“Heroics” – a short story by Michele Herman

October 14th, 2025

.

.

“Heroics” was a short-listed entry in our recently concluded 69th Short Fiction Contest, and is published with the consent of the author.

.

.

___

.

.

photo via RawPixel

.

Heroics

by Michele Herman

.

…..I’m sitting in Howard Johnson’s ordering a maple-walnut ice cream cone and it’s punishment. Not for me – I’m cleaner than pressed dress shirts; all I was doing was sitting and watching plates spin on Ed Sullivan and thinking about running away to join the circus to please Abraham the Patriarch. It’s for something my big brother David did. Punishment in our house can be a little like chemotherapy – zap the bad cells and you have to zap the good ones too.

…..I’m a fan of HoJo’s, even though you sometimes sense that they chewed the food a little for you before bringing it out of the kitchen, but not with malice, just as if they thought you might need a little help getting started. I used to think that explained why the waitresses were all so fat. I like the hot-dog water smell; eau de trayfe, David once called it. And I love the cardboard boxes with the cellophane window so that you can see the taffy as pale and pastel (I imagine) as girls’ underpants that your parents aren’t going to buy for you when they pay the bill.

…..Sunday night is the school night of all school nights, and we’re practically the only people in the place; no one ever goes out on Sunday nights except maybe early for Chinese at the Good Earth, but never in the middle of Ed Sullivan, the comfy buffer between weekend and week. This gets me back to the punishment.

…..There we are, sitting in the family room, Abe in his big chair with a salt shaker in one hand and a huge tomato in the other. His feet are up on the foot rest, but the rest of him is at attention. As I said, there’s a plate spinner on and this is just about giving Abe angina. “Look at that, will you look at that, is that the damnedest thing!”

…..The first trouble is that Mom isn’t looking. She’s knitting. There are a lot of sofas in the room, but she likes to sit in the straight-backed chair that’s halfway out the door of the family room; lucky she’s not big on symbolism. This gives a nice familiar guilty quality to my lounging on my sofa, in addition to the 20 vocabulary words on my desk upstairs that should by now be embedded in a story of my own devising.

…..“Would it kill you to look up?” he asks, and in response, she amplifies the stitch-counting she’s been doing all along, through a little metal knitting gadget that’s in her mouth. “Seventy-eight, seventy-nine.”  For a silent person she can communicate pretty clearly. I make a mental note to tell Miss Illy my drama teacher my new exercise: communicate the mood of anger while sitting still in a chair counting to one hundred. For extra credit, convey this particular thought: “I need this husband like a hole in the head.”  You can see her puff up a tiny bit, considering making a case for knitting sweaters over spinning plates, and then you can see her shrink back down and think, what’s the point of trying to scale this particular mountain. She puts down the knitting needles in her lap and looks up at the TV, at which point a commercial comes on.

…..I think for a minute that we’ve been saved, but then Abe is still so worked up from the plates that he’s looking around for something to lasso his workedupness to and what he finds is an empty sofa where David should be; suddenly David is noticeably upstairs.

…..        “Where’s David?” he asks as if she’s given to hiding sons in the broom closet to irk him. For a smart guy – after all, he’s a man who chooses his friends according to how many dimensions they can think in – he’s an awful lot like Lonny Lametta, who for eight years has talked all through the homework assignment and then been unable to understand why he doesn’t know what the homework is. I watch him for signs of progress, but he’s as regular as the pledge over the p.a.

…..She’s picked her knitting back up and I can tell she’s taking it out on the sweater, which happens to be for me; I have crummy circulation. She’s a good knitter, but her stitches on this section of sleeve will be as tight as spaghetti left overnight in the colander. Some winter day down the line, I’ll be sitting in study hall and I’ll trace the history of my parents’ arguments on my sleeves.

…..      Now Abe’s looking up toward the ceiling, where David’s room is, squinting as if he’s waiting for his x-ray vision to kick in. He calls his name. When David doesn’t answer, he stands up and calls louder, with lots of diaphragm. If David were on his sofa, I would start humming “The train is a-coming,” which used to be code for “a scene is a-coming,” but then of course if David were on his sofa there wouldn’t be a scene. Nowadays if you want to find David, a closed door is the best place to start.

