A Letter From the Publisher…My pursuit of the exterior

. . The chalkboard in my kitchen . . ___ . .   …..I live a mostly interior life.  The work of editing and publishing Jerry Jazz Musician is done within my interior because it involves lots of reading, researching, listening, observing and communicating.  (All stuff I love, by the way).  This work is physically … Continue readingA Letter From the Publisher…My pursuit of the exterior

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April 22nd, 2023

Jerry Jazz Musician featured on “The Buzz,” the podcast of the Jazz Journalists Association

Joe Maita, publisher of the website Jerry Jazz Musician, is interviewed on “The Buzz,” the podcast of the Jazz Journalists Association

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November 1st, 2022

A Letter From the Publisher — Nominations for the Pushcart Prize

Announcing the six writers nominated for the 2022 Pushcart Prize…

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December 1st, 2021

A road trip during the time of COVID

…..I recently went on a two week road trip.

…..A few months ago such a casual bit of news would have aroused only the slightest interest.  Select friends would display a polite enthusiasm, a question or two about the destination or accommodations would be raised, and perhaps a handful of pictures would even be endured.

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July 18th, 2020

Life (and living) in the era of isolation and social distancing

I am writing to share some of the ways I am coping with the current alarming situation, to fill readers in on a few things that are going on with Jerry Jazz Musician, and to invite you to share your own thoughts during this time.

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April 6th, 2020

News about Jerry Jazz Musician contributing writer Arya Jenkins

          In July of 2012, Arya Jenkins’ short story “So What”—a story about an adolescent girl who attempts to connect to her absent father through his record collection – was chosen as the 30th winner of the Jerry Jazz Musician Short Fiction Contest.  When that outstanding work was soon followed up with another quality entry with jazz music at its core, I invited her to contribute her fiction to this website on a more regular basis.  We agreed to a commission of three stories per year, and tomorrow’s publication of “The Piano Whisperer” is her 15th story to appear on Jerry Jazz Musician.

         I recently received word from Ms. Jenkins that Fomite Press, a small, independent publisher out of Vermont whose focus is on exposing high level literary work, will be publishing these stories in a collection titled Blue Songs in an Open Key.  Publication date is

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August 13th, 2018

Our commitment to music in the digital age

In the October 17 edition of the New York Times Magazine, in an article titled “Streaming Music Has Left Me Adrift,” Dan Brooks articulates what many of us who grew up with the long playing record album have long mourned, the passing of the era when consumers “owned” their own music collection based on a dedication of pursuing musical interests.

With the current ability to listen to just about anything ever recorded with merely an insignificant monetary monthly subscription (Brooks calls it “sharing the same record collection”), gone are the days when

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October 24th, 2014

“One For Daddy-O” — in honor of my dad on Father’s Day

Besides doing his best to help raise three kids, during my 1960’s childhood my father worked his heart out at two jobs — one of which was as owner of a restaurant on Oakland’s Telegraph Avenue, and the other as a musician, playing trumpet and viola throughout the San Francisco Bay area, mostly on evenings and weekends in “casual” jobs. For years he was part of a strolling quartet that entertained San Francisco’s elite at the World Trade Club — an ensemble that at its peak toured the Philippines, playing to an audience that included “strongman” Ferdinand Marcos and his wife Imelda.

Prior to that, in the 30’s he traveled the country and led his own band in Sacramento. In the 40’s, he spent the war years as a member of the Winged Victory Orchestra. And, in the late 40’s and 50’s, among many musical pursuits (although toned down once he married my mom in 1947), he played in the Jack Fina Orchestra, as well as in Ernie Heckscher’s orchestra, which famously played at the Fairmont Hotel atop Nob Hill.

He loved his music, and part of my own early appreciation for music came as a result of hearing his practice sessions. To this day I can still very clearly hear the sound of his viola

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June 15th, 2014

The Beatles — post Ed Sullivan appearance critical reviews, a Charles Mingus rant, and perspective

With the 50th anniversary of the Beatles’ appearance on Ed Sullivan prominently in the news this past week, it is interesting (and entertaining) to revisit some of the critical perspectives of their music following the performance.

On February 10, 1964, Theodore Strongin, music critic for the New York Times (who Wikipedia describes as a “champion of new music”) wrote that “The Beatles’ vocal quality can be described as hoarsely incoherent, with the minimal enunciation necessary to communicate the schematic texts.” Three days later, acknowledging the phenomenon that hit our shores, George Dixon of the Washington Post wrote, “Just thinking about the Beatles seems to induce mental disturbance. They have a commonplace, rather dull act that hardly seems to merit mentioning, yet people hereabouts have mentioned scarcely anything else for a couple of days.”

Months later, William F. Buckley, the era’s chief conservative voice and founder of the National Review got into the act, writing

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February 11th, 2014

On the Passing of Jazz Photographer Lee Tanner

There is no disputing the fact that the power of jazz lies within the music itself. Giants of the art like Armstrong, Duke, Basie, Dizzy, Bird, Monk, Miles and Coltrane ushered us into this music with a display of genius so great that an entire lifetime isn’t ample space to fully absorb all their passion.

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September 16th, 2013

A Letter from the Publisher/Introducing Jazz Fiction writer Arya Jenkins

For 11 years, Jerry Jazz Musician has sponsored 33 Short Fiction Contests resulting in 30 different contest winners. During that time, I estimate that I have read and considered over 3,000 short stories.

