“Life during the time of isolation and social distancing” Vol. 5 — ASU educator and author Tracy Fessenden

May 11th, 2020

 

.

.

“Red Meditation” by James Brewer

.

___

.

…..In recent days, I have posed this question via email to a handful of creative artists and citizens of note:

.

 

…..“During this time of social distancing and isolation at home, what are examples of the music you are listening to, the books you are reading, and/or the television or films you are viewing?” (If you wish, please feel free to also share your thoughts on the effects this isolation is having on your creativity or on your world).

.

 

 

…..Responses to this question will be published periodically as this era progresses.

.

This edition features the email response of Arizona State University professor and author Tracy Fessenden

(published with only minor stylistic editing)

 

 

.

.

___

.

.

Steve and Margaret Forster Professor, Arizona State University; author of Religion Around Billie Holiday

.

___

.

This response was submitted on May 4

.

…..I made a few years ago a playlist of songs for a book I was writing about Billie Holiday. My habit became to play it whenever I visited some new place, because it helped dispel the strangeness, and made me feel at home.  Now that I am at home, with almost everyone else in the world, I find it returns those places to me, and makes me feel much less alone. I’ve long appreciated poet Michael Robbins’s explanation, in an essay that feels especially brilliant and acute these days, of why this should be so.  Popular songs, writes Robbins—and Holiday was a gorgeous interpreter of them—“depend on the possibility of communal participation” for their full effect; they ground “us in a community, however attenuated or virtual.” The songs we know by heart bring us into the company of everyone else who knows them, too. I have heard of family members sending playlists for those they are barred from being with in nursing homes and hospitals,.and of healthcare workers cradling plastic-wrapped phones to the ears of the sick and dying, to bring them songs their loved ones wanted them to hear.

…..The last trip I took before the pandemic kept us home was to my parents’ house in Massachusetts.  My mother died late last spring, not long after my father, both of them blessedly in the company of family at the end.  My brothers and I met to sort through their things and take some keepsakes home with us. I ended up “taking” some of their favorite records, not the long-since discarded vinyl, but downloads of albums I’d listened to them play over and over: Janis Joplin’s Pearl, The Mamas and the Papas, Abbey Road, the soundtracks from The Graduate and Hair. I have a playlist now that sounds like the parties I stayed awake at night straining to hear, the music and the ice-tinkling laughs, and it makes my 30-something parents and their 30-something friends shimmeringly present to me in all their sweet, goofy, Pucci-caftan-wearing, 1970s glory.

 …..I’ve just about finished the spring semester of teaching, and a shout-out here to students and faculty everywhere who’ve managed to do this on Zoom.  I find being on Zoom awkward and glitchy and draining, and am grateful that it lets us be awkward and glitchy and drained together, which feels as much as anything like being in the moment. I taught a class on religion and popular culture, and assigned a bunch of movies that students reported sat well with their quarantine lives: Monty Python’s Life of Brian, the 1927 Jazz Singer, The Godfather, The Exorcist, Spike Lee’s Malcolm X, and Kumaré, which was filmed largely in Arizona, where I teach.  My university is making tentative plans to reopen in the fall, and my expectation is that trying to make anything work in the classroom while wearing face masks and standing six feet apart is likely to send us straight back to the weird techno-intimacy of Zoom.  In any case, when I teach the class again I’ll put more of a focus on religion and American popular sound, with help from great writing like Joshua Guthman’s Strangers Below, David Lehman’s A Fine Romance, Gayle Wald’s Shout, Sister, Shout!, Adam Gussow’sBeyond the Crossroads, and Peter Coviello’s question for the ages, “Is There God After Prince?”, which is not yet a book, but promises to be one, soon.

