A found photograph of Jimmie Lunceford

June 11th, 2021

.

.

Jimmie Lunceford, c. late 1930s (photographer unknown)

.

___

.

 

….During a recent spring-cleaning project that involved rummaging through boxes that have been stored in my attic for longer than I care to admit, I came across a box of memorabilia belonging to my father that has been in my possession since my mother’s passing nine years ago.

….My father Joe was a distinguished musician who, before becoming a full-time restauranteur in the late 1950s, led his own big band as a young man in Sacramento, played in the Winged Victory orchestra during World War II, with Merv Griffin at KFRC radio in San Francisco, and with the likes of Jack Fina, Bill Holman, and Ernie Heckscher.  I grew up hearing about his meaningful friendships with Joe Bushkin, Roy Eldridge, Henry Mancini, Les Brown, Billy May and David Rose, and witnessed him playing with, among others, Freddy Martin and Nat King Cole.

…..Toward the end of his life, my father wrote a few stories about his experiences as a musician, all typewritten and neatly assembled in a three-ring binder, and discovered in a box marked “Joe Memories.”  (As a Father’s Day “gift” to him, I will soon be publishing one of his stories).  In addition to this binder, I found several photographs of my dad taken during his time as a musician, including this one I’d never seen before of the great bandleader Jimmie Lunceford, who my father enjoyed listening to and would occasionally talk about.  There is no date associated with this photo of Lunceford famously wielding his conducting baton, but it is likely taken in Sacramento, where my father grew up and lived for a time, in the late 1930s.  (My father is in the photo, left arm resting on his knee, to Lunceford’s left).

…..It is possible this photograph was taken in Sacramento’s Rainbow Gardens which, according to my dad, booked all the famous bands of the time.   (Benny Goodman performed there on July 16, 1937).

…..Beyond the obvious personal connection I feel to the photo, it is interesting on other levels, particularly as a snapshot of social (and likely segregated) life in Sacramento.  The photo also inspired me to revisit Lunceford’s biography and particularly the circumstances of his death in 1947 in Seaside, Oregon.  Although most accounts dispute this, theories abound that he was poisoned by a racist restaurant owner.  In 2017, Seaside Signal editor RJ Marx recounts the circumstances of Lunceford’s death and shares some of the thinking behind the poisoning allegation.  You can read it by clicking here.

.

___

.

.

One of Lunceford’s great recordings from 1937 is Don Raye, Vic Schoen and Sy Oliver’s “For Dancers Only,” which features his noted saxophone section led by alto player Willie Smith.

.

.

 

Click here to be view Lunceford’s Wikipedia page

.

.

.

 

Share this:

One comments on “A found photograph of Jimmie Lunceford”

  1. The Lunceford band was in Sacramento in the late Fall of 1937, and not again until the Summer of 1940. However this photograph looks like it was taken in the period July 29th – August 1, 1941 at Sweet’s Ballroom, in Sacramento. I will consult my records and provide the exact date shortly. A great pohoto! Thanks, Arthur Farrar, Lunceford historian.

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Poetry

Andrzej Barabasz, CC BY-SA 4.0, via Wikimedia Commons
21 jazz poems on the 21st of June, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. In this edition…An eclectic mix of poetic styles and subjects display a collective love for the music and culture at the core of this creative community.

The Sunday Poem

The Sunday Poem: “Dizzy in Greece” by George Kalamaras

The Sunday Poem is published weekly, and strives to include the poet reading their work...

George Kalamaras reads his poem at its conclusion.


Click here to read previous editions of The Sunday Poem

Performance

The performance poet Emmett Wheatfall
A Letter from the Editor…On “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”A brief recap and photos of the February 7, 2026 Jerry Jazz Musician-produced performance of “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”

Interview

photo of Billie Holiday by William Gottlieb/Library of Congress
Interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday’s Last Year...The author talks about the courage and resilience of the legendary Lady Day, and his outstanding book – an inspirational and revealing portrait of an iconic American, that, like his subject, exudes compassion and creative soul.

Feature

Book Excerpt from Crossing Bar Lines: The Politics and Practices of Black Musical Space, by James Gordon Williams...In this entire chapter from his book, the author explains how the trumpeter Ambrose Akinmusire expresses his political views and lived geography through his improvisational music, notably his critique of police brutality that has, as he states, “become a leitmotif throughout my albums.”

Poetry

Yves Moch, CC BY-SA 3.0, via Wikimedia Commons
“Remembering Sonny Rollins” – a collection of poetry...Over the years, many poems have been published on Jerry Jazz Musician that were written in reverence of the man we refer to simply as “Sonny.” In the wake of his death, many more have been written. The unsolicited poems making up this collection is an example.

Short Fiction

Photo by Johannes Schröter, via Pexels
Short Fiction Contest-winning story #71 – “Where the Music Wasn’t Allowed,” by Jane McCarthy....The award-winning story is about a young immigrant growing up in Southern California to the sound of music seeping into his family’s home from an upstairs neighbor’s piano, shaping the boy’s understanding of memory, family, belonging, and the improvisational ethics of music.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Short Fiction

“The Cartographer” – a short story by Timothy Collyer...The story – a finalist in the recently concluded 71st Short Fiction Contest – is a work of speculative fiction about the gentrification of memory. It follows a recovering alcoholic who is building a guerrilla augmented-reality map of Philadelphia’s lost jazz history—specifically the “Blue Note” era of the 1960s—while battling a corporate developer who wants to sanitize the data for tourists.

Feature

Memorable Quotes: Abraham Lincoln..."I like to see a man proud of the place in which he lives..."

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Poetry

Six poets write eight poems (in the midst of our times)...Poets within this community of writers are feeling this moment in time, and writing about it. This collection is another example.

Short Fiction

collage by Judith Beth Cohen
“The Eating Club” – a short story by Judith Beth Cohen...The story – a short-listed entry in the recently concluded 71st Short Fiction Contest – centers on an affair two writers share around gourmet meals.

Poetry

Peter Buitelaar, CC BY 2.0 , via Wikimedia Commons
Two Poems for Miles Davis

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Short Fiction

“Where even music breaks down” – a short story by Gary Bolick...In this story – a short-listed entry in our recently concluded 71st Short Fiction Contest – a young man who was “given away” by his father to be raised and nurtured by his uncle opens a box left to him after the death of his uncle. In it he finds letters and a tape of astounding music his father made, offering the son a glimpse at the loneliness and alienation his father endured.

Jazz History Quiz

Besides being one of the first to be influenced by Charlie Christian (pictured), in 1944 this electric guitarist employed Charlie Parker on his first recording date and eventually led an R&B-oriented group “The Rockin’ Highlanders” that featured the saxophonist Red Prysock. Who is he?

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.