Jazz History Quiz #154

May 22nd, 2022

.

.

 


The correct answer is Clark Terry!

.

photo by Brian McMillen

Brian McMillen Photography: Brass &emdash; Clark Terry

.

Clark Terry’s career spanned the history of jazz music.  He played trumpet and flugelhorn for over 70 years, performing in the bands of Charlie Barnet, Count Basie, Duke Ellington, Quincy Jones, and Oscar Peterson, and recorded over 50 albums as a leader.  Terry was also an important mentor to, among many others, Miles Davis, Herbie Hancock, and Wynton Marsalis, and was a leading advocate for jazz education.

Click here for Terry’s Wikipedia page

.

___

.

 

.

From his 2011 book Clark: The Autobiography of Clark Terry, Terry recounts getting hired for a recording gig with Dinah Washington

.

 

…..In August of ’54 while we were in Los Angeles, Dinah Washington was hanging out of the window of the Adams Hotel when we were getting out of our bus.  She was yelling at somebody, then she saw us.  She waved at me and said, “Hey, I didn’t know that you were going to be in town!  We’ve got a record date to do tonight.”

…..I said, “Who’s on it?”

…..“Maynard Ferguson, Clifford Brown, Max Roach, Richie Powell, Keter Betts, David Schildkraut,” and she kept naming a whole bunch of people.

…..So I said, “And me, too.”

…..She said, “Of course!  Just come on and show up.”

…..It was an unusual type of session; I’d never been to one where people were invited to sit in at the studio.  Even though I was unadvertised and unexpected, it turned out to be a real fun date.  When the album came out, it was titled, Dinah Jams.

…..Everybody called her the Queen.  She was definitely on the ball at that recording session, as usual.  Really taking care of business.  I’d first met her when I joined Hamp’s band, and she was a fabulous lady.  Vivacious, lively.  A marvelous person.  I loved working with her because she was an absolutely incredible singer.  Powerful and extremely articulate. 

…..I played on almost all of her recordings, even if I had to play under the pseudonym of “Doobie Hicks,” which I used whenever I had to avoid the repercussions of breaking the BMI and ASCAP rules.  They were competitive publishing houses that required us to make a signed commitment for one or the other.  They didn’t permit us to record with an artist unless it was someone who’d signed with their company.

…..Dinah was notorious for throwing parties.  Like a pajama party she had once.  The only thing I remember about that party was a picture that someone took of me.  On the floor, totally drunk.  Like Louis Jordan’s song went, “Sho’ had a wonderful time last night – least wise – they told me I did.”

…..When Dinah got tired of all the people there and she was ready to enjoy her man privately, she said, “All right!  Everybody out.  The party’s over.  We all had fun but it’s time to go home.”  She never minced her words.  You could bet that whatever she said was exactly what she meant.”

.

– Clark Terry, from his book Clark: The Autobiography of Clark Terry [University of California Press]

.

 

.

.

 

Listen to a live 1954 performance of Dinah Washington singing “I’ve Got You Under My Skin,” with trumpet solos by Clark Terry and Maynard Ferguson

.

.

 

Watch a film of Clark Terry performing on the Tonight Show, c. 1980

.

.

Play another Jazz History Quiz

.

.

 

 

 

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

In This Issue

"Nina" by Marsha Hammel
A Collection of Jazz Poetry — Winter, 2024 Edition...One-third of the Winter, 2024 collection of jazz poetry is made up of poets who have only come to my attention since the publication of the Summer, 2023 collection. What this says about jazz music and jazz poetry – and this community – is that the connection between the two art forms is inspirational and enduring, and that poets are finding a place for their voice within the pages of this website. (Featuring the art of Marsha Hammel)

The Sunday Poem

photo by Bekzat Tasmagambetov/via Pexels
"The Lady Sings" - by Michael Keshigian

Click here to read previous editions of The Sunday Poem

Poetry

Proceeding From Behind: A collection of poems grounded in the rhythmic, relating to the remarkable, by Terrance Underwood...A relaxed, familiar comfort emerges from the poet Terrance Underwood’s language of intellectual acuity, wit, and space – a feeling similar to one gets while listening to Monk, or Jamal, or Miles. I have long wanted to share his gifts as a poet on an expanded platform, and this 33-poem collection – woven among his audio readings, music he considers significant to his story, and brief personal comments – fulfills my desire to do so.

