“Cry Me a River” — Joe Cocker’s remake of a 1950’s torch song

December 23rd, 2014

 

_____

 

Joe Cocker, the flamboyant British rocker who died yesterday at the age of 70, was best known for his gravelly voice and charismatic onstage personality, but his career was especially noteworthy due to his successful model of interpreting popular songs of the day. The most obvious example – the Beatles’ “With a Little Help From My Friends” performed before hundreds of thousands at Woodstock in 1969 – was his signature career achievement, a performance Paul McCartney yesterday called  “mind-blowing,” one that he was “forever grateful for him for having done that.” One could make the case that Cocker’s appearance at Woodstock and his filmed performance of that tune was indeed a defining moment of the rock era.

Cocker also successfully remade Arthur Hamilton’s “Cry Me a River,” a 1953 torch song originally composed for Ella Fitzgerald to sing in Pete Kelly’s Blues, the Jack Webb film in which Peggy Lee portrayed an alcoholic jazz singer – a role she was nominated for an Oscar for Best Supporting Actress. The piece wound up on the cutting room floor and was subsequently offered around to other producers – including, according to several sources, Columbia Records’ head of A&R Mitch Miller, who turned it down because he objected to the line “You told me love was too plebeian.”

It wound up at Liberty Records (eventual home of The Chipmunks), where chairman Simon Waronker hung his hopes for his fledgling label on sensual vocalist Julie London.   In addition to London, the 1955 recording featured Barney Kessel on guitar and Ray Leatherwood on bass, but it was her performance of it in the 1956 film The Girl Can’t Help It that exposed the piece as a popular song, hitting #9 on Billboard. Ella eventually recorded it in 1961 (on the album, Clap Hands, Here Comes Charlie!), and renditions by the likes of Barbara Streisand, Diana Krall, and Michael Buble have kept the piece relevant over time.

Hard to imagine a song with this pedigree would end up up in the hands of Cocker, who recorded the song live during 1970’s legendary Mad Dogs and Englishmen tour, which included fellow flamboyant Leon Russell.

Here are three incredibly diverse versions of this song:

A 1964 televised performance of Julie London — lounging on a settee in her plunging cocktail dress

 

From 1975, Ella Fitzgerald performs the song with guitarist Joe Pass

Joe Cocker’s 1970 rendition, accompanied by Leon Russell

Cocker’s official 45 version of the song from the Mad Dogs and Englishmen album

As a bonus, here is Cocker’s Woodstock performance of “With a Little Help From My Friends”

*

R.I.P Joe Cocker

 

Joe Cocker’s New York Times obituary by Ben Sisario

_____

The lyrics to “Cry Me a River,” by Arthur Hamilton

 

Now you say you’re lonely
You cried the long night through
Well, you can cry me a river, cry me a river
I cried a river over you

Now you say you’re sorry
For being so untrue
Well, you can cry me a river, cry me a river
I cried, a river over you

You drove me, nearly drove me, out of my head
While you never shed a tear
Remember, I remember, all that you said
You told me love was too plebeian
Told me you were through with me and

Now you say, you say you love me
Well, just to prove that you do
Come on and cry me a river, cry me a river
‘Cause I cried a river over you

You drove me, nearly out of my head
While you never shed a tear
Remember, remember, all that you said
Told me love was too plebeian
Told me you were through with me and

Now, now you say you love me
Well, just to prove you do
Come on and cry, cry, cry me a river, cry me a river
‘Cause I cried a river over you

If my pillow could talk, imagine what it would have said
Could it be a river of tears I cried in bed?
So you can cry me a river
Daddy, go ahead and cry that river
‘Cause I cried, how I cried a river over you
How I cried a river over you

 

 

Share this:

8 comments on ““Cry Me a River” — Joe Cocker’s remake of a 1950’s torch song”

  1. I remember Julie London’s rendition of it: gorgeous! I don’t remember Joe Cocker’s, but he could make anything sound special: so could Ella.

    1. Cocker’s early career was simply amazing…He was so successful making other people’s songs sound different (and in many cases better) than the original. His spirit is missed.

  2. I remember Julie London’s rendition of it: gorgeous! I don’t remember Joe Cocker’s, but he could make anything sound special: so could Ella.

    1. Cocker’s early career was simply amazing…He was so successful making other people’s songs sound different (and in many cases better) than the original. His spirit is missed.

  3. Excellent article. “Cry Me A River” as arranged by Leon Russell and interpreted by Joe Cocker is one of my favorite collaborations from this duo. I love how the “poor me” of the torch song version is converted to rage, and in the falsetto section, mockery. No one was more soulful than Cocker, but when that voice was unleashed in passionately emotional power songs like this one, it could rip holes in your soul instead.

