“Learning to Fly” — a short story by Mary Burns

June 15th, 2019

.

.

“Learning to Fly,” a short story by Mary Burns, was a finalist in our recently concluded 50th Short Fiction Contest. It is published with the permission of the author.

.

.

.

.

Learning to Fly

by

Mary Burns

.

_____

.

 

 

…..Harry Delaney is a night janitor, and he is teaching himself to fly. As he works his mop up and down the dim corridors of Waterville Public High School, he can feel what it would be like, floating, say, four feet above the floor, moving easily through the air, though not fast.

…..This feeling is strongest on the top floor, because from there he can look out far over the fields, seeing only shadow and light, no color by moon or star. He remembers he used to stand at those windows twenty years before, his heart open to the fields during that breath-held hush just before the class bell rang. Now, in the intervals of silent work, Harry sees himself gliding over the crops in their graded rows, trees lined up along the edges of the fields, the occasional farmhouse below, stark like a black and white photograph. At first, when this feeling came to him, he would just stare out the window. That was last winter, when the snow was an ocean of pearls under the moon. Later, in the spring, the feeling became so strong he found himself trying to make it happen.

…..He stands motionless in the hall and closes his eyes. Slowly his arms rise up to stretch out in front of him, hands relaxed, palms down. He is poised as on the edge of a diving board, ready to launch, but not fast like a diver, more like a balloon released from a child’s grasp. His weight shifts to the balls of his feet, rolling him forward to waver on tiptoe, testing that slight springing movement that will send him upward on a slant until his body levels out, gently pushing the air behind and past him, like Superman in slow motion. And when it doesn’t happen, his arms fall back to his sides, and his heels settle onto the worn linoleum floor. He picks up his mop and continues working until it is dawn and time to go home and sleep.

.

…..Each morning, he waits a few minutes at the end of the sidewalk by the parking lot behind the school. Soon an old, white Buick Electra comes into view, small at the top of the hill about a mile away, then gone behind a row of elm trees, then there at the driveway, crunching over the gravel. Emma, the school cook, is arriving to start the coffee for the teachers, bake the rolls and cookies for lunch, stock the milk machine, and line up the battered spoons and forks, the chipped serving bowls and platters. Harry watches as Emma steps out of her car, the long heavy door swinging out, opening up the clean blue interior, plush and soft, like the inside of a gleaming white box that holds a diamond ring.

…..Emma smiles with her whole face as she walks across the gravel, looking up at Harry as he looms tall and thin to her plump smallness.

…..“Hi, Harry.”

…..“Hi, Emma.”

…..“Want some coffee? It’ll just take a minute.”

…..“No thanks, it’ll only keep me up all night.”

…..This is repeated every morning like passwords that allow them to change places. They have known each other since childhood, have grown up attending the same schools, church, and summer camp; their parents were neighbors. They even dated for a couple of months, in their teens. Emma married when she was twenty, but her husband, a boy from the next town, died within the year, complications of pneumonia. They didn’t have time to start a family, and Emma did not marry again.

…..Harry wasn’t around then; he’d gone into the Navy for four years, then lived in California after that. He only came back to Waterville last year, in the summer. His mother died ten years ago from the cancer that struck her hard; his dad died when Harry was fourteen, and there is no one else left in the family. Harry ended up taking the job at the high school last summer when old Joe Thomas, the night janitor who’d been there for as long as any of them could remember, decided to retire. Now it’s almost summer again, the last week of school for the year.

…..Harry silently takes a heavy grocery bag from Emma. She nods her thanks and opens the door for him. Her rubber-soled shoes squeak as she walks down the hall and into the cafeteria. He puts the bag on the cold metal counter next to the refrigerator as Emma clicks on the small light above the stove with its six black burners, clean but worn. The sun is just showing up in a cloudless sky that gleams light blue across the growing fields of corn. It throws a tentative light into the kitchen from the high windows facing east.

…..“Going to be warm today.”

…..Harry nods.

