“Even the drummers on 52nd St. sound like Dizzy Gillespie!”

While the romantic notion is to imagine that the music coming out of the clubs lining New York’s 52nd Street during the 1940’s was universally applauded, we of course know that is not the case.  In an example of this dissent, consider the words of Los Angeleno Norman Granz, who told Downbeat this during his April, 1945 visit to New York:

“Jazz in New York stinks!  Even the drummers on 52nd St. sound like Dizzy Gillespie!” 

“I can’t tell you how disappointed I am in the quality of music here.  We keep getting great reports out west about the renaissance of jazz along 52nd St. but I’d like to know where it is.  Literally, there isn’t one trumpet player in any of the clubs with the exception of ‘Lips’ Page and he was blowing a mellophone the night I caught him.  Maybe Gillespie was great but the ‘advanced’ group that Charlie Parker is fronting at the Three Deuces doesn’t

...

January 30th, 2018

Jazz poetry by Steven Dalachinsky, Michael L. Newell, John Stupp, Ron Kolm, and Freddington

A wealth of excellent poetry has been submitted recently.  Poems by Steven Dalachinsky, Michael L. Newell, John Stupp, Ron Kolm, and Freddington are examples…

...

January 29th, 2018

Nat Cole and the KKK

     An uncredited piece in the January 11, 2018 edition of AL.com titled “The Night Nat Cole was Beaten on a Birmingham Stage” recounts the April 10, 1956 evening in Birmingham, Alabama, in which Nat Cole was attacked on stage by local members of the Ku Klux Klan.  It is not only an example of our not-so-distant racist past, but also concerns the complexity concerning Cole’s involvement (or lack thereof) in the civil rights movement.  Consider this brief excerpt from the article:

 

     “I can’t understand it,” Cole said of the attack.  “I have not taken part in any protests. Nor have I joined an organization fighting segregation. Why should they attack me? I’d just like to forget about the whole thing.”

     Roy Wilkins, the executive secretary of NAACP sent Cole a telegram after the attack, “You have not been a crusader or engaged in

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January 27th, 2018

“In Your Own Sweet Way” — A Bill Evans Memory, by Robert Hecht

     It was the kind of New York night not fit for man nor beast. Sleet and wind whipping about, snow banks and ice everywhere. With my ‘49 Dodge slipping and sliding on the Village streets, I make my way to the Vanguard to catch the midnight set. The small sign outside the entrance inconspicuously announces: “Bill Evans Trio.” This is the 1962 edition of the trio, reformed after bassist Scott LaFaro’s death the year before; and this is the club where Bill had played his last sets with

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January 25th, 2018

“For Keely Smith” — a poem by Diane Elayne Dees

Godmother of the gypsy tramp
half-breed goddess, unparalleled queen
of less is more, effortless weaver
of that old black magic—
your strength lay in the space between
the screaming sax and the scatting singer.
If midnight blue velvet were sound,

...

January 24th, 2018

Jack Kerouac and the “Beatnik crap” that cheapened the memories of jazz icons

In this short excerpt from David Amram’s 2002 biography Offbeat: Collaborating with Kerouac,  Kerouac talks with Amram about how the “Beatnik crap” that Kerouac and his friends reluctantly represented was “distorting everything,” and “cheapening the memories of Charlie Parker, Dizzy Gillespie, and Thelonious Monk.”  It is an interesting and entertaining view of that era, filled with the vigor, passion, wit and wisdom Kerouac is remembered for.

 

 

_____

 

     In January of 1959, we collaborated with a once-in-a-lifetime group of artists on the film Pull My Daisy.  In addition to appearing in the film as Mezz McGillicudy, the deranged French horn player in the moth-eaten sweater, I composed the entire score for the film and wrote the music for the title song, “Pull My Daisy,” with lyrics by Jack [Kerouac], Neal Cassady, and Allen Ginsberg.

     The idea of making a film based on Jack’s work was easier to

...

January 22nd, 2018

“Illinois Jacquet” — a poem by Michael L. Newell

(in response to an invitation
musical and raucous from the fingers
of Wild Bill Davis tickling the keys
of his organ seeking a musical response
by someone and something of equal stature)

Illinois I say accepted the challenge and blew
some blue some very blue blue blue notes
that set listeners

...

January 19th, 2018

“The Passing of a Poet” — an appreciation for Mike Faran

Poetry is a courageous art form.  No poet can possibly succeed without the willingness to create a completely transparent window into his or her soul.  A poet rarely achieves by faking it.

