The Sunday Poem: “I Blame Chet Baker” by Lauren Loya

I blame Chet Baker
For opening a window into my past
Sensing that phantom trumpet in my capable hands
The smooth curves of the hard brass, the cold
Mouthpiece against my buzzing lips
Bright melodies blaring
From carefree days of my youth

...

October 15th, 2023

Interview with Alyn Shipton, author of The Gerry Mulligan 1950’s Quartets

In this May, 2023 interview, Shipton and Jerry Jazz Musician contributing writer Bob Hecht talk about Mulligan’s unique contributions to modern jazz.

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June 17th, 2023

“Blame It On My Youth” — a poem by Tim Tomlinson

You listen to Karrin Allyson sing “Blame It on My Youth,” you picture her in the throes of its May-December scenario. You picture her on a college campus. Columbia University, the steps in front of Low, a pleated skirt, a short bob, the full flush of love on her cheeks.

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September 7th, 2022

“Always Cool” — a poem by Judith Vaughn

. . Distributed by Joe Glaser’s Associated Booking Corporation. Photographer uncredited and unknown., Public domain, via Wikimedia Commons Chet Baker, 1955 . . Always Cool Alison weaves on her loom in the living room. Fifth floor walk up. Manhattan. Chet plays on the stereo; a trumpet divinely graced, caressed like a stunning woman’s body, soft … Continue reading ““Always Cool” — a poem by Judith Vaughn”

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June 29th, 2022

Trading Fours, with Douglas Cole, No. 1: Chet Baker’s “Night Bird”

I had a little radio up on top of the refrigerator, and I turned it on as the sunlight went and the world filled up with darkness. I listened to a jazz station and smoked a cigarette and blew the smoke out the window.

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November 18th, 2021

“Charles Ingham’s Jazz Narratives” — Vol. 5

Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition’s narratives are “The Annunciation of Chet Baker,” “Frank O’Hara Whispers to Scott LaFaro,” and “Blessing the Child.”

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April 17th, 2020

“Charles Ingham’s Jazz Narratives” — Vol. 1

These photo-narratives are provocative, meaningful and brilliant – connecting time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history.

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February 17th, 2020

Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Yusef Lateef and Chet Baker

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland’s photographs and stories feature Art Pepper, Pat Martino and Joe Williams.

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September 11th, 2019

“For Chet Baker, Trumpet Player, at Age Twenty Four” — a poem by Alan Yount

      FOR  CHET  BAKER,  TRUMPET  PLAYER,                    AT  AGE TWENTY  FOUR   I saw a picture of you, in 1954   on the today t.v. show with host dave garroway.   you both looked so happy.   dave held up his own trumpet too.   your trumpet playing was being witnessed   & … Continue reading ““For Chet Baker, Trumpet Player, at Age Twenty Four” — a poem by Alan Yount”

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December 7th, 2018

“The Color of Jazz” — an essay by Bob Hecht

     The late, great trumpeter Clark Terry once offered one of the most pointed, and humorous, comments about the perennial controversies in jazz over race and the perceived abilities of white versus black musicians…

     He said, “My theory is that a note doesn’t give a

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August 16th, 2018

“When You Fell Out of a Window” — a poem (for Chet Baker) by Alan Yount

when you fell out of a window
… you made me give up on you.
(maybe I shouldn’t have).

when the movie about you
recently came out: all of us
believed ethan hawke
was you, in “born to

...

June 22nd, 2017

“Chet Baker and his Abandoned Shadows” — an essay and poem by Arya F. Jenkins

We like to immortalize talent in this culture, and in so doing, often decontextualize it, absolving it of complexity and stains. Media especially likes to make angels out of demons, and vice versa, stripping the truth out of images and ideas.

In the case of Chet Baker, William Claxton’s photographs helped especially to immortalize the singer and trumpeter, fixing him in time and space, freezing an idea of him as beautiful, ethereal, ideal.

Chet Baker is almost always remembered as the

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January 10th, 2016

“Chet Baker” — a poem by Jack Peachum

Tumbling out of the second story window —
an accident, I swear — passing the first floor,
and, “You’ll never make it as a musician, Chet!”,
an endless string of notes plays by my ear,
one solo interlude strung out forever,
reaching, reaching, for the ultimate chord,
my sideman lost in a tinkle of piano keys,
the percussion of the vibraphone,

...

July 10th, 2015

Short Fiction Contest-winning story #37: “Homage,” by Kenneth Levine

New Short Fiction Award

Three times a year, we award a writer who submits, in our opinion, the best original, previously unpublished work.


Kenneth Levine of Wethersfield, Connecticut is the winner of the thirty-seventh Jerry Jazz Musician New Short Fiction Award, announced and published for the first time on November 5, 2014.


