“The Piano Whisperer” — a short story by Arya Jenkins

     In the underground of how it used to be, in days long ago when things were quite good, when the only bad thing, if you want to call it bad, was poverty, which was longstanding, a dull ache of years that traveled with you through good times and bad and sometimes sang you to sleep like a sad horn, bwa la la la (high note) bwa la la la (high note) bwa la la, in that time, the song of poverty that belonged to everyone belonged also to Noname.

       Noname, pronounced Noh-nameh,  ran the bleak streets then 60 years ago when the world was kinder, a better place, where murder was just, well, murder, and horror, ordinary, conceivable, and every person, regardless of how they appeared, who they were, part of a diverse evolving unique American gyroscopic system. Even the most jaded soul understood being different was natural, even if your difference was made of so many facets, no one thing stood alone and nothing alone could capture it–save poverty herself, true interpreter of shades and depths of differences, which we celebrated on saxophone streets, in piano bars and when looking to the heavens for inspiration in the form of

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August 14th, 2018

News about Jerry Jazz Musician contributing writer Arya Jenkins

          In July of 2012, Arya Jenkins’ short story “So What”—a story about an adolescent girl who attempts to connect to her absent father through his record collection – was chosen as the 30th winner of the Jerry Jazz Musician Short Fiction Contest.  When that outstanding work was soon followed up with another quality entry with jazz music at its core, I invited her to contribute her fiction to this website on a more regular basis.  We agreed to a commission of three stories per year, and tomorrow’s publication of “The Piano Whisperer” is her 15th story to appear on Jerry Jazz Musician.

         I recently received word from Ms. Jenkins that Fomite Press, a small, independent publisher out of Vermont whose focus is on exposing high level literary work, will be publishing these stories in a collection titled Blue Songs in an Open Key.  Publication date is

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August 13th, 2018

“Lulu and Me” — a short story by Arya Jenkins

     The winter I ran away, I moved into a garret in Provincetown, where I wrote poetry under the light of a candle far into the wee hours. Out my window, two stories up, I could see snow glistening on slanted rooftops that led like an uneven staircase to the bay. Below me, a twisted narrow path led to Commercial Street, peaceful and stark as an unwritten page. It was 1973 and I had run to the end of the world as I knew it to find freedom.

       I knew Provincetown from spending summers with my dad and Grandma Tess in her cottage in Truro. It seemed she’d lived most of her life since Grandpa’s passing as a beachcomber. I liked following behind her when we collected

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January 8th, 2018

“Voodoo Run” — a short story by Arya Jenkins

Allie drove her taxi with a smart ass attitude, smacking gum ceaselessly, and wore a Yankees cap backwards on her head on the job, even though she’d never watched a baseball game in her life, didn’t even like the game. Her dad had named her after a pitcher who’d won five straight World Series and Allie was always grateful that pitcher hadn’t been named Lefty or something like that.

Allie’s father had been the true baseball fan and Allie wore his cap in his memory. His real gift to her was love of music, jazz in particular. In her cab, she listened to WBGO, 88.3, remembering times she hung out with her dad in the garage listening to Miles Davis, Chick Corea, Wayne Shorter, experiments in sound, beautiful chaos while he fixed things. The garage was Bert’s space and his peace, or rather, the music was, and the smoke and silence that rose between them accentuated this. Whenever the strangers she drove around asked about her father, Allie always told them, “He went the way of the Marlboro man.” Cancer.

It surprised people to hear that she, a Millennial should enjoy jazz. “Jazz was like my Gerber food,” she liked to say. As a teen she dug hip hop enough to explore its fusion with jazz, but the fusion didn’t

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September 8th, 2017

“Foolish Love” — a short story by Arya Jenkins

     That winter we lived among mice in the Berkshires, in a little cabin set not far from a large white clapboard house that belonged to the owner Betty, who was a widow. Two steps up to the cabin did nothing to keep the mice away. Their constant tweaking and bustle made me feel I was living in an indoor forest. Betty, who was a nice old lady, warned us. “You’ll never be able to keep the mice out. If you can stand them, the place is yours.”

