Search Results for “uncle evil eye”

Short Story Contest-winning story #10: “Uncle Evil Eye,” by Carole Bugge

My father died quickly and cleanly in the waning days of autumn, just two months before the arrival of the millennium. A massive neural hemorrhage took him — his brain, drowned in blood, was gone within hours. It was ironic that his own blood finally accomplished what years of alcoholism had not: heavy as his drinking was, he remained utterly lucid and sharp until the early morning hours of a late October Tuesday, when a tiny blood vessel in his head gave way, loosening the flood of fluid that killed him. Until then, his memory, both short and long-term, remained unimpaired. True, his body was falling apart; his liver and heart were bad, he suffered from diabetes, gout, macular degeneration — you name it, he had it — but his mind remained as sharp as the day he graduated with a PhD from Harvard.

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Jerry Jazz Musician Short Fiction Contest — Winning Author Profiles, Group 2

On March 11, 2019, .Jerry Jazz Musician.will publish the 50th.winning story in our thrice-yearly Short Fiction Contest. To celebrate this landmark event, we have asked all the previous winners (dating to 2002) to reflect on their own winning story, and how their lives have since unfolded.

This week’s edition covers authors of winning stories #’s 7 – 11

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Community Bookshelf #2

“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share information about their recently authored books.

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A Collection of Jazz Poetry — Winter, 2024 Edition

One-third of the Winter, 2024 collection of jazz poetry is made up of poets who have only come to my attention since the publication of the Summer, 2023 collection. What this says about jazz music and jazz poetry – and this community – is that the connection between the two art forms is inspirational and enduring, and that poets are finding a place for their voice within these virtual pages.

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A Collection of Jazz Poetry — Spring, 2023 Edition

This is the 14th extensive collection of jazz poetry published on Jerry Jazz Musician since the fall of 2019, when the concept was initiated. Like all previous volumes, the beauty of this edition is not solely evident in the general excellence of the published works; it also rests in the hearts of the individuals from diverse backgrounds who possess a mutual desire to reveal their life experiences and interactions with the music, its character, and its culture.

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A Women’s History Month Profile — Bessie Smith

Bessie Smith biographer Chris Albertson talks about the life of “The Empress of the Blues,” one of popular music’s most important figures during the 1920’s and 1930’s

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A Black History Month Profile: Bandleader Fletcher Henderson

Fletcher Henderson biographer Jeffrey Magee discusses the influential bandleader, and the emergence of modern jazz

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“The Rough House Blues For Bobby” – a short story by Bradford Middleton

A young man finds solace in his late fathers’ guitar and finds a new way to live through the blues and a life on the road.

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“Bridge Out of Brooklyn” — a short story by A.B. “Robbie” Robbins

Mr. Robbins’ story was a short-listed entry in our recently concluded 61st Jerry Jazz Musician Short Fiction Contest

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Interview with Winston James, author of Claude McKay: The Making of a Black Bolshevik

A discussion about the revolutionary, non-conformist poet Claude McKay’s complex early life that culminated in a pioneering role in American letters

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“The Sweatshop” — a memoir, by Jim Donnelly

Mr. Donnelly’s “The Sweatshop” is a memoir about about his time working in a music accessory sweatshop by day, and slogging it out on the club circuit by night…

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A Collection of Jazz Poetry — Summer, 2022 Edition

A broad collection of jazz poetry authored by an impressive assemblage of regular contributors and established poets new to this publication – all of whom open their imagination and hearts to the abundant creative experience they derive from this art.

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“Queen Mabelle’s Blues,” a short story by David Rudd

Maebelle had been surprised when, in 1934, a scout for the American Record Corporation invited her to come and sing at the General Store, “for our field recordings.”

“Field recordings?” she’d joked. “They wanna hear the Boll Weevil, close up?” She was recalling the Charley Patton song.

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A Collection of Jazz Poetry — Winter, 2021 Edition

In this winter collection of diverse themes and poetic styles, 55 poets wander the musical landscape to explore their spirit and enthusiasm for jazz music, its historic figures, and the passion, sadness, humor and joy it arouses.

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“What one song best represents your experience with 2020?”

The community of poets, writers, artists and photographers who have recently contributed their work and time to Jerry Jazz Musician to answer this question, “What one song best represents your experience with 2020?”

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A Collection of Jazz Poetry — Autumn, 2020 Edition

Jazz and poetry have always had a symbiotic relationship. Their creative languages share the common soil of imagination and improvisation, from which their audiences discover inspiration and spirit, and perhaps even a renewed faith in life itself.

This collection features 50 gifted poets from places as disparate as Ohio and Nepal, Estonia and Boston, Guyana and Pittsburgh, each publicly sharing their inner world reverence for the culture of jazz music.