    I have one minor objection. Leon Russell could be seen as “flamboyant” but never Joe Cocker. He was just a working lad from Sheffield who for most of his career performed in t-shirts (and early on rocked the tie dye like nobody’s business). He was humble, introverted and soft-spoken offstage. He was Everyman, and that’s why we identified with him and loved him so.

  4. Joe Cocker’s version of Cry Me a River was different from any other in a way that–to my ears–embody the spirit of rock music in such a great way that it’s just not enough to dryly comment that Cocker covered the song. He covered the hell out of it. This great band took a classic torch song–that was known for making neglected lovers cry–and took all the sadness out of it, effectively making it proclaim that although you could sit and cry with a broken heart, you could also rock the heartbreak away. It shows the healing power of rock music in a truly wonderful way. It’s music to pick you up, rather than let you sit and weep.
    I’ll stop writing comments about rock music only after I’m sure people get it. Rock is that friend that will get you up to shake off your blues, and there’s no finer example than Cry Me a River as performed by Joe Cocker and his band.

Comment on this article:

Your email address will not be published. Required fields are marked *

A Letter From the Publisher

An appeal for contributions to support the ongoing publishing efforts of Jerry Jazz Musician

In This Issue

The Modern Jazz Quintet by Everett Spruill
A Collection of Jazz Poetry — Summer, 2023 Edition

A wide range of topics are found in this collection. Tributes are paid to Tony Bennett and Ahmad Jamal and to the abstract worlds of musicians like Ornette Coleman and Pharoah Sanders; the complex lives of Chet Baker and Nina Simone are considered; devotions to Ellington and Basie are revealed; and personal solace is found in the music of Tommy Flanagan and Quartet West. These are poems of peace, reflection, time, venue and humor – all with jazz at their core. (Featuring the art of Everett Spruill)

The Sunday Poem

photo by William Gottlieb/Library of Congress
“Fledging” by John L. Stanizzi

Interview

photo courtesy of Henry Threadgill
Interview with Brent Hayes Edwards, co-author (with Henry Threadgill) of Easily Slip Into Another World: A Life in Music...The author discusses his work co-written with Threadgill, the composer and multi-instrumentalist widely recognized as one of the most original and innovative voices in contemporary music, and the winner of the 2016 Pulitzer Prize for Music.

Poetry

painting by Henry Denander
A collection of jazz haiku...This collection, featuring 22 poets, is an example of how much love, humor, sentimentality, reverence, joy and sorrow poets can fit into their haiku devoted to jazz.

In Memoriam

Fotograaf Onbekend / Anefo, CC0, via Wikimedia Commons
A thought or two about Tony Bennett

Podcast

"BG Boogie’s musical tour of indictment season"...The podcaster “BG Boogie” has weaponized the most recent drama facing The Former Guy, creating a 30 minute playlist “with all the latest up-to-date-est musical indictments of political ineptitude.”

Interview

Chick Webb/photographer unknown
Interview with Stephanie Stein Crease, author of Rhythm Man: Chick Webb and the Beat That Changed America...The author talks about her book and Chick Webb, once at the center of America’s popular music, and among the most influential musicians in jazz history.

Community

FOTO:FORTEPAN / Kölcsey Ferenc Dunakeszi Városi Könyvtár / Petanovics fényképek, CC BY-SA 3.0 , via Wikimedia Commons
.“Community Bookshelf, #1"...a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books. This edition includes information about books published within the last six months or so…

Short Fiction

photo vi Wallpaper Flare
Short Fiction Contest-winning story #63 — “Company” by Anastasia Jill...Twenty-year-old Priscilla Habel lives with her wannabe flapper mother who remains stuck in the jazz age 40 years later. Life is monotonous and sad until Cil meets Willie Flasterstain, a beatnik lesbian who offers an escape from her mother's ever-imposing shadow.

Poetry

Trading Fours, with Douglas Cole, No. 16: “Little Waltz” and “Summertime”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. In this edition, he connects the recordings of Jessica Williams' "Little Waltz" and Gene Harris' "Summertime."

Playlist

photo by Bob Hecht
This 28-song Spotify playlist, curated by Jerry Jazz Musician contributing writer Bob Hecht, features great tunes performed by the likes of Frank Sinatra, Tony Bennett, Sarah Vaughan, Charlie Parker, Sonny Rollins, Bill Evans, Lester Young, Stan Getz, and…well, you get the idea.

