The Sunday Poem: “Lady Day and Prez” by Henry Wolstat

. . The Sunday Poem  is published weekly, and strives to include the poet reading their work. Henry Wolstat reads his poem at its conclusion. . . ___ . . photo by Mel Levine/pinelife, CC BY 2.0, via Wikimedia Commons Billie Holiday, 1955 . .   Lady Day and Prez At the bar of the … Continue readingThe Sunday Poem: “Lady Day and Prez” by Henry Wolstat”

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April 13th, 2024

“Solace” – a poem by Terrance Underwood

. . Lester Young,  1946 . . Solace I relish the cultivation of my Lester afternoons an endeavor still absorbing at my age captive in that garden of ambient sound …………………that Young tenor breath ………………………….a zephyr expulsion stirring atmosphere rare these days for this climate caressing time & movement with a tone to stream still … Continue reading ““Solace” – a poem by Terrance Underwood”

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July 18th, 2023

Jazz History Quiz #114

While legendary as a saxophonist, his first instrument was a violin and his second the piano — which he played well enough to work as an accompanist to silent movies.  Ultimately it was Lester Young’s father who taught him the saxophone well enough that he switched instruments for good.  (It was during this time that he also saved Lester from drowning in a river).  Who is he?

 

Ben Webster

Chu Berry

Gene Ammons

Budd Johnson

Coleman Hawkins

Johnny Hodges

Don Byas

Herschel Evans

Go to the next page for the answer!

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June 13th, 2018

Monday Jazz Quiz #24: Lester Young was the “Pres.” Who became known as the “Vice Pres?”

Lester Young was the “Pres.” Who became known as the “Vice Pres?”

Paul Quinichette

Dexter Gordon

Hank Crawford

Paul Gonsalves

Don Byas

Johnny Griffin

Arnett Cobb

Lou Donaldson

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February 3rd, 2014

Kansas City Jazz: A Pictorial Tour

In cooperation with Frank Driggs and Chuck Haddix, authors of Kansas City Jazz: From Ragtime to Bebop — a look at the fascinating historyof Kansas City’s golden age through book excerpts, photos and music

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April 15th, 2013

Great Encounters #3: The Lester Young and Coleman Hawkins Kansas City battle

Excerpted from Lester Leaps In: The Life and Times of Lester “Pres” Young, by Douglas Henry Daniels

(Lester) Young earned recognition for being not only a stylist but a saxophone “freak” – not a pejorative term at all but rather a comment on his unparalleled virtuosity. He “could make a note anywhere” on his instrument. Certain notes were usually produced by depressing specific keys or combinations of keys on the saxophone (or valves on the trumpet and cornet), but “freaks” found ways to defy convention and orthodoxy by means of “false fingerings” and adjustments of the mouth and lips, or embouchure. The trombonist-guitarist Eddie Durham explained that “Coleman Hawkins and Chu Berry and those guys, they fingered it correctly with what they were doing.

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March 29th, 2004

Farah Griffin, author of In Search of Billie Holiday: If You Can’t Be Free, Be a Mystery

More than four decades after her death, Billie Holiday remains one of the most gifted artists of our time, and also one of the most elusive. Because of who she was and how she chose to live her life, Holiday has been the subject of both intense adoration and wildly distorted legends.

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June 24th, 2002

Interview with Douglas Henry Daniels, author of Lester Leaps In: The Life and Times of Lester “Pres” Young

ester Young was jazz music’s first hipster. He performed onstage in sunglasses and coined and popularized the enigmatic slang “that’s cool” and “you dig?” He was a snazzy dresser who always wore a suit and his trademark porkpie hat. He influenced everyone from B. B. King to Stan Getz to Allen Ginsberg. When he died, he was the subject of musical tributes by Charles Mingus (“Goodbye Pork Pie Hat”) and Wayne Shorter (“Lester Left Town”), and incidents from his life were featured in the movie ‘Round Midnight.

