The international flavor of jazz…in five poems

June 7th, 2023

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United Artists, CC BY-SA 4.0 , via Wikimedia Commons

United Artists, CC BY-SA 4.0 , via Wikimedia Commons

Carmen Miranda, 1947

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Carmen Miranda in Hollywood

She sang of bananas and wanting.
Night after night two generations
Of my family drawing together
Around a wooden console

To watch Maria do Carmo Miranda,
born as José Maria Pinto da Cunha.
This second daughter
Was one of our own, packaged

By Hollywood as Cuban, Brazilian,
Puerto Rican, Irish, whatever
Was called for. We knew better,
Named after her father’s first love,

Of French opera Carmen
Dazzled as we applauded her
Commercials, her appearances
On Jimmy Durante.

Banana-da-Tera!
Banana-da-Tera!

The flowing dress
and fruit-hat turban.

She was our Portuguese
Queen, emissary, princess
Full stop. my grandfather’s
Old age crush, his one and
only carefully loved pin up girl.

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by Milicent Borges Accardi

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Bahia Beats

Percussionist Davi Vieira speaks all languages
in the tongue of drums, triangle, jazzy castanets,
a set of bells that hangs from his mic.

He seduces fans with his thumping hands.
We respond to his Bahia beats
with hips and feet.

Can’t hide the heat.
Swaying to his fast forro
strains from Northeast Brazil.

Sundays at 9 at Club Bonafide on East 52nd Street.
Fellow Brazilians on guitar, bass,
fiery red Yamaha drums.

Blame it on Salvador, home of Davi,
storyteller Jorge Amado, and
Africans who hit the shores in the 1500s,

where the Atlantic’s thrashing waves are wildest.
He sings “Caipirinha”, and I could order another
but the music gets me plenty high.

Dancing to samba.
Serenaded by songs and laughter and his bright smile.
The best moves all down below.

Luisa plays on a Flying V violin,
swings like she never has before.
Davi can’t hide his joy at

tantalizing fans wrapped in a trance,
like worshippers of Candomblé, the religion of Brazil.
Capped with a checkered green hat, he prances on stage.

The club manager takes to the floor.
Midnight strikes too soon.

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by Amy Barone

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At the Plaza de Armas, Santiago, Chile, Christmas, 2009

An elevated gazebo full of chess players.
Spectators surrounding the top players.

Ice cream vendors screaming, Helado! Helado!
A plaque in the Cathedral vestibule listing the bishops of Santiago back to 1560.

Artists and musicians.
Performance artists in gold, silver and black body paint.

Santa Claus in red velvet shorts in the 90 degree heat.
Children running from Santa’s lap to jump in the plaza fountain.

Palms, Pines, and trees I can’t name.
Pigeons.

Several preachers drawing small audiences.
A saxophonist pointing his instrument toward Brazil.

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by Ed Werstein

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Byrd Songs

Swinging with six strings
He jammed with Django
Studied with Segovia
Busy in Brazil
Bossa Nova
Bamba Samba

Blues for night people
Blues for morning
Blues with rhythm
Blues with brothers
Blues to keep you smiling
Blues to help you forget

Knight of the night
Showing off at The Showboat
From Offbeat to Downbeat
Sweet Yardbird Suite
Little Girl Blue
Desafinado (never)

Byrd at the Gate
Byrd in the Wind
Byrd’s word
When he wasn’t strumming
he was sailing
Prince of tides Byrd by the Sea