Homage

by

Kenneth Levine


_______________________________

I deplaned in Amsterdam to confront my father. In 1990, the year I was born, after the likes of Stan Getz and Freddie Hubbard dubbed him “the reincarnation of Chet Baker,” he quit his part-time job repairing cars in Gilbert, Iowa to go on a worldwide tour from which he never returned.

From the airport I boarded a train to Centraal Station, across from which the Prins Hendrik hotel is situated at the Northern end of Zeedijk Straat, and by early evening I had navigated through the designated lanes over which walkers, bicyclists, and motorists coursed to stand before a bronze tablet on the hotel’s brick front that featured a haggard Chet Baker playing the trumpet over an inscription that read: “Trumpet player and singer Chet Baker died here on May 13th, 1988. He will live on in his music for anyone

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November 5th, 2014

“My Funny Valentine”

So many great songs to choose from for marking Valentine’s Day…The standard that most immediately comes to mind is an obvious choice, Richard Rodgers and Lorenz Hart’s “My Funny Valentine.” Written for their 1937 Broadway musical Babes in Arms, the piece was overshadowed on Broadway (and in the film version starring Mickey Rooney and Judy Garland) by “Where or When,” “I Wish I Were in Love Again,” and “The Lady is a Tramp,” and was not made relevant until Frank Sinatra’s recording of it in 1953. It was eventually recorded by more than 600 artists on countless albums, and became synonymous with Chet Baker, who recorded it over 100 times. Will Friedwald, author of Stardust Melodies: The Biography of Twelve of America’s Most Popular Songs — an entertaining and essential work of popular music history — wrote that “the tune could be said to follow Baker from the grave, since it’s usually included in memorial tributes to him.”

Friedwald writes, “What makes the whole [song] so remarkable is the happy/sad nature of the lyric, brilliantly mirroring the major/minor nature of the music. It’s a love song, but far from those ‘I love you and everything’s rosy’ tunes so popular in the twenties (vis-a-vis Iriving Berlin’s ‘Blue Skies’). It’s vaguely optimistic, but it couldn’t

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February 14th, 2014

Great Encounters #8: When Chet Baker played with Stan Getz, 1953

Excerpted from Deep in a Dream: The Long Night of Chet Baker by James Gavin

On August 12, the (Baker) quartet made its earliest known live appearance in a concert at LA’s Carlton Theater. But not everybody trusted Baker to stand on his own. With (Gerry) Mulligan in jail, John Bennett had paired Baker with Stan Getz, another baby-faced wunderkind whose feathery, cascading solos, even more detached than Baker’s, had made him a fellow prince of West Coast cool. Getz had won the 1952 tenor polls in Down Beat and Metronome by a landslide, while Baker still ranked low in the trumpet categories. The two addressed each other politely enough, but they loathed each other almost on sight, as their live duo recordings suggest:

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August 31st, 2004

Will Friedwald, author of Stardust Melodies: A Biography of Twelve of America’s Most Popular Songs

In Stardust Melodies: A Biography of Twelve of America’s Most Popular Songs, author Will Friedwald takes these legendary songs apart and puts them together again, with unprecedented detail and understanding. Each song’s history is explored — the circumstances under which it was written and first performed — and then its musical and lyric content.

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August 2nd, 2002

James Gavin, author of Deep in a Dream: The Long Night of Chet Baker

That trumpeter Chet Baker was a sensitive musician whose sound is a cherished part of the jazz landscape is well known. That he led a hard life is also pretty well known, perhaps even to the most casual music fan. His 1988 death from a fall out an Amsterdam window only added to the sad mystery surrounding his persona.

What was not known by most of us is the haunting depth of Baker’s self-destructive life; that he was an arsonist, a thief, a second-story man, a drug addict, an abusive husband and lover, a philanderer, a liar…need we go on? We could, you know.

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June 12th, 2002

Bill Moody, author of Looking for Chet Baker

Bill Moody’s background as a musician and his talents as a writer have made the Evan Horne Mysteries a favorite of jazz aficionados and crime-fiction fans alike. Investigating the death of Chet Baker, a major cult figure in the world of music, brings out the best in both the author and his pianist sleuth, Evan Horne. Looking for Chet Baker is his fifth Evan Horne mystery.

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April 10th, 2002

Jeroen de Valk, author of Chet Baker: His Life and Music

Chet Baker was a star at 23 years old, winner of the Critics as well as Readers Poll in Down Beat. But much of his later life was shadowed by his drug use and problems with the law.

Chet Baker: His Life and Music gives an account of the famous trumpeter – famous as much for his tragic life as his beautiful music. In our interview, conducted via e-mail, author Jeroen de Valk talks about Baker, the life he led, the people he touched, and the legacy he left.

