Poetry by Nicholas Adell

April 7th, 2009

 

 

 

Poetry by Nicholas Adell

 

 

Mystery Men, Owls, and the Nature of America

Crazy old man walks up to me
I said, a crazy old man walks up to me
Tells me what to see
He calls to me
Makes me an offer I can’t refuse
Washes out the flames in my eyes
Burns a hole through the fabric in my clothes
Faster I run
Clearer he comes
Am I running backwards?
I ran right into a pig
My father is a good American
Why does he eat so much bacon?
How can you be a vegan?
Preservatives are what preserve you

The man came to me tonight in a dream
Told me to remember
Remember Nixon
Remember Lennon
Remember the Hoover Vacuum Corporation
Remember John Sinclair
He told me “You ain’t cool, You’re fuckin’ chilly, and chilly ain’t never been cool, son.”
He dared me to ask if my money could buy back my soul
Tells me wearing a Che shirt doesn’t help anybody but myself
Tells me to collect postage stamps
Put your hand down
Put it down
Call out
Shout out
Shout!
Yell!
Don’t talk out of turn

The next morning I walked to Washington Square Park
I only live a few blocks from there
But I took the subway uptown first
I wanted to see how the fancier pigs live
It was there I saw many people
Being dragged along by their furry masters
Cleaning up their shit for them
It made me wonder who’s really in control

My watch told me he was angry with me
He said I look at him too much
He doesn’t like all the attention
My phone told me he needs to daydream more
My wallet wants a polishing so he can go on a date tomorrow
But he told me he’s flat broke

Once I got to the park
I lit up a cigarette
I smoke because a talking camel tells me to
I saw a woman walk by
I thought she was beautiful
But the television tells me only the first 110 pounds of her is
Is that why she cries at night?
She had eyes so sharp they could freeze hot water
And a blazing gaze shot forth from them
The bridges into her mind were raised

I saw an owl in a tree
Speaking to me, he said “Be free”
This got me thinking
I think I should get a pet
They are on sale today at Walmart
Buy two owls get one free

Gimmie Gimmie Gimmie
I’m just being a good Amerikan
Take what you can get
Take from others
If you’re rich you can
But if you’re poor don’t try
Or you’ll end up in slavery for 3 to 5

It was half a pack and 30 minutes before I noticed the man sitting opposite me
He had on mirrors instead of glasses
I saw myself in him
I was scared of this
I stared myself in the eyes for a very long time
I told him he ought to get a house and a wife
He told me “the human dream doesn’t mean shit to a tree”

He asked me if Walmart was selling souls yet
He told me the government is a white man
He asked if I thought the water was still safe to drink
Make love not war was coined by men who wanted to get laid
I can’t fall in love
I’d rather be with my new owl

The man started to slide away
By the time I looked up
He was gone
On the bench were his glasses
Staring up at me
I put them on and got on with my day
I had a job to do

 

 

 

A Supermarket in California

Picking for eggs in a supermarket in a lonely town,
Inland of the California beaches and forestry,
I thought I saw Jack Kerouac, looking fresh and clean cut; still in his college gown.
But alas, it was just another man, shuffling and shopping quietly.

Oh! But what a man he happened to be.
He waved at the cereals and bantered with the breads.
I lugged my bags, heavy
With books upon a many forlorn times read.

In my amiable infamy, I had to wonder,
What if it was Jack Kerouac I came upon?
Would he smash my dreams and rend them asunder?
Or invoke his whimsical pen and whisk them through the fog?

I walked through the dense California forest haze,
Clouded with fog and green underbrush.
I’ve learned not to count my travels in days,
Because every night without fail, the solemn sparrow’s song is hushed.

Perhaps I will just continue on to the waters edge,
Some three hundred miles away.
For if I have learned one thing it is that this ledge,
Is one we all have to drift off of anyway.

So the crimson sun sets,
Its ink staining the trees like a ripe juicy pear.
A teardrop in the sky rises; as the ash of darkness descends.
Proposed with the dim, I just think back to what my very own Jack Kerouac might have said:
Never to fret, for it is always 3 o clock somewhere

 

 

Paterson, New Jersey

It is when I am painting Paterson
That my fervor is purged
And I am free to bask in my
Own extolling of this holy city.

