“Pressed For All Time,” Vol. 17 — producer Joel Dorn on Rahsaan Roland Kirk’s 1967 album, The Inflated Tear

In this edition, producer Joel Dorn talks with Michael Jarrett about his relationship with the legendary multi-instrumentalist Rahsaan Roland Kirk, in the context of working with him on the 1967 Atlantic album,  The Inflated Tear.  

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May 23rd, 2023

“Pressed For All Time,” Vol. 16 — producers and musicians recall Miles Davis’s 1969 album In a Silent Way

In this edition, producers Teo Macero, Bob Belden and Michael Cuscuna, and musicians Dave Holland and Joe Zawinul talk with Jarrett about the way Miles Davis’s 1969 album In a Silent Way came together. 

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January 26th, 2023

“Pressed For All Time,” Vol. 15 — producers Joel Dorn and Hal Willner on the 1981 tribute album Amarcord Nino Rota

Producers Joel Dorn and Hal Willner discuss the album Amarcord Nino Rota, a tribute to Federico Fellini’s musical director

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October 31st, 2022

“Pressed For All Time,” Vol. 14 — producer Teo Macero on Miles Davis’ Bitches Brew

Producers Teo Macero and Bob Belden, and bassist Dave Holland talk about working with Miles Davis on his groundbreaking 1969 recording, Bitches Brew

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August 10th, 2022

“Pressed For All Time,” Vol. 13 — producer Tommy LiPuma on George Benson’s album Breezin’

In this edition, producer Tommy LiPuma talks with Jarrett about working with guitarist George Benson  on his 1976 Warner Brothers recording Breezin’

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April 26th, 2022

“Pressed For All Time,” Vol. 12 — producer Bob Thiele on John Coltrane’s A Love Supreme

In this edition, producer Bob Thiele talks with Michael Jarrett, author of Pressed For All Time: Producing the Great Jazz Albums from Louis Armstrong and Billie Holiday to Miles Davis and Diana Krall about working with John Coltrane on his classic 1964 recording A Love Supreme

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February 19th, 2022

“Pressed For All Time,” Vol. 11 — producer Jean-Phillipe Allard talks about Abbey Lincoln’s The World is Falling Down

In this edition, producer Jean-Phillippe Allard talks with Michael Jarrett, author of Pressed For All Time: Producing the Great Jazz Albums from Louis Armstrong and Billie Holiday to Miles Davis and Diana Krall about working with the singer Abbey Lincoln on her 1990 Verve album The World is Falling Down

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November 19th, 2021

“Pressed For All Time,” Vol. 10 — producer Creed Taylor talks about Wes Montgomery’s Goin’ Out of My Head

In this edition, producer Creed Taylor recalls working with the guitarist Wes Montgomery on his 1965 Verve album Goin’ Out of My Head

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June 27th, 2021

“Pressed for All Time,” Vol. 9 — John Koenig, Sonny Rollins, and William Claxton talk about Rollins’ 1957 album Way Out West

In this edition, producer John Koenig, saxophonist Sonny Rollins and photographer William Claxton discuss their roles in Rollins’ 1957 Contemporary Records album Way Out West with Pressed For All Time author Michael Jarrett

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February 8th, 2021

“Pressed for All Time,” Vol. 8 — producer Ed Michel on Art Pepper’s 1980 album Winter Moon

. . Drawn from interviews with prominent producers, engineers, and record label executives, Michael Jarrett’s Pressed For All Time: Producing the Great Jazz Albums is filled with interesting stories behind some of jazz music’s most historic, influential, and popular recordings. In cooperation with Jarrett and University of North Carolina Press, Jerry Jazz Musician will occasionally … Continue reading ““Pressed for All Time,” Vol. 8 — producer Ed Michel on Art Pepper’s 1980 album Winter Moon

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October 27th, 2020

“Pressed for All Time,” Vol. 6 — producer Tom Dowd on Herbie Mann’s Memphis Underground

In this edition, producer Tom Dowd talks with Michael Jarrett about the genesis of Herbie Mann’s 1969 recording, Memphis Underground, and the executives and musicians involved.

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April 1st, 2020

“Pressed for All Time,” Vol. 5 — producer Helen Keane on The Tony Bennett/Bill Evans Album

In this edition,  producer Helen Keane tells Jarrett about how the collaboration of Tony Bennett and Bill Evans began, culminating in the 1975 recording, The Tony Bennett/Bill Evans Album. 

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January 31st, 2020

“Pressed for All Time,” Vol. 4 — producer Creed Taylor on the 1962 album, Jazz Samba

In this edition,  producer Creed Taylor tells Jarrett about the recording session and marketing strategy for the 1962 Verve album by Stan Getz and Charlie Byrd, Jazz Samba. 

