Poems by Alan Yount and Arlan Yount

September 16th, 2021

.

.

 

photo from PxHere

photo via PxHere

.

.

___

.

.

 

 

You Almost Did Not: Come Back

…………….For The Memory Of Miles Davis Playing Trumpet 
Around St. Louis, Early On

.

a strange caribbean woman
………….kneeled down
very close to me,
………….in my hospital recovery bed.

she seemed very animated
………….also even sensory
she gradually came closer
………….as she put her face next to mine.

was she possessed
………….she was shaking
as if on
………….a séance.

“I have heard,”
………….she said
“and have seen …”
………….“you came back,”
“for sure …”
………….“I can feel it so … real.”

“this is something,”
………….“I know.”

.

*****

.

she said
………….“the rumor has it,”
“that you,”
………….“came back to life,”
“for some reason.”

she said with emphasis
………….“that you came back,”
“from the dead.”

I said
………….“I believe,”
“that has been said,”
………….“a couple of times before.”

.

*****

.

she said, quite emphatically
………….and again forcefully
“you should do something,”
………….“to change your life.”

“you go,”
………….“make a difference,”
“upon,”
………….“your return.”

.

*****

.

“you owe,”
………….“all of us,”
“this one thing,”
………….“from you.”

she said, for example
………….“find a trumpet song,”
“to play out”
………….“from your soul.”

“that is just your own trumpet,”
………….“sounding out,”
“above the heights of the city’s rooftops,”
………….“from the city,”
“from all of us in st. louis,”
………….“ we all know so well.”

.

by Alan Yount

.

.

___

.

.

 

 

A Tool Of Reconstruction

See my son
The fortune of bliss
Capturer of light
Alone and dismissed

My structure of being
A heart rupture – equip
A new mode of understanding
Alone and dismissed

Symphony and orchestra
My band’s melodic attempt
Salvation please save me
Act on a whim

Capture his essence
Capture his light
Don’t you dismiss me – because of the fright you put in the night
Now pick up and play the trumpet, if it is alright

.

by Arlan Yount

 

 

.

 

Editor’s Note:

In addition to being a published poet of note for over 50 years, Alan Yount plays trumpet and has led his own dance band.  During the summer of 2021, he had an aortic tear and other health complications that required emergency open heart surgery.  During the experience he had a dream of Miles Davis.

Shortly after receiving Alan Yount’s poem, I received a poem from his son Arlan, who is not a poet but was moved to write “A Tool Of Reconstruction” after his father’s health crisis.  He hopes the poem will help inspire his father to continue playing his trumpet. 

.

.

___

.

.

 

 

 

 

Alan Yount has published poetry for over 50 years. His poems have appeared in WestWard Quarterly (featured poet for summer, 2018). Big Scream, Spring: the Journal of the E.E. Cummings Society, and Waterways. He has been in three anthologies: Passionate Hearts, Sunflowers.and Locomotives: Songs for Allen Ginsburg. Alan was one of 31 poets, along with Gary Snyder and Lawrence Ferlinghetti. Also Chrysalis Reader. Alan plays trumpet and has led his own dance band.

.

.

___

.

.

Arlan Yount has a degree in psychology and is currently furthering his education. Writing poetry and short stories illuminates his time as a leisurely passion while also focusing on the fitness, health and psychological well-being of himself and others as a behavioral-fitness coach. He currently resides in Columbia Missouri and be reached at [email protected] or on Instagram at arlanyount

.

.

Listen to the 1951 recording of the Miles Davis composition “Out of the Blue,” featuring Miles Davis (trumpet), Jackie McLean (alto sax), Sonny Rollins (tenor sax), Walter Bishop, Jr. (piano), Tommy Potter (bass), and Art Blakey (drums)

.

.

.

Click here to learn how to submit your poetry

.
.
.

Share this:

6 comments on “Poems by Alan Yount and Arlan Yount”

  1. Arlan: I am astonished you wrote this poem, and submitted it
    with out me knowing. What a thrill to see our two poems together.
    I like the force in your lines, “Capture his essence,” “Capture his light,”
    And the ending about still being able to play the trumpet.
    Just so much thanks, son. For real. I played trumpet today,
    after three month of recovery of not playing it!!!!!!!!! So much Love, Your Dad.

