.  I hoped she was o.k. But what could I do, I had my own life now, I had to keep on keepin’ on.

…..     Then my landlord at the storefront told me she needed me to clean out the basement.  I guess I could have hired somebody to go through all those boxes, but in politics you don’t always know who you can trust.  I did it myself.

…..      I know it sounds boring, but actually I kinda liked it at first. It brought back some good memories , thank you cards, and pics of me smashing palms with the locals. But it stopped being fun when I opened a dingy box and found a crumpled  envelope with a copy of the Metairie Building Code and some handwritten notes on it. It was Travolta’s notes to me from that office visit 15 years ago.  They were barely legible.  I got a laugh about how he butchered the language pleading for sympathy about the burden this or that was putting on him.

…..   Then I noticed there were two pages stuck together at the back of it.. One was the last page of the Code. The second was all handwritten, but not in the scrawl of the pages before it.  It was in Clara’s hand, with her looping letters and hearts where there should have been dots over the i’s.  It was a short note: “He’s yours- Please do what you can to get him out of this mess!”

…..  And at the bottom right hand corner of the page she had copied a 3×5 photo of a little boy, with curly brown hair, just like mine and a nose that could have only come from me.

.

.

___

.

.

 

Tom Funk is a recently retired judge, having served in the state courts of Illinois for 14 years and practiced as a lawyer in those same courts before his appointment. He has been writing short fiction for the past decade and has been published in Spitball, Anti-Heroin Chic, Altarwork, and Cowboy Jamboree.

.

.

___

.

.

Click here to read “The Old Casino,” J.B. Marlow’s winning story in the 64th Jerry Jazz Musician Short Fiction Contest

Click here to read more short fiction published on Jerry Jazz Musician

Click here to read The Sunday Poem

Click here for details about the upcoming 65th Jerry Jazz Musician Short Fiction Contest

Click here to subscribe to the Jerry Jazz Musician quarterly newsletter (it’s free)

Click here to help support the continuing publication of Jerry Jazz Musician, and to keep it ad and commercial-free (thank you!)

.

.

___

.

.

 

Jerry Jazz Musician…human produced (and AI-free) since 1999

.

.

.

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

In This Issue

painting of Clifford Brown by Paul Lovering
A Collection of Jazz Poetry — Spring/Summer, 2024 Edition...In this, the 17th major collection of jazz poetry published on Jerry Jazz Musician, 50 poets from all over the world again demonstrate the ongoing influence the music and its associated culture has on their creative lives.

(featuring the art of Paul Lovering)

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

The Sunday Poem

“menage a trois ” by debora Ewing...

Click here to read previous editions of The Sunday Poem

Essay

“Gone Guy: Jazz’s Unsung Dodo Marmarosa,” by Michael Zimecki...The writer remembers the late jazz musician Michael “Dodo” Marmarosa, awarded Esquire Magazine’s New Star Award in 1947, and who critics predicted would dominate the jazz scene for the next 30 years.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 5: “Scott Joplin: King of Ragtime”...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this fifth edition of excerpts from his book, Rife writes of three novels that include stories about Scott Joplin, the primary forerunner and significant influencer of jazz.

Interview

Interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America...The author talks about his book, an intensely researched, spirited, and beautifully told story – and an important reminder that Armstrong, Ellington, and Basie all defied and overcame racial boundaries “by opening America’s eyes and souls to the magnificence of their music.”

Short Fiction

Impulse! Records and ABC/Dunhill Records. Photographer uncredited/via Wikimedia Commons
Short Fiction Contest-winning story #66 — “Not From Around Here” by Jeff Dingler...The author’s award-winning story is about a Jewish kid coming of age in Alabama and discovering his identity through music, in particular the interstellar sound of Sun Ra..

Click here to read more short fiction published on Jerry Jazz Musician

Poetry

John Coltrane, by Martel Chapman
Four poets, four poems…on John Coltrane

Feature

What we discover about Kamala Harris from an armful of record albums...Like her or not, readers of this site will enjoy learning that Vice President Kamala Harris is a fan of jazz music. Witness this recent clip (via Youtube) of her emerging from a record shop…

Playlist

photo of Teddy Wilson by William Gottlieb/Library of Congress
“Trios – Three’s Not a Crowd” – a playlist by Bob Hecht...In the history of jazz there have been many variations of instrumentation within the trio format (think of Benny Goodman’s trio or Jimmy Giuffre’s) but on this playlist, Bob Hecht concentrates on a handful of the classic trio configurations—either piano, bass and drums, or in a few instances, piano, guitar and bass...

Poetry

“Revival” © Kent Ambler.
If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music...While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.” (with art by Kent Ambler)

Book Excerpt

A book excerpt from Designed for Success: Better Living and Self-Improvement with Midcentury Instructional Records, by Janet Borgerson and Jonathan Schroeder...In this excerpt, the authors write extensively about music instruction and appreciation records dealing with the subject of jazz.

Interview

The Marvelettes/via Wikimedia Commons
Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives and challenges many of the young Black women who made up the Girl Groups of the ‘60’s faced while performing during an era rife with racism, sexism, and music industry corruption. The authors discuss their book’s mission to provide the artists an opportunity to voice their experiences so crucial to the evolution of popular music.

Short Fiction

MartyRus, CC BY-SA 4.0, via Wikimedia Commons
“Briscola” – a short story by Emily Xu...The story – a short-listed entry in the recently concluded 66th Short Fiction Contest – is an exaggerated version of the dynamism of domestic/romantic relationships between spouses and the difficulty to sustain a family.

Art

photo of Leroy Jenkins by Giovanni Piesco
The Photographs of Giovanni Piesco: Leroy Jenkins...photos of the eminent free jazz violinist, taken at Amsterdam's Bimhuis on January 4, 1999.

Essay

“Like a Girl Saying Yes: The Sound of Bix” – an essay by Malcolm McCollum...The first time Benny Goodman heard Bix Beiderbecke play cornet, he wondered, “My God, what planet, what galaxy, did this guy come from?” What was it about this musician that captivated and astonished so many for so long – and still does?

Trading Fours with Douglas Cole

Trading Fours, with Douglas Cole, No. 21: “The Blue Truth”...In this edition, the poet riffs on Oliver Nelson’s classic 1961 album The Blues and the Abstract Truth as if a conversation between conductor and players were caught on tape along with the inner monologue of some mystery player/speaker of the poem.

In Memoriam

Hans Bernhard (Schnobby), CC BY-SA 3.0, via Wikimedia Commons
“Remembering Joe Pass: Versatile Jazz Guitar Virtuoso” – by Kenneth Parsons...On the 30th anniversary of the guitarist Joe Pass’ death, Kenneth Parsons reminds readers of his brilliant career

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Jazz History Quiz #175

photo by William Gottlieb/Library of Congress
This famed jazz artist played the piano professionally as a seventh grader before switching to drums, learning to play in the styles of Chick Webb and Sid Catlett. Before forming his own band in the early 1950’s, he played with Mary Lou Williams (pictured) in New York, toured the South with Fletcher Henderson’s band, and was the drummer in Billy Eckstine’s group from 1944 – 1947. Who is he?

Community

photo via Picryl.com
“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March – September, 2024)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America; an interview with Jonathon Grasse, author of Jazz Revolutionary: The Life & Music of Eric Dolphy; A new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.