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by Mary K. O’Melveny

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Kathmandu Breeze

It had rained heavily the night before
and there was a nip
in the early morning Kathmandu air.
Her mood was as blithe as a wisp of steam
over the gorgeous daffodils in our garden.
“The world sang out all its songs to me.
But yet I’m not satisfied.
I want to hear more.
I want to hear your song,” she said shyly
holding my acoustic guitar in her slender hand.
I said nothing. I just smiled
and held a cigarette in my mouth
and ignited it with the luscious
warmth of her curious eyes.
She played a few of her favorite Ray Charles tunes
and then dragged herself towards me
humming, “ Dream A Little Dream Of Me,”
one of Ella Fitzgerald’s most popular songs.
Minutes later, eyes closed, armed outspread
and with our faces lifted to the deep-blue sky,
we sang several songs together.
Songs of love, hope, revolution, and peace.
After a while, she reached out more and ran her tongue
through the moles in the back of my neck.
Then she rested her head on my shoulder,
and we stayed like that for a long,
long time listening to Miles Davis
Ballads and Blues.
Above the nearby Ganesh temple
floated a border of pale sunlight.
A bird circled our head
and then flew away
towards the majestic mountains
rising in the distance.
Maybe it was Charlie Parker’s
Bird of Paradise
or maybe just a bird.
We looked at each other
and smiled.
Flowers clad
in colorful t-shirts
and vibrant shorts swayed
in the gentle Kathmandu breeze.

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by Bhuwan Thapaliya

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Millicent Borges Accardi has received fellowships from the National Endowment for the Arts (NEA), Fulbright, CantoMundo, California Arts Council, Barbara Deming “Money for Women,” and Fundação Luso-Americana (FLAD). Most recent poetry collection, Only More So (Salmon). IG and Twitter @TopangaHippie

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Amy Barone’s poetry collection, Defying Extinction, was published by Broadstone Books in 2022. New York Quarterly Books published her book, We Became Summer. She wrote chapbooks Kamikaze Dance (Finishing Line Press) and Views from the Driveway (Foothills Publishing). Barone belongs to the Poetry Society of America. She lives in NYC.

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Mary K O’Melveny, retired labor rights lawyer, lives with her wife near Woodstock, NY . Mary’s award-nominated poetry appears in print and on-line literary journals, anthologies and national blog sites. Mary has authored three poetry collections: A Woman of a Certain Age, Merging Star Hypotheses and Dispatches From The Memory Care Museum, and co-authored two anthologies: An Apple In Her Hand and Rethinking The Ground Rules. Her fourth book, Flight Patterns, will be released in summer 2023.

Visit her web site at https://www.marykomelvenypoet.com

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Nepalese poet Bhuwan Thapaliya works as an economist and is the author of four poetry collections. He is an avid jazz aficionado. His poems have been widely published in international magazines and journals such as Kritya, Foundling Review, FOLLY, Trouvaille Review, Pendemics Literary Journal, Pandemic Magazine, The Poet, Valient Scribe, Strong Verse, Ponder Savant, International Times, Taj Mahal Review, Poetry Life and Times, VOICES (Education Project), Longfellow Literary Project, Poets Against the War, among many others.

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Ed Werstein is a Regional VP of the Wisconsin Fellowship of Poets. In 2018 he received the Lorine Niedecker Prize from the Council for Wisconsin Writers. Communique: Poems From the Headlines (Water’s Edge Press, 2021) is Ed’s fourth collection. A book of poems about his childhood, Benediction & Baseball (Fireweed, 2018), won prizes from the WFOP and from America’s Bookfest. More at edwerstein.com.

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Listen to the 1962 recording of Charlie Byrd playing “Desifinado” [Universal Music Group]

 

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In This Issue

painting of Clifford Brown by Paul Lovering
A Collection of Jazz Poetry — Spring/Summer, 2024 Edition...In this, the 17th major collection of jazz poetry published on Jerry Jazz Musician, 50 poets from all over the world again demonstrate the ongoing influence the music and its associated culture has on their creative lives.

(featuring the art of Paul Lovering)

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

The Sunday Poem

photo via NegativeSpace
“Why I Play Guitar” by C.J. Trotter...

Click here to read previous editions of The Sunday Poem

Feature

What we discover about Kamala Harris from an armful of record albums...Like her or not, readers of this site will enjoy learning that Vice President Kamala Harris is a fan of jazz music. Witness this recent clip (via Youtube) of her emerging from a record shop…

Poetry

“Revival” © Kent Ambler.
If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music...While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.” (with art by Kent Ambler)

Interview

The Marvelettes/via Wikimedia Commons
Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives and challenges many of the young Black women who made up the Girl Groups of the ‘60’s faced while performing during an era rife with racism, sexism, and music industry corruption. The authors discuss their book’s mission to provide the artists an opportunity to voice their experiences so crucial to the evolution of popular music.

