“The Hidden Garden” — a short story by Con Chapman

August 16th, 2022

.

.

“The Hidden Garden,” a story by Con Chapman, was a short-listed entry in our recently concluded 60th Short Fiction Contest, and is published with the consent of the author

.

.

___

.

.

.

The Hidden Garden

by Con Chapman

.

   …..         She was the one who moved out, to a studio apartment on the back side of Beacon Hill that looked north so it only got direct sunlight for half a day during the summer. Rob felt bad about it but it had to be that way.  They argued all the time, and he could afford to pay the rent on the one bedroom with the big great room—that’s what she called it—on the sunny side of the hill and she couldn’t, not by herself.  That apartment looked north, too, but it had windows on two sides at least, so you got some sun in the winter.

   …..           He wondered why she chose to live so close, and flattered himself that she really didn’t want to break up, but still he promised himself that he wouldn’t get back together with her.  Maybe it was the lack of sunlight that makes her so depressed, he thought, and if so moving to the back side of the hill—where the Blacks and the servants to the Boston Brahmins used to live—wasn’t going to help.

   …..             At least she had a view of one of the hidden gardens, the enclosed spaces within city blocks where some grass and flowers could grow.  Maybe that will help her get out of her funk and find somebody else, he thought.  He was sorry they had ever lived together in the first place, it seemed like something calculated on her part the way things had ended up as he looked back on it.

   …..          He had told her he was moving to Boston and asked if she wanted to come live with him and she’d said no, so he’d gone ahead and made arrangements to live with two other students.  Then she had changed her mind—just like her—and what was he supposed to do?

   …..      He told her she could come live in his bedroom, but Hank, the guy whose name was on the lease, eventually put his foot down.  He didn’t even give them the chance to pay half the rent instead of a third–she had to leave.  Hank was like that, a real straight arrow, and he didn’t like having to get dressed before he went down the hall to the bathroom, he said.

   …..          Rob had stewed about it for a week or so, then told Hank he’d move out too, to where she’d gone.  No sweat off my balls, Hank had said, and that day had been just about the happiest he’d ever seen her when he drove through the snow to her new apartment with his car loaded up with his stuff.  She gave him a big hug when he opened the door, it was like a commercial it was so commonplace, she who did everything she could to keep the common out of her life.

   …..       Then he graduated and got a real job, and they could afford her dream apartment; old bricks that looked like old money and class and culture, or at least it appeared that way.  A quaint little neighborhood with a café around the corner where you could get a croissant on Saturday morning and a bookstore down the street.  The bedroom was in the basement but you got sun through the window upstairs and a view of the Common.  History so thick you could hit it with a stick, he thought at the time, but he liked it too.

   …..           The next year they moved up a notch to the place next door, the one she moved out of, which looked out on the alley.  They’d had it with sleeping in the basement, with the pipes hissing and clanging all night; they were both making more money and could afford something better.  It had a Franklin stove—not a real fireplace—but it warmed the place up and she got a cat.  She named it Hodge, after Samuel Johnson’s cat.  The story was that when cat’s meat pies became popular in London people’s cats began to disappear and Johnson would look down at his cat and say “They’ll not have Hodge!”  That went over big with her friends who worked at the public television station.

   …..       They divided up the record albums and he wasn’t sorry to see any of hers go although he liked her harpsichord music.  She, on the other hand, got all sentimental that she wouldn’t be able to listen to his jazz, and actually started to cry.  He put his arm around her and said “I’ll make you some tapes,” and so he had, which he brought over as soon as she was settled in and had furnished the place.

   …..    “It’s mainly piano,” he said.  “Only the best.”

   …..    “Like who?” she asked.

   …..         “A lot of Art Tatum.  He’s the Mt. Everest.  And some Oscar Peterson, he’s the K2.”

   …..       That was a joke that went right past her.  Her public TV friends had trekked the Himalayas on their honeymoon, and you couldn’t get through a dinner party with them without hearing about it.  They wore those stupid Sherpa hats when they got back and would show the slides of the pictures they had taken with their expensive cameras, and the wife was always going on about “her Sherpa.”  One night she got started about how she’d lost her Sherpa at one point going up some rock face, and he’d said “The dingos took your Sherpa.”  They were very literal-minded people, and he’d had to explain the reference to them, which killed the joke.  That kind of stuff was always happening with her friends—they didn’t understand him.

   …..        She thanked him and put the tape on, and they had a little dinner together, ratatouille and a frittata.  She said she’d become a vegetarian now that she wasn’t living with him, and he said he hoped she’d keep her strength up.  She was thin and pale, especially during the winter.  He wanted to break things off but he still cared about her.

