In Prague, things just sort of worked out

May 3rd, 2023

.

.

Prior to the show in Prague’s Jazz Club Reduta, April 30, 2023

.

___

.

 

…..I began my vacation in Europe last week, choosing the gorgeous Czech Republic city of Prague as my starting point.   Shortly after arriving I took a wonderful bike tour and noticed that among the countless historic landmarks, tourist shops, museums, pork knuckle restaurants, pilsner pubs and Czech chimney cake shops that make up this fascinating city were several clubs advertising “jazz” nestled in the narrow-laned baroque neighborhoods and along its major boulevards.

…..While I knew prior to coming that the town had jazz clubs, the number of them surprised me, and after the ride I consumed a half-liter of pilsner and amended my list of possible things to do while in Prague, adding visiting a jazz club or two to it.  Unfortunately, when I subsequently visited the websites for the two most convenient for me to reach on foot, the repertoire wasn’t particularly inspiring.  So, when I set out for dinner I had no expectation to be in a jazz club.

…..I wandered, crossing over the astonishing Charles Bridge into Old Town, meandering along classic cobblestone streets in the perfect light of the descending sun, stopping in at an appropriately dark pub for pork knuckle and another half-liter. Afterwards, feeling heavier in the body but lighter in the head, I began what would turn out to be a significant walk.  It wasn’t long, however, before I was distracted on New Town’s Nardoni Avenue by a modest sign that read “Jazz Club Reduta,” which I recognized as one of the clubs whose evening programming I had determined was not up to my lofty standards.

…..Despite that self-imposed, rigid barrier, I was curious about the club because in the alley leading to the box office hung colorful posters of Sinatra, Ella, and Armstrong, as well as the famous photo of Bill Clinton playing saxophone in the presence of Czech Republic President Vaclav Havel.  In retrospect, what a joyous time in history that was, and such a feel-good moment made it impossible not to at least step inside and check it out.  It was only minutes before the first set would begin, and I had already made up my mind not to attend this show, but I began a conversation with the young man in the box office about the club’s beginnings in 1957 and the next evening’s show when a charismatic and affable man nearby introduced himself as the drummer for the evening, and for tomorrow’s show as well.

…..Thus I was introduced to Otto Hejnic, a jazz drummer of significant stature in Prague who has (I have since learned) recorded several compact discs as a leader, and when he discovered that I am from America and that I publish a website celebrating jazz, insisted that he host me for the next evening’s show.  He eagerly shared information about his career with a genuine enthusiasm that I found irresistible.  I learned long ago to honor that, and he was one helluva salesman, so I accepted his invitation.

…..I left the Club Reduta and set out on my long evening walk, taking countless photos in the perfect light along the way, eventually ending up at the steps of the National Museum at Wenceslas Square, looking down over the length of the square and the entire city.  It was a spine-tingling introduction to my European trip.

…..I made my way back down the square, turning aimlessly down one street, then another – my hotel just on the other side of the Charles Bridge a mile or so away.  My only immediate intention was to get to bed and sleep off some jet lag, but a modest sign caught my eye ahead of me:  “Live Jazz.”   It was available, right here, right now, at a subterranean jazz club known as the AghaRTA.

…..I checked my phone and realized this was the other club whose programming didn’t really catch my fancy, but by now I was determined to take in some contemporary Prague culture before the evening came to a close, so I paid my 300 crowns (about $15), and made my way into the club to experience a drummer-led quartet known as “Captain Fingers,” who proudly market themselves as “the only band on the Czech music scene that is dedicated to an almost missionary promotion of fusion jazz.”  For those who may recall, in 1977 the guitarist Lee Ritenour released an album titled Captain Fingers (his nickname) which actually charted in Billboard for a few weeks and from which this band derives its name.

.

Captain Fingers

.

