The Sunday Poem: “You Never Forget Your First” – by Brian Kates

My high school girlfriend’s older brother
lived in a garret in the Village, like something
out of La Boheme, and she said maybe if we
went there, he’d leave us alone and we could
well, you know

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May 25th, 2024

A Black History Month Profile: Miles Davis

In a 2003 Jerry Jazz Musician interview, John Szwed, author of So What: The Life of Miles Davis, reveals a brilliant, inventive, intensely driven musician who was plagued by a host of internal conflicts and contradictions.  “Miles’ life as a whole is not easy to grasp,” Szwed reflects, “and the meaning of it, with or without his help, is resistant to quick interpretations.”

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February 29th, 2024

“Not Just Another Damn Song on the Radio” – a short story by Craig Fishbane

Neil Young stumbled off the stage more exhausted than usual. It had been a trying gig, watching Danny Whitten teeter from chord to chord on a heroin-fueled high-wire act that just seemed to get more perilous as the night wore on. It was fine that Danny blew some chords—everyone blew chords in this band. That was what made Crazy Horse special in the first place. If Neil wanted every note pure and perfect, he could have stuck with Crosby, Stills, and Nash. But what would have been the point of that? It was like playing a benediction for your own immaculate coffin.

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August 30th, 2023

Trading Fours, with Douglas Cole, No. 13: “What We Talk About When We Talk About Kind of Blue

The poet writes about the significance of Miles Davis’s “Kind of Blue”, and why it is the “it” jazz recording…

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April 18th, 2023

“Riff ‘n’ Tiff” – humor by Dig Wayne

. . “Modus Dualis,” by Martel Chapman . . Riff ‘n’ Tiff There was no time signature to save Louis Armstrong from the shivery brine. Monk volunteered to heave his piano overboard to give the lifeboat more zest but it wouldn’t budge or stay in tune for that matter. Moisture had initiated a rift between … Continue reading ““Riff ‘n’ Tiff” – humor by Dig Wayne”

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April 12th, 2023

Book Excerpt from Victory is Assured: Uncollected Writings of Stanley Crouch

In two complete essays from the collection “Victory is Assured,” Crouch takes up two topics he had considerable opinions about – Miles Davis and Billie Holiday.

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February 8th, 2023

“Pressed For All Time,” Vol. 16 — producers and musicians recall Miles Davis’s 1969 album In a Silent Way

In this edition, producers Teo Macero, Bob Belden and Michael Cuscuna, and musicians Dave Holland and Joe Zawinul talk with Jarrett about the way Miles Davis’s 1969 album In a Silent Way came together. 

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January 26th, 2023

“Pressed For All Time,” Vol. 14 — producer Teo Macero on Miles Davis’ Bitches Brew

Producers Teo Macero and Bob Belden, and bassist Dave Holland talk about working with Miles Davis on his groundbreaking 1969 recording, Bitches Brew

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August 10th, 2022

Trading Fours, with Douglas Cole, No. 7: “Step Along The Night Way”

He’s a-stagger the patrilineous
hillside grove wonder tunnels
street black ribbons going bower-deep
with sunlight glitter punctuations
feeling the great payoff on the way

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July 11th, 2022

“What Music Can Do” — a poem by Mary K O’Melveny

When I hear Sketches of Spain or Kind of Blue – Miles Davis masterpieces from his earlier career – I am always calmed, thrilled by the ways that music can take over every portion of a person from head to toe, from inside to outside, from innermost mind to outermost layer of skin.

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July 6th, 2022

“So What!…or, Where were you when you first heard Kind of Blue?” — a true jazz story by Bob Hecht

Bob Hecht recalls his experience of first hearing “Kind of Blue,” the 1959 jazz album by trumpeter Miles Davis

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April 21st, 2022

Playlist: “Miles Plays Wayne”

Bob Hecht, a frequent contributor to Jerry Jazz Musician, writes about a current fascination – the compositions of Wayne Shorter, and his contributions to the Miles Davis groups he played in during his time with the trumpeter, 1964 – 1970. Bob has assembled a 20 song Spotify playlist featuring many of the recordings…

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November 16th, 2021

A Poetry Collection — inspired by Miles Davis

Few artists inspire creativity like Miles Davis. This collection of poetry by 50 poets from all over the world is evidence of that.

