“In Herzegovina, near the Town of Gorjad” — a short story by Nick Sweeney

September 15th, 2019

 

.

.

“In Herzegovina, near the Town of Gorjad,” a story by Nick Sweeney, was a finalist in our recently concluded 51st Short Fiction Contest. It is published with the permission of the author

.

.

.

Image by Gerd Altmann from Pixabay

.

In Herzegovina, near the Town of Gorjad

by

Nick Sweeney

.

___

.

 

 

…..There’s a new song going around, with a maddening refrain as catchy as that flu plotting its course around the world, killing venerable ancients and babies newly out of the womb. You hear it everywhere and, no matter how much you hate it, you’ll find it bursting out of your head. You may be with a friend you’ve been trying to impress with your disdain for it, and the partly-hidden suggestion of your liking of higher things, and the friend will look at you in sly triumph, then forgive you. This happens to me often, because there are always new songs about, and I hate them all, and yet still they sneak into my head. Luckily, I have friends whose habit is to forgive. They are precious. There are many people here who will never forgive anything.

…..Ancient recordings, or recordings of ancient things, reveal something that today’s music no longer possesses. Some people get caught up in technical terms to explain it, but, really, music can’t be explained; it can only be felt. Maybe it’s like religion, or psychoanalysis; once it’s explained, people cease to be in awe of it, yet complain that it isn’t doing them any good anymore. Give it to the people, whoever they are, and they just fuck it up, and don’t know what to do with it, apart from complain.

…..Maybe the saddest thing is that music lost its soul at the onset of the age of global communication; we now live surrounded by twenty-four-hour access to terrible music that, paradoxically, never really gets going, and yet never stops.

.

***

.

…..In our part of Sarajevo we are surrounded by music, partly because a lot of musicians seem to like it here, as do lots of faded bohemians who persist in the practice of their dying arts. I don’t want to be rude here because, for sure, it’s cool to hear a song played on an old violin, or the peal of a saxophone in the middle of the night. The other side of the coin, however, means some talentless bastard slashing chords out of a crusty electric guitar put through a ferocious amp.

…..Anger is not good for me, I’ve been assured by professionals, so I try not to get too annoyed about it. In fact, I have only complained once – I was sick at the time, a slight refrain of Hepatitis, and ended up feeling sicker after getting punched on the snout by a neighbor guitar junkie in a fit of artistic amphetamine pique. His noise stopped soon after, though, when somebody broke into his place, smashed his guitar to bits, then filled his amplifier with olive oil from Herzegovina, the groves near the town of Gorjad, and kicked his speakers in.

 

.

***

.

…..Not very long after my arrival in Sarajevo I was in a smartish café when I saw, only two tables away, a local radio DJ. The war was over, as were shortages, and leisure was once more on the agenda. It never went away, people might claim, but it did; those same people had simply forgotten the preoccupations of the war, the banal triumphs of everyday existence. And good for them, because people must – they really have to – to live, to go on.

…..Even culture was coming back, because there are things to do in leisure time other than stay in bed, drink too much and play video games. Apparently. “If I meet one more person from a community arts project,” a friend said to me, “I’m going to burn it down. And then start my own.” The university was open again, and serious-minded youth put their heads down to study. When they lifted them, though, they wanted to dance, and they wanted to dance to the catchiest, most terrible music they could find.

…..“That’s that DJ guy,” I said to my university friend Dzanka. I felt I knew her well enough by then to nudge her in a seedy, over-familiar fashion. She looked up from her book, and stared at me. “Him over there with the green suit.” Green must have been in that week, for this narrowed it down to five people. “And the technicolour tie. See him?” I went on. “Curly hair that needs cutting?” She shifted her stare to Mister DJ.

…..The evening would be a disaster, I knew already. In the afternoon I’d run into a sort of friend, who’d persuaded me into drinking the local firewater with him. It seemed like one of those afternoons when drinking something was a necessity rather than a mere option. I couldn’t remember why, which is normal once the drinking part is done. He was very much on the wrong side of tipsy when I left. I was on the tipsy spectrum somewhere – I was unsure exactly where. I wondered, in some disquiet, if I was on the part of it that would kid me that I wasn’t on it at all, therefore leaving me open to all kinds of spontaneous foolishness.

….. Dzanka had had a bad week at the university, stuck with the idea that it was important for her to be there, and yet wondering why she was bothering.

