The Sunday Poem: “Miss Janice Scroggins and Her 88 Keys,” by Emmett Wheatfall

March 5th, 2023

.

.

The Sunday Poem  is published weekly, and strives to include the poet reading their work.

Emmett Wheatfall reads his poem at its conclusion.

.

.

___

.

.

.

.

 

Miss Janice Scroggins and Her 88 Keys

Some of them black
Some of them white
88 keys are from left to right

Oh, what joy
Oh, what delight
88 keys are gonna get played tonight

You see, the club is full
And every seat is filled
Does anyone know how the legend feels

The lights are low
And the spirits bright
Only God knows what genius has in store tonight

Alright, alright
It’s time to get real
Ladies and gentlemen
How do you feel?
Welcome to the stage
And welcome with me
Ms. Janice Scroggins and her 88 keys

Silky smooth and light as a feather
She opens with Oscar Peterson
Who’s listening from heaven

His dissonance and timing keep her head bopping
Just short of death she ain’t stopping
88 keys – they know this
Hell, they say “man!”
we ain’t gonna stop this”

Suddenly new inspiration comes
All 88 keys know this is going to be fun
You see, Scott Joplin has tickled her fancy
Intricate his timing – delicate his mastery
Jazz purists are left in a spell
88 keys stay hot on the trail
Her playing is tight – it tingle’s the ear
Hey! Someone shouts
“She’s paying tribute to yester-year”

Play on
Play on the crowd yells
Yet Ms. Scroggins wants to quell
With fascination
Her own interpretation of “Imagine”
John Lennon’s magnum opus
His anthem – the lyrical revelation that must become us

Then it was as if the whole club just shook
Even the drummer and bassist stopped to look
Ms. Scroggins has summoned the late great Mr. Sam Cooke
Why?
Because he knows her pain and then some
His message is her message
“A Change Is Gonna Come”

All night long she raptured with song
Her theory ingenious
Her phrasing—88 keys strong

Then the end came
As did the music the same
88 keys fell silent
No one moved – no one took to the night
Even though her mind and body was spent
To acknowledge the crowd’s ovation
She stood and bent
But the crowd would not relent
So again, she bowed and bent
Again and again, she bowed and bent
And like all the greats before her
Into the night she went

88 keys
Some of them black
Some of them white
88 keys are from left to right

Oh, what joy
Oh, what delight
88 keys got played tonight

.

.

Listen to Emmett Wheatfall read his poem, accompanied by Janice Scroggins on the piano

.

.

___

.

.

 

Janice Scroggins

To characterize Janice Scroggins as an exceptional talent would be an understatement of epic proportion. Janice was a musical genius and my dear friend. We collaborated on more than one occasion, and she honored me by sharing her immense talent. Unlike in August Wilson’s brilliant play The Piano Lesson, where the piano was a source of consternation, for Janice Scroggins the piano was a portal to melody and rhythm without limitation.

Rest harmonically my dear friend.

-Emmett Wheatfall

.

.

___

.

.

 

Emmett Wheatfall lives in Portland, Oregon. He is a published poet and performs lyrical poetry to music. He has three books of poetry published by Fernwood Press. They are As Clean as a Bone (2018) which is an Eric Hoffer Award finalist and Our Scarlet Blue Wounds (2019). His new poetry book With Extreme Prejudice, Lest We Forget is now available. For more biographical information visit https://www.poet-emmettwheatfall.com.

.

.

Listen to the 2013 recording of Janice Scroggins playing “What a Friend”

.

.

___

.

.

Click here  to view previous editions of The Sunday Poem

.

Click here  for information about how to submit your poetry

Click here  to subscribe to the (free)  Jerry Jazz Musician  quarterly newsletter

Click here  to help support the ongoing publication of  Jerry Jazz Musician  (thank you!)

.

.

.

Share this:

One comments on “The Sunday Poem: “Miss Janice Scroggins and Her 88 Keys,” by Emmett Wheatfall”

  1. I was not familiar with Janice Scroggins but loved her playing and Mr. Wheatfall’s poem. Thank you!

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Poetry

photo by William Gottlieb/adapted by Rhonda R. Dorsett
21 jazz poems on the 21st of April, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. In this edition…Mix in poems on the blues with some Coltrane, Monk, Bix, Mingus, Miles, Art Farmer, King Oliver, Desmond, and Brubeck, and you have one hell-of-a lively and entertaining collection to take in. Enjoy!

Community

A collection of poetic responses to the events of 2025...Forty poets describe their experiences with the tumultuous events of 2025, resulting in a remarkable collection of work made up of writers who may differ on what inspired them to participate, but who universally share a desire for their voice to be heard amid a changing America.

The Sunday Poem

photo by Duncan Light/via Pexels

The Sunday Poem: Three poems on Mother’s Day

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Readings of the poems by Daniel Warren Brown, Erren Kelly, and Michael L. Newell can be heard at their conclusion.


