“Covid Covered?” — a poem by Jim Mello
There it was
On the waterfront bench
Tempting me
In this Summer of
Covid inspired fears
A little flower framed heart
With the message
Free! Enjoy!
Smile
Search Results for: jim mello
“The Sweatshop” — a memoir, by Jim Donnelly
Mr. Donnelly’s “The Sweatshop” is a memoir about about his time working in a music accessory sweatshop by day, and slogging it out on the club circuit by night…
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Jazz…in eight poems
A myriad of styles and experiences displayed in eight thoughtful and provocative poems about jazz music…
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A Collection of Jazz Poetry — Spring, 2023 Edition
This is the 14th extensive collection of jazz poetry published on Jerry Jazz Musician since the fall of 2019, when the concept was initiated. Like all previous volumes, the beauty of this edition is not solely evident in the general excellence of the published works; it also rests in the hearts of the individuals from diverse backgrounds who possess a mutual desire to reveal their life experiences and interactions with the music, its character, and its culture.
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A collection of short jazz poems – Vol. 1
A collection in which over 30 poets communicate their appreciation for jazz music in poems no longer than seven lines.
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Four poets, four short jazz poems
Four poets share their appreciation for jazz in poems seven lines or fewer
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A Collection of Jazz Poetry — Summer, 2022 Edition
A broad collection of jazz poetry authored by an impressive assemblage of regular contributors and established poets new to this publication – all of whom open their imagination and hearts to the abundant creative experience they derive from this art.
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A Collection of Jazz Poetry — Spring, 2022 Edition
Over 60 poets from all over the world celebrate their love of jazz…in poetry.
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Paying homage to vinyl record albums — in three poems
One of my greatest joys for decades
was exploring unknown record shops.
I once walked into a newly opened used
shop around the corner from my university
and discovered a used album, apparently
the improvisatory result of a session
set up by Norman Granz that included
A Collection of Jazz Poetry — Autumn, 2020 Edition
Jazz and poetry have always had a symbiotic relationship. Their creative languages share the common soil of imagination and improvisation, from which their audiences discover inspiration and spirit, and perhaps even a renewed faith in life itself.
This collection features 50 gifted poets from places as disparate as Ohio and Nepal, Estonia and Boston, Guyana and Pittsburgh, each publicly sharing their inner world reverence for the culture of jazz music.
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Poetry reflecting the era of COVID, Black Lives Matter, and a heated political season — Vol. 1
I recently extended an invitation to poets to submit work that reflects this time of COVID, Black Lives Matter, and a heated political season.
What follows are some of those submitted. More will appear in the future.
-Joe Maita/Editor and Publisher
...Interview with Phillip Freeman, author of In the Brewing Luminous: The Life and Music of Cecil Taylor
Philip Freeman discusses Cecil Taylor – the most eminent free jazz musician of his era, whose music marked the farthest boundary of avant-garde jazz.
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“Like a Girl Saying Yes: The Sound of Bix” – an essay by Malcolm McCollum
The first time Benny Goodman heard Bix Beiderbecke play cornet, he recalled, he wondered, “My God, what planet, what galaxy, did this guy come from?” (Skretvedt)
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A book excerpt from Designed for Success: Better Living and Self-Improvement with Midcentury Instructional Records, by Janet Borgerson and Jonathan Schroeder
In this excerpt from Designed for Success, the authors write extensively about music instruction and appreciation records dealing with the subject of jazz.
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If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music
While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.”
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A Collection of Jazz Poetry — Spring/Summer, 2024 Edition
In this, the 17th major collection of jazz poetry published on Jerry Jazz Musician, 50 poets from all over the world again demonstrate the ongoing influence the music and its associated culture has on their creative lives.
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The Sunday Poem(s): 23 Poets remember their father…
. . This space on Sunday is generally reserved for a single poet to read one of their works, but this week’s issue -Father’s Day – features 23 poets who weigh in on the complexity of their relationship with their father, revealing love, warmth, regret, sorrow – and in many cases a strong connection … Continue reading “The Sunday Poem(s): 23 Poets remember their father…”
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Proceeding From Behind: A collection of poems grounded in the rhythmic, relating to the remarkable, by Terrance Underwood
A relaxed, familiar comfort emerges from the poet Terrance Underwood’s language of intellectual acuity, wit, and space – a feeling similar to one gets while listening to Monk, or Jamal, or Miles. I have long wanted to share his gifts as a poet on an expanded platform, and this 33-poem collection – woven among his audio readings, music he considers significant to his story, and brief personal comments – fulfills my desire to do so.