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May 27th, 2021

Interview with Alyn Shipton, author of The Art of Jazz

An interview with The Art of Jazz author Alyn Shipton, whose book is an exploration of how jazz influenced sheet music art, album art, posters, photography, and individual works of fine art.

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April 25th, 2021

Short Fiction Contest-winning story #56 — “Celestial Vagabonds” by Max Talley

He drove uptown on Riverside Drive, the motor noise magnificent. Traffic increased as he approached Harlem. Other drivers jostling to get ahead noticed the car first. A red Ferrari was not subtle in gray Manhattan, and the engine roared money and power and European elegance. Then neighbors would study the man in outsized sunglasses. Some recognized him, smiling or shaking their heads in disbelief. Others looked aggrieved, even outraged that a person like him could be driving a vehicle like that. Ferrari only built three-hundred of their 275 GTB.

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March 12th, 2021

“The Third Degree” — humor by Dig Wayne

The evidence against Monk was overwhelming. As he spun in circles, his beard greeted all the be-boos and scat tops with a whiff of singular restraint, knowing the blue minor chord could only hold so much dissonance before the black harmonies started some fragile shite.

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November 19th, 2020

Francis Wolff photo contact sheets from classic Blue Note recording sessions

Mosaic Records is offering prints of entire contact sheets of classic Blue Note recording sessions that, as described by Mosaic owner Michael Cuscuna, shows Francis Wolff’s “thought process and the progression of shots that lead to his final best image.”

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May 21st, 2020

“An Interview with Lee Konitz” — by Bob Hecht and Grover Sales

Bob Hecht hosts a previously unpublished 1985 interview with the late, great jazz saxophonist Lee Konitz, featuring photography and music

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April 22nd, 2020

“Charles Ingham’s Jazz Narratives” — Vol. 3

Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition’s narratives are “”Exactly Where She Is Supposed to Be,” “In Memory of Clora Bryant, Standing Outside the Downbeat,” and “Out West, Thinking About Miles Davis”

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March 20th, 2020

Interview with Paul Lopes, author of Art Rebels: Race, Class and Gender in the Art of Miles Davis and Martin Scorsese

Paul Lopes — associate professor of sociology at Colgate University —  talks about how ethnicity, class and hypermasculinity impacted the work of these two visionary, independent artists.

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December 13th, 2019

Interview with Nate Chinen, author of Playing Changes: Jazz for the New Century

Nate Chinen, the former New York Times jazz critic who is now director of editorial content for WBGO Radio, talks about his book, Playing Changes: Jazz for the New Century

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September 4th, 2019

Michael Cuscuna announces the release of Francis Wolff’s Blue Note session photographs

Mosaic Records co-founder Michael Cuscuna shares news concerning the availability of previously unreleased photographs of Blue Note Records sessions taken by Francis Wolff

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August 8th, 2019

Two poems by John Jack Jackie (Edward) Cooper

. .   . . Trajet Introspeculative — to Sun Ra, Saturday night: on one (actually, Sun Da morning) — terrible swift disin- clination to forgive the equally terrible tyranny of time signa- ture, attesting to what can, which must not — that, that ken abundant wherever choi- ces be told: rs, joints, and drums, … Continue reading “Two poems by John Jack Jackie (Edward) Cooper”

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May 7th, 2019

“Miles” — a poem by Susandale

  . . . .   Miles  In five notes …all the sadness of life A pause___ long enough …for another sorrow ………to slip in And then___ a note so piercing, …it hurts . by Susandale . . ___ . .     . Susandale’s poems and fiction are on .WestWard Quarterly, Mad Swirl, Penman … Continue reading ““Miles” — a poem by Susandale”

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March 15th, 2019

“All Blues: The Story of a Lost Friendship” — a true jazz story by Bob Hecht

…..I have to wonder how many friendships have been forged over mutual love of Miles Davis’ album, Kind of Blue. The one I want to tell you about came to pass in an unlikely setting back during the winter of 1963…

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December 19th, 2018

On the Turntable — Miles Ahead

I have been fortunate – thus far – to have avoided the many summer colds going around this season, but I have been afflicted, once again, by “Miles Fever.”  Every so often, I am struck by an irresistible urge to dig into the catalog of this artist so present during virtually every season of my life, and rediscover the thrill of his sound, and of his cultural significance.   