…..Abe calls again, this time in his Winston Churchill voice, and a tomato seed flies out of his mouth and lands in the carpet in the middle of the room. I’ll put money on this: first thing tomorrow morning, Mom will find it, pry it out of the rug with a fingernail and throw it away without a word.

…..Now he’s pacing, as if to locate David’s exact position above him. He walks over and turns off the TV, and I watch Ed Sullivan shrink to a dot like company leaving too soon.

…..     Mom finally takes the knitting gadget out of her mouth and says he should leave the boy alone, that he’s going through a difficult phase.

…..      “Difficult phase?” asks Abe, revving up. “Difficult phase?” as if it were a synonym for heart transplant operation or homicide conviction.

…..      “Maybe he’s just trying to get some homework done in peace,” she counters. This is touching; sometimes I think Mom has more imagination than the rest of us put together.

…..       He starts sputtering; when he gets really mad, his mouth makes more saliva than it knows how to use. This lubricates the swearing. “You, you…” he says, shifting his target back to Mom, as if she had been creating the disturbance all along. I sink deeper into my sofa, wishing I’d done my homework. When he finally finds the word he’s looking for, I have to hand it to him; aside from being accurate, it sounds like the nastiest curse I can imagine.

…..       “Pacifist,” he spits, with the accent on the “fist.”

…..       Then he delivers the sentence to us all: “Get your shoes on. We’re going out for ice cream.” He says it so loudly I half expect the neighbors to get up and march to our garage. Mom sighs softly and folds her knitting into the bag, while he goes upstairs and works some kind of dark magic on David, although I can’t imagine what — grounding him would be beside the point, and last month Abe already tore the upstairs phone extension out of the wall (David, I happen to know, gathered up all the bits of plaster and rolled them like a joint). In a minute David’s getting in the car with the rest of us. But every time I try to look at him his face bounces away in some other direction, as if his eyes have switched their magnetic pole and have to repel mine.

.

…..              At HoJo’s, we slide silently into the booth the way we just finished sliding out of the car. I imagine us as soldiers in some kind of domestic army drill, being forced to slide across vinyl over and over for no apparent reason. David sits up against the window and stares right past Mom and Abe. Meanwhile his hand begins picking at a pinhole in the turquoise seat with the abandon of an outlaw on a spree. It looks irresistible.

…..       As I said, it’s very quiet, and while we’re waiting for a waitress, I automatically try to compose a news item for the Purple Pro’s, which is a secret newsletter David and I used to publish. It had big screaming headlines like “International Incident Ensues When Patriarch Loses Gloves” and “Aftermath of B’nai B’rith Wild West Night Melee: Unanswered Questions Remain.” We printed it on Abe’s old ditto machine in the attic, and the pages came out all limp and dewy and we got half-high from sniffing ditto fluid. By the time we were done with an issue, the pages were purple and we were purple up to our forearms. It was David who had the idea to rub the excess ink onto Abe’s old white dinner jacket, which he couldn’t fit into anymore anyway, and so that was purple too. One day, we knew, Abe would discover the purple jacket, and there was a certain pleasure in waiting together for that particular boom to be lowered.

…..            Here’s my news item for tonight: “HoJo’s Heroics: Youngest Son Orders ‘Deluxe Fried Clams Dinner’ For Dessert and Cracks up Rest of Family, Thus Ending Impasse and Restoring Peace and Good Will.”

…..       But when the waitress takes our orders, I chicken out and get safe old maple walnut. To look busy, I pull the ketchup bottle over and start reading it. It’s one of those served-only-in-fine-restaurant bottles, which means the ketchup is runnier than the kind from the supermarket. Then I notice there’s a little bug crawling up the neck, with feelers going a mile a minute, and I realize with fascination that it’s a cockroach; in a house as clean as ours, we never get to see them.

