“Speakeasy” — a short story by Matt Hayes

March 26th, 2018

 

 

“Speakeasy” a story by Matt Hayes, was a finalist in our recently concluded 47th Short Fiction Contest.  It is published with the permission of the author.

 

 

 

Speakeasy

by Matt Hayes

 

___

 

I was recently at a speakeasy in Tbilisi, drinking wine and tapping my foot in time with a jazz quartet, when I noticed a dishevelled French magician approach the mysterious black-haired girl I’d had my eye on for the past ten minutes. This irked me less than it might have, because the Frenchman was clearly a drunkard of dubious repute, and the girl was plainly uninterested in him, not deigning to respond to his advances with so much as a word. He performed endless coin tricks and card tricks for her, and loudly complimented her exotic beauty. But eventually, tiring of her silence, he looked around for someone else to annoy—and before I had time to glance away, he met my gaze and lurched towards me.

“Where are you from?” he slurred, jovially clapping his hand to my shoulder. I decided on a whim to pretend that I was mute. But to my surprise, as soon as he saw my wordless gestures, he began to communicate with me in fluent sign language. A little shamefaced, I had to indicate— mutely—that I could not understand his signs but could hear him well enough.

“Well, in that case, I hope you’re in the mood for a story,” he shouted over the music, taking a seat next to me. “Because I have many to tell.”

Any curiosity I felt about his stories soon faded when he began to tell them. They were all vulgar tales of sexual conquests, illicit affairs, and farfetched dalliances—and they all showed him to be a man of little scruple and ample selfishness. Though he obviously intended to impress me, I found myself looking for a way to get rid of him—a resolve made more difficult by the fact I was supposed to be mute.

“. . . Which reminds me of another girl, from Morocco,” he continued relentlessly. “Now that was an interesting one. It’s the story that first entered my head when I found out you were mute—but I wanted to warm you up with a few others, you see.

“I’d been living in Marrakesh for two years and was making some money on the side as an exporter of chess sets. Well, one day I had to do some business with a humble old man, a chessboard maker, quite poor and in need of a lucky break. He invited me into his shop, and we chatted and sipped tea for a while, and our discussion went very well. Not only did we come to an arrangement entirely satisfactory to both of us; he even listened to my complaints about my landlord, and graciously offered me a room in his house.

“Well, his house was tiny and the room was a big step down from what I was used to. But—” (here the Frenchman paused and winked at me grotesquely) “—it just so happened that the old man had not one, not two, but four wonderfully attractive daughters sharing the small space with him. Needless to say, I moved in the very next day.

“I fell in love with all of the daughters, but it was the youngest who truly captured my heart and my imagination. She was mute, like you, and she was deaf to boot. More importantly, she was exquisitely beautiful, with soft skin and a slender waist, and breasts so new and enormous that she was constantly knocking things off tables. Since I had a lot of free time on my hands, I asked her to teach me sign language. It was of course an excuse to gaze at her delightful face for hours on end. Many times I pretended to be confused about the precise execution of a sign, just so she’d have to guide my hands into the correct position with her gentle fingers.

“How tantalizing those afternoons were! So unworldly was this girl, so unfamiliar with the ways of men, that she assumed I wanted nothing more than to master her unique language. And initially I played along. But how I yearned to kiss those serious brown eyes, that succulent lower lip that she would bite in concentration as she gently touched my hand . . .

“Her father spent every day at his shop and suspected nothing, and her sisters had modern views, so it was the perfect opportunity for a Moorish fling. I used every trick in the book to woo her, and eventually my patience bore fruit. The girl fell desperately in love with me. It was obvious. One day, just to test her, I made it clear to her that I was feeling tired and would have to skip our daily lesson. As I lay in my bed, I could hear her wandering about the house listlessly, unable to think of what to do with herself.

“Eventually I had mercy on her, and called out to the eldest sister: ‘Please tell Soraya to come.’ Almost immediately, Soraya appeared at the threshold to my bedroom, and I weakly beckoned her to enter, as though I had fallen terribly ill. She came and kneeled at my side, her eyes full of concern. I motioned at her to close the door and lock it. By this time she was so enamoured with me that she could hardly refuse anything I might ask of her —so she obediently closed the door, bolted it, and returned to my side.

