“The Piano Whisperer” — a short story by Arya Jenkins

     In the underground of how it used to be, in days long ago when things were quite good, when the only bad thing, if you want to call it bad, was poverty, which was longstanding, a dull ache of years that traveled with you through good times and bad and sometimes sang you to sleep like a sad horn, bwa la la la (high note) bwa la la la (high note) bwa la la, in that time, the song of poverty that belonged to everyone belonged also to Noname.

       Noname, pronounced Noh-nameh,  ran the bleak streets then 60 years ago when the world was kinder, a better place, where murder was just, well, murder, and horror, ordinary, conceivable, and every person, regardless of how they appeared, who they were, part of a diverse evolving unique American gyroscopic system. Even the most jaded soul understood being different was natural, even if your difference was made of so many facets, no one thing stood alone and nothing alone could capture it–save poverty herself, true interpreter of shades and depths of differences, which we celebrated on saxophone streets, in piano bars and when looking to the heavens for inspiration in the form of

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August 14th, 2018

“Lulu and Me” — a short story by Arya Jenkins

     The winter I ran away, I moved into a garret in Provincetown, where I wrote poetry under the light of a candle far into the wee hours. Out my window, two stories up, I could see snow glistening on slanted rooftops that led like an uneven staircase to the bay. Below me, a twisted narrow path led to Commercial Street, peaceful and stark as an unwritten page. It was 1973 and I had run to the end of the world as I knew it to find freedom.

       I knew Provincetown from spending summers with my dad and Grandma Tess in her cottage in Truro. It seemed she’d lived most of her life since Grandpa’s passing as a beachcomber. I liked following behind her when we collected

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January 8th, 2018

“Like a Pigeon in the Park” — a short story by Arya Jenkins

“What a shame,” people always said whenever they saw the two of them, Jeremy and Jade. What a shame the beauty of the boy had escaped the girl, who had her mother’s small oval face and father’s prominent nose and small dark eyes that were filled with a peculiar, almost unnatural intensity. “Such a shame,” relatives observed unabashedly at family gatherings. The remaining phrase that hung in air unspoken was, ”that she isn’t the beautiful one. “

To herself in the mirror, Jade’s own face and visage seemed fine, just a part of her, not even all that consequential. Didn’t brains and character matter more? She was striking much in the way Zelda Fitzgerald had been—a beauty you could not capture in photographs, more in movement, gesture, articulation. Somewhere, not far from the small, provincial town where Jade lived, where people stared at you if you did not fit a mold, there were people like her who were different and proud of their differences and she looked forward to meeting them one day. In the meantime, she would have to deal with challenges.

Growing up, many of them had to do with her brother, who was two years older. Although Jade garnered high marks in school, not much was made of it so

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December 8th, 2016

“Don’t Threaten Me with Love, Baby” — a short story by Arya Jenkins

Chantal Doolittle wasn’t like anybody else she knew. Who else, for example, would stand transfixed before a record player or stereo, still as stone while listening to music — not merely attending to it — her very cells taking in the song, calculating and absorbing. “That girl is special,” Nana Esther always said.

When she was a kid and Motown was the thing, Chan would sing Marvin Gaye’s tunes to her grandmother in their high ceilinged apartment, where, more often than not it was soul music, the harmonizing voices of The Four Tops, The Temptations, The Supremes, drifting in from the surrounding windows and disappearing into the sky that was perennially a washed out gray, as if there was an invisible flag always at half mast, hanging outside heaven. From the time she was five or six, all Chan had to do was hear a song once and she would know it. She knew all the Motown tunes word for word, and sang them right on key, perfectly, which is why Nana Esther dubbed her, “my little songbird.”

Of course, there was nothing little about Chantal, but, being her grandmother’s one and only, she was “a little one” to her. Chantal was tall, big for her age, and when she developed as a young woman, busty too. She stood out even before she opened her mouth, due to her attitude. Her nana had taught her to be “confident as a man,” and she had seemingly

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May 30th, 2015

“HEAT” — a short story by Arya Jenkins

1. Savoy Blues

Mercies would have put blues on the menu if it could, but that was a province of the kitchen, where I worked four and a half months too many. I heard actual blues music and caught a gust of air conditioning whenever I snuck through the dining area early in my shift to use the guest bathroom before customers arrived, passing the line of booths next to the orange and black walls on which hung colorful modern paintings of jazz musicians and the

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December 3rd, 2014

“The Bluest Train,” a short story by Arya Jenkins

My friend Carl lived in a house full of ghosts with an evil sonofabitch brother who stole his shit, I mean all of it. But Carl himself, man, Carl was good as gold. He would give you the shirt off his back–everything, and did.

I moved in with my ex-old lady across the street from him in the late 80s when I was drying out and desperate for change. Marcy took me in, even after I had been such a dick. She knew it was the booze made me sleep around, and even though she kicked my drunken ass out on the curb, she took me in once she saw I was sober and clean. By then, she was already shacked up with a polite, fat, slob who was everything I wasn’t or would ever be.

Homestead Avenue, where we lived, was a pleasant street in a nice section of Fairfield called Black Rock, near the water. At the time, people were starting to navigate to the hood, although since then real estate prices have dropped due to the many storms–there have been too many storms in the area, man. But because of Black Rock’s proximity to the sound, which is like the sea, artists and strange people gravitate there.