   …..       When he got up to leave it was like an interview was over it was so awkward.  Here they’d been living together for almost five years, and now they were just friends.

   …..          “Well, uh, call me if you need anything,” he’d said.

   …..      “I’ll be fine,” she said.

   …..       “This side of the hill isn’t as safe as the sunny side,” he said.

   …..      “Uh, we had two attempted break-ins when we lived on Beacon Street—remember?”

   …..    “Right.”

   …..        “While we were in the apartment.”

   …..        “I know, but still.  The streets are darker back here.  You could get mugged.”

   …..      “Thanks,” she said, and she gingerly put her arms on his shoulders and kissed him.  It was like the first time they’d kissed on New Year’s Eve, six years before; light and chaste, and all the more poignant for that.

   …..           After that they didn’t see each other much.  He had to break the news to the landlord that he wanted out of the lease and the old man, a Catholic from Belgium, reminded him what they had told him when they rented the place.  They’d bought cheap rings at a dime store to make it look like they were married since the agent had told them the guy wouldn’t rent to those who were just living together.  “So—unh, unh, unh, unh?” the landlord had asked as he made the sign of the cross.

   …..    “Right,” he had said then, while she remained silent.

   …..       “So you are getting divorced,” the landlord now said skeptically, shaking his head.

   …..    “Yes,” he said.  “So I want to sublet.”

   …..    “You will remain liable for the seven months left on the lease,” the landlord had said.  “You can advertise—I will not place it with an agent since I have already paid one fee—but I must approve any new tenant you find.”

   …..       It hadn’t taken him long; he found a guy who moved up from New York who wore a sport coat and a club tie with pheasants on it when he came to look the place over.  His wife—a real one—had a little head band and a string of pearls hanging across her sweater.  He didn’t tell them about the two attempted break-ins—one from the hall, then one a guy shining a flashlight into their bedroom in the back—and they took the place.

   …..          Rob would talk to her from time to time and she let him know that she’d bought a bike to go to work at Boston University; that she bought it at a bike shop where the owner was very nice to her—unlike him, was the implication–and how he’d fix it whenever she had a problem with it.

   …..    “You’re wearing a helmet, right?” he asked her one day.

   …..    “No—they make me look like a dork.”

   …..  “What’s your bike man have to say about that?”

   …..       She looked at him squarely, understanding that he was jealous.  “He says he likes to see my hair blowing free.”

   …..     He got the point—the guy was in love with her, and was saying the kind of things to her that he’d said back when things were new between them.  Wait ‘til he spends a winter with you, he thought to himself, but he said nothing.

   …..          “I had him over to dinner the other night,” she said, at first looking at him, then looking down.

   …..      “Why would you tell me that?”

   …..     “I don’t know.  Just making conversation.”

   …..     If your definition of conversation was wanting to get back at somebody, he said to himself.

   …..  “I played the tapes you made me.”

   …..     “Oh.”

   …..    “I mean during dinner.”

   …..     “It’s good table music,” he said.

   …..      “That’s what I thought,” she said.  “He . . . made a crack about it.”

   …..    “What kinda crack?”

   …..      “He said it was cocktail music—something you’d hear in a piano lounge.”

   …..    “If he was serious he’s an idiot.”

   …..     She looked at him for a moment.  “That’s what I told him.”

   …..  “You did?”

   …..    “More or less.  I asked him if he knew who it was and he said no.  So I told him it was Art Tatum, the greatest jazz pianist who ever lived.”

   …..     He looked at her to see if she was serious or making fun of him.  She was smiling just a little, as if embarrassed.

   …..        “Where’d you pick that up?”

   …..      “From you.”

   …..      He took a moment to absorb this.  “Well, uh, thanks for sticking up for my taste.”

   …..         “I meant it,” she said as she lined up her fork and knife at an angle across her plate now that she was done.  “I have some sense of loyalty after spending some pretty important years with you.”

   …..       He looked to see if her cheeks were flushed, the usual sign that she was about to start crying.  They weren’t.

   …..    “Well, they were important years for me, too,” he said.

   …..  “I’m glad you think so,” she said as she got up to take their dishes to the little sink in the corner of the apartment.  “Anyway, good taste in music isn’t the most important thing in a man.”

   …..        He glanced at her sidewise, without turning his head, and noticed she was looking out the window, at the hidden garden outside.
.

.

___

.

.
Con Chapman

Con Chapman is a Boston-area writer, author of Rabbit’s Blues: The Life and Music of Johnny Hodges (Oxford University Press), winner of the 2019 Book of the Year Award by Hot Club de France.  His work has appeared in The Atlantic, The Boston Globe, The Christian Science Monitor and various literary magazines.  His book on jazz of the Southwest, Kansas City Jazz: A Little Evil Will Do You Good, will be published in 2022.