The stories vary in content and quality, of course, and it has been my goal to publish the best story regardless of its theme. This has at times led to confusion by some writers over the years who believe that, since Jerry Jazz Musician’s focus is on jazz history – and in particular within the confines and culture of mid-20th Century America – the winning story should always be about jazz or a character within that setting.

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September 12th, 2013

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

In This Issue

Monk, as seen by Gottlieb, Dorsett and 16 poets – an ekphrastic poetry collection...Poets write about Thelonious Monk – inspired by William Gottlieb’s photograph and Rhonda R. Dorsett’s artistic impression of it.

Poetry

21 jazz poems on the 21st of August, 2025...A monthly series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features several poems on John Coltrane and Billie Holiday, as well as nods to Bill Evans, Chet Baker, Archie Shepp and others…

Short Fiction

Short Fiction Contest-winning story #69 – “My Vertical Landscape,” by Felicia A. Rivers...Touched by the stories of the Philadelphia jazz clubs of the 1960s, a graffiti artist transforms an ugly wall into something beautiful – meaningful, even.

The Sunday Poem

”The Artists of Dutch Alley” by Robert Alan Felt

The Sunday Poem is published weekly, and strives to include the poet reading their work.... Robert Alan Felt reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Feature

“Two Jazz Survivors” – a true jazz story by Bob Hecht...A remembrance of a personal friendship with the late Sheila Jordan, one of the most unique vocalists in jazz history.

Poetry

photo by Brian McMillen
“Portrait of Sheila Jordan” – a poem by George Kalamaras

Essay

“Escalator Over the Hill – Then and Now” – by Joel Lewis...Remembering the essential 1971 album by Carla Bley/Paul Haines, inspired by the writer’s experience attending the New School’s recent performance of it

Short Fiction

photo by William Gottlieb/Library of Congress
“Strange Fruit” – a short story by Stephen Jackson...The story – a short-listed entry in the 69th Short Fiction Contest – explores the transformative power of authentic art through the eyes of a young white busboy from Mississippi who witnesses Billie Holiday’s historic first performance of “Strange Fruit” at Café Society in 1939.

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Community

The passing of a poet: Alan Yount...Alan Yount, the Missouri native whose poems were published frequently on Jerry Jazz Musician, has passed away at the age of 77.

Interview

photo by Francis Wolff/couresy Mosaic Images
From the Interview Archive: Ornette Coleman biographer Maria Golia...In this April, 2020 interview, Ms. Golia discusses her book and the artist whose philosophy and the astounding, adventurous music he created served to continually challenge the skeptical status quo, and made him a guiding light of the artistic avant-garde throughout a career spanning seven decades.

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

Poetry

“With Ease in Mind” – poems by Terrance Underwood...It’s no secret that I’m a fan of Terrance Underwood’s poetry. I am also quite jealous of his ease with words, and of his graceful way of living, which shows up in this collection of 12 poems.

Feature

“Blind Willie Johnson Leaves the Solar System,” by Henry Blanke...An appreciation for Blind Willie Johnson, whose landmark 1927 – 1930 recordings influenced generations of musicians, and whose song, “Dark is the Night, Cold is the Ground,” was included on the album sent into space a generation ago as a way for extraterrestrial beings to glean something important about human culture and life on Earth.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Essay

“Is Jazz God?” – an essay by Allison Songbird...A personal journey leads to the discovery of the importance of jazz music, and finding love for it later in life.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Feature

Jimmy Baikovicius from Montevideo, Uruguay, CC BY-SA 2.0, via Wikimedia Commons
Trading Fours, with Douglas Cole, No. 25: “How I Hear Music: ‘Feel the Sway,’ A Song in Three Movements”...In this edition, due to a current and ongoing obsession with drummer Matt Wilson’s 2006 album The Scenic Route, Douglas Cole writes another poem in response to his experience listening to the track “Feel the Sway.”

Feature

Jazz History Quiz #182...He is best known for writing “(Get Your Kicks On) Route 66” — which Nat Cole (pictured) made famous in 1946 — but his earliest musical success came with the song “Daddy,” recorded in 1941 by Sammy Kaye and His Orchestra, which was the #1 record for eight weeks. He was also famous for being married to the glamorous singer Julie London. Who is he?

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 15: High Spirits-Dark Laughter-Absurdity...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 14th edition featuring excerpts from his outstanding literary resource, Rife writes about stories whose themes include High Spirits, Dark Laughter, and Absurdity

Poetry

“August Blues” – a poem (for August) by Jerrice J. Baptiste...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Hoagy Carmichael, Frank Sinatra, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes August with a solemn poem punctuated by the bass of Stefan Redtenbacher.

Playlist

“Eight is Great!” – a playlist by Bob Hecht...The cover of the 1959 album The Greatest Trumpet of Them All by the Dizzy Gillespie Octet. A song from the album, “Just by Myself,” is featured on Bob Hecht’s new 28-song playlist – this one devoted to octets.

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Stewart Butterfield, CC BY 2.0, via Wikimedia Commons
Community Bookshelf #4...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Tad Richards, author of Listening to Prestige:  Chronicling Its Classic Jazz Recordings, 1949 - 1972...  Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.