Click here to read previous editions of The Sunday Poem

Short Fiction

Photo by Johannes Schröter, via Pexels
Short Fiction Contest-winning story #71 – “Where the Music Wasn’t Allowed,” by Jane McCarthy....The award-winning story is about a young immigrant growing up in Southern California to the sound of music seeping into his family’s home from an upstairs neighbor’s piano, shaping the boy’s understanding of memory, family, belonging, and the improvisational ethics of music.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Poetry

photo by Tsutumu Takasu/via Flicker/CC BY 2.0
“Cajun Glory” – a prose poem by Robert Alan Felt

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Poetry

Six poets write eight poems (in the midst of our times)...Poets within this community of writers are feeling this moment in time, and writing about it. This collection is another example.

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Short Fiction

photo J. & L. Caswall Smith
“Bitty’s Last Request” – a short story by Jill Bronfman...In the story – a finalist in the recently concluded 71st Short Fiction Contest – a very old dancer visits her young relative with stories to tell about the old days in the clubs.

Poetry

art by Marsha Hammel
“Learning the Alphabet of the Blues” – a poem by Mary K O’Melveny...A poem from Kinds of Cool: An Interactive Collection of Jazz Poetry, Vol. II

Feature

photo via Wikimedia Commons
Memorable Quotes: Two, by Edward R. Murrow…

Feature

photo via Wikipedia
“Two Famous Johns” – a true jazz story by Bob Hecht...The writer remembers an evening in New York’s Half Note in 1964 when he witnessed a John Coltrane performance that was also attended by the pop singer Johnny Mathis

Poetry

Haiku: Musings – by Connie Johnson...Exploring segments of the world of jazz – in three suites of vivid haiku poetry…

Jazz History Quiz

photo of "Hot Lips" Page by William Gottlieb
Jazz History Quiz #187...This trumpeter began his career in California, where he organized a big band that had a residency in China in 1934, and, during a trip through Kansas City in 1936, was invited to join Count Basie’s orchestra, replacing “Hot Lips” Page (pictured). Who is he?

Feature

“Bohemian Spirit” – A Remembrance of 1970’s Venice Beach, by Daniel Miltz...The writer recalls 1970’s Venice Beach, where creatives chased a kind of freedom that didn’t fit inside four walls…

Poetry

Linnaea Mallette/publicdomainpictures.net
A 2026 jazz poetry calendar...12 individual poets contribute a jazz-themed poem dedicated to a particular month, resulting in a 2026 calendar of jazz poetry that winds through the year with a variety of poetic styles and voices who share their journeys with the music, tying it into the month they were tasked to interpret. Along the way you will encounter the likes of Sonny Stitt, Charles Mingus, Jaco Pastorius, Wynton Kelly, John Coltrane, and Nina Simone.

Feature

Boris Yaro, CC BY 4.0, via Wikimedia Commons
“The Bowie Summer” – a personal memory, and how art can fundamentally reshape identity, by G.D. Newton-Wade

Short Fiction

photo by Iryna Olar/pexels.com 
“The Fading” – a short story by Noah Wilson...The story – a finalist in the recently concluded 70th Short Fiction Contest – examines the impact of genetic illness on a family of musicians and artists.

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Short Fiction

Los Angeles Daily News, CC BY 4.0 , via Wikimedia Commons
“The Pet Shop” – a short story by Sherry Shahan...The story – a finalist in the recently concluded 70th Short Fiction Contest, – is about an octogenarian couple who accept a part-time caretaker position at Crazy Goose Burlesque when the theater is temporarily shuttered due to archaic public indecency laws.

Feature

Albert Ayler’s Spiritual Unity – A Classic of Our Time, and for All Time – an essay by Peter Valente...On the essence of Albert Ayler’s now classic 1964 album…

Poetry

Laura Manchinu (aka La Manchù), CC BY 2.0 , via Wikimedia Commons
“Ron Carter Apple Sauce” – a prose poem by Martin Durkin

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Playlist

photo by Robert Hecht
“Spring is Here!” – a playlist by Bob Hecht...With perhaps Lorenz Hart’s most sardonic lyric — which is saying something! — this song remains one of the greats, and has been interpreted in many ways, from the plaintive and melancholy to the upbeat and hard swinging, such as John Coltrane’s version. Check out this bouquet of ten tracks to celebrate this great season!

Poetry

Wikimedia Commons
“Dorothy Parker, an Icon of the Jazz Age” – a poem by Jane McCarthy

Community

Nominations for the Pushcart Prize L (50)...Announcing the six writers nominated for the Pushcart Prize v. L (50), whose work appeared on the web pages of Jerry Jazz Musician or within print anthologies I edited during 2025.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year; New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.