…..“You doing anything special this summer, Harry?”

…..“Haven’t thought about it yet. You?”

…..“Well, one thing, I’m not going to do much cooking.”

…..“Yeah, well, I guess I won’t be doing much cleaning.”

…..Harry watches Emma as she fills the coffeemaker with measured grounds, pours water into the top, punches the switch to start it brewing. It occurs to him he might tell Emma about his wanting to fly. He doesn’t think she’ll laugh. He opens his mouth, but the words that come out are the same ones he says to her every day of the week.

…..“Well, time to go. Have a good day.”

…..“Okay, Harry, see you tomorrow. Sleep well.”

.

…..Above the hardware store in town is a small apartment, accessed from the street by an aluminum and glass door with a wicker blind on it that flaps and clacks when the door is opened or closed. Harry parks his car in the alley behind the store, and walks to the front. He takes a small pleasure in the stillness of the town at this hour. It’s too early for any of the merchants to be in their stores yet, although the diner down the street is open. He trudges up the long straight flight of steps to the second floor.

…..The apartment is clean, the dishes from his evening meal dry now in the white plastic drainer on the sink. Today, later on, he will take clothes to the laundromat, a chore he rather enjoys. It feels good to sit there with the warm, humid air filling the small space, the whirring of washers in their endless cycles, the constant hum of the dryers. Harry likes the warmth of the clothes on his hands and arms and chest as he pulls them from the dryer into the four-wheeled cart. He always feels a little cold, even on a warm day. Sometimes he thinks his skin is too thin to cover him properly.

…..Now he closes the blinds and draws the curtain against the opening day. Outside is the sun, and he will sleep in the darkness of a darkened room. Later, he will go out in the fading light, and work while the rest of the town eats dinner, and watches the news, and makes love and sleeps.

…..One of these nights, though, he will fly.

…..The night before school lets out, Harry stands again at the end of the hall on the fourth floor. It is half past three, the time when, a nurse once told him, if people are going to go, they go, when no one is near, their souls flying up to heaven with the angels, she said. This nurse had been on duty at the hospital the night Harry’s mother died. He was in the room with his mother, and had wakened from an exhausted sleep only when the absence of breathing had changed the sound in the room. He had not seen her soul take that last flight.

…..Standing now at the school window, his thoughts turn to the day his father died, the day after his fourteenth birthday, and his dad had given him a new bike, shining black and silver. Harry had ridden it to school, racing across town, flying down the hill to the school parking lot, skidding to a halt in a whirl of dust and gravel.

…..Word came to him at school that afternoon, just before history class. Harry was standing at the window, looking out at the corn shooting up in the fields, thinking about his bike, and marking the seconds before the bell would ring and send him racing for the door just before it would close. He looked away from the window, checking the clock, and saw Mr. Sawyer, the principal, walking toward him with a serious look.

…..“I’m just going to class now, Mr. Sawyer!”

…..“That’s all right, Harry, that’s fine. I … need to speak with you about something, son, something that has happened.”

…..Harry felt coldness creep into his chest, like an ice cube in his heart.

…..“What’s the matter, Mr. Sawyer? Is it my mom?”

…..“No, Harry, your mom’s okay. Look, why don’t we just walk down to my office for a minute. I’ll explain everything there.”

…..There had been an explosion, and a fire, at the canning factory, where Harry’s dad worked. He’d been a brave man, everyone kept saying, he’d saved people from the fire, but then was overcome by the smoke. The firemen had tried and tried, but all their efforts to revive him had failed. A neighbor was there to take Harry home.

.

…..Harry stares out the window at the black and white June night. Though it is warm, he shivers. The ice cube in his chest rivers through his veins and arteries, his muscles and his bones; he can see the blue coldness through the thin covering of his skin.

…..“Whatcha doin’, Harry?”

…..After the first start of surprise, Harry recognizes the voice. He doesn’t turn to look.

…..“I’m wishing I could fly out over the fields for once and for all,” Harry says.

