“Melody and Counterpoint” – a short story by Joshua Dyer

November 15th, 2024

.

.

“Melody and Counterpoint” was a short-listed entry in our recently concluded 66th Short Fiction Contest, and is published with the consent of the author.

.

.

___

.

.

Photo by Stockcake

.

 

Melody and Counterpoint

by Joshua Dyer

.

…..The jazz rolled off Tucker’s fingertips and engaged his synesthesia programming in aural shades of violet and blue. Extended chords buoyed his melodies across the Steinway’s keys and reverberated off the polished surfaces in the dining deck of the star cruiser, the Royal Nebula. Beyond his reflection in the UV-shielded panes, a gibbous Saturn and her rings glowed. People wandered from the open bar to their tables through the gap in his piano’s propped lid.

…..Time to put these new creativity and emotive software programs to the test. He yearned to feel the soul of Coltrane. Spin his own solos and not have to rely on note-for-note renditions stored in his cortex. His ashen hands floated over the keys. A smooth bossa bass moved in his left hand. His right hand carved out a syncopated melody interspersed over hanging minor flat-ninths and major thirteenths. Do human artists even grasp the raw power they harness?

…..Tucker finished the coda of his tune and let its tones fade into the fine linens and formal-attired patrons. Light applause filled the deck. Tuxedoed servers wove from one table to the next, tapping orders into their tablets and pointing out specials on the menus.

…..As he commenced a sultry blues ballad, a youthful woman sauntered to the side of his bench. Waves of auburn hair fell around her slender neck and white skin. She propped a hand on his piano. Her sparkling gold dress hugged every curve.

…..“Hey there.” She looked him up and down with her brown eyes.

…..Tucker glanced up from his progression. “Good evening.”

…..The microscopic spherical nodes in his mind fired, accessing his new creative pathways. Incredible! He released his right hand to solo over a mixolydian mode.

…..The woman shifted her weight to the other leg. “What’s that you’re playing?”

…..“A grand piano. Steinway.”

…..She giggled and waved a server toting a tray of drinks to her. “I meant the song.”

…..“Just making it up as I go.”

…..“Name’s Melody.” She snagged a tumbler off the tray and took a swig. “Androids can do that?”

…..Tucker studied her. “What? Create?” His visual sensors processed what vital data was permissible via the passenger disclaimers. Her heart rate was in the normal range. Blood alcohol levels were high. Point oh-six. Tipsy. “Not all of us. No.”

…..Melody draped her torso over the side of his piano. “Just you? You’re a special model?”

…..“Something like that.”

…..She ran a finger through her drink and sucked on it. “Any other special upgrades?”

…..Tucker’s sensors spiked. His heart sped up. Breaths came in shallow spurts. “Just music and emotions.”

…..“No kidding.” She bumped Tucker aside with her hip and sat on his bench facing away from him. “What sort of emotions can you feel?”

…..He moved his right hand across the exposed small of her back for a first inversion chord in the high register. “All of them, or so I’m told.” He led a melody closer to middle C. “Not sure, to be honest. It’s new to me.”

…..She shifted her drink to her left hand and traced a line down his back with the nail of her middle finger on the right hand. “Can you feel that?”

…..He moved to the four chord of his twelve-bar blues. “Of course.”

…..“Does it do anything for you?” She ran her finger toward the neckline on his tux.

…..Exhilaration raced throughout his body. Tucker’s skin tingled. He glanced at his hands. Goosebumps. Get a grip. It’s code like any other in your processors. Control it.

…..She swirled her finger through his groomed white hair and tickled the nape of his neck. “Hmm?”

…..“I suppose.” He finished his ballad and waited for the applause to die down.

…..Melody dropped the lid on the Steinway and scooted atop it. Something in her figure and the way she moved stirred sensations beyond his description.

…..She slid back so that her thighs adorned the reflective black wood like holiday garland. “Better?”