Interview

The Marvelettes/via Wikimedia Commons
Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives and challenges many of the young Black women who made up the Girl Groups of the ‘60’s faced while performing during an era rife with racism, sexism, and music industry corruption. The authors discuss their book’s mission to provide the artists an opportunity to voice their experiences so crucial to the evolution of popular music.

Book Excerpt

An excerpt from Emily Jon Tobias’ MONARCH: Stories, and a reflection on our friendship

Art

photo of Archie Shepp by Giovanni Piesco
The Photographs of Giovanni Piesco: Archie Shepp...photos of the legendary saxophonist (and his rhythm section for the evening), taken at Amsterdam's Bimhuis on May 13, 2001.

Poetry

The cover to Joni Mitchell's 1976 album Hejira [Asylum]; photo by Norman Seeff
“Fort Macleod, Alberta, Canada” – a poem (for Joni Mitchell) by Juan Mobili

Click here to read more poetry published in Jerry Jazz Musician

Calling All Poets!

News about a Jerry Jazz Musician printed jazz poetry anthology, and information about submitting your poetry for consideration

Short Fiction

pickpik.com
Short Fiction Contest-winning story #65 — “Ballad” by Lúcia Leão...The author’s award-winning story is about the power of connections – between father and child, music and art, and the past, present and future.

Click here to read more short fiction published on Jerry Jazz Musician

Interview

photo of Louis Jordan by William Gottlieb/Library of Congress
Interview with Tad Richards, author of Jazz With a Beat: Small Group Swing, 1940 – 1960...Richards makes the case that small group swing players like Illinois Jacquet, Louis Jordan (pictured) and Big Jay McNeely played a legitimate jazz that was a more pleasing listening experience to the Black community than the bebop of Parker, Dizzy, and Monk. It is a fascinating era, filled with major figures and events, and centered on a rigorous debate that continues to this day – is small group swing “real jazz?”

Playlist

Sonny Rollins' 1957 pianoless trio recording "Way Out West"
“The Pianoless Tradition in Modern Jazz” – a playlist by Bob Hecht...an extensive playlist built around examples of prominent pianoless modern jazz.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – (Vol. 1)...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them.  In this initial edition featuring his story essays/reviews, Rife writes about three novels that explore challenges of the mother/daughter relationship.

Trading Fours with Douglas Cole

The cover of Wayne Shorter's 2018 Blue Note album "Emanon"
Trading Fours, with Douglas Cole, No. 20: “Notes on Genius...This edition of the writer’s poetic interpretations of jazz recordings and film is written in response to the music of Wayne Shorter.

Click here to read previous editions of Trading Fours with Douglas Cole

In Memoriam

Hans Bernhard (Schnobby), CC BY-SA 3.0, via Wikimedia Commons
“Remembering Joe Pass: Versatile Jazz Guitar Virtuoso” – by Kenneth Parsons...On the 30th anniversary of the guitarist Joe Pass’ death, Kenneth Parsons reminds readers of his brilliant career

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Poetry

painting by Vaino Kunnas
Jazz…in eight poems...A myriad of styles and experiences displayed in eight thoughtful, provocative poems…

Jazz History Quiz #172

photo of Teddy Wilson by William Gottlieb
Teddy Wilson once said this about a fellow jazz pianist:

“That man had the most phenomenal musical gifts I’ve ever heard. He was miraculous. It’s like someone hitting a home run every time he picks up a bat. We became such fast friends that I was allowed to interrupt him anytime he was playing at the house parties in Toledo we used to make every night. When I asked him, he would stop and replay a passage very slowly, showing me the fingering on some of those runs of his. You just couldn’t figure them out by ear at the tempo he played them.”

Who is the pianist he is describing?

Community

photo via Picryl.com
.“Community Bookshelf, #2"...a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books. This edition includes information about books published within the last six months or so…

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

A new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Eubie Blake
Click to view the complete 22 year archive of Jerry Jazz Musician interviews, including those recently published with Richard Carlin and Ken Bloom on Eubie Blake (pictured); Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.

Site Archive