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The introduction is excerpted from Tad Richards’ terrific book that explores the small group swing artists who made music from bebop to rhythm and blues.
...April 5th, 2024
In this excerpt from the Introduction to her book Becoming Ella: The Jazz Singer Who Transformed American Song, Judith Tick writes about highlights of Ella’s career, and how the significance of her Song Book recordings is an example of her “becoming” Ella.
...December 5th, 2023
This excerpt from the highly regarded biography of Henry Threadgill – one of the most original and innovative voices in contemporary music – tells the story of Threadgill’s backstage encounter with Duke Ellington in July, 1971.
...June 29th, 2023
The introduction to the book on jazz legend Chick Webb is published in its entirety
...April 25th, 2023
The preface introduces the reader to Ayler’s influence on jazz, and to the compelling and often misrepresented history of Ayler’s life story.
...January 31st, 2023
In this excerpt, Aidan Levy describes how a 16-year-old Sonny Rollins caught the ear of the 29-year-old Thelonious Monk, a man Rollins looked up to “as a father figure – a guru, really,” whose musical principles “deeply informed his artistic development.”
...December 1st, 2022
In this excerpt, the authors write about some influential midcentury Latin-themed dance albums.
...June 22nd, 2022
In the book’s prologue, published here in its entirety, the author writes about some of “The Real Ambassador’s” challenges getting to the stage.
...June 16th, 2022
A book excerpt focusing on the life of pioneering comedienne Moms Mabley
...May 10th, 2022
In an excerpt from his book Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism, Richard Brent Turner writes about Max Roach and his wife, the singer Abbey Lincoln, and the contributions they made to social justice, constructed in the intersecting worlds of African American Islam and jazz.
...January 28th, 2022
In this excerpt from the books first chapter – published with the gracious consent of Papillote Press – Nanton writes about his initial meetings with the celebrated artist, and the 20th century currents that were important in shaping his individual talents and personality.
...March 3rd, 2021
In the book’s prologue, “Bigger Than Jazz”– a portion of which is published here with the consent of the publisher, Oxford University Press – Riccardi writes about Armstrong’s Apollo Theater performances of 1935 (marking his comeback from an 18 month stay in Europe), his final big band performance of 1947, and subsequent appearances there with his integrated small group, the All Stars.
...November 18th, 2020
The introduction to Philip Clark’s book “Dave Brubeck: A Life in Time” is excerpted here in its entirety.
...May 15th, 2020
In the introduction to Maria Golia’s Ornette Coleman: The Territory and the Adventure – excerpted here in its entirety – the author takes the reader through the four phases of the brilliant musician’s career her book focuses on.
...April 9th, 2020
In the introduction to The Music of Time: Poetry in the Twentieth Century, the T.S. Eliot prize-winning poet, novelist and memoirist John Burnside writes; “Can poetry save the world, as [poet Lawrence] Ferlinghetti suggests? This will sound quixotic, but I have to say, not only that it can, but that it does.” The introduction to the book – excerpted here in its entirety – is Burnside’s fascinating conversation concerning the idea of how poets respond to what the Russian poet Osip Mandelstam called “the noise of time,” weaving it into a kind of music.
...March 27th, 2020
A ten page excerpt that features correspondence in the time frame of June to August, 1953, including those Porter had with George Byron (the man who married Jerome Kern’s widow), fellow writer Abe Burrows, Noel Coward, his secretary Madeline P. Smith, close friend Sam Stark, and his lawyer John Wharton.
...March 11th, 2020
This story, excerpted from Irving Berlin: New York Genius by James Kaplan, describes how Berlin came to write his first major hit song, “Alexander’s Ragtime Band,” and speaks to its historic musical and cultural significance.
...February 10th, 2020
In this excerpt, author Paul Lopes writes of how “two starkly different biographical legends (of Miles Davis and Martin Scorsese) emerged: one of an ‘unreconstructed’ black man who lambasted the relentless indestructible power of Jim Crow America, and another, of an ‘unmeltable’ Italian American who became, over time, a quintessential white ethnic American.”
...October 30th, 2019
Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland’s photographs and stories feature Art Pepper, Pat Martino and Joe Williams.
...July 6th, 2019
Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland’s photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.
...May 5th, 2019
Michael continued down the darkening street. A gust of wind blew off the Lake. His eyes watered. He turned his back to the wind, and the wind blew hard, unfurling his coat and his pant legs. He bent into it to soften its assault, but he soon turned his back to protect his face against the onslaught. A man and a woman hurried across the street, almost bumping into him, holding hands as if one would fly away. The lid blew off of a trashcan and crashed wildly into the street; a car rattled by up ahead at the intersection. When at last the street was empty with no more cars and no more men or women about, Michael found himself alone but for a few
...May 24th, 2017
I am in the early stages of reading pianist Hampton Hawes’ 1972 autobiography (written with Don Asher) Raise Up Off Me, which Gary Giddins called, in his introduction, “the first book to give an insider’s view of the most provocative and misunderstood movement in jazz — the modernism of the ’40s, bebop.” It is incredibly entertaining and a witty, lucid, and smart read.
In a paragraph representative of the book’s quality, Hawes writes about his respect for and appreciation of his instrument’s dependability:
The piano was the only sure friend I had because it was the only thing that was consistent, always made sense and responded directly to what I did. Pianos don’t ever change. Sittin’ there every day. You wanna play me, here I am. The D is still here, the A flats still here, they’re always going to be there and it don’t matter whether it’s Sunday, Ash Wednesday or the Fourth of July. Play it right and it comes
...October 4th, 2014
In his 1973 autobiography Music is My Mistress, from a chapter titled “The Taste Buds,” Duke Ellington writes about his special diet, losing thirty pounds while on it, and the resulting onstage antics.
__________
In 1955 my doctor, Arthur Logan, told me I would have to take off twenty-two pounds. I tore up his suggested menu and made one of my own. Mine was simply steak (any amount), grapefruit, and black coffee with a slice of lemon first squeezed and then dropped into it. With the exception of a binge one day a week, I ate as much of this and as often as I please for three months.
When we returned to the New York area, my first date was
...September 20th, 2014
In “Louis Armstrong: Master of Modernism, author Thomas Brothers writes about Armstrong’s early fascination with marijuana — an interest that began in Chicago, 1928, while playing the Savoy Ballroom. This interest led to a marijuana possession arrest on November 13, 1930 in the parking lot of Los Angeles’ Cotton Club. “Armstrong was allowed to finish out his night work before they hauled him off to jail around 3:00 A.M.,” Brothers writes.
The following book excerpt begins with a rather humorous transcript from his trial, and then
...March 25th, 2014
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