“The Hidden Garden” — a short story by Con Chapman

August 16th, 2022

.

.

“The Hidden Garden,” a story by Con Chapman, was a short-listed entry in our recently concluded 60th Short Fiction Contest, and is published with the consent of the author

.

.

___

.

.

.

The Hidden Garden

by Con Chapman

.

   …..         She was the one who moved out, to a studio apartment on the back side of Beacon Hill that looked north so it only got direct sunlight for half a day during the summer. Rob felt bad about it but it had to be that way.  They argued all the time, and he could afford to pay the rent on the one bedroom with the big great room—that’s what she called it—on the sunny side of the hill and she couldn’t, not by herself.  That apartment looked north, too, but it had windows on two sides at least, so you got some sun in the winter.

   …..           He wondered why she chose to live so close, and flattered himself that she really didn’t want to break up, but still he promised himself that he wouldn’t get back together with her.  Maybe it was the lack of sunlight that makes her so depressed, he thought, and if so moving to the back side of the hill—where the Blacks and the servants to the Boston Brahmins used to live—wasn’t going to help.

   …..             At least she had a view of one of the hidden gardens, the enclosed spaces within city blocks where some grass and flowers could grow.  Maybe that will help her get out of her funk and find somebody else, he thought.  He was sorry they had ever lived together in the first place, it seemed like something calculated on her part the way things had ended up as he looked back on it.

   …..          He had told her he was moving to Boston and asked if she wanted to come live with him and she’d said no, so he’d gone ahead and made arrangements to live with two other students.  Then she had changed her mind—just like her—and what was he supposed to do?

   …..      He told her she could come live in his bedroom, but Hank, the guy whose name was on the lease, eventually put his foot down.  He didn’t even give them the chance to pay half the rent instead of a third–she had to leave.  Hank was like that, a real straight arrow, and he didn’t like having to get dressed before he went down the hall to the bathroom, he said.

   …..          Rob had stewed about it for a week or so, then told Hank he’d move out too, to where she’d gone.  No sweat off my balls, Hank had said, and that day had been just about the happiest he’d ever seen her when he drove through the snow to her new apartment with his car loaded up with his stuff.  She gave him a big hug when he opened the door, it was like a commercial it was so commonplace, she who did everything she could to keep the common out of her life.

   …..       Then he graduated and got a real job, and they could afford her dream apartment; old bricks that looked like old money and class and culture, or at least it appeared that way.  A quaint little neighborhood with a café around the corner where you could get a croissant on Saturday morning and a bookstore down the street.  The bedroom was in the basement but you got sun through the window upstairs and a view of the Common.  History so thick you could hit it with a stick, he thought at the time, but he liked it too.

   …..           The next year they moved up a notch to the place next door, the one she moved out of, which looked out on the alley.  They’d had it with sleeping in the basement, with the pipes hissing and clanging all night; they were both making more money and could afford something better.  It had a Franklin stove—not a real fireplace—but it warmed the place up and she got a cat.  She named it Hodge, after Samuel Johnson’s cat.  The story was that when cat’s meat pies became popular in London people’s cats began to disappear and Johnson would look down at his cat and say “They’ll not have Hodge!”  That went over big with her friends who worked at the public television station.

   …..       They divided up the record albums and he wasn’t sorry to see any of hers go although he liked her harpsichord music.  She, on the other hand, got all sentimental that she wouldn’t be able to listen to his jazz, and actually started to cry.  He put his arm around her and said “I’ll make you some tapes,” and so he had, which he brought over as soon as she was settled in and had furnished the place.

   …..    “It’s mainly piano,” he said.  “Only the best.”

   …..    “Like who?” she asked.

   …..         “A lot of Art Tatum.  He’s the Mt. Everest.  And some Oscar Peterson, he’s the K2.”

