Trading Fours, with Douglas Cole, No. 24: “Change of Luck”

May 9th, 2025

.

.

 

 

Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film.

In this edition, he writes two poems inspired by the music of Matt Wilson’s tune “Feel the Sway.”

 A recording of Mr. Cole reading his work (accompanied by the guitarist Chris Broberg) is found at the conclusion of the poem, as is Wilson’s tune.

.

.

___

.

.

photo via Negative Space

.

___

.

 
Change of Luck 1

I had an old car
with a fender rusted out
on the back left side
and it was just another spot
of decay and breakdown
on that old machine
but as I drove around
I kept hearing this tinkling
Stan Getz-like music
like tiny wind chimes
and I kept seeing flashes of light
glinting on the road behind me
as though everywhere I went
I was spreading happy angel dust
full of miracle goodness and light
and that’s when I noticed that
something was falling out
through that rusty hole
so I opened the trunk
and there in the wheel well
I found a paper bag full of coins
and I marveled
like I’d found a pot of gold
at the end of the rainbow
because I needed that money
it came at the right time
I was hungry
my girlfriend was hungry
we hadn’t eaten anything but rice
for a couple of weeks
so I took that cash home
and we went for a steak dinner
it wasn’t the most expensive steak
but it was the best steak
I remember ever having
and we made love that night
in our rusty old Murphy bed
and laughed and felt good
for the luck that came our way
and when we slept at last
we slept like the dead

.

Change of Luck 2

So we were driving in Azusa
on a hot evening
listening to Coltrane on the radio
when a guy waved me on
to make a left turn into a strip mall
where we were going
to get some tacos and see a movie
then a woman slammed into us
knocked the front end
of my car sideways
crushed her front bumper and hood
no one was hurt
so we all pulled into the parking lot
the cops came
I told them what happened
she came out of nowhere
they said I was making a left turn
so it was automatically my fault
automatically
she had a nice fur coat
and did I mention it was hot?
I had no insurance at the time
so they took away my license
and that meant I had to get insurance
to get my license back
but when you have to get insurance
to get your license back
the insurance companies charge you
an arm and a leg
(I’m not joking)
so I got insurance from a guy in a trailer
up there on Arrow Highway
he wore a silk shirt
and gold chains around his neck
heavy gold bracelets on his wrist
he was slick and friendly
and when I got my license back
it had a stamp on it that said
For Work Only
which meant I was only supposed
to drive between home and work
which also meant that if I were stopped
driving anywhere but between home and work
I’d lose my license again
and have to pay a bigger fine
and maybe lose my license for longer
but I just drove as I always did
wherever I needed to go I went
but soon I got a letter
from the lady’s insurance company
and they wanted money
to pay for her damaged car
but I didn’t have the money
not the amount they were asking for
it would take me years to come up with
the amount they were asking for
I was trapped

Now by chance at that time
we were moving to San Diego
my girlfriend was going to college
there and I applied late and wouldn’t start
for another semester so in the meantime
I went to a community college nearby
so I wouldn’t have to pay my loans
and there was a guy there
a lawyer who came on campus
two afternoons a week
to give pro bono legal advice
I’d never heard of anything like that
and I thought I’d ask him
if there was anything I could do
about this insurance company
so I went to see him
he was sitting in this little office
leaning back in a chair
with his feet up on the desk
and he was wearing big cowboy boots
and he said
what can I do ya for?
and I told him my story
my situation
and he said
there’s no law that says you have to make
yourself or your whereabouts known
to anyone
so what you do is put in a change of address
to someplace where someone you know lives
and tell them they’ll receive a registered letter
in your name
and when they get it they should say
they have no idea who you are
the letter will go back
and you’ll just have to wait
don’t get pulled over by the police
don’t get a ticket of any kind
and after seven years
you might beat the statute of limitations

and so I did just that
I put in a change of address
using my sister’s place
and sure enough
she received a registered letter
just as he said
and just as he said
she pretended not to know who I was
and the letter went away
and believe it or not
for seven anxiety-spiked years
I never got a ticket
never was stopped by the police
and now I don’t know
if I was just a perfect driver
or maybe I was invisible
but yes the seven years passed
and I got a new license and better insurance
I’m a regular citizen now
I vote
but that insurance company still exists
you know?
and they have memories like elephants
and I’m not so sure there really is
a statute of limitations
and it’s been so long now
I’m not so sure there ever really was a lawyer
and every time I see
an ad for that insurance company
or one of their buildings
my skin crawls
like their scanning rays
are sweeping over me
like they’re picking me up
on their radar
like they’re still looking

 

.

