In a 2019 Jerry Jazz Musician interview, Jeffrey Stewart, author of The New Negro: The Life of Alain Locke and winner of the 2018 National Book Award for Non-Fiction, talks about Locke, the man now known as the father of the Harlem Renaissance.
January 7 marked the 125th birthday of Zora Neale Hurston, a towering literary figure of the Harlem Renaissance whose best known published book is Their Eyes Were Watching God, a 1937 work that Time Magazine lists among the 100 best English-language novels published since 1923. Controversial at one time due to the strength of the black female protagonist’s character (resulting in the book actually being out of print for nearly thirty years), it is now considered essential reading in the study of African-American letters.
In addition to her work as a novelist, Hurston was a folklorist who studied the African-American culture of the rural South. During my 2002 interview with Carla Kaplan, author of Zora Neale Hurston: A Life in Letters, she describes Hurston as a
If Benny Goodman was the “King of Swing,” then Fletcher Henderson was the power behind the throne. Not only did Henderson arrange the music that powered Goodman’s meteoric rise, he also helped launch the careers of Louis Armstrong and Coleman Hawkins, among others. In Fletcher Henderson and Big Band Jazz: The Uncrowned King of Swing, Jeffrey Magee offers a fascinating account of this pivotal bandleader, throwing new light on the emergence of modern jazz and the world that created it.