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A nine-hour long Spotify playlist featuring songs by the likes of Horace Silver, Lee Morgan, Miles Davis, Wayne Shorter, Ahmad Jamal, and Dizzy Gillespie that demonstrates how the Latin music influence on jazz has been present since the music’s beginnings.
...Chosen from Ella’s entire repertoire, Ms. Tick’s playlist (with brief commentary) is a mix of studio recordings, live dates, and video, all available for listening here.
...A 28-song Spotify playlist devoted to Autumn, featuring great tunes performed by the likes of Frank Sinatra, Tony Bennett, Sarah Vaughan, Charlie Parker, Sonny Rollins, Bill Evans, Lester Young, Stan Getz, and…well, you get the idea.
...The poet writes a fantasy about Parker’s time in the California asylum Camarillo…a 15 song playlist accompanies the poem
...Contrafacts, as such reworkings are called, are the product of writing a new melodic line over an existing set of chord changes, thereby disguising or sometimes completely obscuring the identity of the original piece.
...The poet writes on how a musician putting their heart into their playing is a key to a great solo
...An hour-long playlist of recordings by legendary jazz musicians, inspired by the outset of spring
...An 18 song playlist to demonstrate some of the genius and versatility of the Canadian jazz musician Don Thompson
...The poet writes of Jerome Kern and Oscar Hammerstein’s hit song, and offers an 18 song version playlist
...A Spotify playlist featuring standard tunes from the Great American Songbook as performed by hard bop musicians.
...Forty-two versions of George Gershwin’s “Summertime” in much of its glory for your listening pleasure, and in the heat of this moment.
...Contributing writer Bob Hecht discusses Bill Evans’ enduring compositional genius, and has assembled an extensive Spotify playlist that includes many of his tunes.
...Bob Hecht has created an extensive Spotify playlist he calls “Jazz Tributes” that also serves as a kind of “Thanksgiving” greeting – compositions and performances by jazz musicians, for jazz musicians.
...Bob Hecht, a frequent contributor to Jerry Jazz Musician, writes about a current fascination – the compositions of Wayne Shorter, and his contributions to the Miles Davis groups he played in during his time with the trumpeter, 1964 – 1970. Bob has assembled a 20 song Spotify playlist featuring many of the recordings…
...Contributing writer Bob Hecht’s 40-song playlist features 20 compositions by Ornette Coleman that alternates a cover version of an Ornette composition – often by a pianist or other harmonically-based instrument – followed by Ornette’s original version. It provides a nice perspective on the beauty of his music, even for those who may not particularly be fans.
.... . photo by William Gottlieb/Library of Congress Sidney Bechet at Jimmy Ryan’s, New York, N.Y., ca. 1947 . …..I don’t know about you, but ever since Kenny G made himself known in the world of pop music, the soprano saxophone has been a challenge for me to enjoy. His “smooth” approach to the … Continue reading “Playlist: A sampling of soprano saxophonists”
...A 50 song jazz playlist featuring countless great performances, including by Shirley Horn, Ella Fitzgerald, Sarah Vaughan, Frank Sinatra, Mel Torme, and many others
...While small group swing was shunned by the jazz critical establishment for being too flamboyant and too close a cousin to the emerging (and despised) rock and roll, Richards makes the case that small group swing players like Illinois Jacquet, Louis Jordan, Big Jay McNeely, Joe Liggins, Red Prysock, T-Bone Walker and Ray Charles played a legitimate jazz that was a more pleasing listening experience to the Black community than the bebop of Parker, Dizzy, Bud Powell and Monk. It is a fascinating era, filled with major figures and events, and centered on a rigorous debate that continues to this day – is small group swing “real jazz?”
...The 19 poets included in this collection effectively share their reverence for jazz music and its culture with passion and brevity.
...A relaxed, familiar comfort emerges from the poet Terrance Underwood’s language of intellectual acuity, wit, and space – a feeling similar to one gets while listening to Monk, or Jamal, or Miles. I have long wanted to share his gifts as a poet on an expanded platform, and this 33-poem collection – woven among his audio readings, music he considers significant to his story, and brief personal comments – fulfills my desire to do so.
...The author speaks with Bob Hecht about his book and his decades-long dedication to the genius of Pepper Adams, the stellar baritone saxophonist whose hard-swinging bebop style inspired many of the top-tier modern baritone players.
