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On the web since 1999
What are your hopes, anxieties, expectations for 2025? How do you see it playing out? 50 readers respond to the question, What one song best represents your expectations for 2025?
...January 2nd, 2025
The most eminent jazz writer of his generation is now a recipient of the 2025 National Endowment for the Arts (NEA) Jazz Masters Fellowship.
...July 18th, 2024
The former Village Voice writer Gary Giddins, who was prominently featured in Ken Burns’ documentary Jazz, and who is the country’s preeminent jazz critic, joins us in a December 23, 2002 conversation about jazz legend Thelonious Monk.
...November 10th, 2023
The community of poets, writers, artists and photographers who have recently contributed their work and time to Jerry Jazz Musician to answer this question, “What one song best represents your experience with 2020?”
...December 29th, 2020
. . Speak No Evil, a 1964 recording session by saxophonist Wayne Shorter (released in 1966), was among those listed by noted critics, authors and musicians as their all-time favorite Blue Note albums . __________ . “Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of … Continue reading “Reminiscing in Tempo: “What are 4 or 5 of your all-time favorite Blue Note albums?””
...June 14th, 2019
Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who responded to our question, “What are some of your favorite record album covers of all time?”
...March 12th, 2019
. . Photo William Gottlieb/Library of Congress Charlie Parker is frequently found on the lists of noted critics and musicians answering the question, “What are 3 or 4 of your favorite jazz record recordings of the 1940’s?” This photograph by William Gottlieb was taken at Carnegie Hall in New York, c. 1947 . __________ … Continue reading “Reminiscing in Tempo: “What are 3 or 4 of your favorite jazz recordings of the 1940’s?””
...December 4th, 2018
Gary Giddins, his generation’s most eminent jazz writer and author of the award winning biography Bing Crosby: A Pocketful of Dreams: The Early Years, 1903 – 1940, talks with us about his brilliant second book on Crosby, Swinging on a Star: The War Years, 1940 – 1946. The interview is a fascinating read — a virtual history of Crosby’s life and his impact on America during its most consequential decade. Featuring photos, music and film clips, and information about Giddins’ experience studying Crosby for 25 years.
...October 25th, 2018
I have been fortunate – thus far – to have avoided the many summer colds going around this season, but I have been afflicted, once again, by “Miles Fever.” Every so often, I am struck by an irresistible urge to dig into the catalog of this artist so present during virtually every season of my life, and rediscover the thrill of his sound, and of his cultural significance.
I contracted the virus this morning, and spent the morning (in bed, of course) listening to Miles Ahead, the 1957 recording featuring Miles Davis and 19 musicians under the direction of Gil Evans – his first collaboration with Miles since the Birth of the Cool sessions of 1950, and one of his earliest recordings for Columbia Records. An early example of
...July 23rd, 2018
In 2003, as part of the Jerry Jazz Musician “Conversations with Gary Giddins” series, I was fortunate to interview Giddins — his generation’s most esteemed jazz writer — about Cecil Taylor, who died earlier today at age 89. It is an excellent read for anyone with an interest in Cecil (or Gary). You can access it by
...April 6th, 2018
I am saddened to read of the passing of journalist Nat Hentoff, who died yesterday at the age of 91. Hentoff’s work was published by the Village Voice for 50 years, and was also frequently found in the New Yorker, the Atlantic Monthly, the Wall Street Journal, and Jazz Times. He was also editor of Downbeat during the mid-1950’s. There are many obituaries available to read about Nat and his career – including Robert McFaddin’s in today’s New York Times.
As I began publishing original content on Jerry Jazz Musician in 1999, I had the privilege of having my site embraced by the three most prominent jazz writers of the time, Gary Giddins, Stanley Crouch, and Nat Hentoff. All three of them got involved in Jerry Jazz Musician in their own way.