 

      We had come up to the Berkshires figuring we might have to rough it, but had no idea. Van and I had been together about two years then. The summer before we had been married on a beach in

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June 6th, 2017

“Like a Pigeon in the Park” — a short story by Arya Jenkins

“What a shame,” people always said whenever they saw the two of them, Jeremy and Jade. What a shame the beauty of the boy had escaped the girl, who had her mother’s small oval face and father’s prominent nose and small dark eyes that were filled with a peculiar, almost unnatural intensity. “Such a shame,” relatives observed unabashedly at family gatherings. The remaining phrase that hung in air unspoken was, ”that she isn’t the beautiful one. “

To herself in the mirror, Jade’s own face and visage seemed fine, just a part of her, not even all that consequential. Didn’t brains and character matter more? She was striking much in the way Zelda Fitzgerald had been—a beauty you could not capture in photographs, more in movement, gesture, articulation. Somewhere, not far from the small, provincial town where Jade lived, where people stared at you if you did not fit a mold, there were people like her who were different and proud of their differences and she looked forward to meeting them one day. In the meantime, she would have to deal with challenges.

Growing up, many of them had to do with her brother, who was two years older. Although Jade garnered high marks in school, not much was made of it so

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December 8th, 2016

“THE BLUE KISS” — a short story by Arya Jenkins

She stood in a room at The Met glancing at the painting on the wall, which was of two women kissing. From her vantage point, standing slightly away and to the side, the two women lying together interlocked in bed appeared cushioned awkwardly in space, free-floating yet connected.

The painting was by Henri Toulouse-Lautrec, the alcoholic French dwarf artist, and she tried to imagine what it was like living when he did in Paris at the time of the painting, 1892, and what it might have been like for these two prostitutes and others like them who often turned to one another for relief from a world of men then.

Mireille, it was reported, was one of the girls in the brothel in the Rue d’Amboise, when Lautrec was commissioned to create a series of panels about the lives of the girls there, and she was one of his favorites. He visited the salons of the brothels in the Rue des Moulins and Rue d’Amboise many times to study and paint the women, who felt very free to be

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February 2nd, 2016

“Woman Plays Horn” — a short story by Arya Jenkins

She was born into a family of musicians. Her father had played bass in a jazz band and traveled with Dizzy until an accident had cost him his arm and his career. Getting out of a limousine that had stalled on the highway en route to a gig in Chicago, he opened the car door to get out at the wrong time, just as a truck was passing.

“C’est la vie” he always said about that, as if it meant something. He had to go on, a musician without a limb, without his instrument, because he was a man and had children and a legacy to uphold through them, but inside, where nothing touched him, he felt as torn as his shoulder had been that night. Something had shifted. Only his wife, his gentle, meek and attendant wife who saw him sitting at the edge of their bed each night head bowed counting his blessings, all but one, only she knew what

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November 1st, 2015

“Don’t Threaten Me with Love, Baby” — a short story by Arya Jenkins

Chantal Doolittle wasn’t like anybody else she knew. Who else, for example, would stand transfixed before a record player or stereo, still as stone while listening to music — not merely attending to it — her very cells taking in the song, calculating and absorbing. “That girl is special,” Nana Esther always said.

When she was a kid and Motown was the thing, Chan would sing Marvin Gaye’s tunes to her grandmother in their high ceilinged apartment, where, more often than not it was soul music, the harmonizing voices of The Four Tops, The Temptations, The Supremes, drifting in from the surrounding windows and disappearing into the sky that was perennially a washed out gray, as if there was an invisible flag always at half mast, hanging outside heaven. From the time she was five or six, all Chan had to do was hear a song once and she would know it. She knew all the Motown tunes word for word, and sang them right on key, perfectly, which is why Nana Esther dubbed her, “my little songbird.”