…..“Yeah, well, you were always wishing that, back when we were young,” the voice says.

…..“What’re you doin’ here?”

…..“Talking to you, what do you think?”

…..They are silent together, looking out the window.

…..“Are you thinking about Dad?”

…..“Yeah, yeah I am.”

…..“What’re you thinking?”

…..Harry doesn’t answer for a bit.

…..“Well, I’m thinking about how he died in a fire, and how I’m cold all the time.” He pauses, then looks over at the other man. Harry sees he is wearing his favorite sweater, a boat-necked navy blue cotton pullover with a white stripe across the chest. He looks calm and ruddy, even has a little more hair. “What do you make of that?”

…..The man thinks a moment, then shrugs.

…..“You’re the one who started it,” he says. “I’m always plenty warm.”

…..“What do you mean? How come?”

…..“How come I’m warm?”

…..“Well, okay, let’s go with that.”

…..The man thinks again.

…..“The first thing I did was, I kept riding my bike.”

…..“So?” Harry says.

…..“That whole summer, I rode over to Dad’s grave every day. I talked to him, told him how much I missed him.”

…..“I don’t understand,” Harry says. “How does that make you warm now?”

…..The man eyes him, not unkindly.

…..“Because I never let myself stay cold in the first place.”

…..Harry looks at him, then looks away.

…..“It hurt,” he says, staring out the window. “It hurts now.”

…..“I know,” the man says. “You think I don’t know?” He pauses, then speaks again.

…..“I married Emma Sallinger.”

…..“You what?”

…..“Well, not right away, after the Navy.”

…..“We were both in the Navy?”

…..“Well, we did most things the same, up to a point.”

…..Harry thinks about this.

…..“So what’s it like, being married to Emma?”

…..The man smiles. “Great. She’s just great.”

…..Harry nods slightly.

…..“You still think it’s your fault, don’t you?”

…..Harry is silent.

…..“Well, don’t you? Just because he went to work that day, his usual day off, because he’d spent the day before with you, you and that damned bike, right? So that makes it your fault, right?”

…..Harry grips the windowsill tightly, glaring at the night fields rolling away across the land. “Why are you here bugging me?” he says.

…..“I came here to teach you to fly.”

…..“What?”

…..“You heard me. You do want to fly?”

…..Harry turns to look again into the eyes so like his own, but without the regret. Then he nods.

…..“Okay, watch me, then. I’ll show you.”

…..“You can fly?”

…..“Just watch.”

…..The man who looks like Harry stands very still, his eyes closed. Slowly his arms rise up, stretch in front of him, palms down, relaxed. He rolls his weight onto the balls of his feet, and with a slight spring he launches gently into the air, travelling slowly, leveling out about four feet above the floor. Harry feels a soft whoosh of air flow past his face as the man moves forward, gliding smoothly, though not fast. He opens his eyes, looks back at Harry and smiles. With a turn of his wrist he floats first to one side of the hall, then the other. Harry watches as he gains the far end of the hall, turns gracefully, and comes back until he is again on his feet, standing in front of Harry.

…..“Now you try.”

…..Harry steps away from the window, facing down the long hall. He takes a deep breath, letting it out slowly. He closes his eyes. His fingers are cold and his chest feels exposed and icy. Arms raised, leaning forward, he loses his balance and catches himself.

…..“It’s no good. Forget it.”

…..A warm hand gently grips his shoulder, and shakes it slightly.

…..“C’mon, son, you can do this,” and this time the voice is Harry’s dad.

…..A flush of heat bursts from Harry’s heart and travels to the top of his head and the tips of his fingers.

…..“I don’t know if I can, Dad,” he whispers.

…..“Sure you can, Harry.” The strong fingers scrunch the back of Harry’s neck and ruffle his hair.

…..“But, Dad…”

…..“I know, Harry.”

…..Harry is quiet for several minutes.

…..“I’m sorry, Dad, I’m really sorry.”