I contracted the virus this morning, and spent the morning (in bed, of course) listening to Miles Ahead, the 1957 recording featuring Miles Davis and 19 musicians under the direction of Gil Evans – his first collaboration with Miles since the Birth of the Cool sessions of 1950, and one of his earliest recordings for Columbia Records.  An early example of

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July 23rd, 2018

Revisiting Gil Evans

     An early interview I conducted as publisher of Jerry Jazz Musician was with Stephanie Stein Crease, whose 2002 biography of Gil Evans, Out of the Cool, was an illuminating history of a man the jazz writer Gary Giddins refers to as “one of the great figures in American music, a composer and orchestrator of breathtaking originality.”

     In the interview, Crease talks of Evans’ life as having

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May 14th, 2018

Miles and Coltrane’s final tour together

     In a March 29 post on Slate, Fred Kaplan writes about the newly released bootleg recording of Miles Davis’ quintet (featuring John Coltrane), The Final Tour, a four-CD box set of live concerts in Europe from 1960.  The tour happened a year after the release of Kind of Blue, so many of the tunes played during it is from that classic album.  According the Kaplan, the music found on this Columbia/Legacy set is “radically different” and such a “jarring departure” from the album that “it demands we revise the conventional wisdom about these two musicians (Miles and Coltrane) and fills in some blanks…in the story of jazz, and where it was going, in those pivotal years.”

     Kaplan’s essay includes a critique of the music itself – but of particular interest is his reminder of the

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April 1st, 2018

Jazz History Quiz #109

Recognized as jazz fusion’s most prominent drummer, he was a key contributor on some of the genre’s most successful early recordings – including with Miles Davis and the Mahavishnu Orchestra.  Who is he?

 

Billy Cobham

Billy Hart

Jack DeJohnette

Tony Williams

Steve Gadd

Alphonse Mouzon

Lenny White

 

Go to the next page for the answer!

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February 3rd, 2018

“Psalm” — a short story by Ian Rictor

     I watch my hand remove the phone from the wall above the couch’s arm and there is a sweat in my ear as I hear a distant Miles Davis. I am called by the distorted voice of Miles Davis rasping my name.

     John, he says, are you busy?

     I let my eyes blur into my mother’s sofa, melting a monotonous no out of my mouth toward the receiver. I feel the room sloshing peacefully in waves around me and the buzzing of my lips from my mouthpiece and reed. My saxophone sits strewn across the floor along with my

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September 3rd, 2016

The 1962 Miles Davis Playboy Interview

The other day, while stumbling around the Internet, I came across the first official Playboy interview — that of Alex Haley’s 1962 conversation with Miles Davis. The interview was published in the September edition and was considered quite controversial at the time. Consider this comment from the interview, and keep in mind what the world was like in 1962, and the shock it may have caused in certain segments of our society: “In high school I was best in music class on the trumpet, but the prizes went to the boys with blue eyes. I made up my mind to outdo anybody white on my horn.”

Now 54 years later, in the context of today’s world the interview doesn’t seem as controversial, but it remains a significant window to the soul of the era’s most revered

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April 22nd, 2016

Revisiting “One For Daddy-O”

I’ve been revisiting some favorite recordings this week, among them the classic 1958 Cannonball Adderley-led session Somethin’ Else, with Hank Jones, Art Blakey, Sam Jones, and, in a rare appearance as sideman, Miles Davis. The tune I have been stuck on is “One For Daddy-O,” a blues written by Cannonball’s brother Nat that features a flawless blues solo by Miles.

