The Sunday Poem: “Front Row Seat For A Head-Bebopping Allergy Sufferer” by Francis Fernandes

April 6th, 2024

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The Sunday Poem  is published weekly, and strives to include the poet reading their work.

Francis Fernandes reads his poem at its conclusion.

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“Birch Trees in Spring,” by Gudi/via Pixabay

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Front Row Seat For A Head-Bebopping Allergy Sufferer

The pollen is flying like mad –
frantic, crazy, amorphously Daliesque –
sort of like our trio the other day,
rollicking and lollygagging through Monk’s
Brilliant Corners, losing it so completely
that when Marty flung a stick at my head
and John, the discreet one, double dipped
his bass as though it were his dance partner,
I finally snapped out of it and
remembered not everyone might relate
to an over-exhilarated acolyte.
A truth I contemplate from the other side
today: without even glancing
through the window, I know that the birches,
in their fine green raiment, tossing their branches
in the wind like long-haired girls
at the beach with one hand on their sunhats,
are truly rejoicing with all of nature
and singing more than mere notes –
like the ones that gurgle through my living
room speakers, as though Thelonious,
the man himself, knew the loneliest monk
was right here, pried apart
from a world that so assuredly
announces itself, vibrantly yakking
and chittering in all its beautiful
nascent glory.

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Listen to Francis Fernandes read his poem

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Francis Fernandes grew up and studied in Montréal, Canada. Since spring 2020, his writing has appeared in over twenty literary journals, including Modern Poetry Quarterly Review, Saint Katherine Review, The Orchards Poetry Journal, Third Wednesday. He lives in Frankfurt, Germany, where he writes and teaches.

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Listen to the 1957 recording of Thelonious Monk’s “Brilliant Corners,” with Sonny Rollins (tenor saxophone); Ernie Henry (alto saxophone); Oscar Pettiford (bass); and Max Roach (drums).  [Universal Music Group]

 

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Click here to read previous editions of The Sunday Poem

Click here to read “A Collection of Jazz Poetry – Winter, 2024 Edition”

Click here to read “The Old Casino,” J.B. Marlow’s winning story in the 64th Jerry Jazz Musician Short Fiction Contest

Click here for information about how to submit your poetry or short fiction

Click here to subscribe to the (free) Jerry Jazz Musician quarterly newsletter

Click here to help support the ongoing publication of Jerry Jazz Musician, and to keep it commercial-free (thank you!)

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In This Issue

"Nina" by Marsha Hammel
A Collection of Jazz Poetry — Winter, 2024 Edition...One-third of the Winter, 2024 collection of jazz poetry is made up of poets who have only come to my attention since the publication of the Summer, 2023 collection. What this says about jazz music and jazz poetry – and this community – is that the connection between the two art forms is inspirational and enduring, and that poets are finding a place for their voice within the pages of this website. (Featuring the art of Marsha Hammel)

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In addition to being one of the greatest musicians of his generation, this Ohio native was an activist, leading “Jazz and People’s Movement,” a group formed in the late 1960’s who “adopted the tactic of interrupting tapings and broadcasts of television and radio programs (i.e. the shows of Johnny Carson, Dick Cavett [pictured] and Merv Griffin) in protest of the small number of Black musicians employed by networks and recording studios.” Who was he?

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