“Remembering Sonny Rollins” – a collection of poetry

Over the years, many poems have been published on Jerry Jazz Musician that were written in reverence of the man we refer to simply as “Sonny.”  In the wake of his death, many more have been written.  This collection is an example.

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May 28th, 2026

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972

Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

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October 3rd, 2025

“The Jazz Dive” – the art of Allen Mezquida

.The Jazz Dive is the website of the musician and artist Allen Mezquida, whose work is described as “an independent art studio at the intersection of jazz and mid-century modern design” that is inspired by the counterculture music from the 1950s and 60s, and creates art “that resonates with both eyes and ears.” It is unique and creative and worth a look…

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December 18th, 2024

The Sunday Poem: “Playing Sonny Rollins Loud in the Car” by Daniel W. Brown

Hurrying to a dental appointment
I didn’t want to go to in the first place
an interminable red light and honking traffic
and the curve where people merge
20 MPH faster than necessary
four lanes into two
not a good day overall
though Sonny Rollins is playing loud;

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August 31st, 2024

The Sunday Poem: “When Sonny Gets Gray” by John Menaghan

Surely Sonny still gets blue at times

I mean he’s a human being after all
isn’t he although sometimes he
seems more superhuman celestial
take now for instance as he bends
nearly all the way to the stage in
his 80s and plays and plays
and plays and plays and plays

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July 6th, 2024

Interview with Aidan Levy, author of Saxophone Colossus: The Life and Music of Sonny Rollins

The author discusses the iconic tenor saxophonist who is one of the greatest jazz improvisers of all time, a lasting link to the golden age of jazz

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December 23rd, 2022

Short Fiction Contest-winning story #57 — “Constant At The 3 Deuces” by Jon Zelazny

In the closing weeks of 1949, the consensus of New York’s cognoscenti was unanimous: the American debut of London’s Sadler’s Wells Ballet was the triumph of the post-war era. The praise and attention lavished upon the visiting artists was unrelenting; the Yanks’ sudden passion for tutus, Tchaikovsky, and entrechat quatres bordered on obsession. And yet, three weeks into their engagement, with four performances at The Met remaining, their company’s esteemed music director and conductor Constant Lambert was bored to tears.

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July 6th, 2021

Interview with Jeff Gold, author of Sittin’ In: Jazz Clubs of the 1940s and 1950s

The author talks about his book and the rare collection of 200 full-color and black-and-white souvenir photos and memorabilia that bring life to the renowned jazz nightclubs of 1940’s and 1950’s.

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April 4th, 2021

“Pressed for All Time,” Vol. 9 — John Koenig, Sonny Rollins, and William Claxton talk about Rollins’ 1957 album Way Out West

In this edition, producer John Koenig, saxophonist Sonny Rollins and photographer William Claxton discuss their roles in Rollins’ 1957 Contemporary Records album Way Out West with Pressed For All Time author Michael Jarrett

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February 8th, 2021

Francis Wolff photo contact sheets from classic Blue Note recording sessions

Mosaic Records is offering prints of entire contact sheets of classic Blue Note recording sessions that, as described by Mosaic owner Michael Cuscuna, shows Francis Wolff’s “thought process and the progression of shots that lead to his final best image.”

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May 21st, 2020

Jazz History Quiz #131

This guitarist was an original member of the Chico Hamilton Quintet, toured with Ella Fitzgerald, and was part of Sonny Rollins’s quartet that recorded the 1962 album The Bridge.  Who is he?

Joe Pass

Pat Martino

Grant Green

Tal Farlow

Herb Ellis

Kenny Burrell

Johnny Smith

Jim Hall

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October 17th, 2019

“It’s The City, Blue”– a poem (to the Williamsburg Bridge) by Jay Franzel

Concert postings and colored stickers on the crossbeams,
black-clad cyclists crossing East River—
I remember when nobody pedaled
past your grim entrance—around 1985,
when Garden Cafeteria had to close
to keep the junkies out.
They even shut you down in ’88,
said you were

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August 21st, 2018

Jazz poetry by Steven Dalachinsky, Michael L. Newell, John Stupp, Ron Kolm, and Freddington

A wealth of excellent poetry has been submitted recently.  Poems by Steven Dalachinsky, Michael L. Newell, John Stupp, Ron Kolm, and Freddington are examples…

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January 29th, 2018

“Accent on Youth,” by Sam Bishoff

Sam Bishoff, a high school student from Bainbridge Island, Washington, is the 2012 Jerry Jazz Musician “Accent on Youth” writer. His passion for jazz and the challenges he faces as a youthful fan of it is the focus of the column.

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February 26th, 2013

Conversations with Gary Giddins: on Sonny Rollins

Village Voice writer Gary Giddins, winner of the National Book Critics Circle Award, and who is the country’s preeminent jazz critic, joins us in an October 21, 2002 conversation about jazz legend Sonny Rollins.