Poetry

photo of Wolfman Jack via Wikimedia Commons
“Wolfman and The Righteous Brothers” – a poem by John Briscoe

Jazz History Quiz #167

GuardianH, CC BY-SA 4.0, via Wikimedia Commons
Before becoming one of television’s biggest stars, he was a competent ragtime and jazz piano player greatly influenced by Scott Joplin (pictured), and employed a band of New Orleans musicians similar to the Original Dixieland Jazz Band to play during his vaudeville revue. Who was he?

Short Fiction

photo via PIXNIO/CC0
“The Sound Barrier” – a short story by Bex Hansen

Short Fiction

back cover of Diana Krall's album "The Girl in the Other Room" [Verve]
“Improvised: A life in 7ths, 9ths and Suspended 4ths” – a short story by Vikki C.

Interview

photo by William Gottlieb/Library of Congress
Long regarded as jazz music’s most eminent baritone saxophonist, Gerry Mulligan was a central figure in “cool” jazz whose contributions to it also included his important work as a composer and arranger. Noted jazz scholar Alyn Shipton, author of The Gerry Mulligan 1950s Quartets, and Jerry Jazz Musician contributing writer Bob Hecht discuss Mulligan’s unique contributions to modern jazz.

Photography

photo by Giovanni Piesco
Giovanni Piesco’s photographs of Tristan Honsinger

Poetry

Maurice Mickle considers jazz venues, in two poems

In Memoriam

David Becker, CC BY-SA 3.0 , via Wikimedia Commons
“Tony Bennett, In Memoriam” – a poem by Erren Kelly

Poetry

IISG, CC BY-SA 2.0, via Wikimedia Commons
Ella Fitzgerald, in poems by Claire Andreani and Michael L. Newell

Book Excerpt

“Chick” Webb was one of the first virtuoso drummers in jazz and an innovative bandleader dubbed the “Savoy King,” who reigned at Harlem’s world-famous Savoy Ballroom. Stephanie Stein Crease is the first to fully tell Webb’s story in her biography, Rhythm Man: Chick Webb and the Beat that Changed America…The book’s entire introduction is excerpted here.

Feature

Hans Christian Hagedorn, professor for German and Comparative Literature at the University of Castilla-La Mancha in Ciudad Real (Spain) reveals the remarkable presence of Miguel de Cervantes’ classic Don Quixote in the history of jazz.

Short Fiction

Dmitry Rozhkov, CC BY-SA 3.0 , via Wikimedia Commons
“A Skull on the Moscow Leningrad Sleeper” – a short story by Robert Kibble...A story revolving around a jazz record which means so much to a couple that they risk being discovered while attempting to escape the Soviet Union

Book Excerpt

Book excerpt from Easily Slip Into Another World: A Life in Music, by Henry Threadgill and Brent Hayes Edwards

Short Fiction

photo via Appletreeauction.com
“Streamline Moderne” – a short story by Amadea Tanner

Publisher’s Notes

“C’est Si Bon” – at trip's end, a D-Day experience, and an abundance of gratitude

Poetry

photo by William Gottlieb/Library of Congress
A Charlie Parker Poetry Collection...Nine poets, nine poems on the leading figure in the development of bebop…

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Interview

Photo of Stanley Crouch by Michael Jackson
Interview with Glenn Mott, editor of Victory is Assured: The Uncollected Writings of Stanley Crouch (photo of Stanley Crouch by Michael Jackson)

Interview

photo of Sonny Rollins by Brian McMillen
Interview with Aidan Levy, author of Saxophone Colossus: The Life and Music of Sonny Rollins...The author discusses his book about the iconic tenor saxophonist who is one of the greatest jazz improvisers of all time – a lasting link to the golden age of jazz

Art

Designed for Dancing: How Midcentury Records Taught America to Dance: “Outtakes” — Vol. 2...In this edition, the authors Janet Borgerson and Jonathan Schroeder share examples of Cha Cha Cha record album covers that didn't make the final cut in their book

Pressed for All Time

“Pressed For All Time,” Vol. 17 — producer Joel Dorn on Rahsaan Roland Kirk’s 1967 album, The Inflated Tear

Photography

© Veryl Oakland
John McLaughlin and Carlos Santana are featured in this edition of photographs and stories from Veryl Oakland’s book, Jazz in Available Light

Coming Soon

An interview with Judith Tick, author of Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song; A new collection of jazz poetry; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Eubie Blake
Click to view the complete 22 year archive of Jerry Jazz Musician interviews, including those recently published with Richard Carlin and Ken Bloom on Eubie Blake (pictured); Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.

Site Archive