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Poetry reflecting the era of COVID, Black Lives Matter, and a heated political season — Vol. 4

On the cusp of an election of consequence the likes of which America hasn’t experienced for 150 years, and in the midst of continued Black Lives Matter protests and an indisputable surge of COVID, 29 poets sharing perspectives from all over the world contribute to this volume of poetry reflecting our tumultuous, unsettling era…

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Short Fiction Contest-winning story #54 — “A Failed Artist’s Paradise” by Nathaniel Neil Whelan

He’s here again, his mossy hair visible at the back of the crowd. I’ve seen him a few times before and it’s always the same: he leans against a pillar, arms crossed, a hungry look in his eyes. There’s a bit of rebel in him. I don’t know if it’s the cigarette or the rimless sunglasses perched on the edge of his nose, but he doesn’t fit in with the polished and the proper.

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A Black History Month Profile: Jack Johnson

In an interview originally published on Jerry Jazz Musician in 2004, Jack Johnson biographer Geoffrey Ward talks about the first black heavyweight champion in history, the celebrated — and most reviled — African American of his age.

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“Broad Street” — a short story by Arya Jenkins

The publication of Arya Jenkins’ “Broad Street” is the fourth in a series of short stories she has been commissioned to write for Jerry Jazz Musician. For information about her column, please see our September 12 “Letter From the Publisher.”

For Ms. Jenkins’ introduction to her work, read “Coming to Jazz.”

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The day I moved into Broad Street, the roiling waters of the Long Island Sound burst over sea walls along the Connecticut coast from New Haven to Greenwich, flooding Bridgeport so badly, a poor, emotionally disturbed man actually drowned in a sewer. At Seaside Park, water rushed across two parking lots, swirled around a few skimpy trees and headed straight for the historic set of row houses that included my basement apartment. It was early December as I arrived, two knapsacks in tow, only to find my new landlady Rosie and my neighbor Alice knee-deep in galoshes in muck, hauling out my furniture.

A week earlier, Alice had lured me with, “There’s a vacancy next door and it’s yours. Everybody’s an artist here. You belong.” I had felt that the studio with its cozy rooms

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Poetry by John B. Lambremont, Sr.

A big mind

Think of One with rare flat-fingered technique,
Hat and Beard gave you a distinct mystique;
Evidence early of genius unique,
Let’s Cool One while your sweet glissandos peak.

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Marybeth Hamilton, author of In Search of the Blues

Leadbelly, Robert Johnson, Charley Patton — we are all familiar with the story of the Delta blues. Fierce, raw voices; tormented drifters; deals with the devil at the crossroads at midnight.

In an extraordinary reconstruction of the origins of the Delta blues, historian Marybeth Hamilton demonstrates that the story as we know it is largely a myth. The idea of something called Delta blues only emerged in the mid-twentieth century, the culmination of a longstanding white fascination with the exotic mysteries of black music.

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An Online Story of Jazz in New Orleans – Chapter 4

Featuring the complete text of chapter 4 rom “Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It”, a 1955 book by Nat Shapiro and Nat Hentoff

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Chuck Haddix, author of Kansas City Jazz: From Ragtime to Bebop

There were but four major galaxies in the early jazz universe, and three of them — New Orleans, Chicago, and New York — have been well documented in print. But there has never been a serious history of the fourth, Kansas City, until the recent publication of Kansas City Jazz: From Ragtime to Bebop — A History, by Frank Driggs and Chuck Haddix.

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Jeffrey Magee, author of Fletcher Henderson and Big Band Jazz: The Uncrowned King of Swing

If Benny Goodman was the “King of Swing,” then Fletcher Henderson was the power behind the throne. Not only did Henderson arrange the music that powered Goodman’s meteoric rise, he also helped launch the careers of Louis Armstrong and Coleman Hawkins, among others. In Fletcher Henderson and Big Band Jazz: The Uncrowned King of Swing, Jeffrey Magee offers a fascinating account of this pivotal bandleader, throwing new light on the emergence of modern jazz and the world that created it.

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Great Encounters #12: The interconnecting paths of heavyweight champions Jack Johnson and Joe Louis

Excerpted from Unforgivable Blackness: The Rise and Fall of Jack Johnson by Geoffrey Ward

Johnson was back in Chicago in the summer of 1934, appearing in Dave Barry’s Garden of Champions, a sort of sideshow at the Century of Progress International Exposition organized by a veteran referee to compete with such attractions as the Midget Village, Sally Rand’s Balloon Dance, and the Aunt Jemima Cabin. For a dollar, children could throw punches at Jack Johnson while he ducked and laughed and popped his eyes. One evening, he fought an exhibition there against Tom Sharkey, whose sparring partner he had briefly been back in 1901. It was supposed to be a nonviolent sparring session,

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Geoffrey Ward, author of Unforgivable Blackness: The Rise and Fall of Jack Johnson

Jack Johnson was the first black heavyweight champion in history, the celebrated — and most reviled — African American of his age. Prizewinning biographer Geoffrey Ward tells Johnson’s story in Unforgivable Blackness, which reveals a far more complex and compelling life than the newspaper headlines he inspired could ever convey.

