Poetry by Michael Lee Johnson

April 4th, 2013

 

Bird Feeder

Baby,
born
just
a
sparrow-
first flight
from balcony
to tree limb.
A chip of corn falls
from the feeder
to the ground.

-2007-

 

 

Mother, Edith, at 98

Edith, in this nursing home
blinded with macular degeneration,
I come to you with your blurry
eyes, crystal sharp mind,
your countenance of grace–
as yesterday’s winds
I have chosen to consume you
and take you away.

“Oh, where did Jesus disappear
to, she murmured,
over and over again,”
in a low voice
dripping words
like a leaking faucet:
“Oh, there He is my my
Angel of the coming.”

-2007-

 

I Brew in Broth

When the silence of my
life tickles in darkness
delves into my daily routine
caught in my melancholy music
at times, not exact;
then exuberant auto racing playing
at times, not exact;
(a new poem published or a kick in the ass)
kick smacks like tornado alley
in the tomato can
left over-paste
of my emotions
at times, not exact;
I realize the split of legacy,
of loyalty on its knees fractured
like a comma or sentence fragment,
naked like a broken egg
between friendship and hatred,
I stew like beef then broth
simmering
sort of liked, sort of hated,
not exact.

-2007-

 

Poem From My Grave

Don’t bring the rosary beads
it’s too damn late for doing repetitions.
Eucharist, I can handle the crackers and wine;
I love the Lord just like you.
Catholicism circles itself with rituals–
ground hogs and squirrels dancing with rosary beads,
naked in the sun and the night, eating the pearls
and feeling comfortable about it.
Rituals and rosary beads are indigestible
even the butterflies go coughing in the farmer’s cornfields..
Cardinal George, Chicago, would choke on the damn things;
some of his priests would have thought it a gay orgasm or piece
remote found in scripture from Sodom & Gomorrah.
But my bones in ginger dust lie near a farm in DeKalb, Illinois,
where sunset meshes corn with a yellow gold glow like rich teeth.
My tent is with friends where we said prayers privately like silent
moonlight. Farmers touch the face of God each morning after just
one cup of Folgers coffee Columbian blend,
or pancakes made with water and batter, sparse on the sugar.
Sometimes I would urinate on the yellow edge of flowers,
near the tent, late at night, before the hayride, speak
to the earth and birds like gods.
Never did I pull the rosary beads from my pocket.
It’s too late, damn it, for rosary beads and repetitions.

-2007-

 

_______________________

 

MICHAEL LEE JOHNSON lived ten years in Canada during the Vietnam era. Today he is a poet, freelance writer, photographer, and small business owner in Itasca, Illinois, who has been published in more than 750 small press magazines in twenty-five countries. He also edits seven poetry sites. Michael has released The Lost American: From Exile to Freedom (136 page book), several chapbooks of his poetry, including From Which Place the Morning Rises and Challenge of Night and Day, and Chicago Poems. He also has over 56 poetry videos on YouTube.

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In This Issue

"Nina" by Marsha Hammel
A Collection of Jazz Poetry — Winter, 2024 Edition...One-third of the Winter, 2024 collection of jazz poetry is made up of poets who have only come to my attention since the publication of the Summer, 2023 collection. What this says about jazz music and jazz poetry – and this community – is that the connection between the two art forms is inspirational and enduring, and that poets are finding a place for their voice within the pages of this website. (Featuring the art of Marsha Hammel)

The Sunday Poem

“Mother’s Day Brunch” by Russell duPont

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Proceeding From Behind: A collection of poems grounded in the rhythmic, relating to the remarkable, by Terrance Underwood...A relaxed, familiar comfort emerges from the poet Terrance Underwood’s language of intellectual acuity, wit, and space – a feeling similar to one gets while listening to Monk, or Jamal, or Miles. I have long wanted to share his gifts as a poet on an expanded platform, and this 33-poem collection – woven among his audio readings, music he considers significant to his story, and brief personal comments – fulfills my desire to do so.

Interview

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Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives and challenges many of the young Black women who made up the Girl Groups of the ‘60’s faced while performing during an era rife with racism, sexism, and music industry corruption. The authors discuss their book’s mission to provide the artists an opportunity to voice their experiences so crucial to the evolution of popular music.

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Short Fiction Contest-winning story #65 — “Ballad” by Lúcia Leão...The author’s award-winning story is about the power of connections – between father and child, music and art, and the past, present and future.

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photo of Louis Jordan by William Gottlieb/Library of Congress
Interview with Tad Richards, author of Jazz With a Beat: Small Group Swing, 1940 – 1960...Richards makes the case that small group swing players like Illinois Jacquet, Louis Jordan (pictured) and Big Jay McNeely played a legitimate jazz that was a more pleasing listening experience to the Black community than the bebop of Parker, Dizzy, and Monk. It is a fascinating era, filled with major figures and events, and centered on a rigorous debate that continues to this day – is small group swing “real jazz?”

Playlist

Sonny Rollins' 1957 pianoless trio recording "Way Out West"
“The Pianoless Tradition in Modern Jazz” – a playlist by Bob Hecht...an extensive playlist built around examples of prominent pianoless modern jazz.

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Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – (Vol. 1)...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them.  In this initial edition featuring his story essays/reviews, Rife writes about three novels that explore challenges of the mother/daughter relationship.

Trading Fours with Douglas Cole

The cover of Wayne Shorter's 2018 Blue Note album "Emanon"
Trading Fours, with Douglas Cole, No. 20: “Notes on Genius...This edition of the writer’s poetic interpretations of jazz recordings and film is written in response to the music of Wayne Shorter.

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Review

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Book Excerpt

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Jazz History Quiz #171

Dick Cavett/via Wikimedia Commons
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.“Community Bookshelf, #2"...a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books. This edition includes information about books published within the last six months or so…

Contributing Writers

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Coming Soon

A new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

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Click to view the complete 22 year archive of Jerry Jazz Musician interviews, including those recently published with Richard Carlin and Ken Bloom on Eubie Blake (pictured); Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.

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