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A Collection of Jazz Poetry — Summer, 2023 Edition
This edition features poetry chosen from hundreds of recent submissions, and from a wide range of voices known – and unknown – to readers of these collections. The work is unified by the poets’ ability to capture the abundance of jazz music, and their experience with consuming it.
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News of an unreleased 1979 session by Chet Baker
News of a previously unreleased set of studio performances recorded in Holland in 1979 by legendary trumpeter Chet Baker
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A Black History Month Profile: Louis Armstrong scholar Thomas Brothers on the “Master of Modernism”
Louis Armstrong scholar and biographer Thomas Brothers talks about the artist’s most fertile period, from his arrival as a young man in Chicago in 1922 to join Joe “King” Oliver, through the years of the “Hot Five and Hot Seven” recordings
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On the Turntable — The “Best Of the ‘Best Of’” in 2022 jazz recordings
A year-end compilation of jazz albums oft mentioned by a wide range of critics as being the best of 2022
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A Collection of Jazz Poetry — Fall/Winter, 2022-23 Edition
.This collection of jazz poetry – the largest yet assembled on Jerry Jazz Musician – demonstrates how poets who are also listeners of jazz music experience and interact with the spontaneous art that arises from jazz improvisation, which often shows up in the soul and rhythm of their poetic language.
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“So What!…or, Where were you when you first heard Kind of Blue?” — a true jazz story by Bob Hecht
Bob Hecht recalls his experience of first hearing “Kind of Blue,” the 1959 jazz album by trumpeter Miles Davis
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Interview with Wayne Enstice, co-author of The Lady Swings: Memoirs of a Jazz Drummer
The book’s co-author in conversation about the little-known life story of the pioneering Ms. Dodgion, who defied the odds to become a world-class jazz drummer in a world – and on an instrument – dominated by men.
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A Collection of Jazz Poetry — Fall/Winter, 2021-22 Edition
Molly Larson Cook’s abstract-expressionist paintings accompany the 50 poets contributing to this collection. Her art has much in common with the poetry and music found within it; all three art forms can be described as “landscapes of the imagination,” created by artists from all over the world who are inspired in a meaningful way by jazz music, and whose work can be uniquely interpreted and appreciated (or not!) by those who consume it.
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A Collection of Jazz Poetry — Summer, 2021 Edition
“It’s not exclusive, but inclusive, which is the whole spirit of jazz.”
-Herbie Hancock
.
And…this spirit is not limited to the musicians, because celebrating jazz is rich in creative opportunity for writers and visual artists as well. The 54 poets who contribute to this poetry collection are living proof of that.
As always, thanks to the poets, and I hope you enjoy…
Joe
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A Poetry Collection — inspired by Miles Davis
Few artists inspire creativity like Miles Davis. This collection of poetry by 50 poets from all over the world is evidence of that.
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Short Fiction Contest-winning story #56 — “Celestial Vagabonds” by Max Talley
He drove uptown on Riverside Drive, the motor noise magnificent. Traffic increased as he approached Harlem. Other drivers jostling to get ahead noticed the car first. A red Ferrari was not subtle in gray Manhattan, and the engine roared money and power and European elegance. Then neighbors would study the man in outsized sunglasses. Some recognized him, smiling or shaking their heads in disbelief. Others looked aggrieved, even outraged that a person like him could be driving a vehicle like that. Ferrari only built three-hundred of their 275 GTB.
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A Collection of Jazz Poetry — Winter, 2021 Edition
In this winter collection of diverse themes and poetic styles, 55 poets wander the musical landscape to explore their spirit and enthusiasm for jazz music, its historic figures, and the passion, sadness, humor and joy it arouses.
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“Sinatra and Me” — a true jazz story by Paul Brophy
Frank Sinatra floated through the air in my boyhood home and Philadelphia neighborhood. My mother and two of her older sisters, Henrietta and Marge, had seen young Frankie in person at Atlantic City’s Steel Pier in the late 1930s, the thrill that wed these young Italian-Americans to Frank for life. “It’s Always You” reached them. He was part of our Staffieri family — their fantasy husband.
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A Collection of Jazz Poetry — Spring, 2020 Edition
33 poets from all over the globe contribute 47 poems. Expect to read of love, loss, memoir, worship, freedom, heartbreak and hope – all collected here, in the heart of this unsettling spring.
