Publisher’s Notes…a 3-dot update

December 1st, 2023

.

.

The original  Jerry Jazz Musician  logo, created in 1997 by artist Judd Guitteau – from a concept by website founder Joe Maita

.

.

___

.

.

Greetings folks…

…..Time for a “three-dot” post-Thanksgiving “check in”…I hope you had a wonderful holiday during these challenging times.  I have much to be grateful for, not the least of which is this community of readers and writers who keep me energized to “keep going.”  Unsurprisingly, during this time of gratitude for abundance, I ate too much, too often, causing too much sleep, too many hikes in beautiful Pacific Northwest weather, and too many reasons not to work, which means I have fallen behind on a few publishing dates.  For example, the Short Fiction Contest winning-story may not be published until December 20, and while I had hopes of publishing the Fall/Winter Jazz Poetry Collection in December, it is more likely to be early-to-mid January.  All subject to change, but that appears to be the new schedule.  The second collection of jazz haiku remains on track for a February or March publication date.  If you are interested in submitting your haiku, please do so by January 15, 2024…Also, in March I plan to publish a second edition of “Community Bookshelf,” which is a twice-yearly space where writers who have been published on  Jerry Jazz Musician  can share news about their recently authored books.  Click here if you’d like to view the first edition, and send me information about your book by March 1, 2024 if you’d like to be included in the March edition.

…..Some things recently published I would like to point you to…In October I published an album (or “digital chapbook”) of the poet Connie Johnson’s work.  She is a sensational poet who deserves attention.  Her collection, “In a Place of Dreams” (which includes her poetry as well as music, poetry readings and a personal narrative), can be viewed by clicking here…Six writers whose work has appeared on  Jerry Jazz Musician  in 2023 have been nominated for the prestigious Pushcart Prize literary award.  You can learn who the writers are and link to their work by clicking here…A piece to bring a smile to the face of anyone who has worked in a record store will enjoy Joel Lewis’ memoir, “Well You Needn’t:  My Life as a Jazz Fan.”  Click here to read it (and to chuckle)…Finally, do check out my interview with Brent Hayes Edwards, co-author (with Henry Threadgill) of Threadgill’s sensational autobiography, Easily Slip Into Another World: A Life in Music.  This book is for anyone interested in the process of making creative music, 20th century American history (particularly Vietnam and the civil rights era), and who enjoys brilliant storytelling.  This book is a notable achievement.  Click here to read the interview.

…..Some upcoming things of note…On December 5, look for my interview with Judith Tick, author of Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song, which is an outstanding biography that reclaims Ella as a major American artist and modernist innovator.  I can’t recommend this book highly enough.  To reaquaint yourself with her music, Ms. Tick recently put together a playlist of recommended tunes by Ella that she calls “A Baker’s Dozen Playlist of Ella Fitzgerald Specialties from Five Decades.”  Click here if you’d like to check out these 13 tracks (and films)…Another interview in the works is contributing writer Bob Hecht’s conversation with Gary Carner, author of Pepper Adams: Saxophone Trailblazer.

…..Finally, I have decided to take a swing at hosting jazz salons on Zoom.  The first will be somewhat of a trial (likely in late January), to include interested poets who would like to share their work with other writers in the community.  Specific details will be sent to poets in the next week or two.  Other events (book clubs, author interviews, etc) are also being considered.

…..I do appreciate reader interest in all the work being published on Jerry Jazz Musician, and hope you understand that this does not come without some (at times) significant personal costs.  My intent is to keep this publication commercial-free, with no ads for toenail fungus ointments or fast-food restaurant coupons indiscriminately popping up.  This is a site devoted to music, history, literature, art, and the community creating it, and that is where the focus will always be.  With that in mind, if Jerry Jazz Musician has had a positive impact on your life, if you enjoy it and learn from it, and if you share my desire to see it expand into an even more rewarding experience, I respectfully request that you please consider making a one-time or ongoing donation.  Your support can help make a significant impact on the future of  Jerry Jazz Musician.   I ask that you click here for more details concerning this.

Thanks you for reading, and sincere best wishes to friends and family for health and happiness during this holiday season, and beyond.

Joe Maita

Editor/Publisher

.

.

.

Listen to the 1936 recording of Chick Webb and His Orchestra (featuring Ella Fitzgerald) performing “Sing Me a Swing Song (And Let Me Dance)”  [Universal Music Group]

.

.

 

___

.

.

Click here to read The Sunday Poem

Click here to read “A Collection of Jazz Poetry – Summer, 2023 Edition”

Click here for information about how to submit your poetry or short fiction

Click here to subscribe to the (free) Jerry Jazz Musician quarterly newsletter

Click here to help support the ongoing publication of Jerry Jazz Musician, and to keep it commercial-free (thank you!)

.

___

.

.

Jerry Jazz Musician…human produced (and AI-free) since 1999

.

.

.

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Poetry

photo of Shelly Manne by William Gottlieb/Library of Congress
21 jazz poems on the 21st of May, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. In this edition…An array of poetic styles communicate personal reverence for and experiences with jazz music, and its cherished musicians.