It is when I am reading of Paterson,
That seven men with severed strings
Form an aggregate communion of disunity.
These seven men, with six strings,
Bought for five-pence apiece, march to
A beat in fours, and sing about the three.
They are never found without their other,
and the wenches dance to the nines,
decrepit lives drained to the lees
here in Paterson.

It is when I am in a place I have never been, Paterson,
That I am in a place I will never be.
Wisps of smoke snake over the horizon,
Steeples mark the times, and the
Occasional glimpse of a man walking by
Looks as though he is a Parisian blur,
An occupant of desolate streets.
A few trees bristle in the light breeze,
And the tidal shades shift over Paterson.

The remnants of the clashes of industry remain.
Rivers of water and concrete
Both sparkle with a typical New Jersey grey,
As though out of a Frank photograph taken anywhere in
The silent wildlife of low-rise American grandeur.

There are dogs scrounging around for scraps
Buried in the pavement
Down that street on the left.
And off to the right
There are men sniffing for bones
Thrown out by the shopkeepers.
A wheelbarrow, with specks of red paint
Clinging on due to the dependency of farmers in Cheyenne,
Stores the morsels men hold so dear.
It sits near a hill, just off one of the
Angular streets that claim to compose Paterson.

Trains and boats and planes
Lumber through Paterson with heavy hearts,
Eyeing the mythical monotony with arched brows.
Cars wonder over the Pulaski Skyway
And young boys dream out windows,
Inhaling the stench of time-charred waterways.
The night begins to fall and the
Doors to the bar housing the conscience of
The architects of this city begin to shudder. The
Furnished souls would shiver here tonight,
As something is amiss on the grease-kempt
Streets of Paterson.

Slick ignorance is belied by
The sedimentary dust enshrining Paterson. The
Hearts and minds of beaten leather jackets
And fading blue jeans are not to be won by
Snakeskin sharks from the North,
And Paterson will methodically resist
Any attempt to change its status as the
Agroville who stitches together
The surrounding landscapes.

The fall of America is a curious one indeed.
Among the boarded shacks and crumbling levees
Lies the true sepulcher of the wistful entity
That justified the possibility of the million-mile
Horizon stretching over the jagged hills of Jersey
To the far Frisco coast and some uniform place beyond.
Sipping whiskey out of paper-bagged bottles
Sit the contented denizens of Paterson,
Who watch the clouds continue to drift by
Even as the shelves of the sacred store lie bare.

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Community

A collection of poetic responses to the events of 2025...Forty poets describe their experiences with the tumultuous events of 2025, resulting in a remarkable collection of work made up of writers who may differ on what inspired them to participate, but who universally share a desire for their voice to be heard amid a changing America.

The Sunday Poem

photo via RawPixel.com

"What a Wonderful World" by Patricia Carragon

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Patricia Carragon reads her poem at its conclusion


Click here to read previous editions of The Sunday Poem

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Poetry

painting by Linnaea Mallette
21 jazz poems on the 21st of March, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features poets – several new to readers of this website – writing about their appreciation for the music, and the diversity and aesthetics of its sound. Along the way, readers will encounter poems that include the great musicians Horace Parlan, Shelly Manne, Keith Jarrett, Zoot Sims, Sun Ra, and Garland Wilson.

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Poetry

art by Marsha Hammel
“Learning the Alphabet of the Blues” – a poem by Mary K O’Melveny...A poem from Kinds of Cool: An Interactive Collection of Jazz Poetry, Vol. II

Interview

A Women’s History Month Profile: Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives of many of the young Black women who – in the Girl Groups of the ‘60’s – sang, wrote, created, and popularized their generation-defining music, and even less about the challenges they faced while performing during such a complex era, one rife with racism, sexism, and music industry corruption. In this February, 2024 Jerry Jazz Musician interview, Laura Flam and Emily Sieu Liebowitz discuss their book’s endeavor at giving them an opportunity to voice their meaningful experiences.

Poetry

photo via Wikimedia Commons
“Empire State of GRIME” – a poem by Camille R.E....The author’s free-verse poem is written as an informal letter to tourists from a native New Yorker, (and sparing no bitter opinion).