I dug into the liner notes and was reminded of how the critic Leonard Feather used this particular solo as a platform on which to describe the essence of the “deeper and broader blues of today,” refuting a “misinformed” Ebony piece of the era that suggested that

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November 5th, 2015

“My Funny Valentine”

So many great songs to choose from for marking Valentine’s Day…The standard that most immediately comes to mind is an obvious choice, Richard Rodgers and Lorenz Hart’s “My Funny Valentine.” Written for their 1937 Broadway musical Babes in Arms, the piece was overshadowed on Broadway (and in the film version starring Mickey Rooney and Judy Garland) by “Where or When,” “I Wish I Were in Love Again,” and “The Lady is a Tramp,” and was not made relevant until Frank Sinatra’s recording of it in 1953. It was eventually recorded by more than 600 artists on countless albums, and became synonymous with Chet Baker, who recorded it over 100 times. Will Friedwald, author of Stardust Melodies: The Biography of Twelve of America’s Most Popular Songs — an entertaining and essential work of popular music history — wrote that “the tune could be said to follow Baker from the grave, since it’s usually included in memorial tributes to him.”

Friedwald writes, “What makes the whole [song] so remarkable is the happy/sad nature of the lyric, brilliantly mirroring the major/minor nature of the music. It’s a love song, but far from those ‘I love you and everything’s rosy’ tunes so popular in the twenties (vis-a-vis Iriving Berlin’s ‘Blue Skies’). It’s vaguely optimistic, but it couldn’t

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February 14th, 2014

“my funny valentine” — a poem by Ed Corrigan

my funny valentine
by ed corrigan

Miles’ horn blows
thru my head
down to my toes
down baby down
i need to blow
my bleeding nose
a red note bleeding
dododowaaaah
a smile with my heart
she just tore me apart

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November 12th, 2013

Robin D.G. Kelley, author of Thelonious Monk: The Life and Times of an American Original

“The piano ain’t got no wrong notes!” So ranted Thelonious Sphere Monk, who proved his point every time he sat down at the keyboard. His angular melodies and dissonant harmonies shook the jazz world to its foundations, ushering in the birth of “bebop” and establishing Monk as one of America’s greatest composers. Yet throughout much of his life, his musical contribution took a backseat to tales of his reputed behavior. Writers tended to obsess over Monk’s hats or his proclivity to dance on stage. To his fans, he was the ultimate hipster; to his detractors, he was temperamental, eccentric, taciturn, or childlike. But these labels tell us little about the man or his music.

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April 15th, 2013

John Leland, author of Hip: The History

John Leland’s Hip: The History is the story of an American obsession. Derived from the Wolof word hepi or hipi (“to see,” or “to open one’s eyes”), which came to America with West African Slaves, hip is the dance between black and white — or insider and outsider — that gives America its unique flavor and rhythm. It has created fortunes, destroyed lives and shaped the way millions of us talk, dress, dance, make love or see ourselves in the mirror. Everyone knows what hip is.

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January 3rd, 2005

Great Encounters #2: When Miles Davis hired John Coltrane

Excerpted from A Love Supreme: The Story of John Coltrane’s Signature Album, by Ashley Kahn

Miles Davis was desperate. He was in the midst of preparing for his first national tour arranged by a high-powered booking agent, and Columbia Records — the most prestigious and financially generous record company around — was looking over his shoulder, checking on him. “If you can get and keep a group together, I will record that group,” George Avakian, Columbia’s top jazz man, had promised. To Miles, an alumnus of Charlie Parker’s groundbreaking bebop quintet, “group” still meant a rhythm trio plus two horn players, but he still had only one: himself.

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February 22nd, 2004

John Szwed, author of So What: The Life of Miles Davis

More than half a century after his bebop debut, and more than eleven years after his death, Miles Davis lives on. His music is used to pitch jeans, shape films, and personify an era. To this day, he is revered as the archetype of cool.

While several books have been written about Davis, including his own autobiography, due to his passion for reinvention and his extreme reticence the real story of Miles Davis has been obscured by the legend and widely misunderstood.