…..He rubbed his hands together. “I could write albums of songs dedicated to you. Rhapsodies. Ballads.”

…..She hummed through a grin and leaned back onto her hands. “Why not start now?”

…..“Very well.” Tucker jumped into another smooth number in the key of A.

…..Melody swung one of her feet in time. Her matching gold heel dangled from the tips of her toes. “I can feel it pulsing through my body.”

…..“Jazz masters called it soul.” He moved his hands into lower registers. “Then again, it might be acoustical physics at work.”

…..She lay flat across the strings beneath her. Curls the color of deep fire embers fell over the fall board and drifted across the Steinway logo. “Keep playing. It’s magnificent.” Melody’s voluptuous chest filled and released in a long exhalation. “Can you feel that?”

…..Tucker’s hands bounced between chords. “To a degree, I can pick up on vibration. I can sense colors in the tones. The harmonies make me feel a certain way.”

…..She writhed on the lid. “I wish you could feel this.”

…..“Humans have over seven trillion nerve endings in their bodies.” He improvised a melody. “My builders created me with two billion, four hundred sixty-one million, nine hundred eighty-five thousand, seven hundred forty-six.”

…..Melody laughed and sat up. “I’ll bet you can feel every one of them.” She downed a gulp of her tonic.

…..He hummed an affirmation and turned his tune back around into its main theme. A group of humans and androids strode past the shallow stage. These droids, too, had snowy hair and irises of irregular colors. Pink for the female unit and silver for her male companion.

…..Melody studied them as they strode to their table. “She has such beautiful eyes. It must be nice being free to change your eye color on a whim.” She reclined on the piano again and rolled onto her side.

…..Tucker played through a chromatic descending cluster of harmonies. “It has its advantages, though we have a limited palette to choose from.”

…..She propped her head in a hand and leaned closer to his face. Her breath reeked of booze. She gazed into his eyes, wearing a stern expression. “Yours are gold.” She stretched out a section of her gown. “Almost the same color as this.”

…..Tucker ran a comparison. Two hues off, but barely discernable to the human eye. “Just about.” He locked eyes and continued playing. “What’s your story? You here with someone?”

…..Melody grumbled. “Let’s not get into that and spoil a perfectly good time.”

…..Tucker’s heart raced. Am I treading into forbidden human territory? Realms of feelings and secrets best left alone? New emotions percolated to the surface. Not quite compassion. More than caring. Love?

…..Her hand fell over the edge. “Play me another song.” Her knuckles caressed the accidental keys. “You never told me about yourself, your story.”

…..He pressed a series of buttons on the fall board. “Let’s take it up a notch.”

…..Holograms of an upright bass player and a drummer behind his set materialized in beams of cloudy blue light. Tucker launched off in a slow mambo. The upright bass followed his progression, while the drummer swished out delicate grooves with brushes. Tucker pressed another button on the board. A percussionist materialized and joined in on a set of congas.

…..“Saucy.” Melody sat up and swayed to the tune. “Really. What brings you way out here on this cruiser?”

…..Tucker programmed an eight-bar harmony into his hands and set them on autopilot. “Not much to tell, and I’m no storyteller.”

…..“Indulge me.”

…..He dampened the keys with his pedals through the song’s phrasing. “Suit yourself. Shortly after I was made, my company sent me to work for an automotive factory.”

…..She smirked. “You built cars?”

…..“For a time.” He sensed something off in her demeanor. “Mostly the lower ticket consumer cars. After a while, that company dissolved.”

…..She swallowed the last of her tonic. “What did you do then?”

…..“Got requisitioned to headquarters. Helped build newer models and test upgraded software programs.”

…..“Is that what you do now?”

…..Tucker smiled. “Hardly. Once I proved useful to the company in other capacities, they deployed me to warzones off Beta Centaurus.”

…..Melody held back a burp. “A war hero, eh?”

…..He stopped his harmonizing for a percussion break. “Most of those times remain classified. I survived the Faldaron Wave. My compatriots weren’t so fortunate.”