…..“True – that’s him.” She squinted at the DJ sourly, and went back to her book. “He’s… pasty-faced,” she added, a nod to conversation. “And fat.”

…..“You don’t see that on the radio.”

…..His poster campaign imitated old-style Yugoslav propaganda posters, with thick yellow letters stating, Listen In! and A Nightclub on your Mantelpiece! and other vacuous slogans thought up by men in western-style suits and red plastic-framed glasses. Under these exhortations reposed an enigmatic face trapped in time, topped by dark, curly hair. The man in the café had an older face and greyer hair, and enigmatic was not a word that came to mind to describe him.

…..“Wars come and go,” I said to Dzanka. “Governments rise and fall. Borders change. Olive groves get… burned.” Dzanka looked at me closely. Did she see a fire in my eyes? Maybe she did. “Whole peoples get rubbed out.” I recovered my thread. “But DJs, their haircuts stay the same.” Dzanka smiled despite herself, and coughed out a laugh.

…..His suit was expensive, the world could tell, but shapeless. Was that deliberate? Who knew, anymore? He looked miserable as he sipped his cappuccino, but still had the preoccupied air of a fat-cat-in-the-making. The girl he was with was young and pretty and tarty. She had a distinct vibe of boredom about her, and a square metre of madly over-groomed hair, like a country-and-western star from the nineteen seventies.

…..“I bet I could get him to say why he plays such terrible music.” I nudged Dzanka again. “All the music in the world,” I said, “and yet whatever is terrible, he finds it, and he plays it.” I made a money sign. Dzanka put her paper down, interested at last, I thought. “I could get him to say why he says such stupid things,” I added. “Ask him who he thinks he’s talking to.”

…..“But who cares?” Dzanka said. “Anyway, they’d only kick you out.” She indicated our surroundings. “They only let nice people in. We’re only here because there are not enough nice people for them to make a profit.”

…..“It’s an opportunity,” I said, but I saw her point. And it wasn’t fair: Dzanka liked it there, and they knew her, and only let me in because I was with her. “Just to tell them. You know when you’re listening to the radio, and it’s annoying the hell out of you, and you just want to go round to the station with a baseball bat, and trash the place?”

…..“No.” She wasn’t one to wilt under my earnest gaze, as some people did. She burst into a giggle. “Strangely enough, I don’t.”

…..All the station’s equipment, I saw, smashed to bits, its lights winking frantically, and covered in a litre of olive oil from the olive trees in the olive groves near Gorjad, in Herzegovina…. Two litres, maybe.

….. Dzanka said, “You could always try switching it off.”

…..I kept listening to the radio because a part of me was cowed enough to hate not getting it, and being the only one out in Radioland listening to a room full of silence. I craved music – I did – but then, if you crave music, you listen to the radio to hear some, and end up still craving it; it’s like one of those sentences that read the same backwards.

…..“And anyway,” Dzanka said, “there are worse people than him here tonight, if you really want to grind your teeth. Look at him over there.” She dropped both her voice and her head. “Dark blue evening jacket too big for him. See him? Know who he is?”

…..Yeah.” I surprised myself. I knew the features well, the white hair swept back from his deep forehead, the pale, piercing eyes. It was the jacket that had thrown me, the bow-tie, and the frilly-fronted shirt. On television at the height of the war, he was usually seen in some quasi-uniform as he justified his militiamen’s feats of bravado, which had sometimes involved the razing of villages and the shooting of their fighting-age men, and some unfortunate collateral damage to women and children. Nobody disagreed that he had done it on behalf of us all, to save us having to go and do it ourselves. And nobody disagreed that he had a right to have become at least a little bit rich on ‘donations’ from the UN, while selling plundered medicines, food and temporary shelters to the enemy to keep them in good health, nourished and warm enough to live again to be shot-at. He was a legend, and nobody disagreed. At least, you never heard them disagreeing. Why did he feel safe enough, I wondered, to sit drinking in public? Maybe it was something to do with the two men who sat near him, all beards and bulging tuxedos and gristle and mineral water glasses tiny in their hands.

…..“Sure,” I said. “I could go and ask him about his work.” I nodded towards the guards. “Before those two kick my face in.”

…..Dzanka said, “Stick to your DJs,” and added hastily, “I mean, leave them alone – leave them all alone. One is a national hero and the other a nonentity. And what, at the end of the day, have they ever done to you?”

