What is This Path – a collection of poems by Michael L. Newell

June 10th, 2025

.

.

 

Dear Readers:

…..For several years, the poet Michael L. Newell has been an important contributor to Jerry Jazz Musician. His poetic voice resonates wisdom and exudes warmth and character in all he writes about – music, nature, relationships, age, memory, and life’s complexity.

….. The poems appearing on this page were written since he was recently diagnosed with a concerning illness, and are published as a way for me to share his burst of creative energy I have been witness to, as well as poignant thoughts that have emerged for him during his challenging time.

…..Michael tells me that the poems in this collection “are not deliberately connected. I simply follow whatever is on my mind on a given night, and often the subject surprises me.”

…..I thank Michael for allowing me to share his personal experience with readers of Jerry Jazz Musician.

Joe Maita
Editor/Publisher

.

.

___

.

.

 

photo by Rhonda R. Dorsett

.

.

.

 

 

What is This Path

As I walk beneath overpasses,
eidolons from eight decades
mirror my steps and whisper
my name in a range of accents.

Fog sweeps in carrying faces
from thirteen countries. Echoes
of steps both tentative and bold
sing to me, and I clumsily

move into the future, that with arms
outstretched, summons me to an end
I know naught about, save my ignorance
and fear. Who are these voices and faces

that haunt me throughout my waning days?
My bones grow ever wearier. Somewhere
something awaits me. Somewhere on a border,
a voice sings my name, extends welcoming arms.

.

___

.

 

Mister Smith and the Midnight Special

comes the thunderous roar of music
Mister Jimmy Smith his organ
and his wildly cooking band
searching for nothing but the blues
oh baby smoke that room

that organ could make
a sleeping man smile
after tonight nothing will ever
be the same life is
a midnight special

sober or drunk all
is alright and life is
redefined as joy joy joy
the man the band cooks
and life is good

day or night in this honky tonk
all is a midnight special
oh yeah wail away
on the theme that life
is worth the living and the giving

.

___

.

Leave the Old Goat Alone

well damn me someone cried
who is that old goat embracing
the wind waving at the women
laughing at the crows as they unleash

a caw-cacophony of ribald raucous
seemingly random sound someone
replied he lives in the broken down
building at the end of the lane and loves

to shout and dance with birds dogs
and anyone as crazy as he is why doesn’t
someone call the cops ah he’s harmless
and he makes the cops laugh what the hell

is he doing now he’s talking to the squirrels
he frequently feeds leave the old goat alone

.

___

.

Miles to Explore

Miles muted elicits smiles
recalls the trials of gin and jazz
joints sends notes soaring

in nights wild and free
and more painful than life
should ever be sails sounds

round the heads of eager
listeners who are intoxicated
by what he shares his horn

defines beauty transmutes
sounds in his head
brings listeners to their feet

note upon note he creates
a notable world life hurts yet is cool
swing brother swing redefine the world

.

___

.

Thinking of Michael and Anna Citrino at Dusk

Limping along with my walker
through a small orchard by a creek,
I think of you both and salute you

from afar, my arms waving like leaves
in a breeze. Wind carries dusk across
my path, and I sing Stephen Foster

songs, the words sailing across
the continent like migrating butterflies
to land on your shoulders, to gently

remind you of the many years we have
been friends; although often separated
by half the world, we find paths through

virtual space to share ideas, accomplishments,
griefs, discoveries, and hopes, for whatever
future still lies before us. As the night grows

chilly, I am warmed by memory, and the knowledge
that even as life slowly slips away, we care
and hear one another across time and space.

.

___

.

Supplication
(While Listening to Spiritual by Metheny and Haden)

“Please,” beseeched the old man
stretching his hand toward
the distant universe, “Please

bestow peace upon me in my
final hours, whatever that means,
in whatever form it takes, grant me

passage upon the tides of
the universe, the embrace of
the great silence, the ability

to soar in song inside my head
and recognize the beauty into
which I disappear, feel gratitude

for all I have been granted, and accept
my fate without murmur or regret.”

.

___

.