Of course, there was nothing little about Chantal, but, being her grandmother’s one and only, she was “a little one” to her. Chantal was tall, big for her age, and when she developed as a young woman, busty too. She stood out even before she opened her mouth, due to her attitude. Her nana had taught her to be “confident as a man,” and she had seemingly

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May 30th, 2015

“A Man’s Hands En Clave” — a short story by Arya Jenkins

Club Havana was known for hosting decent Afro-Cuban jazz bands. There was dancing Thursdays through Sundays, and Sunday afternoons, the management handed out free cigars. Hector became close to the house band, whose rhythm section inspired him. He thought the drummer Manny was off the charts. Completely bald, he wore leather bands that cinched his pump wrists as if to keep his hands from flying off his body whenever he played fast and furious. A skinny, short guy played bongos, and a drunk worked the tumbadoras. Jorge, Carlos and Javier, all dapper guys, played horns. As if to distinguish themselves, one wore a mustache; another, a hat; and the other, wire rimmed glasses. Additionally, there was a young Julliard graduate on piano, a white-haired Cubano on flute, and a sax player who looked exactly like Lester Young. One afternoon, before their gig, Manny and Hector got to talking, and Hector started messing around on the tumbadoras, imitating what he had so often seen and heard. Manny raised his eyebrows and cocked his head. He liked this kid, and his sound was good.

“Why don’t you come hang with us this weekend. A few of us like to jam at Columbus Circle. Come along and let’s see how you work those congas in a group.”

Over the course of the summer, Hector hung out in the park. It was there he met

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February 18th, 2015

“HEAT” — a short story by Arya Jenkins

1. Savoy Blues

Mercies would have put blues on the menu if it could, but that was a province of the kitchen, where I worked four and a half months too many. I heard actual blues music and caught a gust of air conditioning whenever I snuck through the dining area early in my shift to use the guest bathroom before customers arrived, passing the line of booths next to the orange and black walls on which hung colorful modern paintings of jazz musicians and the

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December 3rd, 2014

“Broad Street” — a short story by Arya Jenkins

The publication of Arya Jenkins’ “Broad Street” is the fourth in a series of short stories she has been commissioned to write for Jerry Jazz Musician. For information about her column, please see our September 12 “Letter From the Publisher.”

For Ms. Jenkins’ introduction to her work, read “Coming to Jazz.”

__________

The day I moved into Broad Street, the roiling waters of the Long Island Sound burst over sea walls along the Connecticut coast from New Haven to Greenwich, flooding Bridgeport so badly, a poor, emotionally disturbed man actually drowned in a sewer. At Seaside Park, water rushed across two parking lots, swirled around a few skimpy trees and headed straight for the historic set of row houses that included my basement apartment. It was early December as I arrived, two knapsacks in tow, only to find my new landlady Rosie and my neighbor Alice knee-deep in galoshes in muck, hauling out my furniture.

A week earlier, Alice had lured me with, “There’s a vacancy next door and it’s yours. Everybody’s an artist here. You belong.” I had felt that the studio with its cozy rooms

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August 5th, 2014

“Epistrophy” – a short story by Arya Jenkins

The publication of Arya Jenkins’ “Epistrophy” is the third in a series of short stories she has been commissioned to write for Jerry Jazz Musician. For information about her column, please see our September 12 “Letter From the Publisher.” For Ms. Jenkins’ introduction to her work, read “Coming to Jazz.”

__________

Disenchanted leaves fell early through the trees the summer I left my life for an ashram. The path to the ashram snaked into the woods not far from Tanglewood and reminded me less of where I had been than where I was going with its rotund emphasis on kindness and formality-Within a year I would be studying Buddhism in a monastery and teaching English at Cornell in Ithaca.

I was attempting to put a punto finale to the moneyed nonsense in which I’d lived too long in Fairfield County, and wanted to quell my fulminating instinct, my destructive fires and find some kind of peace and stability, even at the expense of boredom–which may have been expecting too much.

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April 16th, 2014

“The Bluest Train,” a short story by Arya Jenkins

My friend Carl lived in a house full of ghosts with an evil sonofabitch brother who stole his shit, I mean all of it. But Carl himself, man, Carl was good as gold. He would give you the shirt off his back–everything, and did.

I moved in with my ex-old lady across the street from him in the late 80s when I was drying out and desperate for change. Marcy took me in, even after I had been such a dick. She knew it was the booze made me sleep around, and even though she kicked my drunken ass out on the curb, she took me in once she saw I was sober and clean. By then, she was already shacked up with a polite, fat, slob who was everything I wasn’t or would ever be.