…..She went back to her book. I picked up one of her other books. I flipped through it without method, was grabbed by a passage that rattled along well but finally disappointed me, and then got engrossed in one that didn’t, until it did. The friends we were waiting for didn’t turn up, and we guessed they hadn’t got by at the door. I sobered up gradually, and we talked about and laughed at nothing, just loud enough to let everybody around us know that we were having a good time.

 

.

***

.

…..As I did my business in the toilet, I looked up at the window set in the ceiling. I marvelled at the leaves that touched the glass, outlined by the lights in the upstairs rooms, the hint of dark sky beyond. I thought of a radio report of a prisoner of war somewhere – actually, in Herzegovina, near the town of Gorjad – who saw only the sky and the leaves for half a year through his tiny window. He hadn’t known it, but he was in the safest place; he got out intact, but found his parents’ olive groves destroyed, his village wiped from the face of the Earth, and his entire family, and everybody he had known in his life, gone with it. The on-air presenter had ended by bemoaning the unfortunate ways of war, then handed over to a DJ who brayed a slogan, played a jingle, promised news of weather, and of traffic, and set in motion a catchy new song.

 

.

***

.

…..When I came back, Dzanka was putting on her coat and scarf and gloves. We decided to walk, maybe to redeem a little of the evening – she was giving me the chance – and to save a tram ticket for another, better evening. It was a clear night, bright with tiny stars. Dzanka changed her irritation into a smile that was forgiving. The quiet made us feel good, and easy in ourselves, got us looking forward to home, and to sleep. As people began to pour out from bars and cinemas and dives to fill the streets, steam rose from the open doors, and a jolly little bastard of a song arose with it.

.

.

_____

.

.

 

 

 

 

.

Nick Sweeney’s stories are scattered around the web and in print. .Laikonik Express, his novel about friendship, Poland, and getting the train for the hell of it, is out with UK independent publisher Unthank Books. His 20K-word ‘novelette’ .The Exploding Elephant .was published by Bards and Sages in 2018. He is a freelance writer and musician, and lives on the English coast. More than any sane person could want to know about him can be found at http://www.nicksweeneywriting.com

.

.

.

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

A collection of poetic responses to the events of 2025...Forty poets describe their experiences with the tumultuous events of 2025, resulting in a remarkable collection of work made up of writers who may differ on what inspired them to participate, but who universally share a desire for their voice to be heard amid a changing America.

The Sunday Poem

photo by Garry Knight/CC BY 2.0

”Six String Sizzle” by Ian Mullins

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Jerry Jazz Musician editor Joe Maita reads Ian Mullins’ poem at its conclusion


Click here to read previous editions of The Sunday Poem

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Poetry

photo of Red Allen by William Gottlieb/Library of Congress
21 jazz poems on the 21st of February, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features poets – several new to readers of this website – writing about their appreciation for the music, how it shows up in their daily lives, and displaying their reverence for the likes of Billy Strayhorn, Joe Henderson, Ernestine Anderson, Miles Davis, Louis Armstrong and Red Garland.

Poetry

photo by Lorie Shaull/CC BY 4.0
“Poetry written in the midst of our time” – Vol. 2...Poets within this community of writers are feeling this moment in time, and writing about it...

Poetry

photo via Wikimedia Commons
“Empire State of GRIME” – a poem by Camille R.E....The author’s free-verse poem is written as an informal letter to tourists from a native New Yorker, (and sparing no bitter opinion).

Short Fiction

photo via Freerange/CCO
Short Fiction Contest-winning story #70 – “The Sound of Becoming,” by J.C. Michaels...The story explores the inner life of a young Southeast Asian man as he navigates the tension between Eastern tradition and Western modernity.

Poetry

art by Martel Chapman
"Ancestral Suite" - A 3-Poem Collection by Connie Johnson...The poet pays homage to three giants of mid-century post-bop jazz – Booker Ervin, Lou Donaldson, and Little Jimmy Scott

Feature

“Bohemian Spirit” – A Remembrance of 1970’s Venice Beach, by Daniel Miltz...The writer recalls 1970’s Venice Beach, where creatives chased a kind of freedom that didn’t fit inside four walls…

Feature

Boris Yaro, CC BY 4.0, via Wikimedia Commons
“The Bowie Summer” – a personal memory, and how art can fundamentally reshape identity, by G.D. Newton-Wade

Poetry

photo via NOAA
“Taking The Littlenecks” – a prose poem by Robert Alan Felt...Expressing the joy and sorrow of life at age 71 with grace, wisdom, and appreciation.