Short Fiction

photo via Freerange/CCO
Short Fiction Contest-winning story #70 – “The Sound of Becoming,” by J.C. Michaels...The story explores the inner life of a young Southeast Asian man as he navigates the tension between Eastern tradition and Western modernity.

Poetry

art by Martel Chapman
"Ancestral Suite" - A 3-Poem Collection by Connie Johnson...The poet pays homage to three giants of mid-century post-bop jazz – Booker Ervin, Lou Donaldson, and Little Jimmy Scott

Feature

“Bohemian Spirit” – A Remembrance of 1970’s Venice Beach, by Daniel Miltz...The writer recalls 1970’s Venice Beach, where creatives chased a kind of freedom that didn’t fit inside four walls…

Poetry

Linnaea Mallette/publicdomainpictures.net
A 2026 jazz poetry calendar...12 individual poets contribute a jazz-themed poem dedicated to a particular month, resulting in a 2026 calendar of jazz poetry that winds through the year with a variety of poetic styles and voices who share their journeys with the music, tying it into the month they were tasked to interpret. Along the way you will encounter the likes of Sonny Stitt, Charles Mingus, Jaco Pastorius, Wynton Kelly, John Coltrane, and Nina Simone.

Feature

Boris Yaro, CC BY 4.0, via Wikimedia Commons
“The Bowie Summer” – a personal memory, and how art can fundamentally reshape identity, by G.D. Newton-Wade

Poetry

photo via NOAA
“Taking The Littlenecks” – a prose poem by Robert Alan Felt...Expressing the joy and sorrow of life at age 71 with grace, wisdom, and appreciation.

Short Fiction

photo by Iryna Olar/pexels.com 
“The Fading” – a short story by Noah Wilson...The story – a finalist in the recently concluded 70th Short Fiction Contest – examines the impact of genetic illness on a family of musicians and artists.

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Short Fiction

Los Angeles Daily News, CC BY 4.0 , via Wikimedia Commons
“The Pet Shop” – a short story by Sherry Shahan...The story – a finalist in the recently concluded 70th Short Fiction Contest, – is about an octogenarian couple who accept a part-time caretaker position at Crazy Goose Burlesque when the theater is temporarily shuttered due to archaic public indecency laws.

Poetry

Laura Manchinu (aka La Manchù), CC BY 2.0 , via Wikimedia Commons

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Jazz History Quiz

photo by Mel Levine/pinelife, CC BY 2.0, via Wikimedia Commons
Jazz History Quiz #186...While he had a long career in jazz, including stints with, among others, Coleman Hawkins, Roy Eldridge, Sonny Stitt and Stan Getz, he will always be remembered primarily as the pianist in Charlie Parker’s classic 1947 quintet. Who is he?

Playlist

photo by Robert Hecht
“Spring is Here!” – a playlist by Bob Hecht...With perhaps Lorenz Hart’s most sardonic lyric — which is saying something! — this song remains one of the greats, and has been interpreted in many ways, from the plaintive and melancholy to the upbeat and hard swinging, such as John Coltrane’s version. Check out this bouquet of ten tracks to celebrate this great season!

Poetry

Wikimedia Commons
“Dorothy Parker, an Icon of the Jazz Age” – a poem by Jane McCarthy

Short Fiction

“Lies, Agreed Upon” – a short story by M.R. Lehman Wiens...The story – a finalist in the recently concluded 70th Short Fiction Contest – uncovers a man’s long hidden past, and a town’s effort to keep its involvement in it buried.

Feature

photo via Wikimedia Commons
Memorable Quotes – Lawrence Ferlinghetti, on a pitiable nation

Short Fiction

photo by Bowen Liu
“Going” – a short story by D.O. Moore...A short-listed entry in the recently concluded 70th Jerry Jazz Musician Short Fiction Contest, “Going” tells of a traumatic flight experience that breaks a woman out of her self-imposed confines and into an acceptance that she has no control of her destiny.

Community

Nominations for the Pushcart Prize L (50)...Announcing the six writers nominated for the Pushcart Prize v. L (50), whose work appeared on the web pages of Jerry Jazz Musician or within print anthologies I edited during 2025.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Feature

Albert Ayler’s Spiritual Unity – A Classic of Our Time, and for All Time – an essay by Peter Valente...On the essence of Albert Ayler’s now classic 1964 album…

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year; New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.