The Sunday Poem: “Ways to Play the Bass” by Mark Fogarty

For speed and power, use the pick.
One side of the mountain,
Then jump to the other side.
Open mike nights I learned in real time,
Rehearsal studios we never wanted to leave, still young.
But time left, and everyone left me.

...

The Sunday Poem: “Day Dream” by Charlie Brice

Lauren, my high school sweetheart, and I
drive down Fifth Avenue in NYC, not in my
mother’s blue 1967 Cadilac, but in my polished

silver Caddy. This is after our group, The Kansas
City Soul Association, makes it big and I, their
drummer, can afford such a ride.

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The Sunday Poem: “Jazz Improv” by Michael Keshigian

I am the sound,
the spontaneous voice you hear
beyond the melodic trance,
an array of multi-timbred,
fragmented, impetuous harmonies and rhythms
to carry you into an alternate dimension,

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The Sunday Poem: “Big Phat Jazz Police” by Charles Joseph Albert

When that first rumbling bass line
Tells me I’m listening to Gordon Goodwin’s
Big Phat Band playing “Jazz Police,”
I can’t help it, I always see an LAPD squad car
swinging out of the station
flipping on that groovy trumpet siren
as they join a pursuit with the whole horn section.

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The Sunday Poem: “Playing Sonny Rollins Loud in the Car” by Daniel W. Brown

Hurrying to a dental appointment
I didn’t want to go to in the first place
an interminable red light and honking traffic
and the curve where people merge
20 MPH faster than necessary
four lanes into two
not a good day overall
though Sonny Rollins is playing loud;

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The Sunday Poem: “somewhere near the major-minor seventh” by j. lewis

cohen says there are major falls
and minor lifts that come before
the fourths and fifths and i suppose
he’s probably right, most likely right
but this is not about some hallelujah

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The Sunday Poem: “Why I Play Guitar” by C.J. Trotter

because Jupiter is 1300 times the volume of the Earth
because milkweeds in the yard are as beautiful as
“Hushabye”
because on clear nights the moon pours in my window
like a spotlight and makes me think
.Paul Simon’s in the room

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The Sunday Poem: “Ten-Suite Epistrophies and Improvisations: for T. Monk” by Bill Siegel

When he plays he wears invisible glasses
picks his keys with patience and purpose
a tornado with time on his hands
while in walks light

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The Sunday Poem: “When Sonny Gets Gray” by John Menaghan

Surely Sonny still gets blue at times

I mean he’s a human being after all
isn’t he although sometimes he
seems more superhuman celestial
take now for instance as he bends
nearly all the way to the stage in
his 80s and plays and plays
and plays and plays and plays

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The Sunday Poem(s): 23 Poets remember their father…

. .   This space on Sunday is generally reserved for a single poet to read one of their works, but this week’s issue -Father’s Day – features 23 poets who weigh in on the complexity of their relationship with their father, revealing love, warmth, regret, sorrow – and in many cases a strong connection … Continue readingThe Sunday Poem(s): 23 Poets remember their father…”

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The Sunday Poem: “Fast Girl” – by Allison Whittenberg

Entertain us, entertain us all
Give, give, give with your sassy voice, your young body
Despite the migraines…

At 11, on a North Philly street, gang raped
By three creeps
It starts there, the cracks
The headache

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The Sunday Poem: “You Never Forget Your First” – by Brian Kates

My high school girlfriend’s older brother
lived in a garret in the Village, like something
out of La Boheme, and she said maybe if we
went there, he’d leave us alone and we could
well, you know

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The Sunday Poem: “The Divine Comedy as a Jazz Piece” by Matthew Johnson

I was preparing to make my exit from Heaven back to Earth,
And it was late March, so the lounge had transitioned
To their hot jazz band after playing the cool for months.

...

The Sunday Poem: “A Mountain Pass (In memory of Joe Pass)” by Bhuwan Thapaliya

A woman sits in a window frame
of old carved birds, listening to her
grandson in his jeans playing fig leaf music
in her home in Koshidekha,
a village in Nepal.

...

The Sunday Poem: “Lady Day and Prez” by Henry Wolstat

At the bar of the
Towne Tavern, once
Toronto’s finest jazz club,
stage facing me,
sipping my one beer,
knowing even then
in my twenty-third year
I was witness to
a never forgotten gig.

...

