Poetry by Roger Singer

May 26th, 2013

 

 

WASHING ME

Vines of music crawl over the
listening parts of me. The aroma of it
lifts from lines like everyday wash hung
from my soul; dripping the old part onto
the soil of my comfort, drying me into
a creation I thirst for.

The smoke of my thoughts curled like
lovers hair, feeding on the moisture of my
garden, the appetite within. The sound of jazz
opened suitcases of me, tossing the neatness
as if confetti; its landing lay jagged and random.

A river I feel; strong currents hold rights over me.
The songs break like waves. I sing the opening of
day. Night songs wash me new.

 

 

MORNING JUNK

Morning got the bad fingers of wake up;
I rub hard the junk of last night
from my eyes.
A song lingers on my lips like moths
finding safety on street lights.
A breath of whiskey speaks of Lola
and the black of her; bright red nails
signature my skin with her wants.
She is magnolia blossom strong;
a pearl earring rests in my palm.
Ceiling fan paddles circle the lust
in the room; moans sweeten morning shadows
and clothes lay empty on the floor.
A bright sun, too bright for a dark saint,
strikes through sadly chipped green shutters;
prisoner lines paint the wall and Lola
as she rolls over in satin,
stirring the dog in me.

 

 

SHAPES OF SOUND

It was a square, a circle,
a box of flowers, a bag of words, the shape
of sounds running in my ear.

A rattling of sticks and leaves
with slide and run, banging to life
the jazz I hear living in the attic
of my head.

No shape is safe, no color too bright,
each igniting sounds of bubbling
with youths strong legs, carrying
me with courage.

My tongue rattles like drums excited.
The bend of my shoes walking
start my fingers tapping. My lips
puff out from the chimney of my
thoughts a song of red and blue,
small and long, wrapped and wrinkled……..

The shapes of sounds call me.

 

 

LETTING IT OUT

The edge of me rounds out
to the run of jazz,
pulling on
paper words and
twisting of hair
from a crowd
where sunglasses
hide searching souls
and feet eager for
a place to call home
like buttons spilled
rolling and slapping
round on a floor
without mercy
in a smoky room
where last names
don’t exist
and whispers
melt from corners
and chairs tilt
and heads nod to a beat
while legs jump
with heaven raised hands
in a night place
without a name
answering to the call
of sound
where blankets of brass
cool over the skin
brushing off the dust
while breathing
in the black
and letting out the light.

 

 

COMING TOGETHER

His sound. A bridge over sand and stone.
A language of up with the good side of life
while the downside grasps
like snakes around weak ankles;
doors unlock by voices and blood.

Sharing is the only breath rolling
from the fingers of his song.
He pulls at half listeners
and fence post sitters until struck
by the heavy of him.

He’s a father. A brother of color to
all shades of night and day.

Wild horses stomp out his enthusiasm.
His viral intervening vines of music
force flat hands together into a holiday spirit.
His dream is the coming of together.

Share this:

2 comments on “Poetry by Roger Singer”

  1. Roger has a feel for Jazz–the sound, the music, tempo and jargon. Each of his poems grind out the message in resounding tones. If he is not a Jazz aficionado (which I suspect he is), he has a knack for extracting the marrow from the music he hears!

Comment on this article:

Your email address will not be published. Required fields are marked *

In This Issue

"Nina" by Marsha Hammel
A Collection of Jazz Poetry — Winter, 2024 Edition...One-third of the Winter, 2024 collection of jazz poetry is made up of poets who have only come to my attention since the publication of the Summer, 2023 collection. What this says about jazz music and jazz poetry – and this community – is that the connection between the two art forms is inspirational and enduring, and that poets are finding a place for their voice within the pages of this website. (Featuring the art of Marsha Hammel)

The Sunday Poem

“Mother’s Day Brunch” by Russell duPont

Click here to read previous editions of The Sunday Poem

Poetry

Proceeding From Behind: A collection of poems grounded in the rhythmic, relating to the remarkable, by Terrance Underwood...A relaxed, familiar comfort emerges from the poet Terrance Underwood’s language of intellectual acuity, wit, and space – a feeling similar to one gets while listening to Monk, or Jamal, or Miles. I have long wanted to share his gifts as a poet on an expanded platform, and this 33-poem collection – woven among his audio readings, music he considers significant to his story, and brief personal comments – fulfills my desire to do so.

