“Blue Note” – a short story by Isabella Brown

June 6th, 2024

.

.

“Blue Note” was a short-listed entry in our recently concluded 65th Short Fiction Contest, and is published with the consent of the author.

.

.

___

.

.

 

painting by Darryl Daniels

.

Blue Note

by Isabella Brown

 .

…..There’s been jazz music playing under my apartment for two weeks now. It doesn’t stop, not even at night. I wish I could blame it on neighbors, but I live in a ground-floor apartment, so nobody lives under me. I’ve tried to brush it off as some newly-opened jazz club or maybe a jazz band that has started busking in the street, two things which wouldn’t be uncommon here in New York City. But whatever it is, I just can’t figure out why it seems to be coming from underneath my apartment.

…..With every day that went by, it seemed to grow louder, and I almost couldn’t function because of it, which sounds ridiculous, like, oh my god I can’t live because it sounds like The Miles Davis Quintet lives underneath my apartment, but seriously, I reached a point at which I couldn’t take it anymore. The fact that it never fucking stops, and that I have no idea how it sounds like it’s right under my apartment, and also that I work from home as an editor for horrible magazine articles. Lately, I find myself re-writing every article in a swing-rhythm kind of way, with every other word being longer than the one that follows it, and then I am sent into a fit of rage when I realize this. My boss sent me an email a few days ago letting me know that my work “was not up to par with the quality of my usual work,” and while I found this to be quite concerning, I couldn’t stop myself from re-writing that email into a swing-rhythm cadence.

…..Two days ago, I dumped my problem onto an innocent delivery driver who’d brought me the ramen I ordered (extra egg, no green onion), partially because I had nobody else to rant to about it and partially because I wanted to be reassured that he also heard the music. I wanted to be sure I wasn’t totally insane. Well, you can imagine how I reacted when this kid with a mop of ginger hair and a blank expression looked me dead in the eyes and told me in a monotone voice that he had no idea what I was talking about, that he didn’t hear anything. I must be insane, I thought, taking my ramen and shutting the door quickly. When I opened the container and found a heap of green onions floating around the broth, I threw it into the trash and screamed into my couch (Oh god, I hate that thing – it smells and it’s full of holes with cotton spilling all over the place).

…..Yesterday, the music stopped. I felt like I was in a daze; it didn’t feel real, almost too good to be true. I wrote a normal article with normal words and I texted my landlord about all of the issues in my apartment I had been trying to ignore for weeks. I even ordered pizza and chatted with the delivery boy, which was the most social interaction I had had in a long time. These days, I don’t leave my apartment unless I have to. I have too many phobias and there are too many things in the world that I’m afraid will hurt me, make me more sick than I already am. So, I stay here, in this rotting little apartment that also makes me sick, but I can deal with it because it’s just me here. It makes me feel more in control.

…..When I wake up the next morning, the music is back.

…..Now, I am standing in the middle of my living room floor, holding a saw in my right hand and a hammer in my left. My curtains are shut, I don’t want the police to be called. I close my eyes and listen to the music, a floating trumpet melody accompanied by some quirky piano harmonies, saxophone, and a shaker drum. I am going to find you, I think.

…..And then, I do it. I start to saw at my floor, which has been decaying for a while now, saggy floor boards that smell a bit sour. This helps me to remove them, because they are softer than healthy, strong wood. I use the back end of the hammer to pry up the wood. It’s a relatively quick process, and as I pull up my floor, the music grows louder, motivating me to work faster. I don’t care that I am destroying my apartment. If my landlord gives me any shit, I will push him into the hole I have made.

…..Once I have created a hole big enough for me to fit in, I stop and look down. All I see is black – it looks like an eternal black hole, and the music is simmering in the hole, slowly rising into my apartment like steam from a pot of boiling water. And then, I jump.

….. I fall for several seconds before I land. The floor is cold and hard and the impact causes a sharp pain to shoot through my legs. I don’t know where I am, only that it is completely dark. After a moment, the room fills with light, and in front of me is the music I have been hearing for weeks.

…..The first thing I notice is that the music is actually much more pleasant when I’m inside it. It’s no longer background music, I am finally looking at the musicians I have been hearing for weeks. They’re creating something right in front of me, and it’s beautiful.

…..The next thing I notice is that none of the musicians have faces, although this doesn’t freak me out like it should. There is a bass player, tall but kind of slumped over, gently plucking the strings of his instrument, and when I stare at the blurry pale surface where his face should be, I feel a surge in my stomach. Even though he doesn’t have eyes, I can tell he is staring at me. I quickly comb my fingers through my greasy hair and look away from him.

…..The lights are moody, deep blues and shades of purple, swimming around the room. I turn around, and there is a bar; behind it, a faceless bartender, who is bald and wearing a sharp tuxedo. The air smells sweet and draws me over to the bar, where there is one red leather stool. I assume that it is for me, and sit down. I don’t know if the bartender notices me, his back is turned to me now, and he appears to be making something. When he turns around, I see that he is holding a china plate with a little dark cake on it, sprinkled with powdered sugar. He sets it down in front of me.