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February 14th, 2002

In This Issue

"Nina" by Marsha Hammel
A Collection of Jazz Poetry — Winter, 2024 Edition...One-third of the Winter, 2024 collection of jazz poetry is made up of poets who have only come to my attention since the publication of the Summer, 2023 collection. What this says about jazz music and jazz poetry – and this community – is that the connection between the two art forms is inspirational and enduring, and that poets are finding a place for their voice within the pages of this website. (Featuring the art of Marsha Hammel)

The Sunday Poem

photo by Mel Levine/pinelife, CC BY 2.0, via Wikimedia Commons
“Lady Day and Prez” by Henry Wolstat

Click here to read previous editions of The Sunday Poem

Poetry

Proceeding From Behind: A collection of poems grounded in the rhythmic, relating to the remarkable, by Terrance Underwood...A relaxed, familiar comfort emerges from the poet Terrance Underwood’s language of intellectual acuity, wit, and space – a feeling similar to one gets while listening to Monk, or Jamal, or Miles. I have long wanted to share his gifts as a poet on an expanded platform, and this 33-poem collection – woven among his audio readings, music he considers significant to his story, and brief personal comments – fulfills my desire to do so.

Publisher’s Notes

photo by Rhonda Dorsett
A very brief three-dot update…Where I’ve been, and an update on what is coming up on Jerry Jazz Musician

Poetry

Photographer uncredited, but the photo was almost certainly taken by Chuck Stewart. Published by ABC/Impulse! Records.. Public domain, via Wikimedia Commons
“And I’m Not Even Here” – a poem by Connie Johnson

Click here to read more poetry published on Jerry Jazz Musician

Essay

"Lester Leaps In" by Tad Richards
"Jazz and American Poetry," an essay by Tad Richards...In an essay that first appeared in the Greenwood Encyclopedia of American Poetry in 2005, Tad Richards - a prolific visual artist, poet, novelist, and nonfiction writer who has been active for over four decades – writes about the history of the connection of jazz and American poetry.

Interview

photo of Pepper Adams/courtesy of Pepper Adams Estate
Interview with Gary Carner, author of Pepper Adams: Saxophone Trailblazer...The author speaks with Bob Hecht about his book and his decades-long dedication to the genius of Pepper Adams, the stellar baritone saxophonist whose hard-swinging bebop style inspired many of the top-tier modern baritone players.

Click here to read more interviews published on Jerry Jazz Musician

Poetry

Three poets and Sketches of Spain

Interview

IISG, CC BY-SA 2.0 , via Wikimedia Commons
Interview with Judith Tick, author of Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song...The author discusses her book, a rich, emotionally stirring, exceptional work that explores every element of Ella’s legacy in great depth, reminding readers that she was not only a great singing artist, but also a musical visionary and social activist.

Trading Fours with Douglas Cole

The cover of Wayne Shorter's 2018 Blue Note album "Emanon"
Trading Fours, with Douglas Cole, No. 20: “Notes on Genius...This edition of the writer’s poetic interpretations of jazz recordings and film is written in response to the music of Wayne Shorter.

Click here to read previous editions of Trading Fours with Douglas Cole

Review

Jason Innocent, on “3”, Abdullah Ibrahim’s latest album... Album reviews are rarely published on Jerry Jazz Musician, but Jason Innocent’s experience with the pianist Abdullah Ibrahim’s new recording captures the essence of this artist’s creative brilliance.

Short Fiction

Christerajet, CC BY-SA 4.0, via Wikimedia Commons
Short Fiction Contest-winning story #64 — “The Old Casino” by J.B. Marlow...The author's award-winning story takes place over the course of a young man's life, looking at all the women he's loved and how the presence of a derelict building informs those relationships.

Click here to read more short fiction published on Jerry Jazz Musician

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Poetry

"Jazz Trio" by Samuel Dixon
A collection of jazz haiku, Vol. 2...The 19 poets included in this collection effectively share their reverence for jazz music and its culture with passion and brevity.

Jazz History Quiz #171

Dick Cavett/via Wikimedia Commons
In addition to being one of the greatest musicians of his generation, this Ohio native was an activist, leading “Jazz and People’s Movement,” a group formed in the late 1960’s who “adopted the tactic of interrupting tapings and broadcasts of television and radio programs (i.e. the shows of Johnny Carson, Dick Cavett [pictured] and Merv Griffin) in protest of the small number of Black musicians employed by networks and recording studios.” Who was he?

Click here to visit the Jazz History Quiz archive

Community

photo via Picryl.com
.“Community Bookshelf, #2"...a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books. This edition includes information about books published within the last six months or so…

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Tad Richards, author of Jazz With a Beat: Small Group Swing, 1940 - 1960;  an interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow? An Oral History of the 60's Girl Groups;  a new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Eubie Blake
Click to view the complete 22 year archive of Jerry Jazz Musician interviews, including those recently published with Richard Carlin and Ken Bloom on Eubie Blake (pictured); Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.

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