“ ‘Shut the blinds,’ I gestured. She shut them, and the room became dark.

“ ‘Now light a candle,’ I ordered, ‘because I think I may die soon and that is the custom of my country.’

“She began to sob, in the strange strangled way that deaf people sob. But she lit a candle and placed it on a shelf. And with her delicate hands she signed to me: ‘What else can I do, my dear, to ease your suffering and make you more comfortable?’ Well, perhaps you can already guess what I asked her to do.”

“You’re a monster!” I yelled at the Frenchman, slamming my fist against the table so that everyone in the speakeasy turned to look at us. “How could you treat an innocent girl so ungallantly? I’ve never heard such a cynical story in my life!”

The Frenchman looked at me strangely. “So you aren’t mute after all,” he said. “Well, consider your own sins before you hurry to cast stones. And don’t jump to conclusions so easily. I asked her to marry me. There she is over there.”

And I saw that the black-haired girl in the corner was watching us curiously.

 

_____

Matt Hayes is a writer from New Zealand. He works as a copywriter by day and a fiction writer by night. One of his most cherished habits is listening to Coltrane’s Alabama whenever he packs a suitcase before a long journey. Read more of his work here.

 

*

 

Read “The Happy Thing of Bayou de Manque,” by Erin Larson, the 47th Short Fiction Contest winning story

Details on how to enter your story in the 48th Jerry Jazz Musician Short Fiction Contest

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

A collection of poetic responses to the events of 2025...Forty poets describe their experiences with the tumultuous events of 2025, resulting in a remarkable collection of work made up of writers who may differ on what inspired them to participate, but who universally share a desire for their voice to be heard amid a changing America.

Poetry

photo by William Gottlieb/design by Rhonda R. Dorsett
21 jazz poems on the 21st of November, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features poems communicating the emotional appeal of jazz music, as well as nods to the likes of Miles Davis, Regina Carter, Maynard Ferguson, Ornette Coleman, and Max Roach.

The Sunday Poem

photo by William Gottlieb/Library of Congress

”Snowfall” by Bernard Saint

The Sunday Poem is published weekly, and strives to include the poet reading their work....

Bernard Saint reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Feature

Press Release for “The Weary Blues: Celebrating The Harlem Renaissance and Langston Hughes...I recently wrote about a new endeavor of mine – producing a show in Portland celebrating the poetry of Langston Hughes and the Harlem Renaissance. What follows is the complete press release for the February 7 performance at the Alberta Abbey in Portland, Oregon.

Short Fiction

photo via Freerange/CCO
Short Fiction Contest-winning story #70 – “The Sound of Becoming,” by J.C. Michaels...The story explores the inner life of a young Southeast Asian man as he navigates the tension between Eastern tradition and Western modernity.

Feature

Linnaea Mallette/publicdomainpictures.net
A 2026 jazz poetry calendar...12 individual poets contribute a jazz-themed poem dedicated to a particular month, resulting in a 2026 calendar of jazz poetry that winds through the year with a variety of poetic styles and voices who share their journeys with the music, tying it into the month they were tasked to interpret. Along the way you will encounter the likes of Sonny Stitt, Charles Mingus, Jaco Pastorius, Wynton Kelly, John Coltrane, and Nina Simone.

Poetry

“To Renee Nicole Good, a poet” – a poem by Erren Geraud Kelly

Poetry

photo via Shutterstock
“The Music of Lana’i Lookout” – a poem by Robert Alan Felt...The 17th anniversary of president-elect Barack Obama's scattering of his beloved grandmother's ashes is at the center of the poem, and serves as a reminder that moral personal character of leadership is what makes a country great.

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Community

Letter from the Editor: “A Jerry Jazz Musician Experience”...Sharing a bit of what I’ve been up to of late, and make you aware of a new endeavor of mine…

Poetry

National Archives of Norway, CC BY 4.0 , via Wikimedia Commons
“Wonderful World” – a poem by Dan Thompson

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Poetry

Wikimedia Commons
“Dorothy Parker, an Icon of the Jazz Age” – a poem by Jane McCarthy

Short Fiction

photo via publicdomainimages.net
“Welcome to America” – a short story by John Tures...The story – a short-listed entry in the recently concluded 70th Short Fiction Contest – is a combination of two true linked stories, both of which involved the same person. In one, he’s a witness to history. In the second, he’s an active participant in history, even becoming a hero. But one can’t understand the second until they know the first.