   …..       That was a joke that went right past her.  Her public TV friends had trekked the Himalayas on their honeymoon, and you couldn’t get through a dinner party with them without hearing about it.  They wore those stupid Sherpa hats when they got back and would show the slides of the pictures they had taken with their expensive cameras, and the wife was always going on about “her Sherpa.”  One night she got started about how she’d lost her Sherpa at one point going up some rock face, and he’d said “The dingos took your Sherpa.”  They were very literal-minded people, and he’d had to explain the reference to them, which killed the joke.  That kind of stuff was always happening with her friends—they didn’t understand him.

   …..        She thanked him and put the tape on, and they had a little dinner together, ratatouille and a frittata.  She said she’d become a vegetarian now that she wasn’t living with him, and he said he hoped she’d keep her strength up.  She was thin and pale, especially during the winter.  He wanted to break things off but he still cared about her.

   …..       When he got up to leave it was like an interview was over it was so awkward.  Here they’d been living together for almost five years, and now they were just friends.

   …..          “Well, uh, call me if you need anything,” he’d said.

   …..      “I’ll be fine,” she said.

   …..       “This side of the hill isn’t as safe as the sunny side,” he said.

   …..      “Uh, we had two attempted break-ins when we lived on Beacon Street—remember?”

   …..    “Right.”

   …..        “While we were in the apartment.”

   …..        “I know, but still.  The streets are darker back here.  You could get mugged.”

   …..      “Thanks,” she said, and she gingerly put her arms on his shoulders and kissed him.  It was like the first time they’d kissed on New Year’s Eve, six years before; light and chaste, and all the more poignant for that.

   …..           After that they didn’t see each other much.  He had to break the news to the landlord that he wanted out of the lease and the old man, a Catholic from Belgium, reminded him what they had told him when they rented the place.  They’d bought cheap rings at a dime store to make it look like they were married since the agent had told them the guy wouldn’t rent to those who were just living together.  “So—unh, unh, unh, unh?” the landlord had asked as he made the sign of the cross.

   …..    “Right,” he had said then, while she remained silent.

   …..       “So you are getting divorced,” the landlord now said skeptically, shaking his head.

   …..    “Yes,” he said.  “So I want to sublet.”

   …..    “You will remain liable for the seven months left on the lease,” the landlord had said.  “You can advertise—I will not place it with an agent since I have already paid one fee—but I must approve any new tenant you find.”

   …..       It hadn’t taken him long; he found a guy who moved up from New York who wore a sport coat and a club tie with pheasants on it when he came to look the place over.  His wife—a real one—had a little head band and a string of pearls hanging across her sweater.  He didn’t tell them about the two attempted break-ins—one from the hall, then one a guy shining a flashlight into their bedroom in the back—and they took the place.

   …..          Rob would talk to her from time to time and she let him know that she’d bought a bike to go to work at Boston University; that she bought it at a bike shop where the owner was very nice to her—unlike him, was the implication–and how he’d fix it whenever she had a problem with it.

   …..    “You’re wearing a helmet, right?” he asked her one day.

   …..    “No—they make me look like a dork.”

   …..  “What’s your bike man have to say about that?”

   …..       She looked at him squarely, understanding that he was jealous.  “He says he likes to see my hair blowing free.”

   …..     He got the point—the guy was in love with her, and was saying the kind of things to her that he’d said back when things were new between them.  Wait ‘til he spends a winter with you, he thought to himself, but he said nothing.

   …..          “I had him over to dinner the other night,” she said, at first looking at him, then looking down.

   …..      “Why would you tell me that?”

   …..     “I don’t know.  Just making conversation.”

   …..     If your definition of conversation was wanting to get back at somebody, he said to himself.

   …..  “I played the tapes you made me.”

   …..     “Oh.”

   …..    “I mean during dinner.”

   …..     “It’s good table music,” he said.

   …..      “That’s what I thought,” she said.  “He . . . made a crack about it.”

   …..    “What kinda crack?”

   …..      “He said it was cocktail music—something you’d hear in a piano lounge.”