Short Fiction

photo by Iryna Olar/pexels.com 
“The Fading” – a short story by Noah Wilson...The story – a finalist in the recently concluded 70th Short Fiction Contest – examines the impact of genetic illness on a family of musicians and artists.

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Short Fiction

Davidmitcha, CC BY-SA 3.0 , via Wikimedia Commons
“Blue Monday” – a short story by Ashlee Trahan...The story – a finalist in the recently concluded 70th Short Fiction Contest – is an imagining of a day in the life of the author’s grandfather’s friendship with the legendary Fats Domino.

Poetry

National Archives of Norway, CC BY 4.0 , via Wikimedia Commons
“Wonderful World” – a poem by Dan Thompson

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Jazz History Quiz

photo by Mel Levine/pinelife, CC BY 2.0, via Wikimedia Commons
Jazz History Quiz #186...While he had a long career in jazz, including stints with, among others, Coleman Hawkins, Roy Eldridge, Sonny Stitt and Stan Getz, he will always be remembered primarily as the pianist in Charlie Parker’s classic 1947 quintet. Who is he?

Playlist

“Darn! All These Dreams!” – a playlist by Bob Hecht...In this edition, the jazz aficionado Bob Hecht’s 13-song playlist centers on one tune, the great Jimmy Van Heusen/Eddie DeLange standard, “Darn That Dream,” with the first song being a solo musician recording and each successive version adding an instrument.

Poetry

Wikimedia Commons
“Dorothy Parker, an Icon of the Jazz Age” – a poem by Jane McCarthy

Short Fiction

“The Mysterious Axeman’s Jazz” – a story by Ruth Knafo Setton...Upon returning from the horrors of World War II to post-war New Orleans, a trumpeter learns of a dark secret that reveals how his family fought their own evil, and uses jazz to bury the ghosts of war and reclaim the light through music.

Feature

photo via Wikimedia Commons
Memorable Quotes – Lawrence Ferlinghetti, on a pitiable nation

Short Fiction

photo by Bowen Liu
“Going” – a short story by D.O. Moore...A short-listed entry in the recently concluded 70th Jerry Jazz Musician Short Fiction Contest, “Going” tells of a traumatic flight experience that breaks a woman out of her self-imposed confines and into an acceptance that she has no control of her destiny.

Community

Nominations for the Pushcart Prize L (50)...Announcing the six writers nominated for the Pushcart Prize v. L (50), whose work appeared on the web pages of Jerry Jazz Musician or within print anthologies I edited during 2025.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Playlist

A sampling of jazz recordings by artists nominated for 2026 Grammy Awards – a playlist by Martin Mueller...A playlist of 14 songs by the likes of Samara Joy, Brad Mehldau, Dee Dee Bridgewater, Branford Marsalis, the Yellowjackets and other Grammy Award nominees, assembled by Martin Mueller, the former Dean of the New School of Jazz and Contemporary Music in New York.

Poetry

Ukberri.net/Uribe Kosta eta Erandioko agerkari digitala, CC BY 2.0, via Wikimedia Commons
In Memoriam: “Color Wheels” – a poem (for Jack DeJohnette) by Mary O’Melveny

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Feature

photo of Barry Harris by Mirko Caserta
“With Barry Harris at the 11th Street Bar” – a true jazz story by Henry Blanke...The writer - a lifelong admirer of the pianist Barry Harris - recalls a special experience he had with him in 2015

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Feature

Trading Fours, with Douglas Cole, No. 27: “California Suite”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is dedicated to saxophone players and the mood scenes that instrument creates.

Community

photo of Dwike Mitchell/Willie Ruff via Bandcamp
“Tell a Story: Mitchell and Ruff’s Army Service” – an essay by Dale Davis....The author writes about how Dwike Mitchell and Willie Ruff’s U.S. Army service helped them learn to understand the fusion of different musical influences that tell the story of jazz.

Feature

Albert Ayler’s Spiritual Unity – A Classic of Our Time, and for All Time – an essay by Peter Valente...On the essence of Albert Ayler’s now classic 1964 album…

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Community Bookshelf #5...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March, 2025 – September, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year; New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.