Feature

photo via Wikimedia Commons
Memorable Quotes – Lawrence Ferlinghetti, on a pitiable nation

Short Fiction

“Frusick: Making Sweeter Music” – a short story by J. W. Wood...In the 22nd century, a medical professional takes a bunch of kids to meet one of the last musicians left in England, and has an epiphany when he hears live music for the first time …

Community

Nominations for the Pushcart Prize L (50)...Announcing the six writers nominated for the Pushcart Prize v. L (50), whose work appeared on the web pages of Jerry Jazz Musician or within print anthologies I edited during 2025.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Poetry

"Swing Landscape" by Stuart Davis
“Swing Landscape” – a poem by Kenneth Boyd....Kenneth Boyd writes poetry based on jazz paintings. “Swing Landscape” is written for a Stuart Davis painting of the same name.

Playlist

“A Perfect 10” – a playlist of tentets by Bob Hecht...Bob adds another instrument to his progressive playlist feature, and shares what a variety of arrangers have been able to accomplish writing for a tentet.

Jazz History Quiz

Jazz History Quiz #185...This posthumously-awarded Grammy winning musician/composer was the pianist and arranger for the vocal group The Hi-Lo’s (pictured) in the late 1950’s, and after working with Donald Byrd and Dizzy Gillespie became known for his Latin and bossa nova recordings in the 1960’s. He was also frequently cited by Herbie Hancock as a “major influence.” Who is he?

Poetry

photo via Wikimedia Commons
Jimi Hendrix - in four poems

Playlist

A sampling of jazz recordings by artists nominated for 2026 Grammy Awards – a playlist by Martin Mueller...A playlist of 14 songs by the likes of Samara Joy, Brad Mehldau, Dee Dee Bridgewater, Branford Marsalis, the Yellowjackets and other Grammy Award nominees, assembled by Martin Mueller, the former Dean of the New School of Jazz and Contemporary Music in New York.

Poetry

Ukberri.net/Uribe Kosta eta Erandioko agerkari digitala, CC BY 2.0, via Wikimedia Commons
In Memoriam: “Color Wheels” – a poem (for Jack DeJohnette) by Mary O’Melveny

Essay

“Escalator Over the Hill – Then and Now” – by Joel Lewis...Remembering the essential 1971 album by Carla Bley/Paul Haines, inspired by the writer’s experience attending the New School’s recent performance of it

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Feature

photo of Barry Harris by Mirko Caserta
“With Barry Harris at the 11th Street Bar” – a true jazz story by Henry Blanke...The writer - a lifelong admirer of the pianist Barry Harris - recalls a special experience he had with him in 2015

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Feature

Trading Fours, with Douglas Cole, No. 27: “California Suite”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is dedicated to saxophone players and the mood scenes that instrument creates.

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Community

photo of Dwike Mitchell/Willie Ruff via Bandcamp
“Tell a Story: Mitchell and Ruff’s Army Service” – an essay by Dale Davis....The author writes about how Dwike Mitchell and Willie Ruff’s U.S. Army service helped them learn to understand the fusion of different musical influences that tell the story of jazz.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two– Vol. 16: Halloween on Mars? Or…speculative jazz fiction...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 16th edition featuring excerpts from his outstanding literary resource, Rife writes about azz-inflected speculative fiction stories (sci-fi, fantasy and horror)

Poetry

“With Ease in Mind” – poems by Terrance Underwood...It’s no secret that I’m a fan of Terrance Underwood’s poetry. I am also quite jealous of his ease with words, and of his graceful way of living, which shows up in this collection of 12 poems.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Community Bookshelf #5...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March, 2025 – September, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

Interview with John Gennari, author of The Jazz Barn:  Music Inn, the Berkshires, and the Place of Jazz in American Life; Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.