…..“Thank you,” I say. He nods. I take a fork and stab into it, and chocolate starts to pour out of the middle. I eat all of it in five bites. I suddenly find myself overwhelmingly thirsty from the sweetness of the cake. “Can I have a dirty martini?” I ask. Within two seconds of the words leaving my mouth, he spins around and hands me the drink, and I am delighted. I drink it all in one swig.

…..The alcohol has given me courage to ask the bartender a question. “Where am I?”

…..His face, or lack thereof, doesn’t move, but I hear him speak. “You’re in a jazz club.” His voice is low, raspy, like he hasn’t spoken in a very long time.

…..“Yeah, but, why is it under my apartment? And why doesn’t anyone have a face? And why am I the only normal person here?”

…..I fear that I have asked him too much, because he turns around and doesn’t answer me for a while, but when he turns back around, he is holding out another drink. This one is in a tall silver glass, filled with a rose-colored liquid, shimmering in the light. He sets it in front of me, and I look into metal, which is showing me warped reflections of the room around me. When I see myself in the glass, I notice that I, too, no longer have a face. I turn around on my red stool and realize that a crowd of faceless people has formed, and they are all dancing. Maybe they have always been there; I might have been too distracted to notice them.

…..So, I did the only thing I knew to do, which was to slide off my stool and start dancing, to let the jagged rhythm of the music guide me to the middle of the crowd, limbs tangling with my neighbors, lost in the moving lights and gentle swaying of the floor and getting drunk from the smell of lava cake. I don’t even think about how I could get sick from being with this many people.

…..When I look on stage, the bass player is still looking at me. I smile, and he winks. And when I look up for the hole in the ceiling that I came through, I discover it is no longer there, but I don’t mind, because I have finally found somewhere I belong.

.

.

___

.

.

Isabella Brown is a 21-year-old violinist pursuing her Bachelor of Music degree at the Colburn Conservatory of Music in Los Angeles. She has won first prize in dozens of music competitions as well as performed with some of the most esteemed symphonies in the world, including the Chicago Symphony Orchestra and the Cleveland Orchestra. When she is not practicing violin, Isabella loves reading and writing and is currently working on a collection of short fiction that she hopes to publish in the future.

.

.

The artist Darryl Daniels has admired jazz music and jazz musicians for many years, and decided to combine his love for abstract, realist and figurative expression into a series of paintings beginning in 1990, which evolved into his  Jazz  series, which are regularly in demand and are a part many collections around the world.

Click here to view his website

 

.

.

___

.

.

Click here to help support the continuing publication of Jerry Jazz Musician, and to keep it ad and commercial-free (thank you!)

.

Click here to read “Ballad,” Lúcia Leão’s winning story in the 65th Jerry Jazz Musician Short Fiction Contest

Click here to read more short fiction published on Jerry Jazz Musician

Click here to read The Sunday Poem

Click here for information about how to submit your poetry or short fiction

Click here for details about the upcoming 66th Jerry Jazz Musician Short Fiction Contest

Click here to subscribe to the Jerry Jazz Musician quarterly newsletter (it’s free)

.

.

.

___

.

.

 

Jerry Jazz Musician…human produced (and AI-free) since 1999

.

.

.

 

Share this:

One comments on ““Blue Note” – a short story by Isabella Brown”

Leave a Reply to Troy Hoffman Cancel reply

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

Poetry

“Prayer” – a poem by Jianqing Zheng (after a photo by William Ferris)

Essay

"Grace" by Erik Enstrom
Letter from the Editor/Happy Thanksgiving (a redux)...Connecting an old photograph owned since the 1970’s to gratitude for friends, family, artists, creators, website readers and contributors – (a redux)

Community

Calling All Poets…Submissions guidelines for the anthology “Black History in Poetry”...We are currently seeking poetry from writers of all backgrounds for Black History in Poetry, an anthology scheduled for publication in the Summer of 2026. The anthology will be a means of celebrating and honoring notable Black Americans by offering poetry that teems with imagery, observation, emotion, memory, testimony, insight, impact, and humanity. Our aim is to give readers a way to visualize Black history from a fresh perspective.

In This Issue

photo by William Gottlieb/design by Rhonda R. Dorsett
21 jazz poems on the 21st of November, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features poems communicating the emotional appeal of jazz music, as well as nods to the likes of Miles Davis, Regina Carter, Maynard Ferguson, Ornette Coleman, and Max Roach.

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Publisher’s Notes

A dispatch from Portland, 2025 – and Boston, 1969...Peaceful protest is nothing new to America. It is happening every day in Portland, where I live. It is what makes our country great. And those of us who grew up in the 1960’s probably have a history of protest – some turning violent – ourselves. The poet Russell Dupont shares text and photos from his experience while photographing the October, 1969 March against the [Vietnam] War in Boston, when plainclothes Federal officers attempted to confiscate his camera.