A successful poet’s thoughts are naked to the world, and this full-on exposure — because it is so often blunt and painful for the poet — leaves the reader with a reasonable understanding of lives led and footsteps taken (or not).  These revelations build a rewarding and intimate connection.

I have never met or spoken to Mike Faran, whose poetry I occasionally publish on Jerry Jazz Musician.  I only outwardly know him by the short biography he sent me — retired lobster trap builder from Ventura who has had some work published in journals around the country.  That’s it, really.  I don’t even have a photo of him. 

He has periodically sent me emails with a poem or two attached to them, seeking my interest in publishing them.  (“Here is another poem that I hope will meet with your approval.”) Although I haven’t published them all, they almost always

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January 17th, 2018

“Lulu and Me” — a short story by Arya Jenkins

     The winter I ran away, I moved into a garret in Provincetown, where I wrote poetry under the light of a candle far into the wee hours. Out my window, two stories up, I could see snow glistening on slanted rooftops that led like an uneven staircase to the bay. Below me, a twisted narrow path led to Commercial Street, peaceful and stark as an unwritten page. It was 1973 and I had run to the end of the world as I knew it to find freedom.

       I knew Provincetown from spending summers with my dad and Grandma Tess in her cottage in Truro. It seemed she’d lived most of her life since Grandpa’s passing as a beachcomber. I liked following behind her when we collected

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January 8th, 2018

Dylan, The Byrds, and John Coltrane

In Robbie Robertson’s entertaining biography Testimony, the rock guitarist tells a short story about a conversation he overheard Bob Dylan having with The Byrd’s Jim (a.k.a. “Roger”) McGuinn concerning John Coltrane’s influence on McGuinn when he wrote “Eight Miles High.” 

The setting was Los Angeles, 1966, during a Dylan tour that employed Robertson and, among others, bandmates Rick Danko and Richard Manuel, who are referred to in the excerpt.  The “Levon” in the story was the drummer Levon Helm, who left the tour after a month out of frustration of playing with Dylan during his initial “electric” period, when folk music purists routinely

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January 7th, 2018

“Bird Lives” — a memory of Charlie Parker’s Kansas City, by Robert Hecht

     The night I truly ‘got’ the shining genius of Charlie Parker I was in my girlfriend’s apartment on the Lower East Side. The year was 1961. I was nineteen, she was much older and hipper, and had turned me on not only to some great music but to getting high as well. She had all the essential jazz records, including the one on the turntable that night. It was The Fabulous Bird, on the old Jazztone label, consisting of reissues of some of Bird’s phenomenal 1947 Dial sessions. She had a very low-fi stereo—I can still see the nickel she had scotch-taped to the tone arm to keep it in the grooves. But the fidelity didn’t matter, in part at least because this evening I had just smoked a

...

January 3rd, 2018

Site Archive

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Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

In This Issue

Announcing the book publication of Kinds of Cool: An Interactive Collection of Jazz Poetry...The first Jerry Jazz Musician poetry anthology published in book form includes 90 poems by 47 poets from all over the world, and features the brilliant artwork of Marsha Hammel and a foreword by Jack Kerouac’s musical collaborator David Amram. The collection is “interactive” (and quite unique) because it invites readers – through the use of QR codes printed on many of the book’s pages – to link to selected readings by the poets themselves, as well as to historic audio and video recordings (via YouTube) relevant to many of the poems, offering a holistic experience with the culture of jazz.

Poetry

21 jazz poems on the 21st of June, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician by poets sharing their relationship to the music, and with the musicians who perform it.

The Sunday Poem

Erzsebet Nagy SAAR, CC BY-SA 4.0 , via Wikimedia Commons

”Chet Baker” by John Zheng


The Sunday Poem is published weekly, and strives to include the poet reading their work.... Chet Baker reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Community

The passing of a poet: Alan Yount...Alan Yount, the Missouri native whose poems were published frequently on Jerry Jazz Musician, has passed away at the age of 77.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Publisher’s Notes

Where I’ve Been…and a brief three-dot-update...News about an important life experience, and an update about what's going on at Jerry Jazz Musician

Feature

Jazz History Quiz #181...Before recording his most notable work (to that point) as a saxophonist in Miles Davis’ “Birth of the Cool” nonet, his initial reputation was as an arranger, including a stint in 1946 as the staff arranger in Gene Krupa’s Orchestra. He would eventually become one of the leading voices on his instrument for almost 50 years. Who is he?