The Sunday Poem: “Front Row Seat For A Head-Bebopping Allergy Sufferer” by Francis Fernandes

The pollen is flying like mad –
frantic, crazy, amorphously Daliesque –
sort of like our trio the other day,
rollicking and lollygagging through Monk’s
Brilliant Corners, losing it so completely
that when Marty flung a stick at my head

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The Sunday Poem: “Watermelon Man” by Charles Albert

I admit I’d never heard of “Watermelon Man” before Harry Reid came to my kids’ elementary school to put together a concert band. He wasn’t a salaried teacher, but a part-time outsider brought in by the PTA.

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The Sunday Poem: “Dorothy Donegan: Queen of the Keys” – by Connie Johnson

Sensational
Largely unsung
Dorothy Donegan
Known by jazz insiders as
The female Art Tatum
His protégé
The one who made him say:
“She is the only woman who can
Make me practice.”

...

The Sunday Poem: “Not Shelling Fava Beans With Alice Waters” by John Briscoe

I jammed
with the Afro-American Jazz Band
in the old Off Plaza on McAllister,
and with the blind Black pianist whose name I can’t remember
in the club we knew as The Question Mark
whose sign on Haight Street was just a neon ?,
when the club was straight and featured jazz

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The Sunday Poem: “How I Achieved Levitation” by Bryan Franco

. .   The Sunday Poem  is published weekly, and strives to include the poet reading their work. Bryan Franco reads his poem at its conclusion. . . ___ . . . . How I Achieved Levitation They all lived in the Walnut Building. Satchmo blew the roof off the house. Fats Waller tickled ivories. … Continue readingThe Sunday Poem: “How I Achieved Levitation” by Bryan Franco”

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The Sunday Poem: “Behind the Smile (for Satchmo)” by Antoinette F. Winstead

The Young Turk disregarded the old trumpeter
labeled him a vaudevillian minstrel
because he shucked and grinned,
having no privy to old man’s roiling anger within
fueled by slights and shames endured for years
despite his lauded, storied career.

...

The Sunday Poem: “I Blame Chet Baker” by Lauren Loya

I blame Chet Baker
For opening a window into my past
Sensing that phantom trumpet in my capable hands
The smooth curves of the hard brass, the cold
Mouthpiece against my buzzing lips
Bright melodies blaring
From carefree days of my youth

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The Sunday Poem: “Fledging” by John L. Stanizzi

The woodshed was the hunting ground for wings of notes.
Black suits and ties, hipster hats and smoke rings of notes.

Was Robert Johnson alone, hellhound on his trail?
Was a deal made? Was Bird Satan’s plaything of notes.

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The Sunday Poem: “Musical Invocation” by Kathryn MacDonald

Strains of Charlie Parker’s alto sax fill
the empty apartment song-after-song –
“Dancing in the Dark,” “Loverman,”
“Embraceable You.”
Between every note I wish.

...

The Sunday Poem: “The Church of St. John Coltrane” by Mark Fogarty

Coltrane said a prayer to his musical God
Straight through the horn of his saxophone.
Not a metaphor; he spoke the words
Through the reed and the music into the air.

...

The Sunday Poem “Po’ Monkey’s Juke Joint: Merigold, Mississippi” by Marianne Peel

Shrouded in smoke and cigarette spheres
Jazzy speakeasy on a summer slog of a night

Where hips ramble in tandem,
Slide and slip in an out of rhythm

Juke Joint shifting with an uneven floor
Naked feet shuffling and colliding

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The Sunday Poem: “Being Smooth, Jazz, and Chill” by Christopher D. Sims

Smooth. Jazz. Chill.
Write. Think. Build.
Listen. Vibe. Poetically
design.

Spend time with jazzy
sounds elevating the
mind. Jazz is smooth.
Jazz is chill.

...

The Sunday Poem: “Duke Ellington’s Big-Band Orchestra: Live at Basin Street East, New York City. Summer 1964” – by Alan and Arlan Yount

The poet Alan Yount and son Arlan write about a live 1964 performance by Duke Ellington and His Orchestra

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The Sunday Poem: “Jazz Within Me” by Jerrice Baptiste

. . The Sunday Poem  is published weekly, and strives to include the poet reading their work. Ms. Baptiste reads her poem at its conclusion. . . ___ . . David Dellepiane, Public domain, via Wikimedia Commons . . Jazz Within Me I like Jazz playing within me. ……………….Record that never skips. Since age sixteen, … Continue readingThe Sunday Poem: “Jazz Within Me” by Jerrice Baptiste”

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The Sunday Poem: “Nina As In Nina Simone” by Arya F. Jenkins

This narrative poem is informed by quotes and stories in What Happened, Miss Simone? the 2015 Netflix biographical documentary about the singer/artist’s life and art

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The Sunday Poem: “Wood Ticks on Fire: Cecil Taylor and the Forests of Sound that Plant Themselves in Us” – by George Kalamaras

The poet writes about the complexity of pianist Cecil Taylor’s music, and the liberation he feels from listening to it

...

