Archive for “Features”

Features

“To Russia, Without Love”

You may have noticed that Russia is in the news a bit these days. (It is tough to avoid). So, while revisiting James Lincoln Collier’s 1989 biography Benny Goodman and the Swing Era, the story of Goodman’s 1962 U.S. State Department sponsored tour of the Soviet Union caught my eye.

Collier reminds us that Goodman and his group – the first American band to tour the Soviet Union since the 1920’s – was considered by many to be too “old fashioned” for the times and that “many critics felt that the Ellington band, playing a more complicated and perhaps more worthy kind of music” should have been chosen for the tour instead. Nonetheless, given Goodman’s popularity around the world, he was considered a

[…] Continue reading »

Features

On Nat Hentoff’s memorial service

Nat Hentoff’s memorial service was held at St. Peter’s Church in New York on Friday, February 24. Aidan Lee reported on the service for the Jazz Journalists Association, and the Village Voice — a longtime employer of Hentoff — provided an extensive photographic account of the day’s events. Click through to the next page to view a performance of pianist Joe Alterman playing Errol Garner’s “Gaslight” at the memorial

[…] Continue reading »

Features

A memory of Nat Hentoff

Paul Morris is a longtime friend and contributing writer of Jerry Jazz Musician.  He currently writes “Cover Stories with Paul Morris,” a frequent column about classic record album art and design.

Paul shares a memory of the legendary jazz writer and journalist Nat Hentoff, who died on January 7 at the age of 91.

 

_____

 

     In the late 1970’s I was a jazz fan who liked reading about the music as much as listening to it. My next music choice often came from a recommendation from a jazz critic’s liner notes or articles. Nat Hentoff proved to be a reliable guide in his early jazz books and the occasional article. 

     These years were the heyday of the Village Voice, where Hentoff was a regular. He concentrated on First Amendment issues in his Voice column, but from time to time he would mention

[…] Continue reading »

Features

A writer’s appreciation of Nat Hentoff — by Scott Shachter

I was eighteen when I read Nat Hentoff’s Jazz Is, and it changed my life. I’d always thought good jazz was just the crafting of pretty notes with a smooth feel. I’d never imagined it could be a “cry for justice.” Or a captivating tour through a heart lay bare. The greatest jazz goes even beyond that: the symphony of a soul freshly released and taking flight, nothing less than what Nat calls “spirit-music.”

As readers know, Nat Hentoff was far more than a jazz authority. He was a spectacular writer and a freedom-of-speech icon with no tolerance for hypocrisy. He was a great hero of

[…] Continue reading »

Features

On Nat Hentoff

I am saddened to read of the passing of journalist Nat Hentoff, who died yesterday at the age of 91. Hentoff’s work was published by the Village Voice for 50 years, and was also frequently found in the New Yorker, the Atlantic Monthly, the Wall Street Journal, and Jazz Times. He was also editor of Downbeat during the mid-1950’s. There are many obituaries available to read about Nat and his career – including Robert McFaddin’s in today’s New York Times.

As I began publishing original content on Jerry Jazz Musician in 1999, I had the privilege of having my site embraced by the three most prominent jazz writers of the time, Gary Giddins, Stanley Crouch, and Nat Hentoff. All three of them got involved in Jerry Jazz Musician in their own way.

Giddins — who I was able to catch up with during a recent trip I took to New York — and I developed an interview series called

[…] Continue reading »

Features

Milt Hinton’s recipe for “Millionaire Meatloaf”

This holiday season, you may want to consider making “Millionaire Meatloaf,” a dish the late, great bass player Milt Hinton and trombonist Tyree Glenn conjured up while touring with Cab Calloway. This story is not only one of food, but also of the culinary creativity required of jazz musicians during a time of segregation, when even getting a meal was a tremendous challenge.

[…] Continue reading »

Features

“Diz for President”

Claiming that his first order of business as president would be changing the name of the White House to the Blues House, Dizzy Gillespie’s run for President in 1964 wasn’t as illogical (or comical) as it seems on the surface. (In fact, given the ignorance of one of our current major party nominees, it is easy to write that Dizzy put much more thought into his vision for the country, and was without question more evolved as a candidate). As election day approaches, it is time to ask ourselves, what better time than today for a candidate whose platform includes disbanding the FBI and giving major foreign ambassadorships to jazz musicians?

In his 1979 autobiography To Be, or not…to Bop, Dizzy devotes an entire chapter to the story of his experience as a candidate for the presidency. The entire

[…] Continue reading »

Features

“Glossary of Jazz Slang” — from Mezz Mezzrow’s 1946 biography, Really the Blues

Really the Blues, the little-known but highly influential autobiographical work by jazz musician Mezz Mezzrow (co-written by Bernard Wolfe), is one man’s account of decades of jazz and American cultural history. The clarinetist’s colorful life – which he described in the 1946 counter-culture classic as having strayed “off the music” which led to his doing “my share of evil” – was adventurous, earthy, and jubilant, and was told not so much as a biography but as a novel that made “the Mezz” a hero with the era’s key counter-culture figures, including Allen Ginsberg and Jack Kerouac.

Much has been made of Mezzrow’s relationship with Louis Armstrong — he managed Armstrong for a time and dealt much of the “gauge” he craved, and Mezzrow’s reputation for dealing pot was so well known that “Mezz” became slang for marijuana. He is also remembered for his

[…] Continue reading »