“Sittin’ In: Jazz Clubs of the 1940s and 1950s” Vol. 5 — Harlem nightspots Connie’s Inn and Smalls’ Paradise

January 23rd, 2022

 

.

.

.

…..Jeff Gold’s book Sittin’ In: Jazz Clubs of the 1940s and 1950s is a visual history of many of the country’s most influential night clubs and ballrooms during jazz music’s golden era.

…..The book is centered around a collection of memorabilia Mr. Gold discovered, and features photographs of club patrons taken by in-house photographers, as well as postcards, handbills, menus, matchbooks, and posters.

…..In cooperation with Mr. Gold, Jerry Jazz Musician will occasionally publish a noteworthy excerpt from the book.   In this edition, Gold writes about two  Harlem jazz clubs – Connie’s Inn and Smalls’ Paradise – and shares photographs and memorabilia from his collection.

.

(Editors note:  Readers should keep in mind the context and complexity of the era in which these clubs existed)

.

.

___

.

.

 

Connie’s Inn

2221 Seventh Avenue at 131st Street

.

.

 

 

Fats Waller

Fats Waller, who performed at Connie’s Inn and once worked for the Immerman’s deli, date unknown

.

.

 

…..

….Connie’s Inn was opened in 1923 by Latvian immigrant brothers Connie, George, and Louie Immerman, bootleggers and owners of a Harlem delicatessen (a nineteen-year-old Fats Waller had handled their deliveries).  From the mid-1920s to 1930s, the basement club billed itself as “Harlem’s Largest” and was one of the area’s “big three” clubs, along with Smalls’ Paradise and the Cotton Club.

….Connie’s floor shows featured African American performers, but the club welcomed Black and white people alike.  During 1929, the club’s peak year, Louis Armstrong performed as part of Carroll Dickerson’s Chicago orchestra, and that year’s floor show, Fats Waller and Andy Razaf’s Hot Chocolates (feature “Ain’t Misbehavin’”), was such a success it moved to Broadway’s Hudson Theatre.

….A period followed with Fletcher Henderson and His Connie’s Inn Orchestra, featuring Coleman Hawkins and Rex Stewart, and then bands led by Luis Russell and Don Redman.  In 1933, with Harlem’s nightlife rush ebbing, the Immermans moved the club to a short-lived midtown location, presenting the revue Stars over Broadway, starring Billie Holiday (and when she became ill, temporary replacement Bessie Smith).  But the repeal of Prohibition and the Depression hurt business, and soon Connie’s was forced to close.

.

.

Connie's Inn menu

 

This Prohibition Era-menu from Connie’s Inn offered non-alcoholic drinks only.  Date unknown

.

.

___

.

.

Smalls’ Paradise

2294 1/2 Seventh Avenue near 135th Street

.

.

Smalls' Paradise

Patrons at Smalls’ Paradise, 1940s

.

.

…..Smalls’ Paradise, which billed itself as the “Hottest Spot in Harlem,” opened in the basement of an office building on October 26, 1925, quickly becoming one of Harlem’s most popular integrated nightclubs.  Pianist Charlie Johnson’s group was the main attraction.  In the ten years it was the house band, it featured at various times saxophonist Benny Carter and trumpeters Jabbo Smith and Sidney de Paris.

…..During the 1920s, the integrated club – also the longest-operating nightclub in Harlem – was the only major nightspot in the area owned by an African American, Ed Smalls.

…..The club, renowned for its top entertainment and elaborate floor shows, stayed open all night.  While most clubs closed at two, three, or four A.M., Smalls’ offered a six o’clock breakfast dance and floor show.  There was no cover charge, although prices for food and liquor were steep.  Customers could bring in their own flasks or buy bootleg drinks from the club’s dancing waiters, who did the Charleston – sometimes on roller skates – as they toted large, heavy trays.  After finishing their own shows at other clubs, musicians including future bandleaders Tommy Dorsey and Glenn Miller often dropped by Smalls’ to jam with the house band.  In the early 1930s, a teenage Billie Holiday had her first audition at the club.  When asked what key she wanted to sing in, Holiday answered, “’I don’t know, man, you just play.’ They shooed me out of there so fast it wasn’t even funny.”

…..The club became popular with celebrities, including actors Tallulah Bankhead and George Raft, boxing champion Joe Louis, and columnist Walter Winchell.  Malcolm Little, who later became known as Malcolm X, worked at the club as a waiter in the early 1940s.  In 1951, at a party sponsored by Albert Einstein, Paul Robeson, and others, civil rights activist W.E.B. DuBois celebrated his eighty-third birthday there.

…..In 1955, Ed Smalls sold the club to disc jockey Tommy “Dr. Jive” Smalls (no relation), who in turn sold it to basketball star Wilt Chamberlain in 1961.  Chamberlain renamed the club Big Wilt-Smalls’ Paradise and changed the music from jazz to more commercial rhythm and blues.  Smalls’ eventually became a disco club, finally closing in 1986.

.

.
Smalls ParadiseSmalls’ postcard, 1940s.  Ed Smalls is pictured at top right

.

 

Smalls Paradise

The Progressive Social Club at Smalls’, late 1940s

.

.

___

.

.

Click here to read Vol 1, on the Savoy Ballroom

Click here to read Vol 2, on Birdland

Click here to read Vol 3, on Club Ubangi

Click here to read Vol 4, Four Harlem Nightspots

Click here to read Vol 5, on Connie’s Inn and Smalls’ Paradise

.

Click here to read our interview with Jeff Gold

.

.

___

.