...In Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song, the book’s author Judith Tick writes that Ella “fearlessly explored many different styles of American song through the lens of African American jazz, [and] treated jazz as a process, not confined to this idiom or that genre,” and who “changed the trajectory of American vocal jazz in this century.” Ms. Tick. who is professor emerita of music history at Northeastern University, talks with about Ella – and her book – in this wide-ranging October 23, 2023 interview.
...News about upcoming publishing dates, collections, and recent posts…
...Co-author Mr. Edwards discusses his work with Henry Threadgill, widely recognized as one of the most original and innovative voices in contemporary music, and the winner of the 2016 Pulitzer Prize for Music.
...The podcaster “BG Boogie” has weaponized the most recent dilemma of The Former Guy, creating a playlist “with all the latest up-to-date-est musical indictments of political ineptitude.”
...“Don Quixote’s Adventures in the World of Jazz: 200 Examples and a Few Remarks” reveals remarkable presence of Miguel de Cervantes’ classic Don Quixote in the history of jazz.
...Naturally, his lyrics are cued a cappella./“I’m home” slips from his lips,/sizzles like the taste of what I’m baking in the oven,/as he unwinds his day.
...In this May, 2023 interview, Shipton and Jerry Jazz Musician contributing writer Bob Hecht talk about Mulligan’s unique contributions to modern jazz.
...The authors of “Designed For Dancing” share examples of Cha Cha Cha record album covers that didn’t quite make the final cut in their book.
...A year-end compilation of jazz albums oft mentioned by a wide range of critics as being the best of 2022
....This collection of jazz poetry – the largest yet assembled on Jerry Jazz Musician – demonstrates how poets who are also listeners of jazz music experience and interact with the spontaneous art that arises from jazz improvisation, which often shows up in the soul and rhythm of their poetic language.
...The authors of “Designed For Dancing” share three examples of record album covers that didn’t quite make the final cut in their book.
...In this excerpt, the authors write about some influential midcentury Latin-themed dance albums.
...Bob Hecht recalls his experience of first hearing “Kind of Blue,” the 1959 jazz album by trumpeter Miles Davis
...Drummer Joe La Barbera talks about his book, and the significance of his experience working in Bill Evans’ last trio
...do you hear the wind?
see that scarlet leaf
dance on concrete?
I am that wind
I am that leaf
I am that dance
In a November 16, 2020 interview with Jerry Jazz Musician, Ricky Riccardi, author of Heart Full of Rhythm: The Big Band Years of Louis Armstrong, discusses his vital book and Armstrong’s enormous and underappreciated achievements during the era he led his big band.
...An intimate portrait of Bill Charlap and mother Sandy Steward, who explore the art of musical collaboration and accompanying singers.
...A collection of the poet Erren Kelly’s unconstrained, improvisational and provocative poetry written during the era of COVID
...Bob Hecht talks with pianist Bill Charlap and writer Ted Panken about the late Phil Woods, and his book Life in E Flat: The Autobiography of Phil Woods
...Kevin Whitehead, the longtime jazz critic for NPR’s Fresh Air, discusses jazz music and the movies – the “natural allies” that both grew out of existing creative traditions, and, since the mid-1920’s have told stories about “child prodigies, naturals who pick up the music the first time they hear it, hard workers with a painstaking practice regimen, talented players diverted into soul-killing commercial work, and even non-improvisers taught to fake it.”
...The community of poets, writers, artists and photographers who have recently contributed their work and time to Jerry Jazz Musician to answer this question, “What one song best represents your experience with 2020?”
...In a November 16, 2020 interview with Jerry Jazz Musician, Riccardi discusses his vital book and Armstrong’s enormous and underappreciated achievements during the era he led his big band.
...Jazz and poetry have always had a symbiotic relationship. Their creative languages share the common soil of imagination and improvisation, from which their audiences discover inspiration and spirit, and perhaps even a renewed faith in life itself.
This collection features 50 gifted poets from places as disparate as Ohio and Nepal, Estonia and Boston, Guyana and Pittsburgh, each publicly sharing their inner world reverence for the culture of jazz music.
...In the book’s prologue, “Bigger Than Jazz”– a portion of which is published here with the consent of the publisher, Oxford University Press – Riccardi writes about Armstrong’s Apollo Theater performances of 1935 (marking his comeback from an 18 month stay in Europe), his final big band performance of 1947, and subsequent appearances there with his integrated small group, the All Stars.