   …..    “If he was serious he’s an idiot.”

   …..     She looked at him for a moment.  “That’s what I told him.”

   …..  “You did?”

   …..    “More or less.  I asked him if he knew who it was and he said no.  So I told him it was Art Tatum, the greatest jazz pianist who ever lived.”

   …..     He looked at her to see if she was serious or making fun of him.  She was smiling just a little, as if embarrassed.

   …..        “Where’d you pick that up?”

   …..      “From you.”

   …..      He took a moment to absorb this.  “Well, uh, thanks for sticking up for my taste.”

   …..         “I meant it,” she said as she lined up her fork and knife at an angle across her plate now that she was done.  “I have some sense of loyalty after spending some pretty important years with you.”

   …..       He looked to see if her cheeks were flushed, the usual sign that she was about to start crying.  They weren’t.

   …..    “Well, they were important years for me, too,” he said.

   …..  “I’m glad you think so,” she said as she got up to take their dishes to the little sink in the corner of the apartment.  “Anyway, good taste in music isn’t the most important thing in a man.”

   …..        He glanced at her sidewise, without turning his head, and noticed she was looking out the window, at the hidden garden outside.
.

.

___

.

.
Con Chapman

Con Chapman is a Boston-area writer, author of Rabbit’s Blues: The Life and Music of Johnny Hodges (Oxford University Press), winner of the 2019 Book of the Year Award by Hot Club de France.  His work has appeared in The Atlantic, The Boston Globe, The Christian Science Monitor and various literary magazines.  His book on jazz of the Southwest, Kansas City Jazz: A Little Evil Will Do You Good, will be published in 2022.

.

.

Listen to Art Tatum play “She’s Funny That Way”.

.

___

.

.

Click here  to read “Thrush” by Owen Duffy, the winning story in the 60th Jerry Jazz Musician  Short Fiction Contest

Click here  to read “His Second Instrument,” by Dave Wakely, the winning story in the 59th Jerry Jazz Musician  Short Fiction Contest

Click here  to read “Sketch in ‘D’ Minor,” a short story by Estelle Phillips

Click here to read “A Collection of Jazz Poetry — Summer, 2022 Edition”

Click here  for information about the upcoming  Jerry Jazz Musician  Short Fiction Contest

.

.

.

 

Share this:

One comments on ““The Hidden Garden” — a short story by Con Chapman”

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

Community

Calling All Poets…Submissions guidelines for the anthology “Black History in Poetry”...We are currently seeking poetry from writers of all backgrounds for Black History in Poetry, an anthology scheduled for publication in the Summer of 2026. The anthology will be a means of celebrating and honoring notable Black Americans by offering poetry that teems with imagery, observation, emotion, memory, testimony, insight, impact, and humanity. Our aim is to give readers a way to visualize Black history from a fresh perspective.

In This Issue

Monk, as seen by Gottlieb, Dorsett and 16 poets – an ekphrastic poetry collection...Poets write about Thelonious Monk – inspired by William Gottlieb’s photograph and Rhonda R. Dorsett’s artistic impression of it.

The Sunday Poem

”Gloria’s Step” by Daniel Warren Brown

The Sunday Poem is published weekly, and strives to include the poet reading their work.... Daniel Warren Brown reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Poetry Collection

photo of Dave Tough by William Gottlieb/Library of Congress
21 jazz poems on the 21st of September, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features several poems on the blues, a nod to West Coast Jazz, as well as reverence for the likes of Thelonious Monk, Bill Evans, and Pat Metheny.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Short Fiction

Short Fiction Contest-winning story #69 – “My Vertical Landscape,” by Felicia A. Rivers...Touched by the stories of the Philadelphia jazz clubs of the 1960s, a graffiti artist transforms an ugly wall into something beautiful – meaningful, even.

Feature

“Two Jazz Survivors” – a true jazz story by Bob Hecht...A remembrance of a personal friendship with the late Sheila Jordan, one of the most unique vocalists in jazz history.