…..In April I reread a favorite, M.F.K. Fisher’s Long Ago in France: The Years in Dijon, the same week I watched all of Season 3 of Babylon Berlin.  It made an auspicious pairing: each a sumptuous, clear-eyed lookback to the year 1929, with Europe hurtling headlong into nightmares just beyond their characters’ line of sight or fathoming. In this regard, the book I’m reading now, poet H.L. Hix’s American Anger, feels terrifying and miraculous.  It was in fact published in early 2016, but it reads as though it were a missive from the future, a blistering retrospective account of America just before the last presidential election. In a remarkable series of interlocking poems, American Anger reveals the springs and motors that would drive us inexorably to the place we find ourselves now: an America where demonstrators wielding assault weapons and Confederate and Nazi symbols storm government buildings to demand an end to public health measures in a pandemic, and are not arrested as terrorists, but instead praised by the president as “very good people.”

…..Hix calls American Anger “an evidentiary.”  Many universities, including mine, are collating evidentiaries of the plague year, archiving for future historians the ephemera that will document the way we live now.  American Anger predicted the problem of not being able to put boundaries on such a collection, of there being nothing, now, anywhere, that lies outside of the present pandemic and our heroic and murderously inept responses to it. “Put another way,” Hix writes in an afterword to American Anger, “where evidence is limited or scant or elusive, it is susceptible to being marshalled, subjected to my ends, as in a court case. (If the glove doesn’t fit, you must acquit.) Where evidence is unlimited, though, where there is more evidence than could possibly be gathered or relayed, where the evidence is there for all to see, the power relation is inverted: I do not marshal, but instead am marshalled by, the evidence.”

…..A friend tells me that in quarantine we are becoming more ourselves.  Another reminds me that when Pope Francis speaks these days of apocalypse he means it not in the sense of world-ending, though we may come to that, but of unveiling, of bringing to light what is hidden.  The Covid-19 pandemic feels apocalyptic in just this sense: in Hix’s words, it reveals “as evidence the evidence all around us, including and especially the evidence we ourselves are.”
.

.

___

.

.

Listen to the 1937 recording of Billie Holiday singing “Trav’lin All Alone” (with Lester Young on saxophone, Buck Clayton on trumpet, Jo Jones on drums, Freddie Green on guitar, Claude Thornhill on piano, and Buster Bailey on clarinet)

.

 

.

.

.

Click here to read Volume 1 of this series, featuring recording artist Bruce Cockburn.

Click here to read Volume 2 of this series, featuring music writers/critics Howard Mandel and Joel Selvin

Click here to read Volume 3 of this series, featuring journalist Joe Hagan and photographer Tim Davis

Click here to read Volume 4 of this series, featuring Spelman College president Mary Schmidt Campbell

.

Click here to read the Jerry Jazz Musician roundtable conversation, “Religion ‘around’ Langston Hughes, Billie Holiday and Ralph Ellison” with authors Tracy Fessenden, Wallace Best and M. Cooper Harriss

.

.

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Publisher’s Notes

News about upcoming publishing dates, collections, interviews, and recent posts…

In This Issue

The Modern Jazz Quintet by Everett Spruill
A Collection of Jazz Poetry — Summer, 2023 Edition

A wide range of topics are found in this collection. Tributes are paid to Tony Bennett and Ahmad Jamal and to the abstract worlds of musicians like Ornette Coleman and Pharoah Sanders; the complex lives of Chet Baker and Nina Simone are considered; devotions to Ellington and Basie are revealed; and personal solace is found in the music of Tommy Flanagan and Quartet West. These are poems of peace, reflection, time, venue and humor – all with jazz at their core. (Featuring the art of Everett Spruill)

The Sunday Poem

Reijo Koskinen / Lehtikuva, Public domain, via Wikimedia Commons
“Miles” by Charlie Brice

Interview

IISG, CC BY-SA 2.0 , via Wikimedia Commons
Interview with Judith Tick, author of Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song...The author discusses her book, a rich, emotionally stirring, exceptional work that explores every element of Ella’s legacy in great depth, reminding readers that she was not only a great singing artist, but also a musical visionary and social activist.

Poetry

The poet Connie Johnson in 1981
In a Place of Dreams: Connie Johnson’s album of jazz poetry, music, and life stories...A collection of the remarkable poet's work is woven among her audio readings, a personal narrative of her journey and music she considers significant to it, providing readers the chance to experience the full value of her gifts.