I noticed Carl right off the bat. You couldn’t help but see him sitting on his porch with his supersized feet, head and limbs, a Franken monster. So I crossed the street one day to meet my neighbor, who looked a sorry sight–blackish long hair

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January 14th, 2014

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In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Poetry

photo of Shelly Manne by William Gottlieb/Library of Congress
21 jazz poems on the 21st of May, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. In this edition…An array of poetic styles communicate personal reverence for and experiences with jazz music, and its cherished musicians.

The Sunday Poem

Marek Lazarski, CC BY-SA 4.0, via Wikimedia Commons

The Sunday Poem: “Sonny Rollins” by Akua Lezli Hope

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Akua Lezli Hope reads her poem at its conclusion.


Click here to read previous editions of The Sunday Poem

Interview

photo of Billie Holiday by William Gottlieb/Library of Congress
Interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday’s Last Year...The author talks about the courage and resilience of the legendary Lady Day, and his outstanding book – an inspirational and revealing portrait of an iconic American, that, like his subject, exudes compassion and creative soul.

Feature

Book Excerpt from Crossing Bar Lines: The Politics and Practices of Black Musical Space, by James Gordon Williams...In this entire chapter from his book, the author explains how the trumpeter Ambrose Akinmusire expresses his political views and lived geography through his improvisational music, notably his critique of police brutality that has, as he states, “become a leitmotif throughout my albums.”

Poetry

Yves Moch, CC BY-SA 3.0, via Wikimedia Commons
“Remembering Sonny Rollins” – a collection of poetry...Over the years, many poems have been published on Jerry Jazz Musician that were written in reverence of the man we refer to simply as “Sonny.” In the wake of his death, many more have been written. The unsolicited poems making up this collection is an example.

Short Fiction

Photo by Johannes Schröter, via Pexels
Short Fiction Contest-winning story #71 – “Where the Music Wasn’t Allowed,” by Jane McCarthy....The award-winning story is about a young immigrant growing up in Southern California to the sound of music seeping into his family’s home from an upstairs neighbor’s piano, shaping the boy’s understanding of memory, family, belonging, and the improvisational ethics of music.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Poetry

photo by Tsutumu Takasu/via Flicker/CC BY 2.0
“Cajun Glory” – a prose poem by Robert Alan Felt

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Poetry

Six poets write eight poems (in the midst of our times)...Poets within this community of writers are feeling this moment in time, and writing about it. This collection is another example.

Short Fiction

“You Don’t Know What Love Is”- a short story by L.F. Graubard...A recovering junkie jazzman in a Starbucks time slips through the key years that fed his addiction — 1967 R&B and jazz gigs, ’69 biker bars, ’71 methadone hustles, ’79 script scams — before landing in the Narco Farm, where music, Sonny Rollins, and Secretariat crack his heart open. A fractured, noir confession about love, dope, and improbable grace.

Poetry

Peter Buitelaar, CC BY 2.0 , via Wikimedia Commons
Two Poems for Miles Davis

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Short Fiction

“From Ingenue to Earth Mother” – a short story by Lisa Grunberger...The story – a short -listed entry in the recently concluded 72nd Jerry Jazz Musician Short Fiction, centers on a couple who “get” each other from the beginning, but who can’t seem to make a life together.

Poetry

art by Marsha Hammel
“Learning the Alphabet of the Blues” – a poem by Mary K O’Melveny...A poem from Kinds of Cool: An Interactive Collection of Jazz Poetry, Vol. II

Short Fiction

Alejandro Aznar/via Pexels.com
“Down at the Crossroads” – a short story by David Rudd...In this story – a finalist in the recently concluded 71st Jerry Jazz Musician Short Fiction Contest – a jazz composer hears a lone fiddler play a tune that enters his head and won’t leave it, like a virulent earworm, wrecking his playing, his friendships, and indeed, his life, until he finally finds a way to remove it.

Feature

photo via Wikimedia Commons
Memorable Quotes: Two, by Edward R. Murrow…

Feature

photo via Wikipedia
“Two Famous Johns” – a true jazz story by Bob Hecht...The writer remembers an evening in New York’s Half Note in 1964 when he witnessed a John Coltrane performance that was also attended by the pop singer Johnny Mathis

Poetry

Haiku: Musings – by Connie Johnson...Exploring segments of the world of jazz – in three suites of vivid haiku poetry…

Jazz History Quiz

photo of "Hot Lips" Page by William Gottlieb
Jazz History Quiz #187...This trumpeter began his career in California, where he organized a big band that had a residency in China in 1934, and, during a trip through Kansas City in 1936, was invited to join Count Basie’s orchestra, replacing “Hot Lips” Page (pictured). Who is he?

Feature

“Bohemian Spirit” – A Remembrance of 1970’s Venice Beach, by Daniel Miltz...The writer recalls 1970’s Venice Beach, where creatives chased a kind of freedom that didn’t fit inside four walls…

Feature

Boris Yaro, CC BY 4.0, via Wikimedia Commons
“The Bowie Summer” – a personal memory, and how art can fundamentally reshape identity, by G.D. Newton-Wade

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Feature

Albert Ayler’s Spiritual Unity – A Classic of Our Time, and for All Time – an essay by Peter Valente...On the essence of Albert Ayler’s now classic 1964 album…

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year; New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.