“The Sounds Outside My Window” – a poem by Bradford Middleton

. . photo via pickpik.com . . The Sounds Outside My Window ………(for Jack Kerouac) So the drunk old genius of the road once wrote that the sounds outside his window  were worthy of his poetical consideration but right now, out of mine, all I can hear  are seagulls squawking and sirens wailing and, in … Continue reading ““The Sounds Outside My Window” – a poem by Bradford Middleton”

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“Where the Bee Sucks (or Blows)” – a poem by David Rudd

The conductor passed the notes around — birds strung out on wires —
Pieces they all knew well, nothing too inspired.
He checked his troops, baton raised, then marched them down the street.
Was it a groove, or was it a rut, that curbed their marching feet?

...

“Donald Byrd’s Late Night Lullaby” – a poem by Erren Kelly

. . Mallory1180, CC BY-SA 4.0  via Wikimedia Commons   . . Donald Byrd’s Late Night Lullaby The Worker Bee finds a home In the honeyed tones of a trumpet As the sun sets earlier, answering Fall’s call, she stands sometimes Sturdy as a birch tree, the trumpet’s Wail suits her majestically. Jazz is The … Continue reading ““Donald Byrd’s Late Night Lullaby” – a poem by Erren Kelly”

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“‘Amazing Grace’ Played by Hubert Laws” – a poem by Michael L. Newell

The flute floats a legato stream of notes,
blood from the heart pouring in a lucent stream,
brilliant as a harvest moon filling the sky
with radiance such as the flutist releases 
into the concert hall, notes carried on breath

...

Pianists and Poets – 13 poems devoted to the keys

…From “Fatha” Hines to Brad Mehldau, poets open themselves up to their experiences with and reverence for great jazz pianists…

...

“Thinking of Herbie” – a poem by Daniel W. Brown

. . The cover of the 1987 Mosaic Records collection of The Complete Blue Note Recordings of Herbie Nichols   . . Thinking of Herbie I was thinking about jazz masters who died too young– private accolades for America’s unknown legion, perished by addiction, illness or accident— Herbie Nichols I didn’t forget you. Dead of … Continue reading ““Thinking of Herbie” – a poem by Daniel W. Brown”

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“Black Coffee Blues” – a poem by Mary K O’Melveny

Even if you never drank black coffee, that won’t stop you from drinking in the feelings that filter across a room whenever Sarah Vaughan sings Black Coffee. One could drown in that bottomless, inky liquid, that heartache-laden brew,

...

Six poems, six poets new to Jerry Jazz Musician

These poems are new submissions by five poets relatively new to Jerry Jazz Musician, and are an example of the writing I have the privilege of encountering on a regular basis.

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Proceeding From Behind: A collection of poems grounded in the rhythmic, relating to the remarkable, by Terrance Underwood

A relaxed, familiar comfort emerges from the poet Terrance Underwood’s language of intellectual acuity, wit, and space – a feeling similar to one gets while listening to Monk, or Jamal, or Miles. I have long wanted to share his gifts as a poet on an expanded platform, and this 33-poem collection – woven among his audio readings, music he considers significant to his story, and brief personal comments – fulfills my desire to do so.

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“Green Street” – a poem by George Kalamaras

How can somebody so blue, Grant, be named
Green? How can the ocean current

and its waves? Simple. Immediate. Each note comes
from you slow as underwater speech. Say

a fish tank and pufferfish hugging the glass. Imagine
being trapped. Gravel pumped through the gills

...

“Four Sides Live” – a poem by Justin Hare

It tickles my fancy the way
francophone announcers
ornately say the names
of jazzmen in those live recordings
put to reel in Montreux.
Jack DeJohnette in particular
tickles me, perhaps because
it is a french-like sort of name.

...