The Sunday Poem

”Sarah Vaughan Performing” by Arya F. Jenkins

The Sunday Poem is published weekly, and strives to include the poet reading their work.... Arya F. Jenkins reads her poem at its conclusion


Click here to read previous editions of The Sunday Poem

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Poetry

"Swing Landscape" by Stuart Davis
“Swing Landscape” – a poem by Kenneth Boyd....Kenneth Boyd writes poetry based on jazz paintings. “Swing Landscape” is written for a Stuart Davis painting of the same name.

Short Fiction

Short Fiction Contest-winning story #69 – “My Vertical Landscape,” by Felicia A. Rivers...Touched by the stories of the Philadelphia jazz clubs of the 1960s, a graffiti artist transforms an ugly wall into something beautiful – meaningful, even.

Poetry

photo via Wikimedia Commons
Jimi Hendrix - in four poems

Playlist

A sampling of jazz recordings by artists nominated for 2026 Grammy Awards – a playlist by Martin Mueller...A playlist of 14 songs by the likes of Samara Joy, Brad Mehldau, Dee Dee Bridgewater, Branford Marsalis, the Yellowjackets and other Grammy Award nominees, assembled by Martin Mueller, the former Dean of the New School of Jazz and Contemporary Music in New York.

Poetry

Ukberri.net/Uribe Kosta eta Erandioko agerkari digitala, CC BY 2.0, via Wikimedia Commons
In Memoriam: “Color Wheels” – a poem (for Jack DeJohnette) by Mary O’Melveny

Short Fiction

“Alas, for My Poor Heart” – a short story by Daryl Rothman...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – concerns art and its truest meanings—where you just might have to look twice at what the shadow and light of a piece says about that within your soul.

Essay

“Escalator Over the Hill – Then and Now” – by Joel Lewis...Remembering the essential 1971 album by Carla Bley/Paul Haines, inspired by the writer’s experience attending the New School’s recent performance of it

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Feature

photo of Barry Harris by Mirko Caserta
“With Barry Harris at the 11th Street Bar” – a true jazz story by Henry Blanke...The writer - a lifelong admirer of the pianist Barry Harris - recalls a special experience he had with him in 2015

Short Fiction

publicdomainpictures.net
“Corkscrew” – a short story by Mike Wilson...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is about a night when everything goes wrong and everyone is annoying, an unexpected turn of events teaches a sarcastic lawyer that the old adage is true – a cynic is just a disappointed romantic.

Feature

Jazz History Quiz #184...Maurice Ravel (pictured) acknowledged basing his Bolero on an improvisation of this clarinetist, who was also influential in the careers of Benny Goodman and Nat Cole, who made famous this musician’s theme song, “Sweet Lorraine.” Who is he?

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Feature

Trading Fours, with Douglas Cole, No. 26: “Bougainvillea Sutra”...An occasional series of the writer’s poetic interpretations of jazz recordings and film. In this edition, his inspiration comes from the guitarist John Scofield’s 2013 EmArcy album Uberjam Deux, and specifically the track titled “Scotown.”

Short Fiction

photo by Simon Webster
“Smoke Rings and Minor Things” – a short story by Jane McCarthy...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is a meditation on missed chances, minor keys, and the music that outlives the room it was played in.

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

Community

photo of Dwike Mitchell/Willie Ruff via Bandcamp
“Tell a Story: Mitchell and Ruff’s Army Service” – an essay by Dale Davis....The author writes about how Dwike Mitchell and Willie Ruff’s U.S. Army service helped them learn to understand the fusion of different musical influences that tell the story of jazz.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two– Vol. 16: Halloween on Mars? Or…speculative jazz fiction...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 16th edition featuring excerpts from his outstanding literary resource, Rife writes about azz-inflected speculative fiction stories (sci-fi, fantasy and horror)

Poetry

“With Ease in Mind” – poems by Terrance Underwood...It’s no secret that I’m a fan of Terrance Underwood’s poetry. I am also quite jealous of his ease with words, and of his graceful way of living, which shows up in this collection of 12 poems.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Poetry

“November Affair” – a poem (for November) by Jerrice J. Baptiste...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Hoagy Carmichael, Frank Sinatra, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes November with a sensual, romantic poem that inspires a listening to Andre Previn and Doris Day’s 1962 recording of “My One and Only Love.”

Essay

“Is Jazz God?” – an essay by Allison Songbird...A personal journey leads to the discovery of the importance of jazz music, and finding love for it later in life.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Playlist

“Look Ma, No Net!” – a playlist of nonets, by Bob Hecht...In this episode of our progressive instrumentation playlists, we add a ninth instrument to the mix to form a Nonet!

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Community Bookshelf #5...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March, 2025 – September, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

Interview with John Gennari, author of The Jazz Barn:  Music Inn, the Berkshires, and the Place of Jazz in American Life; Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works......  Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.