“Storyville” — a short story by Matthew Peel

Jeffrey’s fingers hovered inches above the ivory. His heart pounded. The oak bench creaked as he leaned forward, only the toes of his scuffed leather shoes making contact with the floor. The hand-written notes on the page in front of him bounced up and down with every panting breath. He recognized most of the squiggles and lines cascading up and down the staff, but he couldn’t read a single word that surrounded them. Ms. Joetta’s voice echoed in his head, reverberated out of the hole in his threadbare fedora. Play, son. The first chance you get, and don’t look back. He could feel lightning in his fingers, almost driving him past the fear deep in his

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January 28th, 2017

An Online Story of Jazz in New Orleans – Introduction

Featuring the complete text of chapters 1 – 5 from ‘Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It,” a 1955 book by Nat Shapiro and Nat Hentoff

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March 26th, 2013

David Robertson, author of W.C. Handy: The Life and Times of the Man Who Made the Blues

Before there was Elvis, there was W.C. Handy, “the man who made the blues.” Here is the first major biography in decades of the man who gave us such iconic songs as “St. Louis Blues,” “The Memphis Blues,” and “Beale Street Blues,” and who was responsible, more than any other musician, for bringing the blues into the American mainstream.

David Robertson charts W.C. Handy’s rise from a rural Alabama childhood in the last decades of the nineteenth century to become one of the most celebrated songwriters of the twentieth century. The child of former slaves, Handy was first inspired by spirituals and folk songs, and his passion for music pushed him to leave home as a teenager, despite opposition from his preacher father.

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September 4th, 2009

An Online Story of Jazz in New Orleans – Chapter 5

An Online Story of Jazz in New Orleans With an introduction by Nat Hentoff __________ Featuring the complete text of chapters 1 – 5 from Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It, a 1955 book by Nat Shapiro and Nat Hentoff (Published with the consent … Continue reading “An Online Story of Jazz in New Orleans – Chapter 5”

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March 26th, 2007

An Online Story of Jazz in New Orleans – Chapter 4

Featuring the complete text of chapter 4 rom “Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It”, a 1955 book by Nat Shapiro and Nat Hentoff

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March 26th, 2007

An Online Story of Jazz in New Orleans – Chapter 3

An Online Story of Jazz in New Orleans With an introduction by Nat Hentoff __________ Featuring the complete text of chapters 1 – 5 from Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It, a 1955 book by Nat Shapiro and Nat Hentoff (Published with the consent … Continue reading “An Online Story of Jazz in New Orleans – Chapter 3”

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March 26th, 2007

An Online Story of Jazz in New Orleans – Chapter 2

Featuring the complete text of chapters 2 from “Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It,” a 1955 book by Nat Shapiro and Nat Hentoff

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March 26th, 2007

An Online Story of Jazz in New Orleans – Chapter 1

Featuring the complete text of chapter 1 from “Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It,” a 1955 book by Nat Shapiro and Nat Hentoff

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March 26th, 2007

Thomas Brothers, author of Louis Armstrong’s New Orleans

New Orleans at the turn of the twentieth century was a complicated city, a rough and beautiful place bursting with energy and excitement. It was a city marked by racial tensions, where the volatile interactions between blacks and whites were further confounded by a substantial Creole population. Yet it was also a city of fervent religious beliefs, where salvation manifested itself in a number of ways. Perhaps abolve all else, New Orleans was a city of music: funeral bands marched through the streets; professional musicians played the popular tunes of the day in dance halls and cabarets; sanctified parishioners raised church roofs with their impassioned voices; and early blues musicians moaned their troubles on street corners and in honky-tonks, late into the night.

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June 12th, 2006

Conversations with Gary Giddins: A History of Jazz in New Orleans

This edition of “Conversation with Gary Giddins” is the first of three Jerry Jazz Musician features devoted to the importance of New Orleans culture. In an enlightening, passionate conversation, Giddins — for many years the country’s most eminent jazz critic — discusses the beginnings of jazz in the city of New Orleans, its prominent figures, and what needs to be done to properly market jazz in a city that has contributed so much toward shaping the soul of America.

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October 31st, 2005

Phil Pastras, author of Dead Man Blues: Jelly Roll Morton Way Out West

When Ferdinand “Jelly Roll” Morton sat at the piano in the Library of Congress in May of 1938 to begin his monumental series of interviews with Alan Lomax, he spoke of his years on the West Coast with the nostalgia of a man recalling a golden age, a lost Eden. He had arrived in Los Angeles more than twenty years earlier, but he recounted his losses as vividly as though they had occurred just recently. The greatest loss was his separation from Anita Gonzales, by his own account “the only woman I ever loved,” to whom he left almost all of his royalties in his will.

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January 7th, 2002

In This Issue

painting of Clifford Brown by Paul Lovering
A Collection of Jazz Poetry — Spring/Summer, 2024 Edition...In this, the 17th major collection of jazz poetry published on Jerry Jazz Musician, 50 poets from all over the world again demonstrate the ongoing influence the music and its associated culture has on their creative lives.