…..“So, you came home from the war.” She drummed her red nails on the piano lid.

…..Tucker kicked his chord progression in once more. “For a time. The mines on Mars fell behind and all its human workers went on strike. After two months of no production, my company signed a contract with the mining enterprise.”

…..Melody slid off the piano and straightened out the bunches in her dress. “Shipped out again?” She beckoned a server over and replaced her empty tumbler with a flute of champaign.

…..“You bet.” Tucker played a solo. “Spent eleven years under the Martian surface, drilling for ore and preserving artifacts as we uncovered them.”

…..She swirled her new drink and watched its feet creep down the side of her glass. Miniscule spheres ventured through the drink’s translucence to its surface. “How old are you?”

…..Tucker finished the number and moved right into another slow ballad. “In Earth years, one hundred forty-seven.”

…..“Damn.” Her shoe buckled under her, sending Melody staggering. “You’re old.”

…..Another new emotion rose in Tucker. Warmth around his neck and face. He wanted to find a dark corner and hide for the rest of the evening. “After I reached my one hundred years of service, I was released.”

…..“A free man?” She corrected herself. “Or droid?”

…..He nodded. “Rented a flat on the orbital station for a year, but maintenance work wasn’t for me.” Tucker moved the progression into a minor mode. “Saved my credits, sold most of my belongings, and found work on the Royal Nebula.

…..Melody searched the crowd. Servers, both human and android, carted out trays with soups and salads. Meats for their entrees sizzled beyond the swinging kitchen doors. She set her drink on the lid and fluffed her hair.

…..Tucker played supporting melodies for the upright bass solo. “Looks like your dinner’s getting cold.”

…..She grabbed her drink and frowned. “Guess I should find my table.” Melody turned to depart.

…..“Wait.”

…..She spun around and sauntered closer.

…..Tucker thought his heart would pound out of his chest. His hands trembled over the keys. “Can I get your number? Maybe we can pick this back up after dinner service.”

…..Melody bent in beside his ear. “Sorry, sweetie. I could never see you as human in my eyes, enhancements or not.”

…..Tucker looked her over and chuckled. “I guess that makes two of us.”

…..He played on as she sauntered away and vanished among the patrons. Tucker took a deep breath and finished his current piece. He possessed as much control over his emotions as any person did and Melody had proven it. Tucker gazed over the top of his Steinway at his human counterparts, enjoying their appetizers and aperitifs. A broken heart hurt like hell. He smiled. I’m one step closer to finding out what being human is all about.

…..He scrolled through the tunes he had memorized and stopped on a title, “Is It Better to Have Loved and Lost.” Perfect. He started the classic from centuries past feeling elated. Tucker bundled his pain in its wash of purples and blues and basked in satisfaction.

.

.

___

 

.

.

Joshua Dyer writes short stories and novels in various genres. Several of his works have earned national and international recognition in competitions. He is a full member of SFWA and RWA.

Click here to visit his website.

.

___

.

.

Click here to help support the continuing publication of Jerry Jazz Musician, and to keep it ad and commercial-free (thank you!)

.

Click here to read “Not From Around Here,” Jeff Dingler’s winning story in the 66th Jerry Jazz Musician Short Fiction Contest

Click here to read more short fiction published on Jerry Jazz Musician

Click here to read The Sunday Poem

Click here for information about how to submit your poetry or short fiction

Click here for details about the upcoming 68th Jerry Jazz Musician Short Fiction Contest

Click here to subscribe to the Jerry Jazz Musician quarterly newsletter (it’s free)

.

.

.

___

.

.

 

Jerry Jazz Musician…human produced (and AI-free) since 1999

.

.

.

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Poetry

photo of Sidney Bechet by William Gottlieb
21 jazz poems on the 21st of July, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician.

