A found photograph of Jimmie Lunceford

June 11th, 2021

.

.

Jimmie Lunceford, c. late 1930s (photographer unknown)

.

___

.

 

….During a recent spring-cleaning project that involved rummaging through boxes that have been stored in my attic for longer than I care to admit, I came across a box of memorabilia belonging to my father that has been in my possession since my mother’s passing nine years ago.

….My father Joe was a distinguished musician who, before becoming a full-time restauranteur in the late 1950s, led his own big band as a young man in Sacramento, played in the Winged Victory orchestra during World War II, with Merv Griffin at KFRC radio in San Francisco, and with the likes of Jack Fina, Bill Holman, and Ernie Heckscher.  I grew up hearing about his meaningful friendships with Joe Bushkin, Roy Eldridge, Henry Mancini, Les Brown, Billy May and David Rose, and witnessed him playing with, among others, Freddy Martin and Nat King Cole.

…..Toward the end of his life, my father wrote a few stories about his experiences as a musician, all typewritten and neatly assembled in a three-ring binder, and discovered in a box marked “Joe Memories.”  (As a Father’s Day “gift” to him, I will soon be publishing one of his stories).  In addition to this binder, I found several photographs of my dad taken during his time as a musician, including this one I’d never seen before of the great bandleader Jimmie Lunceford, who my father enjoyed listening to and would occasionally talk about.  There is no date associated with this photo of Lunceford famously wielding his conducting baton, but it is likely taken in Sacramento, where my father grew up and lived for a time, in the late 1930s.  (My father is in the photo, left arm resting on his knee, to Lunceford’s left).

…..It is possible this photograph was taken in Sacramento’s Rainbow Gardens which, according to my dad, booked all the famous bands of the time.   (Benny Goodman performed there on July 16, 1937).

…..Beyond the obvious personal connection I feel to the photo, it is interesting on other levels, particularly as a snapshot of social (and likely segregated) life in Sacramento.  The photo also inspired me to revisit Lunceford’s biography and particularly the circumstances of his death in 1947 in Seaside, Oregon.  Although most accounts dispute this, theories abound that he was poisoned by a racist restaurant owner.  In 2017, Seaside Signal editor RJ Marx recounts the circumstances of Lunceford’s death and shares some of the thinking behind the poisoning allegation.  You can read it by clicking here.

.

___

.

.

One of Lunceford’s great recordings from 1937 is Don Raye, Vic Schoen and Sy Oliver’s “For Dancers Only,” which features his noted saxophone section led by alto player Willie Smith.

.

.

 

Click here to be view Lunceford’s Wikipedia page

.

.

.

 

Share this:

One comments on “A found photograph of Jimmie Lunceford”

  1. The Lunceford band was in Sacramento in the late Fall of 1937, and not again until the Summer of 1940. However this photograph looks like it was taken in the period July 29th – August 1, 1941 at Sweet’s Ballroom, in Sacramento. I will consult my records and provide the exact date shortly. A great pohoto! Thanks, Arthur Farrar, Lunceford historian.

Comment on this article:

Your email address will not be published. Required fields are marked *

In This Issue

"Nina" by Marsha Hammel
A Collection of Jazz Poetry — Winter, 2024 Edition...One-third of the Winter, 2024 collection of jazz poetry is made up of poets who have only come to my attention since the publication of the Summer, 2023 collection. What this says about jazz music and jazz poetry – and this community – is that the connection between the two art forms is inspirational and enduring, and that poets are finding a place for their voice within the pages of this website. (Featuring the art of Marsha Hammel)

The Sunday Poem

photo of Joe Pass by Tom Marcello Webster, New York, USA, CC BY-SA 2.0 , via Wikimedia Commons
“A Mountain Pass (In memory of Joe Pass)” by Bhuwan Thapaliya

Click here to read previous editions of The Sunday Poem

Poetry

Proceeding From Behind: A collection of poems grounded in the rhythmic, relating to the remarkable, by Terrance Underwood...A relaxed, familiar comfort emerges from the poet Terrance Underwood’s language of intellectual acuity, wit, and space – a feeling similar to one gets while listening to Monk, or Jamal, or Miles. I have long wanted to share his gifts as a poet on an expanded platform, and this 33-poem collection – woven among his audio readings, music he considers significant to his story, and brief personal comments – fulfills my desire to do so.