.

.

Listen to Art Tatum play “She’s Funny That Way”.

.

___

.

.

Click here  to read “Thrush” by Owen Duffy, the winning story in the 60th Jerry Jazz Musician  Short Fiction Contest

Click here  to read “His Second Instrument,” by Dave Wakely, the winning story in the 59th Jerry Jazz Musician  Short Fiction Contest

Click here  to read “Sketch in ‘D’ Minor,” a short story by Estelle Phillips

Click here to read “A Collection of Jazz Poetry — Summer, 2022 Edition”

Click here  for information about the upcoming  Jerry Jazz Musician  Short Fiction Contest

.

.

.

 

Share this:

One comments on ““The Hidden Garden” — a short story by Con Chapman”

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Poetry

Andrzej Barabasz, CC BY-SA 4.0, via Wikimedia Commons
21 jazz poems on the 21st of June, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. In this edition…An eclectic mix of poetic styles and subjects display a collective love for the music and culture at the core of this creative community.

The Sunday Poem

The Sunday Poem: “Dizzy in Greece” by George Kalamaras

The Sunday Poem is published weekly, and strives to include the poet reading their work...

George Kalamaras reads his poem at its conclusion.


Click here to read previous editions of The Sunday Poem

Performance

The performance poet Emmett Wheatfall
A Letter from the Editor…On “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”A brief recap and photos of the February 7, 2026 Jerry Jazz Musician-produced performance of “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”

Interview

photo of Billie Holiday by William Gottlieb/Library of Congress
Interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday’s Last Year...The author talks about the courage and resilience of the legendary Lady Day, and his outstanding book – an inspirational and revealing portrait of an iconic American, that, like his subject, exudes compassion and creative soul.

Feature

Book Excerpt from Crossing Bar Lines: The Politics and Practices of Black Musical Space, by James Gordon Williams...In this entire chapter from his book, the author explains how the trumpeter Ambrose Akinmusire expresses his political views and lived geography through his improvisational music, notably his critique of police brutality that has, as he states, “become a leitmotif throughout my albums.”

Poetry

Yves Moch, CC BY-SA 3.0, via Wikimedia Commons
“Remembering Sonny Rollins” – a collection of poetry...Over the years, many poems have been published on Jerry Jazz Musician that were written in reverence of the man we refer to simply as “Sonny.” In the wake of his death, many more have been written. The unsolicited poems making up this collection is an example.

Short Fiction

Photo by Johannes Schröter, via Pexels
Short Fiction Contest-winning story #71 – “Where the Music Wasn’t Allowed,” by Jane McCarthy....The award-winning story is about a young immigrant growing up in Southern California to the sound of music seeping into his family’s home from an upstairs neighbor’s piano, shaping the boy’s understanding of memory, family, belonging, and the improvisational ethics of music.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Short Fiction

“The Cartographer” – a short story by Timothy Collyer...The story – a finalist in the recently concluded 71st Short Fiction Contest – is a work of speculative fiction about the gentrification of memory. It follows a recovering alcoholic who is building a guerrilla augmented-reality map of Philadelphia’s lost jazz history—specifically the “Blue Note” era of the 1960s—while battling a corporate developer who wants to sanitize the data for tourists.

Feature

Memorable Quotes: Abraham Lincoln..."I like to see a man proud of the place in which he lives..."

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Poetry

Six poets write eight poems (in the midst of our times)...Poets within this community of writers are feeling this moment in time, and writing about it. This collection is another example.

Short Fiction

collage by Judith Beth Cohen
“The Eating Club” – a short story by Judith Beth Cohen...The story – a short-listed entry in the recently concluded 71st Short Fiction Contest – centers on an affair two writers share around gourmet meals.

Poetry

Peter Buitelaar, CC BY 2.0 , via Wikimedia Commons
Two Poems for Miles Davis

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Short Fiction

“Where even music breaks down” – a short story by Gary Bolick...In this story – a short-listed entry in our recently concluded 71st Short Fiction Contest – a young man who was “given away” by his father to be raised and nurtured by his uncle opens a box left to him after the death of his uncle. In it he finds letters and a tape of astounding music his father made, offering the son a glimpse at the loneliness and alienation his father endured.

Jazz History Quiz

Besides being one of the first to be influenced by Charlie Christian (pictured), in 1944 this electric guitarist employed Charlie Parker on his first recording date and eventually led an R&B-oriented group “The Rockin’ Highlanders” that featured the saxophonist Red Prysock. Who is he?

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.