Giddins — who I was able to catch up with during a recent trip I took to New York — and I developed an interview series called
...January 8th, 2017
Fans of the trumpet may enjoy reading an interview I did with critic Gary Giddins on underrated jazz musicians. (This was part of my 15 part series of interviews with him called “Conversations with Gary Giddins.”) In this snippet from the interview, Giddins talks about Fats Navarro, Kenny Dorham, Booker Little, and a few others who never quite received their “due.”
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GG: Another trumpet player that I never actually did a whole column on — and it sort of spooks me that I didn’t because he’s one of my favorites — is Fats Navarro, one of the very pivotal players of the late forties. I wrote a number of times about Clifford Brown, who in some ways arrived as Navarro’s heir apparent, but he’s another musician I feel I never did justice to because
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October 17th, 2014
In this edition of “Reminiscing in Tempo: Memories and Opinion,” noted critics and musicians list their favorite jazz record albums of the 1970’s.
...September 24th, 2014
“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, Jerry Jazz Musician poses one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
This edition’s question is “Who was your childhood hero?” Participants include Gary Burton, Pat Martino, Gary Giddins, Nat Hentoff, and others.
...January 16th, 2014
December 5th marks the 41st anniversary of the bebop trumpeter Kenny Dorham’s death. Only 48 years old at the time of his passing from kidney disease, Dorham’s professional life enjoyed a great measure of respect from his fellow musicians, but, as Nat Hentoff pointed out in the liner notes to Dorham’s 1963 Blue Note recording Una Mas, “he has yet to break through to the kind of wide public acceptance which has occasionally seemed imminent.” His recordings are timeless – each and every one packed with delicious passion and brilliant playing that still sounds fresh — but Dorham never did “break through” in his lifetime, and continues to be classified by important jazz historians as “underrated.” In a Jerry Jazz Musician-hosted conversation on underrated jazz musicians, the most eminent jazz writer Gary Giddins said “when anybody wrote about [Dorham]
...December 5th, 2013
Giddins has been a frequent contributor to Jerry Jazz Musician. This is the 15th interview in our “Conversations with Gary Giddins” series. He joins us in a June 1, 2010 discussion about his two new books.
...June 1st, 2010
Long recognized as America’s most brilliant jazz writer, the winner of many major awards — including the prestigious National Book Critics Circle Award — and author of a highly popular biography of Bing Crosby, Gary Giddins has also produced a wide range of stimulating and original cultural criticism in other fields. With Natural Selection, he brings together the best of these previously uncollected essays, including a few written expressly for this volume.
...June 22nd, 2007
In a wide-ranging conversation, Gary Giddins — for many years the country’s most eminent jazz critic whose most recent collection of cultural criticism is titled Natural Selection — talks about his recent trip to Brazil’s Ouro Preto International Jazz Festival, the business of jazz festivals and touring, jazz education, and the debate concerning where today’s cutting-edge of jazz resides.
...October 30th, 2006
In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. Jazz critics can be revered or reviled often both but they should not be ignored. And while the tradition of jazz has been covered from seemingly every angle, until now, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. In Blowin Hot and Cool: Jazz and its Critics, John Gennari provides a definitive history of jazz criticism from the 1920s to the present.
...August 21st, 2006
“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
What are five books that mean a lot to you?
Featuring Ben Ratliff, David Maraniss, Diane McWhorter, Don Byron, Gary Giddins, James Gavin, Kevin Boyle and others…
...June 29th, 2006
This edition of “Conversation with Gary Giddins” is the first of three Jerry Jazz Musician features devoted to the importance of New Orleans culture. In an enlightening, passionate conversation, Giddins — for many years the country’s most eminent jazz critic — discusses the beginnings of jazz in the city of New Orleans, its prominent figures, and what needs to be done to properly market jazz in a city that has contributed so much toward shaping the soul of America.
...October 31st, 2005
The world of jazz criticism is enriched every time Gary Giddins brings out a new book, and Weather Bird: Jazz at the Dawn of its Second Century, bulges with riches. The collection is mostly drawn from his recently-ended Village Voice column (also called “Weather Bird”), with the addition of significant essays published elsewhere. Even faithful readers of the Voice will find ample new Giddins material here.