“Song of the Poplar Tree” – a poem by Jerrice Baptiste

. . “Tree”(1924) photo by Alfred Stieglitz/via Raw Pixel/CC0 1.0 Deed . .   Song of the Poplar Tree The song playing always catches me off guard. My trembling fingers quicken to remove the old vinyl record. I must stop her voice from singing. Even the wispy quality carries the heavy weight. I weep. Not … Continue reading ““Song of the Poplar Tree” – a poem by Jerrice Baptiste”

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“Thelonious Monk and Mama” – a poem by Erren Kelly

. . photo by Bernard Gotfryd/Library of Congress/PDM 1.0 Thelonious Monk, 1968 . ___ .   Thelonious Monk and Mama Thelonious Monk paints a picture of Mama with his piano, the way Monet or Matisse would, with paint: loud, bright colorful notes that are a Rorschach test, screaming on the page. Perhaps, Mama would’ve modeled … Continue reading ““Thelonious Monk and Mama” – a poem by Erren Kelly”

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“Wolfman and The Righteous Brothers” – a poem by John Briscoe

Barstow to Boron, bound for Bakersfield
we fly across the Mojave Desert, will wind
through and over the Tehachapis
only to come to rest in another desert
on the rim of the sink of California.

...

Ella Fitzgerald, in poems by Claire Andreani and Michael L. Newell

Ella Fitzgerald is whispering
to me: “sit here and enjoy your dinner with my
sweet honey voice,” eternal bloom of time,
filling the corner of the street where I eat
with a Golden Age long gone but that remains
like an idea, lingering, like the steam of a
hot bath leaving
traces of fingers on the mirror

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“Tony Bennett, In Memoriam” – a poem by Erren Kelly

. . David Becker, CC BY-SA 3.0 , via Wikimedia Commons “‘Benedetto’ means the ‘blessed one’ and I feel that I have truly been blessed.” -Tony Bennett . . ___ . .     Tony Bennett, In Memoriam Lightning strikes as your voice makes magic on a summer night i think of a tall girl … Continue reading ““Tony Bennett, In Memoriam” – a poem by Erren Kelly”

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“Solace” – a poem by Terrance Underwood

. . Lester Young,  1946 . . Solace I relish the cultivation of my Lester afternoons an endeavor still absorbing at my age captive in that garden of ambient sound …………………that Young tenor breath ………………………….a zephyr expulsion stirring atmosphere rare these days for this climate caressing time & movement with a tone to stream still … Continue reading ““Solace” – a poem by Terrance Underwood”

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“Old J.S.— Running Through the Changes” — a poem by Joel Glickman

So long ago, before Ornette Coleman,
Coleman Hawkins, John Coltrane—
all those free spirits running up and down
the alphabet of jazz, there was old
J.S. Bach, running through the changes.
I always picture him, and hear him,
at the pipe organ in Tomas Kirsche
all by himself,

...

Paying homage to vinyl record albums — in three poems

One of my greatest joys for decades
was exploring unknown record shops.
I once walked into a newly opened used
shop around the corner from my university
and discovered a used album, apparently
the improvisatory result of a session
set up by Norman Granz that included

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“Alabama: Jack DeJohnette, Ravi Coltrane, Matthew Garrison” — a poem by John McCluskey

                Yes, it is hot,
     night sweats beneath
     Spanish moss and the terror in trees
     now knowing no cover of darkness
     to greet a Sunday morning

     10:22 a.m.
                      under the stairs
                                     16th Street Baptist Church.

     “Three minutes”
     and the siren wails

...

“Liner Notes for ‘Stardust’ — In Seven Choruses,” a cycle of short poems by Doug Fowler

“Liner Notes for ‘Stardust’ — In Seven Choruses” is a cycle of short poems framed as imaginary liner notes and prompted by poet Doug Fowler’s favorite musical covers of Hoagy Carmichael’s “Stardust.” In essence, according to Fowler, they are “imaginary liner notes for a real song about an imaginary song about love.”

The cycle is also partially a tribute to Chu Berry, who died as the result of a car accident in Conneaut, Ohio, in 1941, not far from where Fowler lives.