Listen to Douglas Cole (accompanied by the guitarist Chris Broberg) read “Change of Luck”

.

___

.

.

Listen to the 2006 recording of drummer Matt Wilson’s tune “Feel the Sway,” which inspired Doug Cole’s poems.  [The Orchard].  

.

Click here for Matt Wilson’s Wikipedia page

.

.

.

___

.

.

photo by Jenn Merritt

.

Douglas Cole has published six collections of poetry and The White Field, winner of the American Fiction Award. His work has appeared in several anthologies as well as journals such as The Chicago Quarterly Review, Poetry International, The Galway Review, Bitter Oleander, Chiron, Louisiana Literature, Slipstream, as well Spanish translations of work (translated by Maria Del Castillo Sucerquia) in La Cabra Montes. He is a regular contributor to Mythaixs, an online journal, where in addition to his fiction and essays, his interviews with notable writers, artists and musicians such as Daniel Wallace (Big Fish), Darcy Steinke (Suicide Blond, Flash Count Diary) and Tim Reynolds (T3 and The Dave Matthews Band) have been popular contributions. He has been nominated twice for a Pushcart and Best of the Net and received the Leslie Hunt Memorial Prize in Poetry. He lives and teaches in Seattle, Washington.

Douglas’ poem, “What We Talk About When We Talk About Kind of Blue,” published as part of his “Trading Fours” series, was nominated for the XLVIII Pushcart Prize

Click here to visit his website.

.

.

The poet’s collection, The Blue Island

.

.

___

.

.

Initially inspired by Texas bluesman Lightning Hopkins, Chris Broberg studied jazz guitar in San Diego, California and has been performing jazz , blues, and original music since the 1990s. He currently resides in Bellingham Washington.

Click here to visit his YouTube page

Click here to visit his Facebook page

.

.

___

.

.

Click here to read previous editions of Trading Fours with Douglas Cole

.

Click here to read The Sunday Poem

Click here to learn how to submit your poetry or short fiction

Click here to subscribe to the Jerry Jazz Musician newsletter

Click here to help support the continuing publishing efforts of Jerry Jazz Musician (thank you!)

.

.

___

.

.

 

Jerry Jazz Musician…human produced since 1999

.

.

.

 

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Poetry

photo by William Gottlieb/adapted by Rhonda R. Dorsett
21 jazz poems on the 21st of April, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. In this edition…Mix in poems on the blues with some Coltrane, Monk, Bix, Mingus, Miles, Art Farmer, King Oliver, Desmond, and Brubeck, and you have one hell-of-a lively and entertaining collection to take in. Enjoy!

Community

A collection of poetic responses to the events of 2025...Forty poets describe their experiences with the tumultuous events of 2025, resulting in a remarkable collection of work made up of writers who may differ on what inspired them to participate, but who universally share a desire for their voice to be heard amid a changing America.

The Sunday Poem

CC BY-SA 3.0, via Wikimedia Commons

"A Light Downstream" by Francis Fernandes

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Francis Fernandes reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Short Fiction

Photo by Johannes Schröter, via Pexels
Short Fiction Contest-winning story #71 – “Where the Music Wasn’t Allowed,” by Jane McCarthy....The award-winning story is about a young immigrant growing up in Southern California to the sound of music seeping into his family’s home from an upstairs neighbor’s piano, shaping the boy’s understanding of memory, family, belonging, and the improvisational ethics of music.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Poetry

art by Marsha Hammel
“Learning the Alphabet of the Blues” – a poem by Mary K O’Melveny...A poem from Kinds of Cool: An Interactive Collection of Jazz Poetry, Vol. II

Interview

A Women’s History Month Profile: Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives of many of the young Black women who – in the Girl Groups of the ‘60’s – sang, wrote, created, and popularized their generation-defining music, and even less about the challenges they faced while performing during such a complex era, one rife with racism, sexism, and music industry corruption. In this February, 2024 Jerry Jazz Musician interview, Laura Flam and Emily Sieu Liebowitz discuss their book’s endeavor at giving them an opportunity to voice their meaningful experiences.