…..       The rest of us have ordered; Abe has saved David for last. “David, don’t keep the young lady waiting,” he says. Abe loves waitresses; this is the second time he’s made her blush right through her powder, and she’s wearing a lot of powder. David, still picking at the vinyl, refuses to speak, refuses even to look at her, and she’s hard not to look at – she’s a big one, and every time she moves she’s like a glee club of slippery female nylon sounds.

…..              Abe stops mincing words. “David. Order.” I don’t know why, but I think that if I can just get David to focus on the cockroach it may help. I nudge him with my foot, but he just does the bouncing eyes again. Without looking at anything, David pulls out a big hunk of foam rubber from the inside of the seat. I try to deflect him by gesturing to the bottle.

…..       “He’ll have a dish of chocolate ice cream,” says Mom, trying to keep the ship afloat a little while longer.

…..       Abe has antennae too, and he senses that there’s something up he’s not in on. “Howie,” he says. “What’s so interesting over there?”

…..       “Nothing,” I answer, aiming for a tone not quite so nonchalant as to sound guilty. I push the ketchup away, but the roach is circumnavigating the bottle. It’s too late. Abe sees the roach. Out comes the lasso. It’s not going to be a quiet Sunday evening at HoJo’s for much longer.

.

…..       He marches over to the front of the restaurant, knocking a fork off the table on the way. I bend down to pick it up. The carpet muffles his footfalls, but I can hear his pants legs slapping against each other with every step.

…..       The cashier doesn’t have any customers, but she’s very busy with her receipts. Dad stands in front of her and clears his throat loudly.

…..       “Does this unclean establishment have a manager?” he booms right past her into the kitchen. Now a party of people, very tall people, has come in, and they’re waiting patiently to be seated. One of them is an old man with a walker; you can tell that even he would be tall if he could stand up straight. Abe looks up at them and tells them they should take their business elsewhere if they are concerned about their health and hygiene. He points toward the door and the Ford dealership across the street. When they look blank, he remembers to mention the cockroach.

…..       “If they can’t keep them off the ketchup bottles, think where else they must be lurking.” Now they look properly shocked, but I think it’s because, unlike us, they’re not used to men screaming in restaurants. One of them says “Oh, dear me.”

…..       I feel for this family – they probably spent the whole week planning this outing. They probably picked HoJo’s because it’s so comforting and quiet. It’s no short trip from the parking lot to the front door, either, and there are steps to get up. I bet the old man had to stop in the middle and rest.

…..       Now comes the part where he brings us into it, yelling about how he will not compromise the well-being of his family. Our waitress has come out of the kitchen to watch the fireworks. You can see that she, at least, is grateful; the Sunday shift must be pretty dull. She winks at me; I’m the only one in the booth who will look her in the eye.

…..       “He’s a live one, ain’t he?” she says.

…..       Abe motions across the restaurant to us to get up. Mom sighs under her breath, and I know that the rest of my maple walnut is going to be left to melt next to the untouched dish of chocolate. It’s time to start sliding across vinyl again. I hope the waitress doesn’t have to pay our bill. I reach over and try to shove the foam rubber back into the hole, but it’s too big.

.

 

…..       Now I’m in bed, lying absolutely still. I’m trying to will the household to stay calm the way that guy on Ed Sullivan willed a spoon to bend without touching it. For a while I hear going-to-bed sounds downstairs in the master bedroom: the Bowery Bank jingle on WINS, gurgling water, a brief outburst about toothpaste. I will harder, and finally I hear Abe snoring away, as if his evening’s activities were a good calisthenic workout. I feel triumphant.

…..       I tiptoe across the hall and knock on David’s door.

…..       “Can I come in?” I ask.

…..       “Give it a rest, Howie,” he answers. I can tell from his muffled voice that he’s in the lower bunk bed. But at least he reaches over and unlocks the door.

…..       I push the door open slowly and go in. I haven’t been invited in in a while. I expect some change, but it’s the same old kid’s bedroom – baseball posters all hung upside down, GI Joe’s glowing at the bottom of the fish tank.