Homestead Avenue, where we lived, was a pleasant street in a nice section of Fairfield called Black Rock, near the water. At the time, people were starting to navigate to the hood, although since then real estate prices have dropped due to the many storms–there have been too many storms in the area, man. But because of Black Rock’s proximity to the sound, which is like the sea, artists and strange people gravitate there.

I noticed Carl right off the bat. You couldn’t help but see him sitting on his porch with his supersized feet, head and limbs, a Franken monster. So I crossed the street one day to meet my neighbor, who looked a sorry sight–blackish long hair

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January 14th, 2014

“Soliloquy,” by Arya F. Jenkins

I am a bastard son of the late great Chogyam Trungpa, a Tibetan Buddhist teacher who came to this country in 1970, amassed many followers and bedded many women, among them, my dear mother. My parents never married. My mother left my father and moved with me to the Big Apple when I was still a toddler. While my mother met and married a broker named Irv and had my sister Pearl, my own father went on to become a famous teacher and big lush.

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September 15th, 2013

“Coming to Jazz,” by Arya Jenkins

On the occasion of my 12th or 13th birthday, my father presented me with my own copy of a favorite album of his, Dave Brubeck’s Time Out and said, “This music is going to change your life.” The music sounded like nothing I’d ever heard. It was original and different and piqued my curiosity although I would not embrace it until later in my life. In the early 90s, when I was reading my poems in cafes that often played jazz in Connecticut, New York and Massachusetts, I started really listening to the music, and found it captivating.

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September 15th, 2013

A Letter from the Publisher/Introducing Jazz Fiction writer Arya Jenkins

For 11 years, Jerry Jazz Musician has sponsored 33 Short Fiction Contests resulting in 30 different contest winners. During that time, I estimate that I have read and considered over 3,000 short stories.

The stories vary in content and quality, of course, and it has been my goal to publish the best story regardless of its theme. This has at times led to confusion by some writers over the years who believe that, since Jerry Jazz Musician’s focus is on jazz history – and in particular within the confines and culture of mid-20th Century America – the winning story should always be about jazz or a character within that setting.

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September 12th, 2013

Short Fiction Contest-winning story #30: “So What,” by Arya Jenkins

Whenever I’m pissed off, I escape to the pit. Out the kitchen door, fists deep in the pockets of my tight ass jeans, I head towards the woods back of the house.

I cross the backyard, past Moreno, the poor chained up son-of-a-bitch boxer. Rosa clinches his leash, pulling him close like a kid. The poor son-of-a-bitch tenses as I go by, his spindly legs and stubby tail shivering at my wrath, ears perked, head cocked – Was up girl, grounded again?

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July 15th, 2012

Site Archive

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In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Poetry

photo by William Gottlieb/adapted by Rhonda R. Dorsett
21 jazz poems on the 21st of April, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. In this edition…Mix in poems on the blues with some Coltrane, Monk, Bix, Mingus, Miles, Art Farmer, King Oliver, Desmond, and Brubeck, and you have one hell-of-a lively and entertaining collection to take in. Enjoy!

Community

A collection of poetic responses to the events of 2025...Forty poets describe their experiences with the tumultuous events of 2025, resulting in a remarkable collection of work made up of writers who may differ on what inspired them to participate, but who universally share a desire for their voice to be heard amid a changing America.

The Sunday Poem

photo by Duncan Light/via Pexels

The Sunday Poem: Three poems on Mother’s Day

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Readings of the poems by Daniel Warren Brown, Erren Kelly, and Michael L. Newell can be heard at their conclusion.


Click here to read previous editions of The Sunday Poem

Short Fiction

Photo by Johannes Schröter, via Pexels
Short Fiction Contest-winning story #71 – “Where the Music Wasn’t Allowed,” by Jane McCarthy....The award-winning story is about a young immigrant growing up in Southern California to the sound of music seeping into his family’s home from an upstairs neighbor’s piano, shaping the boy’s understanding of memory, family, belonging, and the improvisational ethics of music.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Poetry

photo by Tsutumu Takasu/via Flicker/CC BY 2.0
“Cajun Glory” – a prose poem by Robert Alan Felt

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Poetry

Six poets write eight poems (in the midst of our times)...Poets within this community of writers are feeling this moment in time, and writing about it. This collection is another example.