Poetry

photo via Wikimedia Commons
Jimi Hendrix - in four poems

Poetry

OhWeh, CC BY-SA 2.5 , via Wikimedia Commons
“Jazz Child” – a poem and a personal remembrance of Sheila Jordan, by Namaya

Essay

“Escalator Over the Hill – Then and Now” – by Joel Lewis...Remembering the essential 1971 album by Carla Bley/Paul Haines, inspired by the writer’s experience attending the New School’s recent performance of it

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Short Fiction

photo via Wikimedia Commons
“Death of an American (Sammy’s Story)” – a short story by Tucker May...The story - a short-listed entry in the recently concluded 69th Short Fiction Contest - is inspired by the life and death of Sam Cooke and how persistent damaging social systems lead to losses for our world – in this instance the loss of a singular musical talent.

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Feature

Trading Fours, with Douglas Cole, No. 26: “Bougainvillea Sutra”...An occasional series of the writer’s poetic interpretations of jazz recordings and film. In this edition, his inspiration comes from the guitarist John Scofield’s 2013 EmArcy album Uberjam Deux, and specifically the track titled “Scotown.”

Short Fiction

photo via Wikimedia Commons
“Apparitions” – a short story by Salvatore Difalco...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is about a Sicilian immigrant with an interesting history in traditional string instruments and Sicilian puppet theater.

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

Community

photo of Dwike Mitchell/Willie Ruff via Bandcamp
“Tell a Story: Mitchell and Ruff’s Army Service” – an essay by Dale Davis....The author writes about how Dwike Mitchell and Willie Ruff’s U.S. Army service helped them learn to understand the fusion of different musical influences that tell the story of jazz.

Interview

photo by Francis Wolff/couresy Mosaic Images
From the Interview Archive: Ornette Coleman biographer Maria Golia...In this April, 2020 interview, Ms. Golia discusses her book and the artist whose philosophy and the astounding, adventurous music he created served to continually challenge the skeptical status quo, and made him a guiding light of the artistic avant-garde throughout a career spanning seven decades.

Poetry

“With Ease in Mind” – poems by Terrance Underwood...It’s no secret that I’m a fan of Terrance Underwood’s poetry. I am also quite jealous of his ease with words, and of his graceful way of living, which shows up in this collection of 12 poems.

Feature

William Gottlieb/Library of Congress
“Lester Young Cools a Village” – by Henry Blanke...On the origins of cool, and the influence (and greatness) of Lester Young.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Poetry

photo via pixabay
“Sensual Autumn” – a poem (for September) by Jerrice J. Baptiste...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Hoagy Carmichael, Frank Sinatra, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes September with a poem of love that brings to mind the music of Joe Pass.

Essay

“Is Jazz God?” – an essay by Allison Songbird...A personal journey leads to the discovery of the importance of jazz music, and finding love for it later in life.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Feature

ntoper, CC BY 2.0 , via Wikimedia Commons
Jazz History Quiz #183...Long admired by the likes of Tom Waits (pictured), John Mayall, and the Rolling Stones, and having had his songs recorded by Bonnie Raitt, Leon Russell, and The Who, this pianist/vocalist has long suffered from a “category” problem, once even saying; “There’s a lot of places I don’t work because they’re confused about what I do.” Who is he?

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 15: High Spirits-Dark Laughter-Absurdity...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 14th edition featuring excerpts from his outstanding literary resource, Rife writes about stories whose themes include High Spirits, Dark Laughter, and Absurdity

Playlist

“Look Ma, No Net!” – a playlist of nonets, by Bob Hecht...In this episode of our progressive instrumentation playlists, we add a ninth instrument to the mix to form a Nonet!

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Community Bookshelf #5...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March, 2025 – September, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

Interview with John Gennari, author of The Jazz Barn:  Music Inn, the Berkshires, and the Place of Jazz in American Life; Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works......  Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.