…..I made myself comfortable at a front row table among a young audience of about 40 people, and with a glass of drinkable red found myself, surprisingly, getting into it.  The music was entertaining and the atmosphere was very fun.   I stayed for about four or five songs – as long as my jet lag would allow – three of which I have some general recollection of.  One was the Ritenour tune, along with one composed by the 80’s fusion band Steps Ahead, and the other a pretty good Pat Metheny song, which the guitarist handled nicely.  I can’t remember the name of either tune, and it really doesn’t matter, does it?  They played them all very well and true to the spirit of the genre, the drummer Michal Hejna was immensely proud of his group (who he introduced – as well as each song – in fluent English),  his bandmates were all quite competent, and I left happy and with the realization and satisfaction that I had to go to the other side of the world to hear a fusion band interpreting long forgotten and generally ignored music.  I made my way across the Charles Bridge and tucked myself into my hotel,  knowing I had supported the local jazz scene on my very first night in Europe, and that another evening of jazz awaited me at the Club Reduta the next evening.  Which was a thoroughly wonderful, inspiring experience.

.

Inside the Club Reduta, April 28, 2023…(left to right; Jakub Tokoli, Lee Andrew Davison, Jan  Fečo and Otto Hejnic)

.

 

…..  Otto met me at the box office and introduced me to his visiting friends, members of the band, and then showed me to the best seat in the house, which is a very warm, comfortable, visually rich space.  The band was fronted by the singer Lee Andrew Davison, a native Oklahoman who has lived in Prague since 1991, and he led the trio through entertaining, competent renditions of American standards – “Route 66,” “Answer Me,” “Summertime” and “Georgia” among them.  At intermission Mr. Davision worked his way through the entire audience, asking where everyone was from, and as he introduced the second set called out the countries represented – virtually every country in Europe, the U.S. and Korea (he made a point of saying they were from SOUTH Korea).

…..So, the ensemble was charming, Otto played the hell out of the drums, and the evening provided me with a warm memory for the outset of my trip, as well as a reminder that, like the night before, jazz is an American art form that finds its way into every corner of the globe, interpreted by quality people and top-notch musicians who have a strong desire to keep the art alive, and to do so with their own vision for it.

…..And, in the case of Otto, his vision goes beyond the ensemble, and he is enthusiastic in sharing it.  He has demonstrated through his creation of multiple recordings (which I’ve enjoyed on Spotify while traveling between cities on the train) that he has a grasp of what is important to him – musical artistry and integrity, a gift for composition, a respect for tradition, and a passion for collaboration.

…..This trip is off to a fine start, and, though not part of my original plan, jazz music and the good people who play it, present it, and witness it has become a central part of it.  Funny how things can just sort of work out.

…..More on that (from Vienna) next time.

,

Joe Maita

Editor/Publisher

.

In Wenceslas Square, April 29, 2023

.

.

Prague, April 30, 2023

.

.

 

.

 

___

.

.

Watch a 2021 filmed performance of the Otto Hejnic Organism playing “Survival Fight,” with Hejnic (drums); Brian Charette (organ); and Osian Roberts (saxophone)

.

“Come Up” is from the album Beringia

.

Click here to be taken to Otto’s website

.

Watch a December, 2022 live performance of Captain Fingers performing at AghaRTA Jazz Club, Prague

.

.

Other posts about and from my European journey

.

Click here to read “My pursuit of the exterior”

Click here to read “In Prague, things just sort of worked out”

Click here to read “Beyond Category…Two Vienna jazz clubs”

Click here to read “A friendship made in Verona”

Click here to read “C’est Si Bon’ – at trip’s end, a D-Day experience, and an abundance of gratitude”

.

.

.

___

.

.

Click here to subscribe to the Jerry Jazz Musician quarterly newsletter

.

___

.

.

Jerry Jazz Musician…human produced (and AI-free) since 1999

.

.

.

Share this:

2 comments on “In Prague, things just sort of worked out”

  1. All those jazz clubs?
    Prague sounds wonderful…

    It’s official: you’re off to a great start, Joe.

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

In This Issue

Monk, as seen by Gottlieb, Dorsett and 16 poets – an ekphrastic poetry collection...Poets write about Thelonious Monk – inspired by William Gottlieb’s photograph and Rhonda R. Dorsett’s artistic impression of it.