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“As Long As You Living Yours (For Keith Jarrett)” — a poem by Erren Kelly

not even schroeder from the peanuts
comic strip
is as dedicated to the piano
and he has a bust of beethoven
gracing his steinway!
you pull sounds out of the air
making something out of nothing

you call it improvisation:

i say, god’s just using you as
a transmitter for his thoughts…

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Short Fiction Contest-winning story #67 — “Bluesette,” by Salvatore Difalco

The author’s award-winning story is a semi-satirical mood piece about a heartbroken man in Europe listening to Toots Thielemans while under the influence of a mind-altering substance.

...

Jazz History Quiz #177

This saxophonist’s first important jobs were during the 1940’s with Lionel Hampton (pictured), Fletcher Henderson, Louis Armstrong’s big band, and Billy Eckstine’s Orchestra. Additionally, he was a Savoy Records recording artist as a leader before being an important part of the scene on Los Angeles’ Central Avenue. Who was he?

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Trading Fours, with Douglas Cole, No. 22: “Energy Man, or, God is in the House”

Art Tatum plays fast
fast as Sundays
fast as sunset in November
fast as a hurry up offense
fast as a 20 dollar bill flying down the street

...

“The Dancer’s Walk” – a short story by Franklyn Ajaye

The world-renowned saxophonist Deja Blue grew up a sad, melancholy person who could only express his feelings through his music. When he meets a beautiful woman who sweeps him off his feet, will his reluctance to share his feelings and emotion cost him the love of his life?

...

The Photographs of Giovanni Piesco: Johnny Griffin and Von Freeman

Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of saxophonists Johnny Griffin and Von Freeman, who appeared together at the at Bimhuis on June 25/26, 1999.

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Memorable Quote: H.L. Mencken…

. .   Ben Pinchot, Public domain, via Wikimedia Commons . “I believe it is better to tell the truth than a lie.  I believe it is better to be free than to be a slave.  And I believe it is better to know than to be ignorant.” . -H. L. Mencken . . Listen … Continue readingMemorable Quote: H.L. Mencken…”

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Memorable Quote:…Martin Luther King

. . photo via Pixabay . “Let us not seek to satisfy our thirst for freedom by drinking from the cup of bitterness and hatred.” . -Martin Luther King . . ___ . . Listen to the 1963 recording of Oscar Peterson performing “Hymn to Freedom,” with Ray Brown (bass) and Ed Thigpen (drums).  [Universal … Continue readingMemorable Quote:…Martin Luther King”

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“Rudy Van Gelder: Jazz Music’s Recording Angel” – an essay by Joel Lewis

For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

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“The Pianist (Part One)” – a short story by J. C. Michaels

The story – finalist in the recently concluded 66th Short Fiction Contest – describes the first lesson at a music conservatory of a freshman piano-performance major who is more accustomed to improvising than reading music. It is an excerpt from a novel-in-progress.

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Jazz History Quiz #176

While legendary as a saxophonist, his first instrument was a violin and his second the piano — which he played well enough to work as an accompanist to silent movies. Ultimately it was Lester Young’s father who taught him the saxophone well enough that he switched instruments for good. (It was during this time that he also saved Lester from drowning in a river). Who is he?

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“Trios – Three’s Not a Crowd” – a playlist by Bob Hecht

In the history of jazz there have been many variations of instrumentation within the trio format (think of Benny Goodman’s trio or Jimmy Giuffre’s) but on this playlist, Bob Hecht concentrates on a handful of the classic trio configurations—either piano, bass and drums, or in a few instances, piano, guitar and bass……

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“Gone Guy: Jazz’s Unsung Dodo Marmarosa,” by Michael Zimecki

An essay remembering the late jazz musician Michael “Dodo” Marmarosa, awarded Esquire Magazine’s New Star Award in 1947, and who critics predicted would dominate the jazz scene for the next 30 years.

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Jazz History Quiz #175

This famed jazz artist played the piano professionally as a seventh grader before switching to drums, learning to play in the styles of Chick Webb and Sid Catlett. Before forming his own band in the early 1950’s, he played with Mary Lou Williams (pictured) in New York, toured the South with Fletcher Henderson’s band, and was the drummer in Billy Eckstine’s group from 1944 – 1947. Who is he?

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Community Bookshelf #3

“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March – September, 2024)

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“The Stuff That Dreams Are Made Of” – a short story by Vishwas R. Gaitonde

The story – a short-listed entrant in our recently concluded 66th Short Fiction Contest – explores the notion of where dreams end and reality begins through the lives of three people living in New Orleans

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Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 5: “Scott Joplin: King of Ragtime”

In this edition, Rife writes about three novels/short fiction that include stories about Scott Joplin, the primary forerunner and significant influencer of jazz.