Enjoying What is Left

an old man sat on a bench
only his eyes moving as dusk
swept ever nearer to the pond
and wood where the ancient
quietly watched a heron

meticulously fishing
while rabbits a squirrel
lizards and small birds
crouched near cover as
a gray owl at the top

of a large tree swept his gaze
across one after another
soon the man would painstakingly
walk home soon night would swallow
the day and those who inhabit it

soon the owl would make a choice
the old man rose to his feet
and painfully moved toward home
rain swept over him chilly driving
with the vigor of a good jazz drummer

he lifted his face to the sky and shouted
is that the best you can do and laughed
people on a nearby balcony stared and shook
their heads the man began a slow awkward dance
hallelujah hallelujah hallelujah

.

___

.

Ernie as Lad and Man

was and is a will of the wisp, Puck in a carnival
outfit, a voice on the wind daring one
and all to stop him from flip, flop, and flying
through wild shenanigans, a daredevil

of body and mind, a leader who took and takes
one and all past their limitations. Even as a senior
citizen, all he says and does makes the world
a brighter, more exciting place, makes

life a whirling twirling place that is always
a mental physical challenge that makes adults
laugh and children want to tumble and dance through
an oblivious world. He’s the wind in four directions.

.

___

.

The Music Never Ends

the concert was over
but the old man was not ready
to abandon the outdoor auditorium

where trumpets and saxes still seemed to fill
cool night air his head bobbing to tunes
that inebriated him his arms waving

body bouncing knees become percussion
all alone in the night the codger cooked
in memory of an evening of delight imagination

and wild improvisation damn he muttered to self
I could live off the music abandoned here
slowly he calmed as a cool breeze embraced

the land and night’s whispers crept upon him
yet still he hummed wildly rhythmic tunes to self

.

___

.

An Old Fellow Wanders

stumbling down city streets
the old fellow is fascinated
by the trivia that swirls round
him wee bairns batting balloons
back and forth in back seats
of cars adults half-turned toward
them shouting utterly ignored
imprecations the small fry laughing

uproariously as the gas-filled plastic
flies hither and thither the old chap
spies others like himself bent before
the wind and yet they are greeting
one and all they meet along their
torturous paths a drunk leans
against a supermarket door singing
a loud cacophonous obscene ditty

laughing between verses and waving
a hat in which he suggests passersby
deposit some coin of the realm
the old chap observing deposits
a dollar bill in the hat and is given
change is told his gift was too much
the song was not that good the ancient
chuckles and wanders on in search

of more of life’s trivia to fill his waning
days filled with trivial wondrous joy

.

___

.

For Joseph Glaser

when he played his guitar
the notes floated across fields
into trees and clouds with serene grace
of rivers flowing down to the ocean

when we conversed words would
flow for hours all subjects fuel
for discussions that might grow
animated but never contentious

his musical training had taught him
how to actively and sympathetically
listen with conversation turning
into an intersection of streams

that merged into rivers and hours
would pass before we drifted apart

.

___

.

Reach Out

ah Lady Day who so compellingly sang
God must bless the child who was damned
by a world beyond cruel beyond caring

her broken voice guiding a listener’s
vision toward seeing the destruction
of a race a culture a world of vibrant people

by the morally blind those who believed
white is a color par excellence believed
some were born to serve and others to rule

ah sing Lady sing with that voice that stripped
away moral ambiguity imparted the full weight
of a broken heart that redefined pain redeemed

all within earshot of the ravaged beauty of your voice
and face that was and is an essential image of survival

.

___

.

What Awaits

Memory is filled with rivers
of grief, streams of loss,
hopes and desires blown
away on the wind;

all that comes, goes,
if I glance away;
life is a bleak serenade
I hum to night’s accompaniment;

the past is written among the stars,
where it whispers in my ears
that all is loss, thwarted desire,
that plans have no lasting meaning;

ah, for blessed possibility, generous surprise; am I merely
blind and they await me among towering forests?

.

___

.

Prayer of a Sort

whoever is there please let me fly
among song in its myriad forms
when I leave in the near future
let me sail where the beauty of

thousands of voices bathe me
grant me the gift of being able
to join the choir that has lifted me
all my life let the purest of sound

shape whatever I become I beseech
who or whatever may be listening
let me let me sail forever in everlasting
beauty of the purest of sound

this is my most pitiful of prayers let me
find my way into the waters of music

.

.

___

.

.

 

Michael L. Newell lives on the Atlantic Coast of Florida. His most recent book of poems is  Passage of a Heart.

.

.

 

Editor’s Note:  Since Michael has written often about Miles Davis’ 1960 album Sketches of Spain,  I invite you to listen to “Solea” from it.  [Columbia/Legacy]

.