The Sunday Poem

Marek Lazarski, CC BY-SA 4.0, via Wikimedia Commons

The Sunday Poem: “Sonny Rollins” by Akua Lezli Hope

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Akua Lezli Hope reads her poem at its conclusion.


Click here to read previous editions of The Sunday Poem

Performance

The performance poet Emmett Wheatfall
A Letter from the Editor…On “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”A brief recap and photos of the February 7, 2026 Jerry Jazz Musician-produced performance of “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”

Interview

photo of Billie Holiday by William Gottlieb/Library of Congress
Interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday’s Last Year...The author talks about the courage and resilience of the legendary Lady Day, and his outstanding book – an inspirational and revealing portrait of an iconic American, that, like his subject, exudes compassion and creative soul.

Feature

Book Excerpt from Crossing Bar Lines: The Politics and Practices of Black Musical Space, by James Gordon Williams...In this entire chapter from his book, the author explains how the trumpeter Ambrose Akinmusire expresses his political views and lived geography through his improvisational music, notably his critique of police brutality that has, as he states, “become a leitmotif throughout my albums.”

Poetry

Yves Moch, CC BY-SA 3.0, via Wikimedia Commons
“Remembering Sonny Rollins” – a collection of poetry...Over the years, many poems have been published on Jerry Jazz Musician that were written in reverence of the man we refer to simply as “Sonny.” In the wake of his death, many more have been written. The unsolicited poems making up this collection is an example.

Short Fiction

Photo by Johannes Schröter, via Pexels
Short Fiction Contest-winning story #71 – “Where the Music Wasn’t Allowed,” by Jane McCarthy....The award-winning story is about a young immigrant growing up in Southern California to the sound of music seeping into his family’s home from an upstairs neighbor’s piano, shaping the boy’s understanding of memory, family, belonging, and the improvisational ethics of music.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Poetry

photo by Tsutumu Takasu/via Flicker/CC BY 2.0
“Cajun Glory” – a prose poem by Robert Alan Felt

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Poetry

Six poets write eight poems (in the midst of our times)...Poets within this community of writers are feeling this moment in time, and writing about it. This collection is another example.

Short Fiction

“You Don’t Know What Love Is”- a short story by L.F. Graubard...A recovering junkie jazzman in a Starbucks time slips through the key years that fed his addiction — 1967 R&B and jazz gigs, ’69 biker bars, ’71 methadone hustles, ’79 script scams — before landing in the Narco Farm, where music, Sonny Rollins, and Secretariat crack his heart open. A fractured, noir confession about love, dope, and improbable grace.

Poetry

Peter Buitelaar, CC BY 2.0 , via Wikimedia Commons
Two Poems for Miles Davis

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Short Fiction

“From Ingenue to Earth Mother” – a short story by Lisa Grunberger...The story – a short -listed entry in the recently concluded 72nd Jerry Jazz Musician Short Fiction, centers on a couple who “get” each other from the beginning, but who can’t seem to make a life together.

Poetry

art by Marsha Hammel
“Learning the Alphabet of the Blues” – a poem by Mary K O’Melveny...A poem from Kinds of Cool: An Interactive Collection of Jazz Poetry, Vol. II

Short Fiction

Alejandro Aznar/via Pexels.com
“Down at the Crossroads” – a short story by David Rudd...In this story – a finalist in the recently concluded 71st Jerry Jazz Musician Short Fiction Contest – a jazz composer hears a lone fiddler play a tune that enters his head and won’t leave it, like a virulent earworm, wrecking his playing, his friendships, and indeed, his life, until he finally finds a way to remove it.

Feature

photo via Wikimedia Commons
Memorable Quotes: Two, by Edward R. Murrow…

Feature

photo via Wikipedia
“Two Famous Johns” – a true jazz story by Bob Hecht...The writer remembers an evening in New York’s Half Note in 1964 when he witnessed a John Coltrane performance that was also attended by the pop singer Johnny Mathis

Poetry

Haiku: Musings – by Connie Johnson...Exploring segments of the world of jazz – in three suites of vivid haiku poetry…

Jazz History Quiz

photo of "Hot Lips" Page by William Gottlieb
Jazz History Quiz #187...This trumpeter began his career in California, where he organized a big band that had a residency in China in 1934, and, during a trip through Kansas City in 1936, was invited to join Count Basie’s orchestra, replacing “Hot Lips” Page (pictured). Who is he?

Feature

“Bohemian Spirit” – A Remembrance of 1970’s Venice Beach, by Daniel Miltz...The writer recalls 1970’s Venice Beach, where creatives chased a kind of freedom that didn’t fit inside four walls…

Feature

Boris Yaro, CC BY 4.0, via Wikimedia Commons
“The Bowie Summer” – a personal memory, and how art can fundamentally reshape identity, by G.D. Newton-Wade

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Feature

Albert Ayler’s Spiritual Unity – A Classic of Our Time, and for All Time – an essay by Peter Valente...On the essence of Albert Ayler’s now classic 1964 album…

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.