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Short Fiction

photo J. & L. Caswall Smith
“Bitty’s Last Request” – a short story by Jill Bronfman...In the story – a finalist in the recently concluded 71st Short Fiction Contest – a very old dancer visits her young relative with stories to tell about the old days in the clubs.

Poetry

art by Marsha Hammel
“Learning the Alphabet of the Blues” – a poem by Mary K O’Melveny...A poem from Kinds of Cool: An Interactive Collection of Jazz Poetry, Vol. II

Feature

photo via Wikimedia Commons
Memorable Quotes: Two, by Edward R. Murrow…

Feature

photo via Wikipedia
“Two Famous Johns” – a true jazz story by Bob Hecht...The writer remembers an evening in New York’s Half Note in 1964 when he witnessed a John Coltrane performance that was also attended by the pop singer Johnny Mathis

Poetry

Haiku: Musings – by Connie Johnson...Exploring segments of the world of jazz – in three suites of vivid haiku poetry…

Jazz History Quiz

photo of "Hot Lips" Page by William Gottlieb
Jazz History Quiz #187...This trumpeter began his career in California, where he organized a big band that had a residency in China in 1934, and, during a trip through Kansas City in 1936, was invited to join Count Basie’s orchestra, replacing “Hot Lips” Page (pictured). Who is he?

Feature

“Bohemian Spirit” – A Remembrance of 1970’s Venice Beach, by Daniel Miltz...The writer recalls 1970’s Venice Beach, where creatives chased a kind of freedom that didn’t fit inside four walls…

Poetry

Linnaea Mallette/publicdomainpictures.net
A 2026 jazz poetry calendar...12 individual poets contribute a jazz-themed poem dedicated to a particular month, resulting in a 2026 calendar of jazz poetry that winds through the year with a variety of poetic styles and voices who share their journeys with the music, tying it into the month they were tasked to interpret. Along the way you will encounter the likes of Sonny Stitt, Charles Mingus, Jaco Pastorius, Wynton Kelly, John Coltrane, and Nina Simone.

Feature

Boris Yaro, CC BY 4.0, via Wikimedia Commons
“The Bowie Summer” – a personal memory, and how art can fundamentally reshape identity, by G.D. Newton-Wade

Short Fiction

photo by Iryna Olar/pexels.com 
“The Fading” – a short story by Noah Wilson...The story – a finalist in the recently concluded 70th Short Fiction Contest – examines the impact of genetic illness on a family of musicians and artists.

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Short Fiction

Los Angeles Daily News, CC BY 4.0 , via Wikimedia Commons
“The Pet Shop” – a short story by Sherry Shahan...The story – a finalist in the recently concluded 70th Short Fiction Contest, – is about an octogenarian couple who accept a part-time caretaker position at Crazy Goose Burlesque when the theater is temporarily shuttered due to archaic public indecency laws.

Feature

Albert Ayler’s Spiritual Unity – A Classic of Our Time, and for All Time – an essay by Peter Valente...On the essence of Albert Ayler’s now classic 1964 album…

Poetry

Laura Manchinu (aka La Manchù), CC BY 2.0 , via Wikimedia Commons
“Ron Carter Apple Sauce” – a prose poem by Martin Durkin

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Playlist

photo by Robert Hecht
“Spring is Here!” – a playlist by Bob Hecht...With perhaps Lorenz Hart’s most sardonic lyric — which is saying something! — this song remains one of the greats, and has been interpreted in many ways, from the plaintive and melancholy to the upbeat and hard swinging, such as John Coltrane’s version. Check out this bouquet of ten tracks to celebrate this great season!

Poetry

Wikimedia Commons
“Dorothy Parker, an Icon of the Jazz Age” – a poem by Jane McCarthy

Community

Nominations for the Pushcart Prize L (50)...Announcing the six writers nominated for the Pushcart Prize v. L (50), whose work appeared on the web pages of Jerry Jazz Musician or within print anthologies I edited during 2025.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year; New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.