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March 29th, 2001

In This Issue

painting of Clifford Brown by Paul Lovering
A Collection of Jazz Poetry — Spring/Summer, 2024 Edition...In this, the 17th major collection of jazz poetry published on Jerry Jazz Musician, 50 poets from all over the world again demonstrate the ongoing influence the music and its associated culture has on their creative lives.

(featuring the art of Paul Lovering)

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

The Sunday Poem

photo via NegativeSpace
“Why I Play Guitar” by C.J. Trotter...

Click here to read previous editions of The Sunday Poem

Feature

What we discover about Kamala Harris from an armful of record albums...Like her or not, readers of this site will enjoy learning that Vice President Kamala Harris is a fan of jazz music. Witness this recent clip (via Youtube) of her emerging from a record shop…

Poetry

“Revival” © Kent Ambler.
If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music...While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.” (with art by Kent Ambler)

Interview

The Marvelettes/via Wikimedia Commons
Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives and challenges many of the young Black women who made up the Girl Groups of the ‘60’s faced while performing during an era rife with racism, sexism, and music industry corruption. The authors discuss their book’s mission to provide the artists an opportunity to voice their experiences so crucial to the evolution of popular music.

In Memoriam

photo via Wikimedia Commons
A few words about Willie Mays...Thoughts about the impact Willie Mays had on baseball, and on my life.

Poetry

photo of Earl Hines by William Gottlieb/Library of Congress
Pianists and Poets – 13 poems devoted to the keys...From “Fatha” Hines to Brad Mehldau, poets open themselves up to their experiences with and reverence for great jazz pianists

Art

photo of Archie Shepp by Giovanni Piesco
The Photographs of Giovanni Piesco: Archie Shepp...photos of the legendary saxophonist (and his rhythm section for the evening), taken at Amsterdam's Bimhuis on May 13, 2001.

Feature

photo by William Gottlieb/Library of Congress
“Adrian Rollini Lives” – an appreciation, by Malcolm McCollum...Stating the creative genius of the multi-instrumentalist who played with the likes of Bix Beiderbecke, Benny Goodman, Red Nichols, Miff Mole, and Joe Venuti

Short Fiction

pickpik.com
Short Fiction Contest-winning story #65 — “Ballad” by Lúcia Leão...The author’s award-winning story is about the power of connections – between father and child, music and art, and the past, present and future.

Click here to read more short fiction published on Jerry Jazz Musician

Interview

photo of Louis Jordan by William Gottlieb/Library of Congress
Interview with Tad Richards, author of Jazz With a Beat: Small Group Swing, 1940 – 1960...Richards makes the case that small group swing players like Illinois Jacquet, Louis Jordan (pictured) and Big Jay McNeely played a legitimate jazz that was a more pleasing listening experience to the Black community than the bebop of Parker, Dizzy, and Monk. It is a fascinating era, filled with major figures and events, and centered on a rigorous debate that continues to this day – is small group swing “real jazz?”

Playlist

photo of Coleman Hawkins by William Gottlieb/Library of Congress
“The Naked Jazz Musician” – A playlist by Bob Hecht...As Sonny Rollins has said, “Jazz is about taking risks, pushing boundaries, and challenging the status quo.” Could there be anything riskier—or more boundary-pushing—than to stand naked and perform with nowhere to hide? Bob’s extensive playlist is comprised of such perilous undertakings by an array of notable woodwind and brass masters who have had the confidence and courage (some might say even the exhibitionism) to expose themselves so completely by playing….alone.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 3: “Louis Armstrong”...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this third edition featuring excerpts from his book, Rife writes about four novels/short fiction that include stories involving Louis Armstrong.

Trading Fours with Douglas Cole

The cover of Wayne Shorter's 2018 Blue Note album "Emanon"
Trading Fours, with Douglas Cole, No. 20: “Notes on Genius...This edition of the writer’s poetic interpretations of jazz recordings and film is written in response to the music of Wayne Shorter.

Click here to read previous editions of Trading Fours with Douglas Cole

In Memoriam

Hans Bernhard (Schnobby), CC BY-SA 3.0, via Wikimedia Commons
“Remembering Joe Pass: Versatile Jazz Guitar Virtuoso” – by Kenneth Parsons...On the 30th anniversary of the guitarist Joe Pass’ death, Kenneth Parsons reminds readers of his brilliant career

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Jazz History Quiz #173

photo of Louis Armstrong by William Gottlieb/Library of Congress
Described as a “Louis Armstrong sound-alike on both trumpet and vocals” whose recording of “On the Sunny Side of the Street” was so close to Armstrong’s live show that some listeners thought Armstrong was copying him, this trumpeter (along with Bobby Stark), was Chick Webb’s main trumpet soloist during the 1930’s. Who is he?

Community

photo via Picryl.com
.“Community Bookshelf, #2"...a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books. This edition includes information about books published within the last six months or so…

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America; an interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool; A new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.

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