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On the web since 1999
This excerpt from the just released Life In E Flat: The Autobiography of Phil Woods(written with Ted Panken) covers Woods’ post-high school life as a budding musician from Springfield, Massachusetts. He recalls early memories of work in local jazz clubs, as well as trips to New York to take lessons with the pianist Lennie Tristano, who introduces him to none other than Charlie Parker.
...A collection in which over 30 poets communicate their appreciation for jazz music in poems no longer than seven lines.
...A broad collection of jazz poetry authored by an impressive assemblage of regular contributors and established poets new to this publication – all of whom open their imagination and hearts to the abundant creative experience they derive from this art.
...Over 60 poets from all over the world celebrate their love of jazz…in poetry.
...Molly Larson Cook’s abstract-expressionist paintings accompany the 50 poets contributing to this collection. Her art has much in common with the poetry and music found within it; all three art forms can be described as “landscapes of the imagination,” created by artists from all over the world who are inspired in a meaningful way by jazz music, and whose work can be uniquely interpreted and appreciated (or not!) by those who consume it.
...An essay remembering the late jazz musician Michael “Dodo” Marmarosa, awarded Esquire Magazine’s New Star Award in 1947, and who critics predicted would dominate the jazz scene for the next 30 years.
...The author speaks with Bob Hecht about his book and his decades-long dedication to the genius of Pepper Adams, the stellar baritone saxophonist whose hard-swinging bebop style inspired many of the top-tier modern baritone players.
...The journalist and poet Joel Lewis shares his immensely colorful story of falling in love with jazz, and living with it and reporting on it during his younger days in New Jersey and New York
...In today’s world of stand-up comedy, women are distinguished performers whose acts fill auditoriums and provoke their stardom in blockbuster movies. But before the likes of Amy Schumer, Tiffany Haddish, and Ali Wong, it took courageous and revolutionary women of mid-20th century America who were willing to confront extreme cultural barriers and participate in a corner of the entertainment world previously inhabited by men only. Shawn Levy’s In On the Joke: The Original Queens of Stand-up Comedy consist of concise biographies of comedians like Moms Mabley, Phyllis Diller, Elaine May and Joan Rivers who successfully broke into the boys club of stand-up comedy, offering new ideas of womanhood along the way.
...John Kendall Hawkins reviews the book N: My Encounter with Racism and the Forbidden Word in an American Classic by James Henry Harris
...A book excerpt focusing on the life of pioneering comedienne Moms Mabley
...Often described as one of the “great jokesters in jazz,” this trumpeter became a popular figure on the west coast who, in addition to playing with artists like Stan Kenton, Benny Goodman, Jimmy Giuffre and Art Pepper, also starred in a short-lived TV series called Run Buddy Run. Who is he?
Don Ellis
Ruby Braff
Shorty Rogers
Red Rodney
Jack Sheldon
Al Hirt
...A 50 song jazz playlist featuring countless great performances, including by Shirley Horn, Ella Fitzgerald, Sarah Vaughan, Frank Sinatra, Mel Torme, and many others
...An intimate portrait of Bill Charlap and mother Sandy Steward, who explore the art of musical collaboration and accompanying singers.
.... . Photo William Gottlieb/Library of Congress Charlie Parker is frequently found on the lists of noted critics and musicians answering the question, “What are 3 or 4 of your favorite jazz record recordings of the 1940’s?” This photograph by William Gottlieb was taken at Carnegie Hall in New York, c. 1947 . __________ … Continue reading “Reminiscing in Tempo: “What are 3 or 4 of your favorite jazz recordings of the 1940’s?””
...The late, great trumpeter Clark Terry once offered one of the most pointed, and humorous, comments about the perennial controversies in jazz over race and the perceived abilities of white versus black musicians…
He said, “My theory is that a note doesn’t give a
...Toward the end of her life, Ella Fitzgerald, “The First Lady of Song,” faced several health challenges, most stemming from her battle with diabetes. The effects of the disease resulted in the amputation of her legs, and famously contributed to the debilitation of her eyesight. (Who can forget her frequent television appearances, when each successive performance seemed to bring new eye wear fashion and a more powerful eyeglass prescription). But it was her respiratory ailments and congestive heart failure that brought some of the biggest names in jazz together for a fund raiser sponsored by the American Heart Association Avery Fisher Hall in February of 1990. Hosted by Lena Horne and violinist Itzhak Perlman, “Hearts For Ella” featured a Benny Carter-led band that included
...Charlie Parker has been idolized by generations of jazz musicians and fans. Indeed, his spectacular musical abilities — his blinding speed and brilliant improvisational style — made Parker a legend even before his tragic death at age thirty-four.
In Chasin’ The Bird, Brian Priestley tells Parker’s life story, from his Kansas City childhood to his final harrowing days in New York. Priestley offers new insight into Parker’s career, beginning as a teenager single-mindedly devoted to mastering the saxophone, to his first trip to New York, where he washed dishes for $9.00 a week at Jimmy’s Chicken Shack, a favorite hangout of the great pianist Art Tatum, whose stunning speed and ingenuity were an influence on the young musician.
...In the final column of his thirty year career as jazz critic of the Village Voice, Gary Giddins wrote, “I’m as besotted with jazz as ever, and expect to write about it till last call, albeit in other formats. Indeed, much in the way being hanged is said to focus the mind, this finale has made me conscious of the columns I never wrote.”
...Excerpted from Jazz Modernism, by Alfred Appel
Charlie Parker enthusiasts circa 1950 often declared him the jazz equivalent of Stravinsky and Bartok, and asserted that he’d absorbed their music, though skeptics countered that there was no evidence he was even familiar with it. Parker himself clarified the issue for me one night in the winter of 1951, at New York’s premier modern jazz club, Birdland, at Broadway and Fifty-second Street. It was Saturday night, Parker’s quintet was the featured attraction, and he was in his prime, it seemed. I had a good table near the front, on the left side of the bandstand, below the piano. The house was almost full, even before the opening set
...The comedians of the 1950’s and 1960’s were a totally different breed of relevant, revolutionary performer from any that came before or after, comics whose humor did much more than pry guffaws out of audiences.
“The new post-Korean War comedy poked and prodded and observed, demolishing fond shibboleths left and right; it didn’t just pulverize with a volley of joke-book gags,” critic Gerald Nachman writes in Seriously Funny; The Rebel Comedians of the 1950’s and 1960’s.
Bill Moody’s background as a musician and his talents as a writer have made the Evan Horne Mysteries a favorite of jazz aficionados and crime-fiction fans alike. Investigating the death of Chet Baker, a major cult figure in the world of music, brings out the best in both the author and his pianist sleuth, Evan Horne. Looking for Chet Baker is his fifth Evan Horne mystery.
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“David Sanborn (1945-2024)” by Laura Trigg
The Sunday Poem is published weekly, and strives to include the poet reading their work....
Laura Trigg reads her poem at its conclusion
Click here to read previous editions of The Sunday Poem
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