 

.

___

.

.

 

Click here to read In a Place of Dreams, Connie Johnson’s digital chapbook (which contains audio readings and her personal narrative; published by Jerry Jazz Musician)

Click here to read Proceeding From Behind: A collection of poems grounded in the rhythmic, relating to the remarkable, by Terrance Underwood (published by Jerry Jazz Musician)

Click here to read If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music, published by Jerry Jazz Musician.

Click here to read “Under Quarantine” — COVID-era poetry of Erren Kelly, published by Jerry Jazz Musician

.

.

___

.

.

 

.

Click for:

Information about Kinds of Cool: An Interactive Collection of Jazz Poetry

The Sunday Poem

More poetry on Jerry Jazz Musician

Saharan Blues on the Seine,” Aishatu Ado’s winning story in the 68th Jerry Jazz Musician Short Fiction Contest

More short fiction on Jerry Jazz Musician

Information about how to submit your poetry or short fiction

Subscribe to the (free) Jerry Jazz Musician quarterly newsletter

Helping to support the ongoing publication of Jerry Jazz Musician, and to keep it commercial-free (thank you!)

.

___

.

.

Jerry Jazz Musician…human produced since 1999

.

.

.

Share this:

4 comments on “What is This Path – a collection of poems by Michael L. Newell”

  1. Michael, I’ve always admired your poems, their quiet dignity mixed with bits of humor.
    I find these ones particularly moving, and I’m sad to hear that you’re unwell.

    I’m always inspired by how your words walk a steady rhythm, putting one foot in front
    of the other, so that by the end of the line, a dance is done.

  2. I’ve gone back and read a lot of the poetry that Michael has contributed to Jerry Jazz Musician over the years. His love and passion for Jazz has been consistent, his body of work is impressive. Michael is a huge part of what makes JJM what it is, and I appreciate the time he’s often taken to comment on the work of other poets who contribute to this site.

    Generosity of spirit! It’s a term I associate with Michael L. Newell. And I like how he expresses what Life continues to offer: “…blessed possibility, generous surprise.”

  3. Mr. Jenkins, you are most kind. I am very appreciative of your generosity. My spirits are buoyed by your observations about my work. I thank you profusely.

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

A collection of poetic responses to the events of 2025...Forty poets describe their experiences with the tumultuous events of 2025, resulting in a remarkable collection of work made up of writers who may differ on what inspired them to participate, but who universally share a desire for their voice to be heard amid a changing America.

The Sunday Poem

photo by Garry Knight/CC BY 2.0

”Six String Sizzle” by Ian Mullins

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Jerry Jazz Musician editor Joe Maita reads Ian Mullins’ poem at its conclusion


Click here to read previous editions of The Sunday Poem

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Poetry

photo of Red Allen by William Gottlieb/Library of Congress
21 jazz poems on the 21st of February, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features poets – several new to readers of this website – writing about their appreciation for the music, how it shows up in their daily lives, and displaying their reverence for the likes of Billy Strayhorn, Joe Henderson, Ernestine Anderson, Miles Davis, Louis Armstrong and Red Garland.

Poetry

photo by Lorie Shaull/CC BY 4.0
“Poetry written in the midst of our time” – Vol. 2...Poets within this community of writers are feeling this moment in time, and writing about it...

Poetry

photo via Wikimedia Commons
“Empire State of GRIME” – a poem by Camille R.E....The author’s free-verse poem is written as an informal letter to tourists from a native New Yorker, (and sparing no bitter opinion).

Short Fiction

photo via Freerange/CCO
Short Fiction Contest-winning story #70 – “The Sound of Becoming,” by J.C. Michaels...The story explores the inner life of a young Southeast Asian man as he navigates the tension between Eastern tradition and Western modernity.

Poetry

art by Martel Chapman
"Ancestral Suite" - A 3-Poem Collection by Connie Johnson...The poet pays homage to three giants of mid-century post-bop jazz – Booker Ervin, Lou Donaldson, and Little Jimmy Scott

Feature

“Bohemian Spirit” – A Remembrance of 1970’s Venice Beach, by Daniel Miltz...The writer recalls 1970’s Venice Beach, where creatives chased a kind of freedom that didn’t fit inside four walls…

Feature

Boris Yaro, CC BY 4.0, via Wikimedia Commons
“The Bowie Summer” – a personal memory, and how art can fundamentally reshape identity, by G.D. Newton-Wade

Poetry

photo via NOAA
“Taking The Littlenecks” – a prose poem by Robert Alan Felt...Expressing the joy and sorrow of life at age 71 with grace, wisdom, and appreciation.