...October 29th, 2005
In the final column of his thirty year career as jazz critic of the Village Voice, Gary Giddins wrote, “I’m as besotted with jazz as ever, and expect to write about it till last call, albeit in other formats. Indeed, much in the way being hanged is said to focus the mind, this finale has made me conscious of the columns I never wrote.”
...May 10th, 2005
In the final column of his thirty year career as jazz critic of the Village Voice, Gary Giddins wrote, “I’m as besotted with jazz as ever, and expect to write about it till last call, albeit in other formats. Indeed, much in the way being hanged is said to focus the mind, this finale has made me conscious of the columns I never wrote.”
...October 25th, 2004
Excerpted from Bing Crosby: A Pocketful of Dreams by Gary Giddins
To hip musicians in Chicago, scat had been the rage for months. Bing and some of the other adventurous musicians in Whiteman’s band heard it that very week from the master himself, Louis Armstrong. If mobster Al Capone ruled the city, Armstrong ruled its music. Whatever he played was instantly picked up by other musicians. The previous spring Okeh issued his Hot Five recording of “Heebie Jeebies,” and it caused a sensation, selling some 40,000 copies thanks to his inspired vocal chorus – a torrent of bristling grunts and groans in no known language.
...June 22nd, 2004
In the final column of his thirty year career as jazz critic of the Village Voice, Gary Giddins wrote, “I’m as besotted with jazz as ever, and expect to write about it till last call, albeit in other formats. Indeed, much in the way being hanged is said to focus the mind, this finale has made me conscious of the columns I never wrote.”
...April 30th, 2004
In the final column of his thirty year career as jazz critic of the Village Voice, Gary Giddins wrote, “I’m as besotted with jazz as ever, and expect to write about it till last call, albeit in other formats. Indeed, much in the way being hanged is said to focus the mind, this finale has made me conscious of the columns I never wrote.”
...January 5th, 2004
Village Voice writer Gary Giddins, who was prominently featured in Ken Burns’ documentary Jazz, and who is the country’s preeminent jazz critic, joins us in a conversation recorded on June 20, 2003 — and then slightly revised in October — about the profession of jazz criticism.
The conversation is an autobiographical look at the writer’s ascension in his field, and includes candid observations of other prominent critics. It concludes with a unique “Blindfold Test” that asks Giddins to name the jazz writer responsible for the essay excerpt he is spontaneously shown.
...June 20th, 2003
Village Voice writer Gary Giddins, who was prominently featured in Ken Burns’ documentary Jazz, and who is the countrys preeminent jazz critic, joins us in a March 13, 2003 conversation about pianist Cecil Taylor.
...March 13th, 2003
Village Voice writer Gary Giddins, who was prominently featured in Ken Burns’ documentary Jazz, and who is the country’s preeminent jazz critic, joins us in a December 23, 2002 conversation about jazz legend Thelonious Monk.
...December 23rd, 2002
Village Voice writer Gary Giddins, winner of the National Book Critics Circle Award, and who is the country’s preeminent jazz critic, joins us in an October 21, 2002 conversation about jazz legend Sonny Rollins.
...October 21st, 2002
Village Voice writer Gary Giddins, winner of the National Book Critics Circle Award, and who is the country’s preeminent jazz critic, joins us in a June 21, 2002 conversation about Invisible Man author Ralph Ellison.
...June 21st, 2002
Village Voice writer Gary Giddins, winner of the National Book Critics Circle Award, and who is the country’s eminent jazz critic, joins us in a June 21, 2002 conversation about jazz great John Coltrane.
...June 21st, 2002
When Gary Giddins, the jazz critic and columnist for the Village Voice, began work on an in-depth biography of Bing Crosby, many asked him, “Why?” He has explained that Crosby, perhaps the most famous entertainer in America between 1927 and 1956, has been unjustly forgotten since his death in 1977.
...March 22nd, 2001
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”Resonator” by Robert Walicki
The Sunday Poem is published weekly, and strives to include the poet reading their work....
Robert Walicki reads his poem at its conclusion
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