.

photo courtesy Jeff Gold

Jeff Gold is a Grammy Award-winning music historian, archivist, author, and executive.  Profiled by Rolling Stone as one of five “top collectors of high-end music memorabilia,” he is an internationally recognized expert who has consulted for the Rock & Roll Hall of Fame, Museum of Pop Culture, and various record labels and cultural institutions.  He has also appeared as a music memorabilia expert on PBS’s History Detectives and VH1’s Rock Collectors.  His other books include 101 Essential Rock Records: The Golden Age of Vinyl from the Beatles to the Sex Pistols and Total Chaos: The Story of the Stooges/As Told by Iggy Pop.  He own the music memorabilia website Recordmecca.com and writes about topics of interest to collectors on its blog. 

Follow Jeff on Twitter at @recordmecca or on Instagram at @recordmecca.

 

.

.

___

.

.

 

All text and images — unless otherwise noted — © Jeff Gold.  Excerpted from Sittin’ In:  Jazz Clubs of the 1940s and 1950s (Harper Design).  Published by permission of Jeff Gold.

.

.

.

 

 

 

 

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

In This Issue

painting of Clifford Brown by Paul Lovering
A Collection of Jazz Poetry — Spring/Summer, 2024 Edition...In this, the 17th major collection of jazz poetry published on Jerry Jazz Musician, 50 poets from all over the world again demonstrate the ongoing influence the music and its associated culture has on their creative lives.

(featuring the art of Paul Lovering)

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

The Sunday Poem

photo via NegativeSpace
“Why I Play Guitar” by C.J. Trotter...

Click here to read previous editions of The Sunday Poem

Feature

What we discover about Kamala Harris from an armful of record albums...Like her or not, readers of this site will enjoy learning that Vice President Kamala Harris is a fan of jazz music. Witness this recent clip (via Youtube) of her emerging from a record shop…

Poetry

“Revival” © Kent Ambler.
If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music...While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.” (with art by Kent Ambler)

Interview

The Marvelettes/via Wikimedia Commons
Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives and challenges many of the young Black women who made up the Girl Groups of the ‘60’s faced while performing during an era rife with racism, sexism, and music industry corruption. The authors discuss their book’s mission to provide the artists an opportunity to voice their experiences so crucial to the evolution of popular music.

In Memoriam

photo via Wikimedia Commons
A few words about Willie Mays...Thoughts about the impact Willie Mays had on baseball, and on my life.

Poetry

photo of Earl Hines by William Gottlieb/Library of Congress
Pianists and Poets – 13 poems devoted to the keys...From “Fatha” Hines to Brad Mehldau, poets open themselves up to their experiences with and reverence for great jazz pianists

Art

photo of Archie Shepp by Giovanni Piesco
The Photographs of Giovanni Piesco: Archie Shepp...photos of the legendary saxophonist (and his rhythm section for the evening), taken at Amsterdam's Bimhuis on May 13, 2001.

Feature

photo by William Gottlieb/Library of Congress
“Adrian Rollini Lives” – an appreciation, by Malcolm McCollum...Stating the creative genius of the multi-instrumentalist who played with the likes of Bix Beiderbecke, Benny Goodman, Red Nichols, Miff Mole, and Joe Venuti

Short Fiction

pickpik.com
Short Fiction Contest-winning story #65 — “Ballad” by Lúcia Leão...The author’s award-winning story is about the power of connections – between father and child, music and art, and the past, present and future.

Click here to read more short fiction published on Jerry Jazz Musician

Interview

photo of Louis Jordan by William Gottlieb/Library of Congress
Interview with Tad Richards, author of Jazz With a Beat: Small Group Swing, 1940 – 1960...Richards makes the case that small group swing players like Illinois Jacquet, Louis Jordan (pictured) and Big Jay McNeely played a legitimate jazz that was a more pleasing listening experience to the Black community than the bebop of Parker, Dizzy, and Monk. It is a fascinating era, filled with major figures and events, and centered on a rigorous debate that continues to this day – is small group swing “real jazz?”

Playlist

photo of Coleman Hawkins by William Gottlieb/Library of Congress
“The Naked Jazz Musician” – A playlist by Bob Hecht...As Sonny Rollins has said, “Jazz is about taking risks, pushing boundaries, and challenging the status quo.” Could there be anything riskier—or more boundary-pushing—than to stand naked and perform with nowhere to hide? Bob’s extensive playlist is comprised of such perilous undertakings by an array of notable woodwind and brass masters who have had the confidence and courage (some might say even the exhibitionism) to expose themselves so completely by playing….alone.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 3: “Louis Armstrong”...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this third edition featuring excerpts from his book, Rife writes about four novels/short fiction that include stories involving Louis Armstrong.

Trading Fours with Douglas Cole

The cover of Wayne Shorter's 2018 Blue Note album "Emanon"
Trading Fours, with Douglas Cole, No. 20: “Notes on Genius...This edition of the writer’s poetic interpretations of jazz recordings and film is written in response to the music of Wayne Shorter.

Click here to read previous editions of Trading Fours with Douglas Cole

In Memoriam

Hans Bernhard (Schnobby), CC BY-SA 3.0, via Wikimedia Commons
“Remembering Joe Pass: Versatile Jazz Guitar Virtuoso” – by Kenneth Parsons...On the 30th anniversary of the guitarist Joe Pass’ death, Kenneth Parsons reminds readers of his brilliant career

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Jazz History Quiz #173

photo of Louis Armstrong by William Gottlieb/Library of Congress
Described as a “Louis Armstrong sound-alike on both trumpet and vocals” whose recording of “On the Sunny Side of the Street” was so close to Armstrong’s live show that some listeners thought Armstrong was copying him, this trumpeter (along with Bobby Stark), was Chick Webb’s main trumpet soloist during the 1930’s. Who is he?

Community

photo via Picryl.com
.“Community Bookshelf, #2"...a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books. This edition includes information about books published within the last six months or so…

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America; an interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool; A new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.

Site Archive