…..He feels the warm breath of a long sigh blanket his shoulders and his back, down through his legs and into his toes.

…..“It wasn’t your fault, Harry. I did what had to be done. Don’t waste any more time with this,” his father’s voice takes on that firm quality that Harry remembers well.

…..“C’mon, close your eyes, and raise your arms again.”

…..Harry leans forward into the warm air and he feels his father’s hands, one on his chest, the other on his back, like when he taught Harry to swim. He looks up and sees the window, open at the other end of the hall, coming nearer. He can see the rows of corn under the night sky. With a rush that almost breaks his heart, he flies out the window and up into the stars.

.

_____

.

.

.

.

Mary Burns is the author of several books of historical and literary fiction and mysteries. Ms. Burns was born in Chicago, Illinois and attended Northern Illinois University in DeKalb, where she earned both Bachelors and Masters degrees in English; she also holds a J.D. from Golden Gate University. She now lives in San Francisco with her husband. For more information, please visit her website at www.maryfburns.com.

.

.

.

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

A collection of poetic responses to the events of 2025...Forty poets describe their experiences with the tumultuous events of 2025, resulting in a remarkable collection of work made up of writers who may differ on what inspired them to participate, but who universally share a desire for their voice to be heard amid a changing America.

The Sunday Poem

Aretha Franklin, 1968/photo via Picryl

”Dear Aretha” by J. Stephen Whitney

The Sunday Poem is published weekly, and strives to include the poet reading their work...

J. Stephen Whitney reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Poetry

photo by William Gottlieb/Library of Congress
21 jazz poems on the 21st of January, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features poets – several new to readers of this website – writing about their relationship with the music and its historic figures, including Chuck Mangione, John Coltrane, Barney Kessel, Count Basie, Bill Evans, Hubert Laws, and Steve Lacy.

Feature

Press Release for “The Weary Blues: Celebrating The Harlem Renaissance and Langston Hughes...I recently wrote about a new endeavor of mine – producing a show in Portland celebrating the poetry of Langston Hughes and the Harlem Renaissance. What follows is the complete press release for the February 7 performance at the Alberta Abbey in Portland, Oregon.

Poetry

photo by Lorie Shaull/CC BY 4.0
“Poetry written in the midst of our time” – Vol. 2...Poets within this community of writers are feeling this moment in time, and writing about it...

Poetry

photo via Picryl
Three poems…written in the midst of our time...Poets within this community of writers are feeling this moment in time, and writing about it. Here are three examples.

Short Fiction

photo via Freerange/CCO
Short Fiction Contest-winning story #70 – “The Sound of Becoming,” by J.C. Michaels...The story explores the inner life of a young Southeast Asian man as he navigates the tension between Eastern tradition and Western modernity.

Feature

Linnaea Mallette/publicdomainpictures.net
A 2026 jazz poetry calendar...12 individual poets contribute a jazz-themed poem dedicated to a particular month, resulting in a 2026 calendar of jazz poetry that winds through the year with a variety of poetic styles and voices who share their journeys with the music, tying it into the month they were tasked to interpret. Along the way you will encounter the likes of Sonny Stitt, Charles Mingus, Jaco Pastorius, Wynton Kelly, John Coltrane, and Nina Simone.

Poetry

“To Renee Nicole Good, a poet” – a poem by Erren Geraud Kelly

Feature

Boris Yaro, CC BY 4.0, via Wikimedia Commons
“The Bowie Summer” – a personal memory, and how art can fundamentally reshape identity, by G.D. Newton-Wade

Poetry

photo via Shutterstock
“The Music of Lana’i Lookout” – a poem by Robert Alan Felt...The 17th anniversary of president-elect Barack Obama's scattering of his beloved grandmother's ashes is at the center of the poem, and serves as a reminder that moral personal character of leadership is what makes a country great.

Short Fiction

art by Alan Aine
“Skipping Up the Steps Since Six” – a free verse poem by Camille R.E....This narrative, free verse poem – a finalist in the recently concluded 70th Short Fiction Contest – is centered on the sense of isolation a daughter feels as she enters an unorthodox adolescence.