In Memoriam

photo via Wikimedia Commons
A few words about Willie Mays...Thoughts about the impact Willie Mays had on baseball, and on my life.

Poetry

photo of Earl Hines by William Gottlieb/Library of Congress
Pianists and Poets – 13 poems devoted to the keys...From “Fatha” Hines to Brad Mehldau, poets open themselves up to their experiences with and reverence for great jazz pianists

Art

photo of Archie Shepp by Giovanni Piesco
The Photographs of Giovanni Piesco: Archie Shepp...photos of the legendary saxophonist (and his rhythm section for the evening), taken at Amsterdam's Bimhuis on May 13, 2001.

Feature

photo by William Gottlieb/Library of Congress
“Adrian Rollini Lives” – an appreciation, by Malcolm McCollum...Stating the creative genius of the multi-instrumentalist who played with the likes of Bix Beiderbecke, Benny Goodman, Red Nichols, Miff Mole, and Joe Venuti

Short Fiction

pickpik.com
Short Fiction Contest-winning story #65 — “Ballad” by Lúcia Leão...The author’s award-winning story is about the power of connections – between father and child, music and art, and the past, present and future.

Click here to read more short fiction published on Jerry Jazz Musician

Interview

photo of Louis Jordan by William Gottlieb/Library of Congress
Interview with Tad Richards, author of Jazz With a Beat: Small Group Swing, 1940 – 1960...Richards makes the case that small group swing players like Illinois Jacquet, Louis Jordan (pictured) and Big Jay McNeely played a legitimate jazz that was a more pleasing listening experience to the Black community than the bebop of Parker, Dizzy, and Monk. It is a fascinating era, filled with major figures and events, and centered on a rigorous debate that continues to this day – is small group swing “real jazz?”

Playlist

photo of Coleman Hawkins by William Gottlieb/Library of Congress
“The Naked Jazz Musician” – A playlist by Bob Hecht...As Sonny Rollins has said, “Jazz is about taking risks, pushing boundaries, and challenging the status quo.” Could there be anything riskier—or more boundary-pushing—than to stand naked and perform with nowhere to hide? Bob’s extensive playlist is comprised of such perilous undertakings by an array of notable woodwind and brass masters who have had the confidence and courage (some might say even the exhibitionism) to expose themselves so completely by playing….alone.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 3: “Louis Armstrong”...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this third edition featuring excerpts from his book, Rife writes about four novels/short fiction that include stories involving Louis Armstrong.

Trading Fours with Douglas Cole

The cover of Wayne Shorter's 2018 Blue Note album "Emanon"
Trading Fours, with Douglas Cole, No. 20: “Notes on Genius...This edition of the writer’s poetic interpretations of jazz recordings and film is written in response to the music of Wayne Shorter.

Click here to read previous editions of Trading Fours with Douglas Cole

In Memoriam

Hans Bernhard (Schnobby), CC BY-SA 3.0, via Wikimedia Commons
“Remembering Joe Pass: Versatile Jazz Guitar Virtuoso” – by Kenneth Parsons...On the 30th anniversary of the guitarist Joe Pass’ death, Kenneth Parsons reminds readers of his brilliant career

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Jazz History Quiz #173

photo of Louis Armstrong by William Gottlieb/Library of Congress
Described as a “Louis Armstrong sound-alike on both trumpet and vocals” whose recording of “On the Sunny Side of the Street” was so close to Armstrong’s live show that some listeners thought Armstrong was copying him, this trumpeter (along with Bobby Stark), was Chick Webb’s main trumpet soloist during the 1930’s. Who is he?

Community

photo via Picryl.com
.“Community Bookshelf, #2"...a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books. This edition includes information about books published within the last six months or so…

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America; an interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool; A new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.

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