“Dear Nina” – a poem by Jerrice J. Baptiste

July 16th, 2025

.

.

“Nina Simone,” by Jerrice J. Baptiste

.

 

.

 

Dear Nina,

I first heard your voice singing in my dormitory room. My roommate Sheila played your song  I Want Some Sugar in My Bowl. She showed me the albums that proved your deep voice was female. As we listened more closely, I could hear the warmth, the splendor of your womanly voice. Even decades later, I’m hooked like a fish, grateful to be in the flow of your music.

We had a ritual of cooking spaghetti for dinner, and setting up the CD player with the chosen album. Our forks twirled, while your voice drowned out the noise of collegiate living. Sometimes, we splurged on a bottle of wine, had our red cups ready and sang along in deep pitch. We’d fall asleep to Wild is The Wind, then woke up at dawn,  with the silence that followed.

We were known as the two strange black girls who listened to that deep manly person’s voice each night.  We had a poster of you in our room.  Sheila bought it at a chic record store in the East village.  It simply had your name Nina Simone, and your photograph with your exquisite dark skin. The poster from the sixties showed your pensive face like you were thinking of your next fierce song, Mississippi Goddamn, where you grieved the violence and racism on this land.

Nina, you would be shocked, we’re still grieving our brothers and sisters now. The power of your voice echoes in my mind, when I hear of another black person brutalized, and shot.  Nina, there are two of us who sing along to Willow Weep for Me.

.

.

___

.

.

Jerrice J Baptiste is an artist, poet, author of nine books. Her most recent book titled, Coral in The Diaspora published by Abode Press (August 2024). She’s been nominated twice for a Pushcart Prize by Jerry Jazz Musician Magazine 2024 & Abode Press 2025, and as Best of The Net in 2022 by Blue Stem. Her writing has been published or is forthcoming in One Art: Poetry Journal, Neologism, The Write Launch, Lolwe, The Banyan Review, Ecotheo Review, Mantis, The Yale Review, The Lake, Artemis Journal and hundreds of others. She facilitates poetry as a returning teaching artist at The Omega Institute in Rhinebeck, NY. Her poems & collaborative songwriting are featured on the Grammy nominated album-Many Hands: Family Music for Haiti.

.

.

Listen to the 1966 recording Nina Simone performing the Dimitri Tiomkin/Ned Washington song “Wild is the Wind”  [Nina Simone]

.

.

___

.

.

Click for:

Information about Kinds of Cool: An Interactive Collection of Jazz Poetry

The Sunday Poem

More poetry on Jerry Jazz Musician

Saharan Blues on the Seine,” Aishatu Ado’s winning story in the 68th Jerry Jazz Musician Short Fiction Contest

More short fiction on Jerry Jazz Musician

Information about how to submit your poetry or short fiction

Subscribe to the (free) Jerry Jazz Musician quarterly newsletter

Helping to support the ongoing publication of Jerry Jazz Musician, and to keep it commercial-free (thank you!)

.

___

.

.

Jerry Jazz Musician…human produced since 1999

.

.

.

Share this:

16 comments on ““Dear Nina” – a poem by Jerrice J. Baptiste”

    1. Thank you so much Allison! It’s a privilege to share this with the world!
      Joy
      Jerrice

  1. Very touching, Jerrice. How our world doesn’t change is sad commentary on human beings. Well done: both portrait and poem!

    1. Thank you Carolyn! It’s so appreciated your comment. I’m glad you love both the portrait & poem!
      Joy,
      Jerrice

  2. Again Jerrice has managed to nail her devotion to her art with flowing elegance. Beautiful. She did Nina Simone proud.

    1. Thanks so much Mary! Thanks for the compliment about making Nina Simone proud!
      Joy
      Jerrice

    1. Thanks Catherine! I’m so touched by your comment! Thanks for visiting Jerry Jazz Musician Magazine!
      Joy
      Jerrice

  3. I love Jerrice’s letter to Nina Simone. She explains college life and how her music played a part in it. The painting portrays a classy woman. I thought I’d heard her voice and remembered that her song “Sinnerman” was in the Miami Vice Movie soundtrack.

  4. Thank you so much Kathleen for reading! It’s wonderful you love my portrait of Nina Simone and commenting on the imagery of the poem! Thanks for visiting Jerry Jazz Musician Magazine!
    Joy
    Jerrice

  5. I so enjoyed Jerrice’s Dear Nina poem.
    The simplicity of her drawing had an intimate beauty. Thank you for creating.

    1. Thanks so much Sandi! So glad you enjoyed my poem and portrait of Nina Simone!
      Joy
      Jerrice

  6. I found Jerrice’s tribute to Nina Simon very moving. I enjoyed her sharing how she would listen and appreciate Nina’s unusually deep voice and what it meant to her. It is a beautiful voice and moved Jerrice to write this moving poem. I loved that there is a drawing and photo of Jerrice included and I enjoyed listening to Nina on the video.

    1. Thanks Barbara! it pleases me to read your comment on my poem about Nina Simone! I’m glad you were moved by both my drawing and poem! Thanks for visiting Jerry Jazz Musician Magazine!
      Happy Summer!
      Joy
      Jerrice

Leave a Reply to Allison Goldsmith Cancel reply

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

Community

Calling All Poets…Submissions guidelines for the anthology “Black History in Poetry”...We are currently seeking poetry from writers of all backgrounds for Black History in Poetry, an anthology scheduled for publication in the Summer of 2026. The anthology will be a means of celebrating and honoring notable Black Americans by offering poetry that teems with imagery, observation, emotion, memory, testimony, insight, impact, and humanity. Our aim is to give readers a way to visualize Black history from a fresh perspective.