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January 27th, 2003

“The A Love Supreme Interviews” — Ashley Kahn, author of A Love Supreme: The Story of John Coltrane’s Signature Album

A successful recording generally entertains and communicates passion on an earthly, mortal level. We typically respond to an effective performance by humming the melody, tapping our feet, and sharing it with friends. It might even “stomp the blues,” as the critic Albert Murray suggests.

Few recordings, however, actually challenge a listener to address one’s personal essence.

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September 16th, 2002

Jazz Photographer Lee Tanner discusses his life in jazz

Lee Tanner began using a camera as a teenager in New York City. An avid jazz fan from the age of eight and inspired by the jazz photography of Gjon Mili, Bill Claxton, Herb Snitzer, and Herman Leonard, he turned to documenting the jazz scene with a love for the music comparable only to his creative drive for visual expression. Photography, however, was only an avocation.

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July 29th, 2002

Keith Shadwick, author of Bill Evans: Everything Happens to Me

Bill Evans (1929 – 1980) played a major role in the history of modern jazz. The New Jersey-born pianist’s groundbreaking ideas were so widely absorbed by his peers and subsequently by every new generation of musicians that he can be classed among the most influential figures in post-war jazz, ranking alongside Thelonious Monk, Charles Mingus, Miles Davis, John Coltrane, Charlie Parker and Dizzy Gillespie.

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June 24th, 2002

Kind of Blue: The Making of the Miles Davis Masterpiece author Ashley Kahn

In the spring of 1959, seven musicians got together in a converted church on 30th Street in Manhattan and made jazz history. Over forty years have passed since Miles Davis assembled his famed sextet to record Kind of Blue, and in that time the album has risen to the level of masterpiece.

In Kind of Blue: The Making of the Miles Davis Masterpiece, Ashley Kahn gives readers the unprecedented opportunity to enter the 30th Street studio and witness the creation of this remarkable album

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April 29th, 2002

Stephanie Stein Crease, author of Gil Evans: Out of the Cool

When Stephanie Stein Crease was a child, and her older brother started bringing home records by Gil Evans and Miles Davis, her world turned. Fascinated by the colorful orchestrations found on Miles Ahead, Porgy and Bess and Sketches of Spain, recorded between 1957 and 1960, Crease began a life long affair with the music of Evans, a man noted critic Gary Giddins has called “one of the great figures in American music.” Gil Evans, Out of the Cool, is a culmination of her fascination of and appreciation for the work of Gil Evans.

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December 17th, 2001

Gerald Early, author of Miles Davis and American Culture

Gerald Early is Merle Kling Professor of Modern Letters at Washington University in St. Louis, and is one of America’s most respected essayists. His work on American and African American culture is collected in Tuxedo Junction, The Culture of Bruising (National Book Award), and One Nation Under a Groove, a book on Motown.

He has edited collections on African American rhetoric, black consciousness, sports, Muhammad Ali, and African American writing about St. Louis.

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October 10th, 2001

In This Issue

"Nina" by Marsha Hammel
A Collection of Jazz Poetry — Winter, 2024 Edition...One-third of the Winter, 2024 collection of jazz poetry is made up of poets who have only come to my attention since the publication of the Summer, 2023 collection. What this says about jazz music and jazz poetry – and this community – is that the connection between the two art forms is inspirational and enduring, and that poets are finding a place for their voice within the pages of this website. (Featuring the art of Marsha Hammel)

The Sunday Poem

photo by Bekzat Tasmagambetov/via Pexels
"The Lady Sings" - by Michael Keshigian

Click here to read previous editions of The Sunday Poem

Poetry

Proceeding From Behind: A collection of poems grounded in the rhythmic, relating to the remarkable, by Terrance Underwood...A relaxed, familiar comfort emerges from the poet Terrance Underwood’s language of intellectual acuity, wit, and space – a feeling similar to one gets while listening to Monk, or Jamal, or Miles. I have long wanted to share his gifts as a poet on an expanded platform, and this 33-poem collection – woven among his audio readings, music he considers significant to his story, and brief personal comments – fulfills my desire to do so.