…..       “That was a good one, tonight,” I say, sitting down on the floor. When he doesn’t answer I add, “So what’s the tally?”  We used to keep a list of the places Abe stormed out of: motels, tailor shops; car dealerships were a favorite. There was an asterisk next to the ones he stormed out of without paying.

…..       But the trouble with big brothers is just when you’re ready for checkers, they learn chess, and when you finally learn chess, they’re playing a game you’ve never heard of and they won’t even tell you what it’s called.

…..       “David, is something wrong?” I ask.

…..       He laughs. I try to take this as a good sign, but even Mom would be able to tell it’s not that kind of laugh.

…..       It suddenly comes back to me that the spoon-bending guy turned out to be a fake. I remember Abe took it very hard – he’s a big believer in willpower.

…..       “No, really,” I say.

…..       “You wanna know a secret, Howie?  I’ll let you in on a good one.”  He rolls over onto his stomach and turns his head up toward me. All of a sudden he’s getting downright excited.

…..       What he tells me is that he’s flunking.

…..       “Spanish?” I ask hopefully; he’s always had a bad attitude about Spanish.

…..       “Modern European History, English, Chemistry, Industrial Arts, Trigonometry, Gymnasium.”  He’s lying on his back, counting off each subject on his fingers. He’s enjoying the sounds of the words. “In addition to Intermediate Español.”

…..       I wish there were more subjects so he could keep on naming them for me. “Don’t forget Homeroom,” I say. “And there’s garden-weeding, and snow-shoveling. And ‘acting like a civilized person at the breakfast table.’”

…..       “I’m counting on you to raise my bail,” he says, as if he means it.

…..       “Can I cash in your trees in the Israeli forest?”

…..       “Howie, go to sleep. It’s a school night.”

…..       I say goodnight and go back to my room, but I can’t sleep. I get up and do my homework. Then, for David, I do the extra credit.

,

,

___

.

.

Michele Herman’s first novel,  Save the Village  (Regal House, 2022),  was a finalist for the Eric Hoffer Prize. She’s also author of two poetry chapbooks from Finishing Line:  Victory Boulevard  (2018)  and  Just Another Jack: The Private Lives of Nursery Rhymes  (2022).  She was the 2024 recipient of the Subnivean  Fiction Prize, judged by Gish Jen. Her work has appeared in recent issues of  Carve, Ploughshares, The Hudson Review, The Sun and many other journals. She’s a devoted teacher at The Writers Studio, a developmental editor, writing coach, award-winning translator of Jacques Brel songs, and an occasional columnist at LitHub.

.

.

___

.

.

Click here to help support the continuing publication of Jerry Jazz Musician, and to keep it ad and commercial-free (thank you!)

.

My Vertical Landscape,” Felicia A. Rivers’ winning story in the 69th Jerry Jazz Musician Short Fiction Contest

Click here to read more short fiction published on Jerry Jazz Musician

Click here to read The Sunday Poem

Click here for information about how to submit your poetry or short fiction

Click here for details about the upcoming 69th Jerry Jazz Musician Short Fiction Contest

Click here to subscribe to the Jerry Jazz Musician quarterly newsletter (it’s free)

.

.

.

___

.

.

 

Jerry Jazz Musician…human produced since 1999

.

.

.

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Poetry

photo of Shelly Manne by William Gottlieb/Library of Congress
21 jazz poems on the 21st of May, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. In this edition…An array of poetic styles communicate personal reverence for and experiences with jazz music, and its cherished musicians.

The Sunday Poem

photo via FBA Mastery

The Sunday Poem: “Traces” by Jason Youngclaus

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Jason Youngclaus reads his poem at its conclusion.


Click here to read previous editions of The Sunday Poem

Interview

photo of Billie Holiday by William Gottlieb/Library of Congress
Interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday’s Last Year...The author talks about the courage and resilience of the legendary Lady Day, and his outstanding book – an inspirational and revealing portrait of an iconic American, that, like his subject, exudes compassion and creative soul.