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November 16th, 2019

“Pressed for All Time,” Vol. 3 — producer Nat Hentoff on Charles Mingus

In this edition, Michael Jarrett interviews producer Nat Hentoff about his experience of producing recordings for Candid Records, and in particular the 1961 album, Charles Mingus Presents Charles Mingus

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September 18th, 2019

“Pressed for All Time,” Vol. 1 — Creed Taylor on Lambert, Hendricks, and Ross’ Sing a Song of Basie

In this edition, Michael Jarrett interviews producer Creed Taylor about how he came to use tape overdubs during the 1957 Lambert, Hendricks, and Ross Sing a Song of Basie recording session

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June 8th, 2019

Site Archive

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Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Poetry

Andrzej Barabasz, CC BY-SA 4.0, via Wikimedia Commons
21 jazz poems on the 21st of June, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. In this edition…An eclectic mix of poetic styles and subjects display a collective love for the music and culture at the core of this creative community.

The Sunday Poem

The Sunday Poem: “Refreshing My Education” by Mike Mignano

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Mike Mignano reads his poem at its conclusion.


Click here to read previous editions of The Sunday Poem

Performance

The performance poet Emmett Wheatfall
A Letter from the Editor…On “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”A brief recap and photos of the February 7, 2026 Jerry Jazz Musician-produced performance of “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”

Interview

photo of Billie Holiday by William Gottlieb/Library of Congress
Interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday’s Last Year...The author talks about the courage and resilience of the legendary Lady Day, and his outstanding book – an inspirational and revealing portrait of an iconic American, that, like his subject, exudes compassion and creative soul.

Feature

Book Excerpt from Crossing Bar Lines: The Politics and Practices of Black Musical Space, by James Gordon Williams...In this entire chapter from his book, the author explains how the trumpeter Ambrose Akinmusire expresses his political views and lived geography through his improvisational music, notably his critique of police brutality that has, as he states, “become a leitmotif throughout my albums.”

Poetry

Yves Moch, CC BY-SA 3.0, via Wikimedia Commons
“Remembering Sonny Rollins” – a collection of poetry...Over the years, many poems have been published on Jerry Jazz Musician that were written in reverence of the man we refer to simply as “Sonny.” In the wake of his death, many more have been written. The unsolicited poems making up this collection is an example.

Short Fiction

Photo by Johannes Schröter, via Pexels
Short Fiction Contest-winning story #71 – “Where the Music Wasn’t Allowed,” by Jane McCarthy....The award-winning story is about a young immigrant growing up in Southern California to the sound of music seeping into his family’s home from an upstairs neighbor’s piano, shaping the boy’s understanding of memory, family, belonging, and the improvisational ethics of music.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Short Fiction

“The Cartographer” – a short story by Timothy Collyer...The story – a finalist in the recently concluded 71st Short Fiction Contest – is a work of speculative fiction about the gentrification of memory. It follows a recovering alcoholic who is building a guerrilla augmented-reality map of Philadelphia’s lost jazz history—specifically the “Blue Note” era of the 1960s—while battling a corporate developer who wants to sanitize the data for tourists.

Feature

Memorable Quotes: Abraham Lincoln..."I like to see a man proud of the place in which he lives..."

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Poetry

Six poets write eight poems (in the midst of our times)...Poets within this community of writers are feeling this moment in time, and writing about it. This collection is another example.

Short Fiction

collage by Judith Beth Cohen
“The Eating Club” – a short story by Judith Beth Cohen...The story – a short-listed entry in the recently concluded 71st Short Fiction Contest – centers on an affair two writers share around gourmet meals.

Poetry

Peter Buitelaar, CC BY 2.0 , via Wikimedia Commons
Two Poems for Miles Davis

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Short Fiction

kaboompics.com/via Pexels
“The title is not included in the word count…” – a short story by Scott Cash...In this story – a finalist in the 71st Short Fiction Contest – self-ordained genius Kevin feels that life has been against him. But he thinks he has discovered a loophole and can exceed the 3,000 word limit for a writing contest by utilizing the title. When this is thwarted, he instead lands upon footnotes as a way to exceed the limit. This story is a celebration of writers and the act of writing.

Jazz History Quiz

Besides being one of the first to be influenced by Charlie Christian (pictured), in 1944 this electric guitarist employed Charlie Parker on his first recording date and eventually led an R&B-oriented group “The Rockin’ Highlanders” that featured the saxophonist Red Prysock. Who is he?

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.