Community

Nominations for the Pushcart Prize XLVIII

Interview

photo courtesy of Henry Threadgill
Interview with Brent Hayes Edwards, co-author (with Henry Threadgill) of Easily Slip Into Another World: A Life in Music...The author discusses his work co-written with Threadgill, the composer and multi-instrumentalist widely recognized as one of the most original and innovative voices in contemporary music, and the winner of the 2016 Pulitzer Prize for Music.

Poetry

"Jazz Diva" by Marsha Hammel
A brief collection of poetry devoted to jazz…and love...Seven poets combine the music of jazz with an act of love…

Book Excerpt

Book Excerpt from Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song, by Judith Tick...The author writes about highlights of Ella’s career, and how the significance of her Song Book recordings is an example of her “becoming” Ella.

Poetry

photo of Bill Evans by Veryl Oakland
Six poets, six poems on Bill Evans...A poetic appreciation for the work of the legendary pianist

Feature

Joel Lewis
True Jazz Stories: “Well You Needn’t: My Life as a Jazz Fan” by Joel Lewis...The journalist and poet Joel Lewis shares his immensely colorful story of falling in love with jazz, and living with it and reporting on it during his younger days in New Jersey and New York

Poetry

"The Dancer" by Elaine Croce Happnie
“The Dancer” – a poem by Zoya Gargova

Playlist

photo by William Gottlieb/Library of Congress
“A Baker’s Dozen Playlist of Ella Fitzgerald Specialties from Five Decades,” as selected by Ella biographer Judith Tick...Chosen from Ella’s entire repertoire, Ms. Tick’s intriguing playlist (with brief commentary) is a mix of studio recordings, live dates, and video, all available for listening here.

Poetry

painting by Henry Denander
A collection of jazz haiku...This collection, featuring 22 poets, is an example of how much love, humor, sentimentality, reverence, joy and sorrow poets can fit into their haiku devoted to jazz.

Poetry

photo of Cab Calloway by William Gottlieb/Library of Congress
“Zoot Suit Times (Rhythms From the Past)” – a poem by Oliver Lake

Community

Nominations for the Pushcart Prize XLVIII...announcing the six Jerry Jazz Musician-published writers nominated for the prestigious literary award

Poetry

Trading Fours, with Douglas Cole, No. 18: “The Sermon”..."Trading Fours" is occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition features organist Jimmy Smith's 1958 Blue Note recording, "The Sermon"

Poetry

photo of Sarah Vaughan by William Gottlieb/Library of Congress
”Sarah” – a poem by Connie Johnson

Short Fiction

photo vi Wallpaper Flare
Short Fiction Contest-winning story #63 — “Company” by Anastasia Jill...Twenty-year-old Priscilla Habel lives with her wannabe flapper mother who remains stuck in the jazz age 40 years later. Life is monotonous and sad until Cil meets Willie Flasterstain, a beatnik lesbian who offers an escape from her mother's ever-imposing shadow.

Photography

photo of Anthony Braxton by Giovanni Piesco
The Photographs of Giovanni Piesco: Anthony Braxton...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of the saxophonist Anthony Braxton, taken in January, 2015.

Interview

Chick Webb/photographer unknown
Interview with Stephanie Stein Crease, author of Rhythm Man: Chick Webb and the Beat That Changed America...The author talks about her book and Chick Webb, once at the center of America’s popular music, and among the most influential musicians in jazz history.

Poetry

photo by Ric Brooks Knoxville, USA, CC BY-SA 2.0, via Wikimedia Commons
“Four Sides Live” – a poem by Justin Hare

Community

FOTO:FORTEPAN / Kölcsey Ferenc Dunakeszi Városi Könyvtár / Petanovics fényképek, CC BY-SA 3.0 , via Wikimedia Commons
.“Community Bookshelf, #1"...a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books. This edition includes information about books published within the last six months or so…

Short Fiction

photo via joogleberry.com
“A Song and Dance Proposition” – a short story by Richard Moore...Because of his childhood experiences, the story’s narrator loses his singing voice and as an adult neither sings nor dances. But when his marriage falls apart he meets a ‘song and dance man’ who turns out to be Iris, a woman with multiple sclerosis. With her help, he comes to grip with his inhibitions.