Short Fiction

photo by Iryna Olar/pexels.com 
“The Fading” – a short story by Noah Wilson...The story – a finalist in the recently concluded 70th Short Fiction Contest – examines the impact of genetic illness on a family of musicians and artists.

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Short Fiction

Davidmitcha, CC BY-SA 3.0 , via Wikimedia Commons
“Blue Monday” – a short story by Ashlee Trahan...The story – a finalist in the recently concluded 70th Short Fiction Contest – is an imagining of a day in the life of the author’s grandfather’s friendship with the legendary Fats Domino.

Poetry

National Archives of Norway, CC BY 4.0 , via Wikimedia Commons
“Wonderful World” – a poem by Dan Thompson

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Jazz History Quiz

photo by Mel Levine/pinelife, CC BY 2.0, via Wikimedia Commons
Jazz History Quiz #186...While he had a long career in jazz, including stints with, among others, Coleman Hawkins, Roy Eldridge, Sonny Stitt and Stan Getz, he will always be remembered primarily as the pianist in Charlie Parker’s classic 1947 quintet. Who is he?

Playlist

“Darn! All These Dreams!” – a playlist by Bob Hecht...In this edition, the jazz aficionado Bob Hecht’s 13-song playlist centers on one tune, the great Jimmy Van Heusen/Eddie DeLange standard, “Darn That Dream,” with the first song being a solo musician recording and each successive version adding an instrument.

Poetry

Wikimedia Commons
“Dorothy Parker, an Icon of the Jazz Age” – a poem by Jane McCarthy

Short Fiction

“The Mysterious Axeman’s Jazz” – a story by Ruth Knafo Setton...Upon returning from the horrors of World War II to post-war New Orleans, a trumpeter learns of a dark secret that reveals how his family fought their own evil, and uses jazz to bury the ghosts of war and reclaim the light through music.

Feature

photo via Wikimedia Commons
Memorable Quotes – Lawrence Ferlinghetti, on a pitiable nation

Short Fiction

photo by Bowen Liu
“Going” – a short story by D.O. Moore...A short-listed entry in the recently concluded 70th Jerry Jazz Musician Short Fiction Contest, “Going” tells of a traumatic flight experience that breaks a woman out of her self-imposed confines and into an acceptance that she has no control of her destiny.

Community

Nominations for the Pushcart Prize L (50)...Announcing the six writers nominated for the Pushcart Prize v. L (50), whose work appeared on the web pages of Jerry Jazz Musician or within print anthologies I edited during 2025.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Playlist

A sampling of jazz recordings by artists nominated for 2026 Grammy Awards – a playlist by Martin Mueller...A playlist of 14 songs by the likes of Samara Joy, Brad Mehldau, Dee Dee Bridgewater, Branford Marsalis, the Yellowjackets and other Grammy Award nominees, assembled by Martin Mueller, the former Dean of the New School of Jazz and Contemporary Music in New York.

Poetry

Ukberri.net/Uribe Kosta eta Erandioko agerkari digitala, CC BY 2.0, via Wikimedia Commons
In Memoriam: “Color Wheels” – a poem (for Jack DeJohnette) by Mary O’Melveny

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Feature

photo of Barry Harris by Mirko Caserta
“With Barry Harris at the 11th Street Bar” – a true jazz story by Henry Blanke...The writer - a lifelong admirer of the pianist Barry Harris - recalls a special experience he had with him in 2015

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Feature

Trading Fours, with Douglas Cole, No. 27: “California Suite”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is dedicated to saxophone players and the mood scenes that instrument creates.

Community

photo of Dwike Mitchell/Willie Ruff via Bandcamp
“Tell a Story: Mitchell and Ruff’s Army Service” – an essay by Dale Davis....The author writes about how Dwike Mitchell and Willie Ruff’s U.S. Army service helped them learn to understand the fusion of different musical influences that tell the story of jazz.

Feature

Albert Ayler’s Spiritual Unity – A Classic of Our Time, and for All Time – an essay by Peter Valente...On the essence of Albert Ayler’s now classic 1964 album…

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Community Bookshelf #5...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March, 2025 – September, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year; New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.