Poetry

Yves Moch, CC BY-SA 3.0, via Wikimedia Commons
“Remembering Sonny Rollins” – a collection of poetry...Over the years, many poems have been published on Jerry Jazz Musician that were written in reverence of the man we refer to simply as “Sonny.” In the wake of his death, many more have been written. The unsolicited poems making up this collection is an example.

Short Fiction

Photo by Johannes Schröter, via Pexels
Short Fiction Contest-winning story #71 – “Where the Music Wasn’t Allowed,” by Jane McCarthy....The award-winning story is about a young immigrant growing up in Southern California to the sound of music seeping into his family’s home from an upstairs neighbor’s piano, shaping the boy’s understanding of memory, family, belonging, and the improvisational ethics of music.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Poetry

photo by Tsutumu Takasu/via Flicker/CC BY 2.0
“Cajun Glory” – a prose poem by Robert Alan Felt

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Poetry

Six poets write eight poems (in the midst of our times)...Poets within this community of writers are feeling this moment in time, and writing about it. This collection is another example.

Short Fiction

“You Don’t Know What Love Is”- a short story by L.F. Graubard...A recovering junkie jazzman in a Starbucks time slips through the key years that fed his addiction — 1967 R&B and jazz gigs, ’69 biker bars, ’71 methadone hustles, ’79 script scams — before landing in the Narco Farm, where music, Sonny Rollins, and Secretariat crack his heart open. A fractured, noir confession about love, dope, and improbable grace.

Poetry

Peter Buitelaar, CC BY 2.0 , via Wikimedia Commons
Two Poems for Miles Davis

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Short Fiction

photo J. & L. Caswall Smith
“Bitty’s Last Request” – a short story by Jill Bronfman...In the story – a finalist in the recently concluded 71st Short Fiction Contest – a very old dancer visits her young relative with stories to tell about the old days in the clubs.

Poetry

art by Marsha Hammel
“Learning the Alphabet of the Blues” – a poem by Mary K O’Melveny...A poem from Kinds of Cool: An Interactive Collection of Jazz Poetry, Vol. II

Short Fiction

Alejandro Aznar/via Pexels.com
“Down at the Crossroads” – a short story by David Rudd...In this story – a finalist in the recently concluded 71st Jerry Jazz Musician Short Fiction Contest – a jazz composer hears a lone fiddler play a tune that enters his head and won’t leave it, like a virulent earworm, wrecking his playing, his friendships, and indeed, his life, until he finally finds a way to remove it.

Feature

photo via Wikimedia Commons
Memorable Quotes: Two, by Edward R. Murrow…

Feature

photo via Wikipedia
“Two Famous Johns” – a true jazz story by Bob Hecht...The writer remembers an evening in New York’s Half Note in 1964 when he witnessed a John Coltrane performance that was also attended by the pop singer Johnny Mathis

Poetry

Haiku: Musings – by Connie Johnson...Exploring segments of the world of jazz – in three suites of vivid haiku poetry…

Jazz History Quiz

photo of "Hot Lips" Page by William Gottlieb
Jazz History Quiz #187...This trumpeter began his career in California, where he organized a big band that had a residency in China in 1934, and, during a trip through Kansas City in 1936, was invited to join Count Basie’s orchestra, replacing “Hot Lips” Page (pictured). Who is he?

Feature

“Bohemian Spirit” – A Remembrance of 1970’s Venice Beach, by Daniel Miltz...The writer recalls 1970’s Venice Beach, where creatives chased a kind of freedom that didn’t fit inside four walls…

Feature

Boris Yaro, CC BY 4.0, via Wikimedia Commons
“The Bowie Summer” – a personal memory, and how art can fundamentally reshape identity, by G.D. Newton-Wade

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Feature

Albert Ayler’s Spiritual Unity – A Classic of Our Time, and for All Time – an essay by Peter Valente...On the essence of Albert Ayler’s now classic 1964 album…

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year; New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.