    1. Reading your comment, Alan, is the best thing that has happened to me in a week (maybe even longer). So proud to share your and Arlan’s poetry with readers, and to read of its meaning to you. Glad you are playing trumpet again! Joe

  2. The Father/Son connection in these poems was beautiful to read. Great love and understanding in these.

  3. It has been a while now since Alan’s passing. I am missing his correspondence with me. I am missing the occasional email telling me of a new poem published here. I come here from time to time to read his poetry again, and to listen to the recording of his and Arlan’s reading of their poetry. I see the Dave Sanborn record album, with Dave’s signature, framed and hanging above my front door when I come and go as I carry on with my life; Alan left it to me in his Will. Alan is gone, he is missed. His widow Jerra misses him, I am sure the holidays have been sad for her and the family. Why is it that the bad guys continue to thrive when so many of the good guys leave us too soon? We’ll never know the answer to that, but I keep asking myself over and over to no avail. Rest easy Alan, your music remains in the memory of many of us and your poetry lives on through our reading of it, so generously shared by Joe here on this great site. Wishing for all of Alan’s fans and friends a happy, healthy New Year! Thank you to JJM fans for reading and for your comments, and so much appreciation to you Joe for so much.

    1. Alan was a special poet, and a warm and caring person. Thanks for posting this wonderful tribute to him, Leslie.

      Joe Maita

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Poetry

Andrzej Barabasz, CC BY-SA 4.0, via Wikimedia Commons
21 jazz poems on the 21st of June, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. In this edition…An eclectic mix of poetic styles and subjects display a collective love for the music and culture at the core of this creative community.

The Sunday Poem

The Sunday Poem: “Refreshing My Education” by Mike Mignano

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Mike Mignano reads his poem at its conclusion.


Click here to read previous editions of The Sunday Poem

Performance

The performance poet Emmett Wheatfall
A Letter from the Editor…On “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”A brief recap and photos of the February 7, 2026 Jerry Jazz Musician-produced performance of “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”

Interview

photo of Billie Holiday by William Gottlieb/Library of Congress
Interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday’s Last Year...The author talks about the courage and resilience of the legendary Lady Day, and his outstanding book – an inspirational and revealing portrait of an iconic American, that, like his subject, exudes compassion and creative soul.

Feature

Book Excerpt from Crossing Bar Lines: The Politics and Practices of Black Musical Space, by James Gordon Williams...In this entire chapter from his book, the author explains how the trumpeter Ambrose Akinmusire expresses his political views and lived geography through his improvisational music, notably his critique of police brutality that has, as he states, “become a leitmotif throughout my albums.”

Poetry

Yves Moch, CC BY-SA 3.0, via Wikimedia Commons
“Remembering Sonny Rollins” – a collection of poetry...Over the years, many poems have been published on Jerry Jazz Musician that were written in reverence of the man we refer to simply as “Sonny.” In the wake of his death, many more have been written. The unsolicited poems making up this collection is an example.

Short Fiction

Photo by Johannes Schröter, via Pexels
Short Fiction Contest-winning story #71 – “Where the Music Wasn’t Allowed,” by Jane McCarthy....The award-winning story is about a young immigrant growing up in Southern California to the sound of music seeping into his family’s home from an upstairs neighbor’s piano, shaping the boy’s understanding of memory, family, belonging, and the improvisational ethics of music.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Short Fiction

“The Cartographer” – a short story by Timothy Collyer...The story – a finalist in the recently concluded 71st Short Fiction Contest – is a work of speculative fiction about the gentrification of memory. It follows a recovering alcoholic who is building a guerrilla augmented-reality map of Philadelphia’s lost jazz history—specifically the “Blue Note” era of the 1960s—while battling a corporate developer who wants to sanitize the data for tourists.

Feature

Memorable Quotes: Abraham Lincoln..."I like to see a man proud of the place in which he lives..."

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Poetry

Six poets write eight poems (in the midst of our times)...Poets within this community of writers are feeling this moment in time, and writing about it. This collection is another example.

Short Fiction

collage by Judith Beth Cohen
“The Eating Club” – a short story by Judith Beth Cohen...The story – a short-listed entry in the recently concluded 71st Short Fiction Contest – centers on an affair two writers share around gourmet meals.

Poetry

Peter Buitelaar, CC BY 2.0 , via Wikimedia Commons
Two Poems for Miles Davis

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Short Fiction

kaboompics.com/via Pexels
“The title is not included in the word count…” – a short story by Scott Cash...In this story – a finalist in the 71st Short Fiction Contest – self-ordained genius Kevin feels that life has been against him. But he thinks he has discovered a loophole and can exceed the 3,000 word limit for a writing contest by utilizing the title. When this is thwarted, he instead lands upon footnotes as a way to exceed the limit. This story is a celebration of writers and the act of writing.

Jazz History Quiz

Besides being one of the first to be influenced by Charlie Christian (pictured), in 1944 this electric guitarist employed Charlie Parker on his first recording date and eventually led an R&B-oriented group “The Rockin’ Highlanders” that featured the saxophonist Red Prysock. Who is he?

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.