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“Like a Girl Saying Yes: The Sound of Bix” – an essay by Malcolm McCollum

The first time Benny Goodman heard Bix Beiderbecke play cornet, he recalled, he wondered, “My God, what planet, what galaxy, did this guy come from?” (Skretvedt)

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“Duos – Two of a Mind” – a playlist by Bob Hecht

In this edition of extensive jazz playlists, the award-winning jazz producer and scholar Bob Hecht presents a 31-song playlist of historic and contemporary duo performances that exemplify the essence of jazz as a conversation between individuals, an open exchange between equal partners.

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The Photographs of Giovanni Piesco: Leroy Jenkins

Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of the eminent free jazz violinist Leroy Jenkins, taken at Bimhuis in 1999.

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Short Fiction Contest-winning story #66 — “Not From Around Here” by Jeff Dingler

A story about a Jewish kid coming of age in Alabama and discovering his identity through music, in particular the interstellar sound of Sun Ra.

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Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 4: “Jazz, Dancing, Nightclubs: A Bonded Culture”

In this fourth edition featuring excerpts from his book, Rife writes about five novels/short fiction that include stories about the interconnected cultures of jazz, dancing and nightclubs.

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“Alone at the Piano” – a playlist by Bob Hecht

In this edition of extensive jazz playlists, the award-winning jazz producer and scholar Bob Hecht focuses his attention on solo piano performances, including those by artists such as Bud Powell, Thelonious Monk, Art Tatum, Tommy Flanagan, Cedar Walton, Bill Evans, Jaki Byard, Keith Jarrett.

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What we discover about Kamala Harris from an armful of record albums

Like her or not, readers of this site will enjoy learning that Vice President Kamala Harris is a fan of jazz music.  Witness this recent clip (via Youtube) of her emerging from a record shop…

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Jazz History Quiz #173

Described as a “Louis Armstrong sound-alike on both trumpet and vocals” whose recording of “On the Sunny Side of the Street” was so close to Armstrong’s live show that some listeners thought Armstrong was copying him, this trumpeter (along with Bobby Stark), was Chick Webb’s main trumpet soloist during the 1930’s. Who is he?

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Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 3: “Louis Armstrong”

In this third edition featuring excerpts from his book, Rife writes about four novels/short fiction that include stories involving Louis Armstrong.

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“The Naked Jazz Musician” – A playlist by Bob Hecht

As Sonny Rollins has said, “Jazz is about taking risks, pushing boundaries, and challenging the status quo.” Could there be anything riskier—or more boundary-pushing—than to stand naked and perform with nowhere to hide? Bob’s extensive playlist is comprised of such perilous undertakings by an array of notable woodwind and brass masters who have had the confidence and courage (some might say even the exhibitionism) to expose themselves so completely by playing….alone.

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“Mud Men” – a short story by Koushik Banerjea

The story – a finalist in the 65th Short Fiction Contest – is about a young man who cares for his grandmother after she is discovered wandering in her neighborhood, which gives him a chance to be away from his mother and her new and intolerant partner.

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If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music

While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.”

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A Collection of Jazz Poetry — Spring/Summer, 2024 Edition

In this, the 17th major collection of jazz poetry published on Jerry Jazz Musician,  50 poets from all over the world again demonstrate the ongoing influence the music and its associated culture has on their creative lives.

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Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 2: “Fathers in Jazz Fiction”

In this edition, Rife writes about four novels/short stories that include stories involving relationships between fathers and children.

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An excerpt from Emily Jon Tobias’ MONARCH: Stories, and a reflection on our friendship

An excerpt from the author’s debut MONARCH: Stories, which has been described by Kirkus as “a gutsy, grungy collection centering troubled souls,” and “more than a collection of stories, Tobias’ debut is a selection of gritty, emotional character studies…brimming with pure Americana.” 

...

The Photographs of Giovanni Piesco: Archie Shepp

Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of the saxophonist Archie Shepp, taken at Bimhuis in 2001.

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Jazz History Quiz #172

Teddy Wilson once said this about a fellow jazz pianist:

“That man had the most phenomenal musical gifts I’ve ever heard. He was miraculous. We became such fast friends that I was allowed to interrupt him anytime he was playing at the house parties in Toledo we used to make every night.”

Who is he talking about?

...