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A collection of jazz poetry — June, 2019 edition
In this month’s collection, with great jazz artists at the core of their work, 16 poets remember, revere, ponder, laugh, dream, and listen
...A collection of poetry celebrating the culture of jazz — January, 2019
. . In this collection, nine poets contribute ten poems celebrating jazz in poems as unique as the music itself . . . . I Am Jazz . I Am Jazz. It is my nature to evolve, to change and adapt. I’m restless. I move towards a future I cannot see or predict. … Continue reading “A collection of poetry celebrating the culture of jazz — January, 2019”
...“Even the drummers on 52nd St. sound like Dizzy Gillespie!”
While the romantic notion is to imagine that the music coming out of the clubs lining New York’s 52nd Street during the 1940’s was universally applauded, we of course know that is not the case. In an example of this dissent, consider the words of Los Angeleno Norman Granz, who told Downbeat this during his April, 1945 visit to New York:
“Jazz in New York stinks! Even the drummers on 52nd St. sound like Dizzy Gillespie!”
“I can’t tell you how disappointed I am in the quality of music here. We keep getting great reports out west about the renaissance of jazz along 52nd St. but I’d like to know where it is. Literally, there isn’t one trumpet player in any of the clubs with the exception of ‘Lips’ Page and he was blowing a mellophone the night I caught him. Maybe Gillespie was great but the ‘advanced’ group that Charlie Parker is fronting at the Three Deuces doesn’t
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Cover Stories with Paul Morris, Vol. 14
Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.
Short Fiction Contest-winning story #36 — “Fever” by Yvonne McBride
Three times a year, we award a writer who submits, in our opinion, the best original, previously unpublished work.
Yvonne McBride of Pittsburgh, Pennsylvania is the winner of the thirty-sixth Jerry Jazz Musician New Short Fiction Award, announced and published for the first time on July 12, 2014.
Fever
by
Yvonne McBride
_______________________________
Royal had studied her from the bandstand each and every night since their first gig. Such a little thing she was. Nicely curved, tightly packaged — but such a small little thing he had a notion she would break if even his fingertips glazed her. And he had tried. To touch her. Had been trying to get close to her for the past two and all night long.
Interview with Thomas Brothers — author of Louis Armstrong: Master of Modernism
In Louis Armstrong: Master of Modernism, Thomas Brothers picks up where he left off with the acclaimed Louis Armstrong’s New Orleans, following the story of the great jazz musician into his most creatively fertile years in the 1920s and early 1930s, when Armstrong created not one but two modern musical styles. Brothers wields his own tremendous skill in making the connections between history and music accessible to everyone as Armstrong shucks and jives across the page. Through Brothers’s expert ears and eyes we meet an Armstrong whose quickness and sureness, so evident in his performances, served him well in his encounters with racism while his music soared across the airwaves into homes all over America.
Brothers discusses his book with Jerry Jazz Musician publisher Joe Maita in an April, 2014 interview.
...An Online Story of Jazz in New Orleans – Chapter 4
Featuring the complete text of chapter 4 rom “Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It”, a 1955 book by Nat Shapiro and Nat Hentoff
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Conversations with Gary Giddins: on Big Bands
In the final column of his thirty year career as jazz critic of the Village Voice, Gary Giddins wrote, “I’m as besotted with jazz as ever, and expect to write about it till last call, albeit in other formats. Indeed, much in the way being hanged is said to focus the mind, this finale has made me conscious of the columns I never wrote.”
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Conversations with Gary Giddins: on Underrated Jazz Musicians, Part One
In the final column of his thirty year career as jazz critic of the Village Voice, Gary Giddins wrote, “I’m as besotted with jazz as ever, and expect to write about it till last call, albeit in other formats. Indeed, much in the way being hanged is said to focus the mind, this finale has made me conscious of the columns I never wrote.”
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The Ralph Ellison Project: Literary Executor John Callahan is interviewed about the author of Invisible Man
Being named literary executor of any writer’s estate would be quite an honor, let alone if the writer whose works you now caretake is Ralph Ellison, author of one of the 20th century’s greatest novels, Invisible Man. For long time Ellison friend John Callahan, “It was a challenge, and it was intimidating, exhilirating…”
Among the work left for Callahan was editing Ellison’s long awaited second novel, released as Juneteenth in 1999.
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Publisher’s Notes
In This Issue
The Sunday Poem
“David Sanborn (1945-2024)” by Laura Trigg
The Sunday Poem is published weekly, and strives to include the poet reading their work....
Laura Trigg reads her poem at its conclusion
Click here to read previous editions of The Sunday Poem
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