Short Fiction

pickpik.com
Short Fiction Contest-winning story #65 — “Ballad” by Lúcia Leão...The author’s award-winning story is about the power of connections – between father and child, music and art, and the past, present and future.

Click here to read more short fiction published on Jerry Jazz Musician

Interview

photo of Louis Jordan by William Gottlieb/Library of Congress
Interview with Tad Richards, author of Jazz With a Beat: Small Group Swing, 1940 – 1960...Richards makes the case that small group swing players like Illinois Jacquet, Louis Jordan (pictured) and Big Jay McNeely played a legitimate jazz that was a more pleasing listening experience to the Black community than the bebop of Parker, Dizzy, and Monk. It is a fascinating era, filled with major figures and events, and centered on a rigorous debate that continues to this day – is small group swing “real jazz?”

Interview

Michael Cuscuna in 1972
From the Interview Archive: Jazz Producer, Discographer, and Entrepreneur Michael Cuscuna...Few music industry executives have had as meaningful an impact on jazz music as Michael Cuscuna, who passed away on April 20 at the age of 75. I had the privilege of interacting with Michael several times over the years, including this wide-ranging 2019 interview I conducted with him. His energy and vision was deeply admired within the jazz world. May his spirit for the music and its culture continue to impact those of us who remain.

Poetry

The 1987 Mosaic Records collection of The Complete Blue Note Recordings of Herbie Nichols
“Thinking of Herbie” – a poem by Daniel W. Brown

Click here to read more poetry published on Jerry Jazz Musician

Essay

"Lester Leaps In" by Tad Richards
"Jazz and American Poetry," an essay by Tad Richards...In an essay that first appeared in the Greenwood Encyclopedia of American Poetry in 2005, Tad Richards - a prolific visual artist, poet, novelist, and nonfiction writer who has been active for over four decades – writes about the history of the connection of jazz and American poetry.

Trading Fours with Douglas Cole

The cover of Wayne Shorter's 2018 Blue Note album "Emanon"
Trading Fours, with Douglas Cole, No. 20: “Notes on Genius...This edition of the writer’s poetic interpretations of jazz recordings and film is written in response to the music of Wayne Shorter.

Click here to read previous editions of Trading Fours with Douglas Cole

Review

Jason Innocent, on “3”, Abdullah Ibrahim’s latest album... Album reviews are rarely published on Jerry Jazz Musician, but Jason Innocent’s experience with the pianist Abdullah Ibrahim’s new recording captures the essence of this artist’s creative brilliance.

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Poetry

"Jazz Trio" by Samuel Dixon
A collection of jazz haiku, Vol. 2...The 19 poets included in this collection effectively share their reverence for jazz music and its culture with passion and brevity.

Jazz History Quiz #171

Dick Cavett/via Wikimedia Commons
In addition to being one of the greatest musicians of his generation, this Ohio native was an activist, leading “Jazz and People’s Movement,” a group formed in the late 1960’s who “adopted the tactic of interrupting tapings and broadcasts of television and radio programs (i.e. the shows of Johnny Carson, Dick Cavett [pictured] and Merv Griffin) in protest of the small number of Black musicians employed by networks and recording studios.” Who was he?

Click here to visit the Jazz History Quiz archive

Community

photo via Picryl.com
.“Community Bookshelf, #2"...a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books. This edition includes information about books published within the last six months or so…

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow? An Oral History of the 60's Girl Groups;  a new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Eubie Blake
Click to view the complete 22 year archive of Jerry Jazz Musician interviews, including those recently published with Richard Carlin and Ken Bloom on Eubie Blake (pictured); Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.

Site Archive