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Community

Letter from the Editor: “A Jerry Jazz Musician Experience”...Sharing a bit of what I’ve been up to of late, and make you aware of a new endeavor of mine…

Poetry

National Archives of Norway, CC BY 4.0 , via Wikimedia Commons
“Wonderful World” – a poem by Dan Thompson

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Playlist

“Darn! All These Dreams!” – a playlist by Bob Hecht...In this edition, the jazz aficionado Bob Hecht’s 13-song playlist centers on one tune, the great Jimmy Van Heusen/Eddie DeLange standard, “Darn That Dream,” with the first song being a solo musician recording and each successive version adding an instrument.

Poetry

Wikimedia Commons
“Dorothy Parker, an Icon of the Jazz Age” – a poem by Jane McCarthy

Short Fiction

photo via publicdomainimages.net
“Welcome to America” – a short story by John Tures...The story – a short-listed entry in the recently concluded 70th Short Fiction Contest – is a combination of two true linked stories, both of which involved the same person. In one, he’s a witness to history. In the second, he’s an active participant in history, even becoming a hero. But one can’t understand the second until they know the first.

Feature

photo via Wikimedia Commons
Memorable Quotes – Lawrence Ferlinghetti, on a pitiable nation

Short Fiction

“Frusick: Making Sweeter Music” – a short story by J. W. Wood...In the 22nd century, a medical professional takes a bunch of kids to meet one of the last musicians left in England, and has an epiphany when he hears live music for the first time …

Community

Nominations for the Pushcart Prize L (50)...Announcing the six writers nominated for the Pushcart Prize v. L (50), whose work appeared on the web pages of Jerry Jazz Musician or within print anthologies I edited during 2025.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Jazz History Quiz

Jazz History Quiz #185...This posthumously-awarded Grammy winning musician/composer was the pianist and arranger for the vocal group The Hi-Lo’s (pictured) in the late 1950’s, and after working with Donald Byrd and Dizzy Gillespie became known for his Latin and bossa nova recordings in the 1960’s. He was also frequently cited by Herbie Hancock as a “major influence.” Who is he?

Poetry

photo via Wikimedia Commons
Jimi Hendrix - in four poems

Playlist

A sampling of jazz recordings by artists nominated for 2026 Grammy Awards – a playlist by Martin Mueller...A playlist of 14 songs by the likes of Samara Joy, Brad Mehldau, Dee Dee Bridgewater, Branford Marsalis, the Yellowjackets and other Grammy Award nominees, assembled by Martin Mueller, the former Dean of the New School of Jazz and Contemporary Music in New York.

Poetry

Ukberri.net/Uribe Kosta eta Erandioko agerkari digitala, CC BY 2.0, via Wikimedia Commons
In Memoriam: “Color Wheels” – a poem (for Jack DeJohnette) by Mary O’Melveny

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Feature

photo of Barry Harris by Mirko Caserta
“With Barry Harris at the 11th Street Bar” – a true jazz story by Henry Blanke...The writer - a lifelong admirer of the pianist Barry Harris - recalls a special experience he had with him in 2015

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Feature

Trading Fours, with Douglas Cole, No. 27: “California Suite”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is dedicated to saxophone players and the mood scenes that instrument creates.

Community

photo of Dwike Mitchell/Willie Ruff via Bandcamp
“Tell a Story: Mitchell and Ruff’s Army Service” – an essay by Dale Davis....The author writes about how Dwike Mitchell and Willie Ruff’s U.S. Army service helped them learn to understand the fusion of different musical influences that tell the story of jazz.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two– Vol. 16: Halloween on Mars? Or…speculative jazz fiction...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 16th edition featuring excerpts from his outstanding literary resource, Rife writes about azz-inflected speculative fiction stories (sci-fi, fantasy and horror)

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Community Bookshelf #5...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March, 2025 – September, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.