Playlist: “Jazz Tributes” — compositions and performances by jazz musicians, for jazz musicians

November 25th, 2021

.

.

Tom Marcello Webster, New York, USA, CC BY-SA 2.0, via Wikimedia Commons

Charles Mingus 1976

Charles Mingus is among many of the jazz musicians who have written compositions in tribute to their fellow jazz artists, and  Bob Hecht has created an extensive Spotify playlist he calls “Jazz Tributes” that also serves as a kind of “Thanksgiving” greeting – compositions and performances by jazz musicians, for jazz musicians.  He explains…

.

.

…..From the time in my teens when I first began to witness great jazz musicians in action, I was impressed not only by the astonishing levels of creativity of which they were capable, but also by the obvious camaraderie and outright affection the musicians held for one another. Witnessing the clear warmth and mutual respect among the musicians on the bandstand was incredibly inspiring to me then, and still is. For jazz is a music filled with love and with reverence for the history of the music and for the contributions of those who came before.

…..One strong sign of the above is how many jazz composers have paid tribute to other jazz artists by writing music in their honor. These tributes are legion within the jazz canon. Some of the most  famous include Charles Mingus’ poignant tribute to Lester Young, “Goodbye Pork Pie Hat,” Benny Golson’s “I Remember Clifford,” for Clifford Brown, Wayne Shorter’s “Sweet Pea” in honor of Billy Strayhorn, Thelonious Monk’s tribute to Bud Powell, “In Walked Bud,” Dave Brubeck’s “The Duke” for Mr. Ellington, and Dizzy Gillespie’s “Woody ‘n You” for Woody Herman.

…..Those are just a few of the scores of compositions created to honor the jazz greats. Some of these are definitely elegiac in nature (Lennie Tristano’s “Requiem” for Bird), while others sound like musical love poems (“Goodbye Pork Pie Hat”) and still others are either joyous and fun-filled (Dave Frishberg & Gerry Mulligan’s “Zoot Walks In,” Jimmy Rowles’ “Ballad of Thelonious Monk,” and Jay Leonhart’s list-song tribute to great bass players, “Chuck Domanico”), or burning, up-tempo tributes (Benny Bailey’s “Thelonious Assault,” or Sonny Rollins’ “Blues for Philly Joe.”). And then there is Joe Zawinul’s “Requiem for a Jazz Musician,” which he dedicated to “many of my jazz-musician friends who died of drug-related causes,” Dave Holland’s tribute to Mingus, “Blues for C.M.,” Coltrane’s famous “Blues for Bessie,” for Bessie Smith, Fred Hersch’s “Phantom of the Bopera” for Joe Henderson or his “Child’s Song” for Charlie Haden, and Bill Evans’ “N.Y.C.’s No Lark,” a wrenching and brilliant tribute (and anagram of his name) for Sonny Clark.

…..There are so many such tributes that I felt it would be both educational and fun to assemble an extensive playlist of this marvelous sub-genre of jazz. So here goes…this playlist is by no means comprehensive but does include many of the most outstanding of these loving and reverential compositions. And I hope you have as much fun listening as I did putting this together. It is, in essence, a tribute to all of this music’s great artists, and to the mutual love and respect that jazz often engenders among its practitioners.

.

.

.

.

___

.

.

Bob Hecht frequently contributes his essays, photographs, interviews, playlists and personal stories to  Jerry Jazz Musician.  He has a long history of producing and hosting jazz radio programs; his former podcast series, The Joys of Jazz, was the 2019 Silver Medal winner in the New York Festivals Radio Awards.

.

.

Click here  for information about how to submit a playlist for consideration

.

.

.

.

.