Short Fiction

pickpik.com
Short Fiction Contest-winning story #65 — “Ballad” by Lúcia Leão...The author’s award-winning story is about the power of connections – between father and child, music and art, and the past, present and future.

Click here to read more short fiction published on Jerry Jazz Musician

Interview

photo of Louis Jordan by William Gottlieb/Library of Congress
Interview with Tad Richards, author of Jazz With a Beat: Small Group Swing, 1940 – 1960...Richards makes the case that small group swing players like Illinois Jacquet, Louis Jordan (pictured) and Big Jay McNeely played a legitimate jazz that was a more pleasing listening experience to the Black community than the bebop of Parker, Dizzy, and Monk. It is a fascinating era, filled with major figures and events, and centered on a rigorous debate that continues to this day – is small group swing “real jazz?”

Playlist

Sonny Rollins' 1957 pianoless trio recording "Way Out West"
“The Pianoless Tradition in Modern Jazz” – a playlist by Bob Hecht...an extensive playlist built around examples of prominent pianoless modern jazz.

Interview

Michael Cuscuna in 1972
From the Interview Archive: Jazz Producer, Discographer, and Entrepreneur Michael Cuscuna...Few music industry executives have had as meaningful an impact on jazz music as Michael Cuscuna, who passed away on April 20 at the age of 75. I had the privilege of interacting with Michael several times over the years, including this wide-ranging 2019 interview I conducted with him. His energy and vision was deeply admired within the jazz world. May his spirit for the music and its culture continue to impact those of us who remain.

Poetry

The 1987 Mosaic Records collection of The Complete Blue Note Recordings of Herbie Nichols
“Thinking of Herbie” – a poem by Daniel W. Brown

Click here to read more poetry published on Jerry Jazz Musician

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – (Vol. 1)...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them.  In this initial edition featuring his story essays/reviews, Rife writes about three novels that explore challenges of the mother/daughter relationship.

Trading Fours with Douglas Cole

The cover of Wayne Shorter's 2018 Blue Note album "Emanon"
Trading Fours, with Douglas Cole, No. 20: “Notes on Genius...This edition of the writer’s poetic interpretations of jazz recordings and film is written in response to the music of Wayne Shorter.

Click here to read previous editions of Trading Fours with Douglas Cole

Review

Jason Innocent, on “3”, Abdullah Ibrahim’s latest album... Album reviews are rarely published on Jerry Jazz Musician, but Jason Innocent’s experience with the pianist Abdullah Ibrahim’s new recording captures the essence of this artist’s creative brilliance.

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Poetry

"Jazz Trio" by Samuel Dixon
A collection of jazz haiku, Vol. 2...The 19 poets included in this collection effectively share their reverence for jazz music and its culture with passion and brevity.

Jazz History Quiz #171

Dick Cavett/via Wikimedia Commons
In addition to being one of the greatest musicians of his generation, this Ohio native was an activist, leading “Jazz and People’s Movement,” a group formed in the late 1960’s who “adopted the tactic of interrupting tapings and broadcasts of television and radio programs (i.e. the shows of Johnny Carson, Dick Cavett [pictured] and Merv Griffin) in protest of the small number of Black musicians employed by networks and recording studios.” Who was he?

Click here to visit the Jazz History Quiz archive

Community

photo via Picryl.com
.“Community Bookshelf, #2"...a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books. This edition includes information about books published within the last six months or so…

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow? An Oral History of the 60's Girl Groups;  a new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Eubie Blake
Click to view the complete 22 year archive of Jerry Jazz Musician interviews, including those recently published with Richard Carlin and Ken Bloom on Eubie Blake (pictured); Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.

Site Archive