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Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is dedicated to saxophone players and the mood scenes that instrument creates.
...December 2nd, 2025
Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. In this edition, his inspiration comes from the guitarist John Scofield’s 2013 EmArcy album Uberjam Deux, and specifically the track titled “Scotown.”
...September 17th, 2025
In this edition, due to a current and ongoing obsession with drummer Matt Wilson’s 2006 album The Scenic Route, Douglas Cole writes another poem in response to his experience listening to the track “Feel the Sway.”
...July 5th, 2025
I had an old car
with a fender rusted out
on the back left side
and it was just another spot
of decay and breakdown
on that old machine
May 9th, 2025
In this edition, Douglas’ poem is written partly as a reference to the Antonio Carlos Jobin song “Wave,” but mostly to get in the famed Japanese artist Hokusai’s idea of the wave as being a huge, threatening thing. (The poem initially sprang from listening to Cal Tjader’s “Along Came Mary”).
...March 12th, 2025
Art Tatum plays fast
fast as Sundays
fast as sunset in November
fast as a hurry up offense
fast as a 20 dollar bill flying down the street
November 26th, 2024
This edition of the writer’s poetic interpretations of jazz recordings and film is written in response to Oliver Nelson’s 1961 recording The Blues and the Abstract Truth
...September 11th, 2024
Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is written in response to the music of Wayne Shorter.
...April 18th, 2024
Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is influenced by Stillpoint, the 2021 album by Zen practitioner Barrett Martin
...January 24th, 2024
Hammers in a construction site
sound like a band warming up,
weird solos by a bunch of drummers.
Jimmy Smith comes down draped in groove,
sermonizing your stride,
clouds chest-out like they know something.
A man standing in front of a house,
shouting, I got nothing from you!
November 29th, 2023
I don’t know where it starts, he said, but can you imagine
watching They Cloned Tyrone and the music playing,
almost the whole dance club version of Love Hangover,
I can’t even watch anything, my mind looks through the settings,
the dialogue is like a crowd talking in a club and I want to listen in,
go into that Diana Ross whisper singing love voice
October 24th, 2023
Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. In this edition, the poet connects the recordings of Jessica Williams’ “Little Waltz” and Gene Harris’ “Summertime.”
...September 20th, 2023
Vivaldi, especially “The Four Seasons,”
keeps showing up in forms of jazz:
a hint, a structure—but try unraveling
any musical DNA you go straight back
to singing and to drum, voice and poetry—
August 10th, 2023
Two poems devoted to Steely Dan’s 1977 recording of “Aja”
...June 22nd, 2023
The poet writes about the significance of Miles Davis’s “Kind of Blue”, and why it is the “it” jazz recording…
...April 18th, 2023
In this edition, the poet writes about attending a McCoy Tyner performance (or “ceremony”), and hearing the musician’s one word philosophy of music.
...March 9th, 2023
“Blow by Blow” is a portrait of Berkeley, California in the 1970’s, and the fusion jazz that was finding its way onto the scene at that time.
...January 17th, 2023
“The Weeping Tree” arises from the poet listening to (and watching) Sinne Eeg & Thomas Fonnesbæk perform “Willow Weep For Me”
...December 13th, 2022
“Fire From Heaven” arises from the poet Douglas Cole listening to John Coltrane’s 1964 album A Love Supreme
...October 24th, 2022
“The Ghost Note” arises from the poet listening to “From Paris With Love” from Melody Gardot’s 2020 album Sunset in the Blue
...August 23rd, 2022
He’s a-stagger the patrilineous
hillside grove wonder tunnels
street black ribbons going bower-deep
with sunlight glitter punctuations
feeling the great payoff on the way
July 11th, 2022
The poem “Convergence” rises from listening to the 1960 album, “Stan Getz Quartet at Large”
...May 28th, 2022
Mr. Cole’s suite consists of eight poems, all interpretations from songs on pianist Tommy Flanagan’s album Sunset and the Mockingbird Suite
...April 14th, 2022
Set forth beautiful one
open sea and open sky
as far as your eye can see
full wind filling the sails
pushing those hesitant steps
three at a time before
the cymbal crash of wave
February 25th, 2022
Horace Silver’s got a grove. Just listen to that left hand,
like a heart skipping a beat or jumping up to a double-beat,
like beholding something so beautiful you can hardly believe it.
January 19th, 2022
Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This poem is written to the 1957 Coleman Hawkins recording of “Juicy Fruit.”
...December 17th, 2021
I had a little radio up on top of the refrigerator, and I turned it on as the sunlight went and the world filled up with darkness. I listened to a jazz station and smoked a cigarette and blew the smoke out the window.
...November 18th, 2021
Click here to read about plans for the future of Jerry Jazz Musician.
”Times Gone By” by Lynn White
The Sunday Poem is published weekly, and strives to include the poet reading their work.... Joe Maita reads Lynn White’s poem at its conclusion
Click here to read previous editions of The Sunday Poem
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