Interview

The Marvelettes/via Wikimedia Commons
Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives and challenges many of the young Black women who made up the Girl Groups of the ‘60’s faced while performing during an era rife with racism, sexism, and music industry corruption. The authors discuss their book’s mission to provide the artists an opportunity to voice their experiences so crucial to the evolution of popular music.

Book Excerpt

An excerpt from Emily Jon Tobias’ MONARCH: Stories, and a reflection on our friendship

Art

photo of Archie Shepp by Giovanni Piesco
The Photographs of Giovanni Piesco: Archie Shepp...photos of the legendary saxophonist (and his rhythm section for the evening), taken at Amsterdam's Bimhuis on May 13, 2001.

Poetry

The cover to Joni Mitchell's 1976 album Hejira [Asylum]; photo by Norman Seeff
“Fort Macleod, Alberta, Canada” – a poem (for Joni Mitchell) by Juan Mobili

Click here to read more poetry published in Jerry Jazz Musician

Calling All Poets!

News about a Jerry Jazz Musician printed jazz poetry anthology, and information about submitting your poetry for consideration

Short Fiction

pickpik.com
Short Fiction Contest-winning story #65 — “Ballad” by Lúcia Leão...The author’s award-winning story is about the power of connections – between father and child, music and art, and the past, present and future.

Click here to read more short fiction published on Jerry Jazz Musician

Interview

photo of Louis Jordan by William Gottlieb/Library of Congress
Interview with Tad Richards, author of Jazz With a Beat: Small Group Swing, 1940 – 1960...Richards makes the case that small group swing players like Illinois Jacquet, Louis Jordan (pictured) and Big Jay McNeely played a legitimate jazz that was a more pleasing listening experience to the Black community than the bebop of Parker, Dizzy, and Monk. It is a fascinating era, filled with major figures and events, and centered on a rigorous debate that continues to this day – is small group swing “real jazz?”

Playlist

Sonny Rollins' 1957 pianoless trio recording "Way Out West"
“The Pianoless Tradition in Modern Jazz” – a playlist by Bob Hecht...an extensive playlist built around examples of prominent pianoless modern jazz.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – (Vol. 1)...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them.  In this initial edition featuring his story essays/reviews, Rife writes about three novels that explore challenges of the mother/daughter relationship.

Trading Fours with Douglas Cole

The cover of Wayne Shorter's 2018 Blue Note album "Emanon"
Trading Fours, with Douglas Cole, No. 20: “Notes on Genius...This edition of the writer’s poetic interpretations of jazz recordings and film is written in response to the music of Wayne Shorter.

Click here to read previous editions of Trading Fours with Douglas Cole

In Memoriam

Hans Bernhard (Schnobby), CC BY-SA 3.0, via Wikimedia Commons
“Remembering Joe Pass: Versatile Jazz Guitar Virtuoso” – by Kenneth Parsons...On the 30th anniversary of the guitarist Joe Pass’ death, Kenneth Parsons reminds readers of his brilliant career

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Poetry

painting by Vaino Kunnas
Jazz…in eight poems...A myriad of styles and experiences displayed in eight thoughtful, provocative poems…

Jazz History Quiz #172

photo of Teddy Wilson by William Gottlieb
Teddy Wilson once said this about a fellow jazz pianist:

“That man had the most phenomenal musical gifts I’ve ever heard. He was miraculous. It’s like someone hitting a home run every time he picks up a bat. We became such fast friends that I was allowed to interrupt him anytime he was playing at the house parties in Toledo we used to make every night. When I asked him, he would stop and replay a passage very slowly, showing me the fingering on some of those runs of his. You just couldn’t figure them out by ear at the tempo he played them.”

Who is the pianist he is describing?

Community

photo via Picryl.com
.“Community Bookshelf, #2"...a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books. This edition includes information about books published within the last six months or so…

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

A new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Eubie Blake
Click to view the complete 22 year archive of Jerry Jazz Musician interviews, including those recently published with Richard Carlin and Ken Bloom on Eubie Blake (pictured); Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.

Site Archive