(featuring the art of Paul Lovering)

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

The Sunday Poem

Painting of Thelonious Monk by Martel Chapman
“Ten-Suite Epistrophies and Improvisations: for T. Monk” by Bill Siegel...

Click here to read previous editions of The Sunday Poem

Poetry

“Revival” © Kent Ambler.
If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music...While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.” (with art by Kent Ambler)

Interview

The Marvelettes/via Wikimedia Commons
Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives and challenges many of the young Black women who made up the Girl Groups of the ‘60’s faced while performing during an era rife with racism, sexism, and music industry corruption. The authors discuss their book’s mission to provide the artists an opportunity to voice their experiences so crucial to the evolution of popular music.

Book Excerpt

An excerpt from Emily Jon Tobias’ MONARCH: Stories, and a reflection on our friendship

In Memoriam

photo via Wikimedia Commons
A few words about Willie Mays...Thoughts about the impact Willie Mays had on baseball, and on my life.

Poetry

photo of Earl Hines by William Gottlieb/Library of Congress
Pianists and Poets – 13 poems devoted to the keys...From “Fatha” Hines to Brad Mehldau, poets open themselves up to their experiences with and reverence for great jazz pianists

Art

photo of Archie Shepp by Giovanni Piesco
The Photographs of Giovanni Piesco: Archie Shepp...photos of the legendary saxophonist (and his rhythm section for the evening), taken at Amsterdam's Bimhuis on May 13, 2001.

Poetry

CC BY-SA 4.0 , via Wikimedia Commons
“On Coltrane: 4th of July Reflections” – a poem by Connie Johnson

Click here to read more poetry published in Jerry Jazz Musician

Calling All Poets!

News about a Jerry Jazz Musician printed jazz poetry anthology, and information about submitting your poetry for consideration

Short Fiction

pickpik.com
Short Fiction Contest-winning story #65 — “Ballad” by Lúcia Leão...The author’s award-winning story is about the power of connections – between father and child, music and art, and the past, present and future.

Click here to read more short fiction published on Jerry Jazz Musician

Interview

photo of Louis Jordan by William Gottlieb/Library of Congress
Interview with Tad Richards, author of Jazz With a Beat: Small Group Swing, 1940 – 1960...Richards makes the case that small group swing players like Illinois Jacquet, Louis Jordan (pictured) and Big Jay McNeely played a legitimate jazz that was a more pleasing listening experience to the Black community than the bebop of Parker, Dizzy, and Monk. It is a fascinating era, filled with major figures and events, and centered on a rigorous debate that continues to this day – is small group swing “real jazz?”

Playlist

photo of Coleman Hawkins by William Gottlieb/Library of Congress
“The Naked Jazz Musician” – A playlist by Bob Hecht...As Sonny Rollins has said, “Jazz is about taking risks, pushing boundaries, and challenging the status quo.” Could there be anything riskier—or more boundary-pushing—than to stand naked and perform with nowhere to hide? Bob’s extensive playlist is comprised of such perilous undertakings by an array of notable woodwind and brass masters who have had the confidence and courage (some might say even the exhibitionism) to expose themselves so completely by playing….alone.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 3: “Louis Armstrong”...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this third edition featuring excerpts from his book, Rife writes about four novels/short fiction that include stories involving Louis Armstrong.

Trading Fours with Douglas Cole

The cover of Wayne Shorter's 2018 Blue Note album "Emanon"
Trading Fours, with Douglas Cole, No. 20: “Notes on Genius...This edition of the writer’s poetic interpretations of jazz recordings and film is written in response to the music of Wayne Shorter.

Click here to read previous editions of Trading Fours with Douglas Cole

In Memoriam

Hans Bernhard (Schnobby), CC BY-SA 3.0, via Wikimedia Commons
“Remembering Joe Pass: Versatile Jazz Guitar Virtuoso” – by Kenneth Parsons...On the 30th anniversary of the guitarist Joe Pass’ death, Kenneth Parsons reminds readers of his brilliant career

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Jazz History Quiz #172

photo of Teddy Wilson by William Gottlieb
Teddy Wilson once said this about a fellow jazz pianist:

“That man had the most phenomenal musical gifts I’ve ever heard. He was miraculous. It’s like someone hitting a home run every time he picks up a bat. We became such fast friends that I was allowed to interrupt him anytime he was playing at the house parties in Toledo we used to make every night. When I asked him, he would stop and replay a passage very slowly, showing me the fingering on some of those runs of his. You just couldn’t figure them out by ear at the tempo he played them.”

Who is the pianist he is describing?

Community

photo via Picryl.com
.“Community Bookshelf, #2"...a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books. This edition includes information about books published within the last six months or so…

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America; an interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool; A new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.

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