Short Fiction

Short Fiction Contest-winning story #68 — “Saharan Blues on the Seine,” by Aishatu Ado...Aminata, a displaced Malian living in Paris, is haunted by vivid memories of her homeland. Through a supernatural encounter with her grandmother, she realizes that preserving her musical heritage through performance is an act of resistance that can transform her grief into art rather than running from it.

Poetry

photo via Pickpik
“June Bugs and Berries” – a poem (for June) by Jerrice J. Baptiste...Jerrice's 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Hoagy Carmichael, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes June with a poem referencing the music of Antonio Carlos Jobim

Feature

“What one song best represents your expectations for 2025?” Readers respond...When asked to name the song that best represents their expectations for 2025, respondents often cited songs of protest and of the civil rights era, but so were songs of optimism and appreciation, including Bob Thiele and George David Weiss’ composition “What a Wonderful World,” made famous by Louis Armstrong, who first performed it live in 1959. The result is a fascinating and extensive outlook on the upcoming year.

Poetry

“Juneteenth” – a poem by Erren Kelly

Short Fiction

“Steven and Mira: Paris May 1968” – a short story by Steven P. Unger...The story – a finalist in the recently concluded 68th Short Fiction Contest – is a semiautobiographical tale of a café-hopping tour of Paris in the revolutionary summer of 1968, and a romance cut short by the overwhelming realities of national strikes, police violence at home and abroad, and finally the assassination of Bobby Kennedy.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 13 - "Child Prodigies"...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 13th edition featuring excerpts from his outstanding literary resource, Rife writes about stories whose theme is child prodigies

Interview

photo by Brian McMillen
Interview with Phillip Freeman, author of In the Brewing Luminous: The Life and Music of Cecil Taylor...The author discusses Cecil Taylor – the most eminent free jazz musician of his era, whose music marked the farthest boundary of avant-garde jazz.

Short Fiction

“Every Night at Ten,” a short story by Dennis A. Blackledge...Smothering parents, heavy-handed school officials, and a dead President conspire to keep a close-knit group of smalltown junior high kids from breaking loose. But the discovery of a song on late-night radio — one supposedly loaded with dirty words — changes everything.

Feature

photo via NegativeSpace
Trading Fours, with Douglas Cole, No. 24: “Change of Luck”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. In this edition, he writes two poems inspired by the music of Matt Wilson’s tune “Feel the Sway.”

Short Fiction

art by Marsha Hammel
“Stuck in the Groove” – a short story by David Rudd...The story – a short-listed entry in the recently concluded 68th Short Fiction Contest – is about a saxophonist who moves away from playing bebop to experimenting with free jazz, discovering its liberating potential and possible pitfalls along the way…

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Feature

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

Interview

“The Fire Each Time” – an interview with New York Times best-selling author Frederick Joseph, by John Kendall Hawkins...A conversation with the two-time New York Times bestselling author of The Black Friend and Patriarchy Blues, who in 2023 was honored with the Malcolm X and Dr. Betty Shabazz Vanguard Award,. He has also been a member of The Root list of “100 Most Influential African Americans.”

Playlist

“Septets—Seven’s Heaven.” – a playlist by Bob Hecht...Bob's 26 song playlist features septets, and includes the likes of Wynton Marsalis, Jimmy Rowles (his 1959 album is pictured), Charles Mingus, Chick Corea, Art Farmer, and Cannonball Adderley.

Interview

Interview with Jonathon Grasse: author of Jazz Revolutionary: The Life and Music of Eric Dolphy....The multi-instrumentalist Eric Dolphy was a pioneer of avant-garde technique. His life cut short in 1964 at the age of 36, his brilliant career touched fellow musical artists, critics, and fans through his innovative work as a composer, sideman and bandleader. Jonathon Grasse’s Jazz Revolutionary is a significant exploration of Dolphy’s historic recorded works, and reminds readers of the complexity of his biography along the way. Grasse discusses his book in a December, 2024 interview.

Feature

Dmitry Rozhkov, CC BY-SA 4.0 via Wikimedia Commons
“Thoughts on Matthew Shipp’s Improvisational Style” – an essay by Jim Feast..Short of all the musicians being mind readers, what accounts for free jazz musicians’ – in this instance those playing with the pianist Matthew Shipp – incredible ability for mutual attunement as they play?

Community

Stewart Butterfield, CC BY 2.0, via Wikimedia Commons
Community Bookshelf #4...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers.... An interview with Tad Richards, author of Listening to Prestige:  Chronicling Its Classic Jazz Recordings, 1949 - 1972...  Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.