“Whites Only?” — a poem by Namaya

October 20th, 2020

.

.

.

.

Whites Only?

No Dizzy Gillespie, Count Basie, Duke Ellington, King Oliver, Satch Mo’ and his velvety horn, No royalty of Jazz! No A Train taking us uptown, no Langston Hughes, or Zora Neale Hurston. No Chuck Berry and rock and roll, Michael Jackson moonwalking, Alvin Aileys, Ralph Ellison or Invisible Man. No Ella Fitzgerald and her Tisket a Tasket.

White out their genius from this land?

No Maya Angelou, Martin Luther King, Crispus Attitcus, James Baldwin, Jackie Wilson, Mohammed Ali -float like a butterfly sting like a bee. No Harlem Nightclubs. No Chick Webb or Cotton Club and certainly No Cab Calloway White out their names, their voices.

White out their place in America?

No southern scenes, rural plantations, or sitting on the front porch sipping mint juleps. They would have to get off the porch and pick cotton in the fields.  No civil war, civil rights, Pullman car porter strike, Paul Robeson, WEB DuBois, Dread Scott decisions, Underground Railroad, or Sojourner Truth. No righteous woman demanding to know, “Aren’t I a woman?” No delta Mississippi Robert Johnson blues or the slave ports of Charleston, Savannah, New Orleans, and the dozens more. No rum trade and northern fortunes; cotton empires of the south: No burning crosses.

White out their names from the American scene?

No Strange Fruit. No Caribbean plantations. No march on Washington and no one demanding freedom. No Rosa Parks, Watts riots, Black Panthers, Marcus Garvey, voter registration, thirteenth and fourteenth amendment, no Gettysburg address, and no soul on ice.

………White out their names, their voices, and faces from the American scene.

 White out the soul of America?

No Kansas City. No Harlem Renaissance, Beale street, or Kansas City or Motown Sound,  No Muddy Waters, Fats Domino, and deep river blues, hip hop, be-bop, r and b, rap, Billie Holiday, finger pop, funk beat, and 12 bar blues.   No Etta James, rag-time, soul train, do-op, swing time, none of that jazz; in fact, no jazz at all.  No BB King or blues. No cool sounds, hot notes, nor sound of the chain gangs.

White out their sounds?

No George Gershwin, and certainly no Porgy and Bess. No Elvis pelvis gyrations. No Buddy Holly, Beatles, Rolling Stones, Who, Led Zeppelin, or Eric Clapton smooth white boy blues. No Little Richard or Sam and Dave, Isley Brothers, and certainly no Mr. Please, please… Mr. James Brown

No summer of love and the Woodstock festival and the psychedelic sixties would be grooving to the sounds of the Virginia reel and the music of Francis Scott Key. Oh, say can you see!

White out their names, voices, and face from the American scene?

Whites only?

.

.

___

.

.

Namaya is an internationally reknowned Jazz poet, storyteller, humorist and sublime improvisational artist. He has performed throughout the US and has toured in Europe, New Zealand, Japan, Asia, the Americas and Palmyra Syria.

Both as a solo artist, with his band the Jazz Beat Blues Poetry Ensemble, and with jazz musicians around the world, Namaya performs an astonishing blend of jazz word, story and improvisation.

Visit his website by clicking here

.

___

.

 

 

Listen to Namaya read a version of this poem by clicking here

.

.

.

 

 

 

 

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Editor’s Notes

“Where I’ve Been” – a brief update... A trip through Alaska, Yukon, Alberta, and British Columbia…

Poetry

photo of Sidney Bechet by William Gottlieb
21 jazz poems on the 21st of July, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician.

The Sunday Poem

Michael Mees, “Jazz Lives on Fillmore”/CC BY-ND 2.0/via Flicker

The Sunday Poem: “Conversations (What Jazz Is),” by David Nemerov

The Sunday Poem is published weekly, and strives to include the poet reading their work...

David Nemerov reads his poem at its conclusion.