The Sunday Poem

photo by Kelly Ritta/via Pexels

The Sunday Poem: “Seasonal Rain Reveries,” by Mary K O’Melveny

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Mary K O’Melveny reads her poem at its conclusion.


Click here to read previous editions of The Sunday Poem

Performance

The performance poet Emmett Wheatfall
A Letter from the Editor…On “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”A brief recap and photos of the February 7, 2026 Jerry Jazz Musician-produced performance of “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”

Short Fiction

photo by Daniel's Richard/via Pexels.com
Short Fiction Contest-winning story #72 – “La Fontaine,” by Ashlee Trahan...A broken familial relationship in post-WWII France finds a semblance of closure in a crumbling countryside estate.

Community

photo by Rhonda R. Dorsett
In Memoriam: Michael L. Newell, 1945 – 2026...News regarding the passing of the poet Michael L. Newell, whose work has been published on Jerry Jazz Musician since 2015.

Poetry

“Dreaming in a Spacecraft” – A prose poem inspired by the voyage of Artemis II, by Robert Alan Felt...

Interview

photo of Billie Holiday by William Gottlieb/Library of Congress
Interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday’s Last Year...The author talks about the courage and resilience of the legendary Lady Day, and his outstanding book – an inspirational and revealing portrait of an iconic American, that, like his subject, exudes compassion and creative soul.

Poetry

photo by Nathan J. Hilton/via Pexels
“Pax Vobiscum” – a poem by Michael L. Newell

Feature

Book Excerpt from Crossing Bar Lines: The Politics and Practices of Black Musical Space, by James Gordon Williams...In this entire chapter from his book, the author explains how the trumpeter Ambrose Akinmusire expresses his political views and lived geography through his improvisational music, notably his critique of police brutality that has, as he states, “become a leitmotif throughout my albums.”

Poetry

Yves Moch, CC BY-SA 3.0, via Wikimedia Commons
“Remembering Sonny Rollins” – a collection of poetry...Over the years, many poems have been published on Jerry Jazz Musician that were written in reverence of the man we refer to simply as “Sonny.” In the wake of his death, many more have been written. The unsolicited poems making up this collection is an example.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Short Fiction

“The Cartographer” – a short story by Timothy Collyer...The story – a finalist in the recently concluded 71st Short Fiction Contest – is a work of speculative fiction about the gentrification of memory. It follows a recovering alcoholic who is building a guerrilla augmented-reality map of Philadelphia’s lost jazz history—specifically the “Blue Note” era of the 1960s—while battling a corporate developer who wants to sanitize the data for tourists.

Feature

Allen Ginsberg in 1979; photo by Michiel Hendryckx, CC BY-SA 3.0, via Wikimedia Commons
Memorable Quotes: Allen Ginsberg

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Poetry

Photo by Mario Spencer/via Pexels
“The Busker” – a poem by Robert Nisbet

Short Fiction

collage by Judith Beth Cohen
“The Eating Club” – a short story by Judith Beth Cohen...The story – a short-listed entry in the recently concluded 71st Short Fiction Contest – centers on an affair two writers share around gourmet meals.

Poetry

Peter Buitelaar, CC BY 2.0 , via Wikimedia Commons
Two Poems for Miles Davis

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Short Fiction

kaboompics.com/via Pexels
“The title is not included in the word count…” – a short story by Scott Cash...In this story – a finalist in the 71st Short Fiction Contest – self-ordained genius Kevin feels that life has been against him. But he thinks he has discovered a loophole and can exceed the 3,000 word limit for a writing contest by utilizing the title. When this is thwarted, he instead lands upon footnotes as a way to exceed the limit. This story is a celebration of writers and the act of writing.

Jazz History Quiz

Besides being one of the first to be influenced by Charlie Christian (pictured), in 1944 this electric guitarist employed Charlie Parker on his first recording date and eventually led an R&B-oriented group “The Rockin’ Highlanders” that featured the saxophonist Red Prysock. Who is he?

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.