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

In This Issue

"Nina" by Marsha Hammel
A Collection of Jazz Poetry — Winter, 2024 Edition...One-third of the Winter, 2024 collection of jazz poetry is made up of poets who have only come to my attention since the publication of the Summer, 2023 collection. What this says about jazz music and jazz poetry – and this community – is that the connection between the two art forms is inspirational and enduring, and that poets are finding a place for their voice within the pages of this website. (Featuring the art of Marsha Hammel)

The Sunday Poem

photo by Mel Levine/pinelife, CC BY 2.0, via Wikimedia Commons
“Lady Day and Prez” by Henry Wolstat

Click here to read previous editions of The Sunday Poem

Poetry

Proceeding From Behind: A collection of poems grounded in the rhythmic, relating to the remarkable, by Terrance Underwood...A relaxed, familiar comfort emerges from the poet Terrance Underwood’s language of intellectual acuity, wit, and space – a feeling similar to one gets while listening to Monk, or Jamal, or Miles. I have long wanted to share his gifts as a poet on an expanded platform, and this 33-poem collection – woven among his audio readings, music he considers significant to his story, and brief personal comments – fulfills my desire to do so.

Publisher’s Notes

photo by Rhonda Dorsett
A very brief three-dot update…Where I’ve been, and an update on what is coming up on Jerry Jazz Musician

Poetry

Photographer uncredited, but the photo was almost certainly taken by Chuck Stewart. Published by ABC/Impulse! Records.. Public domain, via Wikimedia Commons
“And I’m Not Even Here” – a poem by Connie Johnson

Click here to read more poetry published on Jerry Jazz Musician

Essay

"Lester Leaps In" by Tad Richards
"Jazz and American Poetry," an essay by Tad Richards...In an essay that first appeared in the Greenwood Encyclopedia of American Poetry in 2005, Tad Richards - a prolific visual artist, poet, novelist, and nonfiction writer who has been active for over four decades – writes about the history of the connection of jazz and American poetry.

Interview

photo of Pepper Adams/courtesy of Pepper Adams Estate
Interview with Gary Carner, author of Pepper Adams: Saxophone Trailblazer...The author speaks with Bob Hecht about his book and his decades-long dedication to the genius of Pepper Adams, the stellar baritone saxophonist whose hard-swinging bebop style inspired many of the top-tier modern baritone players.

Click here to read more interviews published on Jerry Jazz Musician

Poetry

Three poets and Sketches of Spain

Interview

IISG, CC BY-SA 2.0 , via Wikimedia Commons
Interview with Judith Tick, author of Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song...The author discusses her book, a rich, emotionally stirring, exceptional work that explores every element of Ella’s legacy in great depth, reminding readers that she was not only a great singing artist, but also a musical visionary and social activist.

Trading Fours with Douglas Cole

Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is influenced by Stillpoint, the 2021 album by Zen practitioner Barrett Martin

Review

Jason Innocent, on “3”, Abdullah Ibrahim’s latest album... Album reviews are rarely published on Jerry Jazz Musician, but Jason Innocent’s experience with the pianist Abdullah Ibrahim’s new recording captures the essence of this artist’s creative brilliance.

Short Fiction

Christerajet, CC BY-SA 4.0, via Wikimedia Commons
Short Fiction Contest-winning story #64 — “The Old Casino” by J.B. Marlow...The author's award-winning story takes place over the course of a young man's life, looking at all the women he's loved and how the presence of a derelict building informs those relationships.

Click here to read more short fiction published on Jerry Jazz Musician

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Poetry

"Jazz Trio" by Samuel Dixon
A collection of jazz haiku, Vol. 2...The 19 poets included in this collection effectively share their reverence for jazz music and its culture with passion and brevity.

Jazz History Quiz #171

Dick Cavett/via Wikimedia Commons
In addition to being one of the greatest musicians of his generation, this Ohio native was an activist, leading “Jazz and People’s Movement,” a group formed in the late 1960’s who “adopted the tactic of interrupting tapings and broadcasts of television and radio programs (i.e. the shows of Johnny Carson, Dick Cavett [pictured] and Merv Griffin) in protest of the small number of Black musicians employed by networks and recording studios.” Who was he?

Click here to visit the Jazz History Quiz archive

Community

photo via Picryl.com
.“Community Bookshelf, #2"...a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books. This edition includes information about books published within the last six months or so…

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Tad Richards, author of Jazz With a Beat: Small Group Swing, 1940 - 1960;  an interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow? An Oral History of the 60's Girl Groups;  a new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Eubie Blake
Click to view the complete 22 year archive of Jerry Jazz Musician interviews, including those recently published with Richard Carlin and Ken Bloom on Eubie Blake (pictured); Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.

Site Archive