In This Issue

Monk, as seen by Gottlieb, Dorsett and 16 poets – an ekphrastic poetry collection...Poets write about Thelonious Monk – inspired by William Gottlieb’s photograph and Rhonda R. Dorsett’s artistic impression of it.

Publisher’s Notes

A dispatch from Portland, 2025 – and Boston, 1969...Peaceful protest is nothing new to America. It is happening every day in Portland, where I live. It is what makes our country great. And those of us who grew up in the 1960’s probably have a history of protest – some turning violent – ourselves. The poet Russell Dupont shares text and photos from his experience while photographing the October, 1969 March against the [Vietnam] War in Boston, when plainclothes Federal officers attempted to confiscate his camera.

The Sunday Poem

”hush for the sax” by j.lewis

The Sunday Poem is published weekly, and strives to include the poet reading their work.... j.lewis reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Poetry Collection

photo of Dave Tough by William Gottlieb/Library of Congress
21 jazz poems on the 21st of September, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features several poems on the blues, a nod to West Coast Jazz, as well as reverence for the likes of Thelonious Monk, Bill Evans, and Pat Metheny.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Short Fiction

Short Fiction Contest-winning story #69 – “My Vertical Landscape,” by Felicia A. Rivers...Touched by the stories of the Philadelphia jazz clubs of the 1960s, a graffiti artist transforms an ugly wall into something beautiful – meaningful, even.

Feature

“Two Jazz Survivors” – a true jazz story by Bob Hecht...A remembrance of a personal friendship with the late Sheila Jordan, one of the most unique vocalists in jazz history.

Poetry

photo via Wikimedia Commons
Jimi Hendrix - in four poems

Poetry

OhWeh, CC BY-SA 2.5 , via Wikimedia Commons
“Jazz Child” – a poem and a personal remembrance of Sheila Jordan, by Namaya

Essay

“Escalator Over the Hill – Then and Now” – by Joel Lewis...Remembering the essential 1971 album by Carla Bley/Paul Haines, inspired by the writer’s experience attending the New School’s recent performance of it

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Short Fiction

“Heroics” – a short story by Michele Herman...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is about brothers coping with an angry father whose solution for dealing with a family crisis is to take them to a Howard Johnson’s for ice cream.

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Feature

Trading Fours, with Douglas Cole, No. 26: “Bougainvillea Sutra”...An occasional series of the writer’s poetic interpretations of jazz recordings and film. In this edition, his inspiration comes from the guitarist John Scofield’s 2013 EmArcy album Uberjam Deux, and specifically the track titled “Scotown.”

Short Fiction

photo via Wikimedia Commons
“Apparitions” – a short story by Salvatore Difalco...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is about a Sicilian immigrant with an interesting history in traditional string instruments and Sicilian puppet theater.

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

Community

photo of Dwike Mitchell/Willie Ruff via Bandcamp
“Tell a Story: Mitchell and Ruff’s Army Service” – an essay by Dale Davis....The author writes about how Dwike Mitchell and Willie Ruff’s U.S. Army service helped them learn to understand the fusion of different musical influences that tell the story of jazz.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two– Vol. 16: Halloween on Mars? Or…speculative jazz fiction...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 16th edition featuring excerpts from his outstanding literary resource, Rife writes about azz-inflected speculative fiction stories (sci-fi, fantasy and horror)

Poetry

“With Ease in Mind” – poems by Terrance Underwood...It’s no secret that I’m a fan of Terrance Underwood’s poetry. I am also quite jealous of his ease with words, and of his graceful way of living, which shows up in this collection of 12 poems.

Feature

William Gottlieb/Library of Congress
“Lester Young Cools a Village” – by Henry Blanke...On the origins of cool, and the influence (and greatness) of Lester Young.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Poetry

photo via pixabay
“Sensual Autumn” – a poem (for September) by Jerrice J. Baptiste...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Hoagy Carmichael, Frank Sinatra, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes September with a poem of love that brings to mind the music of Joe Pass.

Essay

“Is Jazz God?” – an essay by Allison Songbird...A personal journey leads to the discovery of the importance of jazz music, and finding love for it later in life.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Feature

ntoper, CC BY 2.0 , via Wikimedia Commons
Jazz History Quiz #183...Long admired by the likes of Tom Waits (pictured), John Mayall, and the Rolling Stones, and having had his songs recorded by Bonnie Raitt, Leon Russell, and The Who, this pianist/vocalist has long suffered from a “category” problem, once even saying; “There’s a lot of places I don’t work because they’re confused about what I do.” Who is he?

Playlist

“Look Ma, No Net!” – a playlist of nonets, by Bob Hecht...In this episode of our progressive instrumentation playlists, we add a ninth instrument to the mix to form a Nonet!

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Community Bookshelf #5...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March, 2025 – September, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

Interview with John Gennari, author of The Jazz Barn:  Music Inn, the Berkshires, and the Place of Jazz in American Life; Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works......  Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.