“Black Coffee Blues” – a poem by Mary K O’Melveny

March 27th, 2024

,

,

Ali Yahya ayahya09, CC0, via Wikimedia Commons

Ali Yahya ayahya09, CC0, via Wikimedia Commons

 

.

.

 

Black Coffee Blues

I’m feelin’ mighty lonesome/Haven’t slept a wink/I walk the floor and watch the door/And in between I drink/Black coffee/Love’s a hand-me-down brew/I’ll never know a Sunday in this weekday room

Lyrics by Paul Francis Webster; sung by Sarah Vaughan

.
Even if you never drank black coffee, that won’t stop you from drinking in the feelings that filter across a room whenever Sarah Vaughan sings Black Coffee. One could drown in that bottomless, inky liquid, that heartache-laden brew, choking on the smoke from a dozen stubbed out cigarettes, window shade askew from so much time spent staring streetside. Who knew if the phone would ring? Who knew if a knock on the door might lift that bottomless pit of a lonely night?

Black coffee – always badder than, meaner than booze. Heartbeat racing, fingers embracing some worn out pillow where, after all else failed, old memories could be briefly roused on an otherwise bare, sleepless night. The only sounds to be heard: s-s-s-strike of a match; clink of an old china cup against countertop, a clock tick tick , tick ticking way past the time of hope.

No reason to cloud rejection’s bitter taste with cream or sugar. Only the lonely, acrid funk of black coffee fills the void. Forget that moan of a lonely horn or the slow slide of melancholy guitar strings. Blues are best conjured by a well of dark, harsh black coffee, resting alone and cold near the window like the last passenger at the back of the midnight bus.

How slow can moments go? How long can a heartbeat last on wishful thinking? How much lower can one fall? These are the questions Sarah asked us to think about. Drink up. Talk to the shadows. Nobody’s ever gonna be here tonight but those shadows.

.

.

___

.

 

Mary K O’Melveny, retired labor rights lawyer, lives with her wife near Woodstock, NY. Mary became a fan of Jazz as a very young girl listening to Louis Armstrong and Lester Young on her grandparents’ Victrola record player. Mary’s award-nominated poetry appears in many print and on-line literary journals, anthologies and national blog sites. Mary has authored three poetry collections. Her just-released fourth book, Flight Patterns, is available by clicking here

Click here to visit her web site

.

.

 

.
Listen to Sarah Vaughan sing “Black Coffee” [Legacy Recordings]

 

.

.

___

.

.

Click here to read The Sunday Poem

Click here to read “A Collection of Jazz Poetry – Winter, 2024 Edition”

Click here to read “The Old Casino,” J.B. Marlow’s winning story in the 64th Jerry Jazz Musician Short Fiction Contest

Click here for information about how to submit your poetry or short fiction

Click here to subscribe to the (free) Jerry Jazz Musician quarterly newsletter

Click here to help support the ongoing publication of Jerry Jazz Musician, and to keep it commercial-free (thank you!)

.

___

.

.

Jerry Jazz Musician…human produced (and AI-free) since 1999

.

.

.

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

In This Issue

"Nina" by Marsha Hammel
A Collection of Jazz Poetry — Winter, 2024 Edition...One-third of the Winter, 2024 collection of jazz poetry is made up of poets who have only come to my attention since the publication of the Summer, 2023 collection. What this says about jazz music and jazz poetry – and this community – is that the connection between the two art forms is inspirational and enduring, and that poets are finding a place for their voice within the pages of this website. (Featuring the art of Marsha Hammel)

The Sunday Poem

The cover to Nina Simone's 1967 album "SIlk and Soul"
“Brown Girl” by Jerrice J. Baptiste

Click here to read previous editions of The Sunday Poem

Poetry

Proceeding From Behind: A collection of poems grounded in the rhythmic, relating to the remarkable, by Terrance Underwood...A relaxed, familiar comfort emerges from the poet Terrance Underwood’s language of intellectual acuity, wit, and space – a feeling similar to one gets while listening to Monk, or Jamal, or Miles. I have long wanted to share his gifts as a poet on an expanded platform, and this 33-poem collection – woven among his audio readings, music he considers significant to his story, and brief personal comments – fulfills my desire to do so.