Click here to read previous editions of The Sunday Poem

Performance

The performance poet Emmett Wheatfall
A Letter from the Editor…On “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”A brief recap and photos of the February 7, 2026 Jerry Jazz Musician-produced performance of “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”

Short Fiction

photo by Daniel's Richard/via Pexels.com
Short Fiction Contest-winning story #72 – “La Fontaine,” by Ashlee Trahan...A broken familial relationship in post-WWII France finds a semblance of closure in a crumbling countryside estate.

Poetry

photo by Caleb Minear/via Pexels
“Summer Song” – a poem by Mary K O’Melveny

Community

photo by Rhonda R. Dorsett
In Memoriam: Michael L. Newell, 1945 – 2026...News regarding the passing of the poet Michael L. Newell, whose work has been published on Jerry Jazz Musician since 2015.

Poetry

“Dreaming in a Spacecraft” – A prose poem inspired by the voyage of Artemis II, by Robert Alan Felt...

Interview

photo of Billie Holiday by William Gottlieb/Library of Congress
Interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday’s Last Year...The author talks about the courage and resilience of the legendary Lady Day, and his outstanding book – an inspirational and revealing portrait of an iconic American, that, like his subject, exudes compassion and creative soul.

Feature

“My Favorite Things” – a true jazz story by Uri Marc Nusinow...Discovering a classic (and life changing) jazz recording…

Poetry

photo by Nathan J. Hilton/via Pexels
“Pax Vobiscum” – a poem by Michael L. Newell

Feature

Book Excerpt from Crossing Bar Lines: The Politics and Practices of Black Musical Space, by James Gordon Williams...In this entire chapter from his book, the author explains how the trumpeter Ambrose Akinmusire expresses his political views and lived geography through his improvisational music, notably his critique of police brutality that has, as he states, “become a leitmotif throughout my albums.”

Poetry

Yves Moch, CC BY-SA 3.0, via Wikimedia Commons
“Remembering Sonny Rollins” – a collection of poetry...Over the years, many poems have been published on Jerry Jazz Musician that were written in reverence of the man we refer to simply as “Sonny.” In the wake of his death, many more have been written. The unsolicited poems making up this collection is an example.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Short Fiction

“The Cartographer” – a short story by Timothy Collyer...The story – a finalist in the recently concluded 71st Short Fiction Contest – is a work of speculative fiction about the gentrification of memory. It follows a recovering alcoholic who is building a guerrilla augmented-reality map of Philadelphia’s lost jazz history—specifically the “Blue Note” era of the 1960s—while battling a corporate developer who wants to sanitize the data for tourists.

Feature

Allen Ginsberg in 1979; photo by Michiel Hendryckx, CC BY-SA 3.0, via Wikimedia Commons
Memorable Quotes: Allen Ginsberg

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Poetry

photo via pxhere.com
“Midnight Blue” – a poem by Connie Johnson

Short Fiction

collage by Judith Beth Cohen
“The Eating Club” – a short story by Judith Beth Cohen...The story – a short-listed entry in the recently concluded 71st Short Fiction Contest – centers on an affair two writers share around gourmet meals.

Poetry

Peter Buitelaar, CC BY 2.0 , via Wikimedia Commons
Two Poems for Miles Davis

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Short Fiction

kaboompics.com/via Pexels
“The title is not included in the word count…” – a short story by Scott Cash...In this story – a finalist in the 71st Short Fiction Contest – self-ordained genius Kevin feels that life has been against him. But he thinks he has discovered a loophole and can exceed the 3,000 word limit for a writing contest by utilizing the title. When this is thwarted, he instead lands upon footnotes as a way to exceed the limit. This story is a celebration of writers and the act of writing.

Jazz History Quiz

Besides being one of the first to be influenced by Charlie Christian (pictured), in 1944 this electric guitarist employed Charlie Parker on his first recording date and eventually led an R&B-oriented group “The Rockin’ Highlanders” that featured the saxophonist Red Prysock. Who is he?

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.