...Frank Sinatra floated through the air in my boyhood home and Philadelphia neighborhood. My mother and two of her older sisters, Henrietta and Marge, had seen young Frankie in person at Atlantic City’s Steel Pier in the late 1930s, the thrill that wed these young Italian-Americans to Frank for life. “It’s Always You” reached them. He was part of our Staffieri family — their fantasy husband.
...Just as it did during the civil rights movement and the Vietnam War protests, music is playing an important political and inspirational role in the Black Lives Matter movement and the worldwide protests in support of it.
...Prominent artists and educators reflect on the pandemic and how they are spending their time during isolation and social distancing
...Arizona State University historian and author Tracy Fessenden responds to the question; “During this time of social distancing and isolation at home, what are examples of the music you are listening to, the books you are reading, and/or the television or films you are viewing?”
...Journalist Joe Hagan and photographer Tim Davis respond to the question; “During this time of social distancing and isolation at home, what are examples of the music you are listening to, the books you are reading, and/or the television or films you are viewing?”
...While preparing for an interview this week with Dominic McHugh. co-editor of The Letters of Cole Porter, I have immersed myself in Porter’s music, which has long been inspiration for a multitude of jazz recording artists.
...Miscellaneous news and notes to share…
...His style is unique, expressive, bombastic, heavy and rolling. He became one of the most famous drummers, making vast contributions to the hard bop and post-bop jazz movements. He had great influence on all the jazz musicians he played with, but more importantly, they influenced him.
.... . . _____ . . New Jazz Music Recommendations . . While much of the listening for this month’s edition of “On the Turntable” took place, as always, while walking the sidewalks and paths of Northeast Portland neighborhoods and parks, much of it also took place during … Continue reading ““On the Turntable” — June, 2019 edition”
...This month, a playlist of 19 recently released jazz recordings, including those by Branford Marsalis, Joe Martin, Scott Robinson, Allison Au and Warren Vache
...This month, 22 recently released jazz recordings are recommended, including those by Chris Potter, Sons of Kemet, Joey DeFrancesco, Stephan Crump, Julian Lage, Antonio Sanchez and Brittany Anjou
...A month of walking the dog around the (often frigid) park, ear buds in place, resulted in lots of interesting. discoveries from artists known and unknown (at least to me). This month, an eclectic blend of 18 recently released recordings from all over the globe.
...Recommended listening…20 recently released jazz tunes by, among others, Brad Mehldau, Matt Penman, Ethan Iverson/Mark Turner, Ben Wendel, Julian Lage, and Don Byron
.... . . . I am having time to listen to new music more regularly these days, and finding great pleasure in many of the “grooves.” (Full disclosure…investing $10 per month in a Spotify account — while not the sensual experience of laying the needle on the vinyl — effortlessly gets your ears to … Continue reading “On the Turntable — January, 2019 edition”
...I drifted off into the best sleep I’ve had in weeks. In months even. It’s been a while since I’ve been able to get into Fat Daddy’s as a regular. It’s the hottest – no, it’s the coolest jazz club there is. On any given night you’d find the club cradled with sweet melodies and rocked by spoken word poetry. And on Friday nights, you used to be able to catch us…
Thing is, my band and I got banned last year. But before then, we had lines out the door with folks wanting to hear us play. The whites, the blacks, the browns and those that fell in between because their parents had jungle fever. The attention can become quite addicting. There wasn’t any fortune though, it’s a small town.
Fast forward to now – a year later. I managed to befriend
...This was all her fault, Sarah thought, as she watched the Victory Lounge clear out. She should have known Branchville wasn’t ready for improv jazz. But the bass player, Tommy Williams, had been so supportive after the workshop with the graduate wind students. Sarah had gotten so interested in the group’s ideas about jazz and improvising that she had gone straight to the practice room after the workshop and found their website. Earbuds in both ears, she was improvising to one of the rhythmic bass tracks there when she happened to raise the bell of her clarinet on a long high note the way she’d seen the quartet’s wind players do, and there was Tommy knocking on the door.
He had been so just what a jazz bass player from Chicago should be, Sarah thought, with his dusky skin and his smoky voice, and his rakish fedora tipped over one eye. And at the same time he had been so genuinely
...
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Click here to read previous editions of Trading Fours with Douglas Cole
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Click here to visit the Jazz History Quiz archive