Publisher’s Notes

photo by Rhonda Dorsett
A very brief three-dot update…Where I’ve been, and an update on what is coming up on Jerry Jazz Musician

Interview

Michael Cuscuna in 1972
From the Interview Archive: Jazz Producer, Discographer, and Entrepreneur Michael Cuscuna...Few music industry executives have had as meaningful an impact on jazz music as Michael Cuscuna, who passed away on April 20 at the age of 75. I had the privilege of interacting with Michael several times over the years, including this wide-ranging 2019 interview I conducted with him. His energy and vision was deeply admired within the jazz world. May his spirit for the music and its culture continue to impact those of us who remain.

Poetry

Photographer uncredited, but the photo was almost certainly taken by Chuck Stewart. Published by ABC/Impulse! Records.. Public domain, via Wikimedia Commons
“And I’m Not Even Here” – a poem by Connie Johnson

Click here to read more poetry published on Jerry Jazz Musician

Essay

"Lester Leaps In" by Tad Richards
"Jazz and American Poetry," an essay by Tad Richards...In an essay that first appeared in the Greenwood Encyclopedia of American Poetry in 2005, Tad Richards - a prolific visual artist, poet, novelist, and nonfiction writer who has been active for over four decades – writes about the history of the connection of jazz and American poetry.

Interview

photo of Pepper Adams/courtesy of Pepper Adams Estate
Interview with Gary Carner, author of Pepper Adams: Saxophone Trailblazer...The author speaks with Bob Hecht about his book and his decades-long dedication to the genius of Pepper Adams, the stellar baritone saxophonist whose hard-swinging bebop style inspired many of the top-tier modern baritone players.

Click here to read more interviews published on Jerry Jazz Musician

Poetry

Three poets and Sketches of Spain

Trading Fours with Douglas Cole

The cover of Wayne Shorter's 2018 Blue Note album "Emanon"
Trading Fours, with Douglas Cole, No. 20: “Notes on Genius...This edition of the writer’s poetic interpretations of jazz recordings and film is written in response to the music of Wayne Shorter.

Click here to read previous editions of Trading Fours with Douglas Cole

Review

Jason Innocent, on “3”, Abdullah Ibrahim’s latest album... Album reviews are rarely published on Jerry Jazz Musician, but Jason Innocent’s experience with the pianist Abdullah Ibrahim’s new recording captures the essence of this artist’s creative brilliance.

Short Fiction

Christerajet, CC BY-SA 4.0, via Wikimedia Commons
Short Fiction Contest-winning story #64 — “The Old Casino” by J.B. Marlow...The author's award-winning story takes place over the course of a young man's life, looking at all the women he's loved and how the presence of a derelict building informs those relationships.

Click here to read more short fiction published on Jerry Jazz Musician

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Poetry

"Jazz Trio" by Samuel Dixon
A collection of jazz haiku, Vol. 2...The 19 poets included in this collection effectively share their reverence for jazz music and its culture with passion and brevity.

Jazz History Quiz #171

Dick Cavett/via Wikimedia Commons
In addition to being one of the greatest musicians of his generation, this Ohio native was an activist, leading “Jazz and People’s Movement,” a group formed in the late 1960’s who “adopted the tactic of interrupting tapings and broadcasts of television and radio programs (i.e. the shows of Johnny Carson, Dick Cavett [pictured] and Merv Griffin) in protest of the small number of Black musicians employed by networks and recording studios.” Who was he?

Click here to visit the Jazz History Quiz archive

Community

photo via Picryl.com
.“Community Bookshelf, #2"...a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books. This edition includes information about books published within the last six months or so…

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Tad Richards, author of Jazz With a Beat: Small Group Swing, 1940 - 1960;  an interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow? An Oral History of the 60's Girl Groups;  a new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Eubie Blake
Click to view the complete 22 year archive of Jerry Jazz Musician interviews, including those recently published with Richard Carlin and Ken Bloom on Eubie Blake (pictured); Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.

Site Archive