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October 21st, 2002

Eric Nisenson, author of Open Sky: Sonny Rollins and His World of Improvisation

Author Eric Nisenson has devoted much of his adult life to reporting jazz. The genesis of his passion for jazz was his introduction to Miles Davis’ Kind of Blue at an early age – a passion so strong it eventually led to a friendship with Miles. The subjects for his three biographies are no less than Miles, John Coltrane, and now, Sonny Rollins, all key musicians and all strong, unique personalities worthy of icon status in the world of music. Nisenson discusses his friendship with Miles and his new book, Open Sky : Sonny Rollins and His World of Improvisation

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November 29th, 2001

Site Archive

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In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Poetry

photo of Shelly Manne by William Gottlieb/Library of Congress
21 jazz poems on the 21st of May, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. In this edition…An array of poetic styles communicate personal reverence for and experiences with jazz music, and its cherished musicians.

The Sunday Poem

photo via FBA Mastery

The Sunday Poem: “Traces” by Jason Youngclaus

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Jason Youngclaus reads his poem at its conclusion.


Click here to read previous editions of The Sunday Poem

Interview

photo of Billie Holiday by William Gottlieb/Library of Congress
Interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday’s Last Year...The author talks about the courage and resilience of the legendary Lady Day, and his outstanding book – an inspirational and revealing portrait of an iconic American, that, like his subject, exudes compassion and creative soul.

Poetry

Yves Moch, CC BY-SA 3.0, via Wikimedia Commons
“Remembering Sonny Rollins” – a collection of poetry...Over the years, many poems have been published on Jerry Jazz Musician that were written in reverence of the man we refer to simply as “Sonny.” In the wake of his death, many more have been written. The unsolicited poems making up this collection is an example.

Short Fiction

Photo by Johannes Schröter, via Pexels
Short Fiction Contest-winning story #71 – “Where the Music Wasn’t Allowed,” by Jane McCarthy....The award-winning story is about a young immigrant growing up in Southern California to the sound of music seeping into his family’s home from an upstairs neighbor’s piano, shaping the boy’s understanding of memory, family, belonging, and the improvisational ethics of music.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Poetry

photo by Tsutumu Takasu/via Flicker/CC BY 2.0
“Cajun Glory” – a prose poem by Robert Alan Felt

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Poetry

Six poets write eight poems (in the midst of our times)...Poets within this community of writers are feeling this moment in time, and writing about it. This collection is another example.

Short Fiction

“You Don’t Know What Love Is”- a short story by L.F. Graubard...A recovering junkie jazzman in a Starbucks time slips through the key years that fed his addiction — 1967 R&B and jazz gigs, ’69 biker bars, ’71 methadone hustles, ’79 script scams — before landing in the Narco Farm, where music, Sonny Rollins, and Secretariat crack his heart open. A fractured, noir confession about love, dope, and improbable grace.

Poetry

Peter Buitelaar, CC BY 2.0 , via Wikimedia Commons
Two Poems for Miles Davis

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Short Fiction

photo J. & L. Caswall Smith
“Bitty’s Last Request” – a short story by Jill Bronfman...In the story – a finalist in the recently concluded 71st Short Fiction Contest – a very old dancer visits her young relative with stories to tell about the old days in the clubs.

Poetry

art by Marsha Hammel
“Learning the Alphabet of the Blues” – a poem by Mary K O’Melveny...A poem from Kinds of Cool: An Interactive Collection of Jazz Poetry, Vol. II

Short Fiction

Alejandro Aznar/via Pexels.com
“Down at the Crossroads” – a short story by David Rudd...In this story – a finalist in the recently concluded 71st Jerry Jazz Musician Short Fiction Contest – a jazz composer hears a lone fiddler play a tune that enters his head and won’t leave it, like a virulent earworm, wrecking his playing, his friendships, and indeed, his life, until he finally finds a way to remove it.

Feature

photo via Wikimedia Commons
Memorable Quotes: Two, by Edward R. Murrow…

Feature

photo via Wikipedia
“Two Famous Johns” – a true jazz story by Bob Hecht...The writer remembers an evening in New York’s Half Note in 1964 when he witnessed a John Coltrane performance that was also attended by the pop singer Johnny Mathis

Poetry

Haiku: Musings – by Connie Johnson...Exploring segments of the world of jazz – in three suites of vivid haiku poetry…

Jazz History Quiz

photo of "Hot Lips" Page by William Gottlieb
Jazz History Quiz #187...This trumpeter began his career in California, where he organized a big band that had a residency in China in 1934, and, during a trip through Kansas City in 1936, was invited to join Count Basie’s orchestra, replacing “Hot Lips” Page (pictured). Who is he?

Feature

“Bohemian Spirit” – A Remembrance of 1970’s Venice Beach, by Daniel Miltz...The writer recalls 1970’s Venice Beach, where creatives chased a kind of freedom that didn’t fit inside four walls…

Feature

Boris Yaro, CC BY 4.0, via Wikimedia Commons
“The Bowie Summer” – a personal memory, and how art can fundamentally reshape identity, by G.D. Newton-Wade

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Feature

Albert Ayler’s Spiritual Unity – A Classic of Our Time, and for All Time – an essay by Peter Valente...On the essence of Albert Ayler’s now classic 1964 album…

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year; New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.