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Lost Sounds: Blacks and the Birth of the Recording Industry author Tim Brooks

Lost Sounds is the first in-depth history of the involvement of African Americans in the earliest years of recording. It examines the first three decades of sound recording in the United States, charting the surprising role black artists played in the period leading up to the Jazz Age.

Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially in a wide range of genres and provides revealing biographies of some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W.C. Handy, James Reese Europe, Wilbur Sweatman, boxing champion Jack Johnson, as well as a host of lesser-known voices.

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Short Fiction Contest-winning story #4: “Anacostia,” by Qevin Oji

One. Anacostia lay there. Two. Three. Counting gunshots. Four. Five. He imagined the bullets cutting the sky, wondered how this tradition had begun. Six. The first time he held a gun, fired his first shot, he was six years old. It was on this same night — New Year’s Eve — thirteen years ago, just after midnight. Seven.

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His father’s yellowy, roach-burnt fingertips stretched and folded his hand, his small fingers, barely skilled using a pencil, around the handle and trigger. I’m gonna make you a man. A chill shook his small body. He had never felt anything so cold, not a popsicle fresh from the ice cream truck, not the cold air gushing from inside the fridge onto his face in summer. Not even snow was this cold. When he had finished molding the boy’s hand to the gun, he let go. It fell immediately to Anacostia’s knees. A flat, open palm, smacked the back of his head. You ain’t no bitch. Lift that gun up, boy!

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Chris Albertson, author of Bessie

Considered by many to be the greatest blues singer of all time, Bessie Smith was also a successful vaudeville entertainer who became the highest paid African-American performer of the roaring twenties.

First published in 1971, author Chris Albertson ‘s Bessie was described at the time by critic Leonard Feather as the most devastating, provocative, and enlightening work of its kind ever contributed to the annals of jazz literature. New Yorker critic Whitney Balliett called it the first estimable full-length biography not only of Bessie Smith, but of any black musician.

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Pulitzer Prize winning author Diane McWhorter, author of Carry Me Home, The Climactic Battle of the Civil Rights Movement

For Birmingham, Alabama native Diane McWhorter, growing up in the city Edward R. Murrow described as the “Johannesburg of America” was “pleasant, because we were the privileged people.” While privilege has its rewards, even as a young girl McWhorter sensed the segregated society that supported this privilege was anything but normal.

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James Gavin, author of Deep in a Dream: The Long Night of Chet Baker

That trumpeter Chet Baker was a sensitive musician whose sound is a cherished part of the jazz landscape is well known. That he led a hard life is also pretty well known, perhaps even to the most casual music fan. His 1988 death from a fall out an Amsterdam window only added to the sad mystery surrounding his persona.

What was not known by most of us is the haunting depth of Baker’s self-destructive life; that he was an arsonist, a thief, a second-story man, a drug addict, an abusive husband and lover, a philanderer, a liar…need we go on? We could, you know.

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Hazel Rowley, author of Richard Wright: The Life and Times

The child of the fundamentalist South with an eighth-grade education, a self-taught intellectual in the working-class Communist Party of the 1930s, a black man married to a white woman, and an expatriate in France after World War II, Richard Wright was always an outsider. He went well beyond the limits of the times in which he lived, and sought to reconcile opposing cultures in his work.

“How the hell did you happen?” the Chicago sociologist Robert Park once asked Wright. In Richard Wright: His Life and Times, biographer Hazel Rowley shows how, chronicling with the dramatic drive of a novel Wright’s extraordinary journey from a sharecropper’s shack in Mississippi to international renown as a writer, fiercely independent thinker, and outspoken critic of racism.

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Phil Pastras, author of Dead Man Blues: Jelly Roll Morton Way Out West

When Ferdinand “Jelly Roll” Morton sat at the piano in the Library of Congress in May of 1938 to begin his monumental series of interviews with Alan Lomax, he spoke of his years on the West Coast with the nostalgia of a man recalling a golden age, a lost Eden. He had arrived in Los Angeles more than twenty years earlier, but he recounted his losses as vividly as though they had occurred just recently. The greatest loss was his separation from Anita Gonzales, by his own account “the only woman I ever loved,” to whom he left almost all of his royalties in his will.

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