Playlist

photo by Bob Hecht
This 28-song Spotify playlist, curated by Jerry Jazz Musician contributing writer Bob Hecht, features great tunes performed by the likes of Frank Sinatra, Tony Bennett, Sarah Vaughan, Charlie Parker, Sonny Rollins, Bill Evans, Lester Young, Stan Getz, and…well, you get the idea.

Jazz History Quiz #168

photo of Coleman Hawkins by William Gottlieb/Library of Congress
Jazz History Quiz #168...In addition to being a top bassist between 1945 – 1960, he was the first major jazz soloist on the cello. He also played on Coleman Hawkins’ 1943 recording of “The Man I Love,” and appeared with Hawkins and Howard McGhee in the film The Crimson Canary. Who is he?

Short Fiction

Tents at Nuseirat, southern Palestine, UNRRA's biggest camp for Greek refugees/via United Nations Relief and Rehabilitation Administration
“Remember to Forget” – a short story by Amadea Tanner...Ms. Tanner's story, a finalist in the recently concluded 63rd Short Fiction Contest, is about a war correspondent's haunting revelations after she comes across musicians in a refugee camp.

Interview

photo by William Gottlieb/Library of Congress
Interview with Alyn Shipton, author of The Gerry Mulligan 1950’s Quartets...Long regarded as jazz music’s most eminent baritone saxophonist, Gerry Mulligan was a central figure in “cool” jazz whose contributions to it also included his important work as a composer and arranger. Noted jazz scholar Alyn Shipton, author of The Gerry Mulligan 1950s Quartets, and Jerry Jazz Musician contributing writer Bob Hecht discuss Mulligan’s unique contributions to modern jazz.

Photography

photo by Giovanni Piesco
Giovanni Piesco’s photographs of Tristan Honsinger

Short Fiction

Mary Pickford, 1918/trialsanderrors, CC BY 2.0 , via Wikimedia Commons
“Bashert” – a short story by Diane Lederman...This story, a finalist in the 63rd Jerry Jazz Musician Short Fiction Contest, looks at the hopes one man has that a woman he meets the night before he leaves for Camp Devens will keep him alive during World War I so he can return and take her out for dinner

Book Excerpt

“Chick” Webb was one of the first virtuoso drummers in jazz and an innovative bandleader dubbed the “Savoy King,” who reigned at Harlem’s world-famous Savoy Ballroom. Stephanie Stein Crease is the first to fully tell Webb’s story in her biography, Rhythm Man: Chick Webb and the Beat that Changed America…The book’s entire introduction is excerpted here.

Feature

Hans Christian Hagedorn, professor for German and Comparative Literature at the University of Castilla-La Mancha in Ciudad Real (Spain) reveals the remarkable presence of Miguel de Cervantes’ classic Don Quixote in the history of jazz.

Short Fiction

“In the Church Library” – a short story by Zary Fekete

Book Excerpt

Book excerpt from Easily Slip Into Another World: A Life in Music, by Henry Threadgill and Brent Hayes Edwards

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Art

Designed for Dancing: How Midcentury Records Taught America to Dance: “Outtakes” — Vol. 2...In this edition, the authors Janet Borgerson and Jonathan Schroeder share examples of Cha Cha Cha record album covers that didn't make the final cut in their book

Pressed for All Time

“Pressed For All Time,” Vol. 17 — producer Joel Dorn on Rahsaan Roland Kirk’s 1967 album, The Inflated Tear

Coming Soon

An interview with Gary Carner, author of Pepper Adams: Saxophone Trailblazer; A new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works…

Interview Archive

Eubie Blake
Click to view the complete 22 year archive of Jerry Jazz Musician interviews, including those recently published with Richard Carlin and Ken Bloom on Eubie Blake (pictured); Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.

Site Archive