Poetry

21 jazz poems on the 21st of August, 2025...A monthly series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features several poems on John Coltrane and Billie Holiday, as well as nods to Bill Evans, Chet Baker, Archie Shepp and others…

The Sunday Poem

”The Artists of Dutch Alley” by Robert Alan Felt

The Sunday Poem is published weekly, and strives to include the poet reading their work.... Robert Alan Felt reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Feature

“Two Jazz Survivors” – a true jazz story by Bob Hecht...A remembrance of a personal friendship with the late Sheila Jordan, one of the most unique vocalists in jazz history.

Poetry

photo by Brian McMillen
“Portrait of Sheila Jordan” – a poem by George Kalamaras

Essay

“Escalator Over the Hill – Then and Now” – by Joel Lewis...Remembering the essential 1971 album by Carla Bley/Paul Haines, inspired by the writer’s experience attending the New School’s recent performance of it

Short Fiction

Short Fiction Contest-winning story #69 – “My Vertical Landscape,” by Felicia A. Rivers...Touched by the stories of the Philadelphia jazz clubs of the 1960s, a graffiti artist transforms an ugly wall into something beautiful – meaningful, even.

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Community

The passing of a poet: Alan Yount...Alan Yount, the Missouri native whose poems were published frequently on Jerry Jazz Musician, has passed away at the age of 77.

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

Poetry

“With Ease in Mind” – poems by Terrance Underwood...It’s no secret that I’m a fan of Terrance Underwood’s poetry. I am also quite jealous of his ease with words, and of his graceful way of living, which shows up in this collection of 12 poems.

Feature

“Blind Willie Johnson Leaves the Solar System,” by Henry Blanke...An appreciation for Blind Willie Johnson, whose landmark 1927 – 1930 recordings influenced generations of musicians, and whose song, “Dark is the Night, Cold is the Ground,” was included on the album sent into space a generation ago as a way for extraterrestrial beings to glean something important about human culture and life on Earth.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Essay

“Is Jazz God?” – an essay by Allison Songbird...A personal journey leads to the discovery of the importance of jazz music, and finding love for it later in life.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Feature

Jimmy Baikovicius from Montevideo, Uruguay, CC BY-SA 2.0, via Wikimedia Commons
Trading Fours, with Douglas Cole, No. 25: “How I Hear Music: ‘Feel the Sway,’ A Song in Three Movements”...In this edition, due to a current and ongoing obsession with drummer Matt Wilson’s 2006 album The Scenic Route, Douglas Cole writes another poem in response to his experience listening to the track “Feel the Sway.”

Feature

Jazz History Quiz #182...He is best known for writing “(Get Your Kicks On) Route 66” — which Nat Cole (pictured) made famous in 1946 — but his earliest musical success came with the song “Daddy,” recorded in 1941 by Sammy Kaye and His Orchestra, which was the #1 record for eight weeks. He was also famous for being married to the glamorous singer Julie London. Who is he?

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 15: High Spirits-Dark Laughter-Absurdity...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 14th edition featuring excerpts from his outstanding literary resource, Rife writes about stories whose themes include High Spirits, Dark Laughter, and Absurdity

Poetry

“August Blues” – a poem (for August) by Jerrice J. Baptiste...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Hoagy Carmichael, Frank Sinatra, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes August with a solemn poem punctuated by the bass of Stefan Redtenbacher.

Playlist

“Eight is Great!” – a playlist by Bob Hecht...The cover of the 1959 album The Greatest Trumpet of Them All by the Dizzy Gillespie Octet. A song from the album, “Just by Myself,” is featured on Bob Hecht’s new 28-song playlist – this one devoted to octets.

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Stewart Butterfield, CC BY 2.0, via Wikimedia Commons
Community Bookshelf #4...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Tad Richards, author of Listening to Prestige:  Chronicling Its Classic Jazz Recordings, 1949 - 1972...  Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.