Poetry

photo via Wikimedia Commons
“Empire State of GRIME” – a poem by Camille R.E....The author’s free-verse poem is written as an informal letter to tourists from a native New Yorker, (and sparing no bitter opinion).

Feature

photo via Wikipedia
“Two Famous Johns” – a true jazz story by Bob Hecht...The writer remembers an evening in New York’s Half Note in 1964 when he witnessed a John Coltrane performance that was also attended by the pop singer Johnny Mathis

Poetry

Haiku: Musings – by Connie Johnson...Exploring segments of the world of jazz – in three suites of vivid haiku poetry…

Jazz History Quiz

photo of "Hot Lips" Page by William Gottlieb
Jazz History Quiz #187...This trumpeter began his career in California, where he organized a big band that had a residency in China in 1934, and, during a trip through Kansas City in 1936, was invited to join Count Basie’s orchestra, replacing “Hot Lips” Page (pictured). Who is he?

Feature

“Bohemian Spirit” – A Remembrance of 1970’s Venice Beach, by Daniel Miltz...The writer recalls 1970’s Venice Beach, where creatives chased a kind of freedom that didn’t fit inside four walls…

Poetry

Linnaea Mallette/publicdomainpictures.net
A 2026 jazz poetry calendar...12 individual poets contribute a jazz-themed poem dedicated to a particular month, resulting in a 2026 calendar of jazz poetry that winds through the year with a variety of poetic styles and voices who share their journeys with the music, tying it into the month they were tasked to interpret. Along the way you will encounter the likes of Sonny Stitt, Charles Mingus, Jaco Pastorius, Wynton Kelly, John Coltrane, and Nina Simone.

Feature

Boris Yaro, CC BY 4.0, via Wikimedia Commons
“The Bowie Summer” – a personal memory, and how art can fundamentally reshape identity, by G.D. Newton-Wade

Poetry

photo via NOAA
“Taking The Littlenecks” – a prose poem by Robert Alan Felt...Expressing the joy and sorrow of life at age 71 with grace, wisdom, and appreciation.

Short Fiction

photo by Iryna Olar/pexels.com 
“The Fading” – a short story by Noah Wilson...The story – a finalist in the recently concluded 70th Short Fiction Contest – examines the impact of genetic illness on a family of musicians and artists.

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Short Fiction

Los Angeles Daily News, CC BY 4.0 , via Wikimedia Commons
“The Pet Shop” – a short story by Sherry Shahan...The story – a finalist in the recently concluded 70th Short Fiction Contest, – is about an octogenarian couple who accept a part-time caretaker position at Crazy Goose Burlesque when the theater is temporarily shuttered due to archaic public indecency laws.

Poetry

Laura Manchinu (aka La Manchù), CC BY 2.0 , via Wikimedia Commons
“Ron Carter Apple Sauce” – a prose poem by Martin Durkin

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Playlist

photo by Robert Hecht
“Spring is Here!” – a playlist by Bob Hecht...With perhaps Lorenz Hart’s most sardonic lyric — which is saying something! — this song remains one of the greats, and has been interpreted in many ways, from the plaintive and melancholy to the upbeat and hard swinging, such as John Coltrane’s version. Check out this bouquet of ten tracks to celebrate this great season!

Poetry

Wikimedia Commons
“Dorothy Parker, an Icon of the Jazz Age” – a poem by Jane McCarthy

Community

Nominations for the Pushcart Prize L (50)...Announcing the six writers nominated for the Pushcart Prize v. L (50), whose work appeared on the web pages of Jerry Jazz Musician or within print anthologies I edited during 2025.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Feature

Albert Ayler’s Spiritual Unity – A Classic of Our Time, and for All Time – an essay by Peter Valente...On the essence of Albert Ayler’s now classic 1964 album…

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year; New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.